Review: True Blood S5E9 “Everybody Wants To Rule The World”

Posted on August 5, 2012 by Lisa Marie Bowman

(SPOILERS)

Tonight’s episode of True Blood saw the apparent conclusion of two storylines.

First off, do you remember how, two weeks ago, I predicted that the Dragon would turn out to be Bud Dearborn (William Sanderson)?

Well, I was kinda right. The Dragon wasn’t Bud Dearborn. Instead, the Dragon was Sweetie, the plump woman who Bud had taken up with since leaving his wife. We really didn’t find out too much about the Dragon, beyond the fact that she’s a bit on the heavy-side and she enjoys square dancing and, quite frankly, I felt a little bit let down by the revelation that, after all the build up and mystery, the Dragon was just a broadly drawn stereotype. It is true that, in the past, True Blood has effectively used stereotypical characters to make a bigger point but tonight, the revelation that Sweetie was the Dragon just fell flat.

I have mixed feelings about how the whole “Obamas” plotline was wrapped up during tonight’s episode. At its best, the storyline managed to show how prejudice is often the product of people feeling as if they have no power over their lives, no hope for the future, and that they need a scapegoat to hold responsible for their own failures. As well, I also appreciated that the show actually had them wearing Obama masks because, quite frankly, it’s the closest any show has come to poking fun at the President since the South Park election episode way back in 2008. It has nothing to do with the Obama’s politics or my own beliefs. I just happen to believe that all leaders, regardless of who they are or what they represent, should be frequently ridiculed.

(Aaron Sorkin’s Newsroom may get more critical acclaim but trust me — Aaron Sorkin will never have the guts to write an episode featuring a murderer in a Barack Obama mask.)

After a nice build up, however, it was hard not to be disappointed with how conventional and predictable the conclusion to the whole Obamas subplot eventually turned out to be. Sookie, with the aid of helpful spirits that happened to be hanging out in her bedroom, figured out that Bud Dearborn might know who killed her parents. She went to see him about it and ended up getting knocked out by a frying pan-weilding Sweetie.

When she came to, Sookie discovered that she was tied up and trapped in a pig pin with Hoyt (and I have to say that I cringed a little at this because I grew up near enough farms that I have first hand experience with just how disgusting pigs really are). Luckily, it turned out that Dearborn and Sweetie were the type of villains who can’t ever just kill anyone without delivering a lengthy monologue beforehand. This, fortunately, gave Sam, Luna, Andy, and Jason time to show up at the barn and save the day. It also gave Andy a chance to prove his worth as a lawman by gunning down Bud Dearborn.

Meanwhile, in this episode’s other major plotline, True Blood factories across the world are being bombed and both vampires and humans are in a panic. Tara, at first, suggests to Pam that they should stock up on their supply of True Blood but Pam informs Tara that they will keep selling True Blood and, once they run out, they will discreetly feed on humans. Meanwhile, the Rev. Newlin is condemning the bombings, despite the fact that the Authority is secretly responsible.

That’s right. The new Salome-led Authority has figured out that the easiest way to provoke a war between humans and vampires is to cause a True Blood shortage. When Eric asks Bill if he truly thinks this is a good idea, Bill replies that he’s not sure but that he does know that he saw Lillith earlier. When Eric and Molly, the cool techie vampire who is my favorite new character this season because she just seems so annoyed with everything in general, attempt to escape from Authority Headquarters, they are apparently betrayed by Bill. So, is Bill now a true believer or does he have a plan of his own? I’m betting on the latter.

Speaking of manipulative vampires, Russell and the Rev. Newlin paid a visit on the wolf pack where, after putting J.D. in his place, Russell proceeded to take Emma (in wolf puppy form) out of Martha’s hands and gave her to the Rev. Newlin. While I’m always happy to see wolf puppy, this development made me go, “Agck!” Seriously, Rev. Newlin’s perpetual smile is so creepy!

Along with the Obamas, another subplot concluded with tonight’s episode but it was a subplot that nobody ever really cared that much about so I’ll just say that Terry finally killed Patrick and the fire demon appeared to be satisfied. So, good for Terry and Arlene.

Random Thoughts and Observations:

I have to admit that tonight’s episode was not one of my favorites. Part of the show’s appeal has always been its willingness to go to extremes but tonight’s episode felt over the top even for True Blood.
I also felt a bit cheated that the scene that popped up in all the previews for this episode — Bill apparently biting Sookie — turned out to just be an elaborate hallucination on Bill’s part. It’s hard not to feel that the show didn’t play fair as far as that was concerned.
Tonight’s unofficial scene count: 45.
Performance-wise, this episode really belonged to Chris Bauer. Andy may not be the smartest character on the show but Bauer brought some much needed depth to the role on tonight’s show.
Though she only had about a minute of screen time, Dale Dickey continues to make a strong impression in the role of Martha.
I would have to go back and rewatch the previous seasons to know for sure but some people online are complaining that Bud Dearborn’s villainy seemed to come out of nowhere. Simply going by my own faulty memory (and please remember, I do not claim to be a True Blood expert, merely a fan of the show), I can see their point. The episode seemed to suggest that Sweetie was the one who brought out his evil side but still…
William Sanderson, incidentally, is one of my favorite character actors. He has a special talent for creating Southern eccentrics (which may be because he apparently is a Southern eccentric himself) and I have to admit that I was a little sad to see his character so casually killed off tonight.
“I ain’t gmail for dead bitches!”
“I may be like a week old but I ain’t an idiot.”
Only 3 more episode left in the season!

Review: True Blood S5E8 “Somebody That I Used To Know”

Posted on July 29, 2012 by Lisa Marie Bowman

Tonight’s episode of True Blood was memorable for many reasons but especially for being the directorial debut of Stephen Moyer. Moyer, who plays Bill and is married to Anna Paquin in real life, directs the Hell out of this episode and I mean that in absolutely the best way. Whether it’s the way that Moyer allows the camera to prowl restlessly through each scene or the hallucinatory feel that he brought to the staging of some tonight’s best moments, Moyer brought both a sense of mystery and an atmosphere of genuine menace to tonight’s episode. Those are two qualities that True Blood has occasionally struggled with this season and it was nice to see them so present tonight. As a result, tonight’s episode was one of the most memorable of the 5th season and I hope that future seasons of True Blood will find Moyer returning to the director’s chair.

Tonight’s episode also gave us what we’ve been waiting for all season: Naked Alcide.

Yes, apparently Alcide had moved on from his night with Sookie because tonight, we got an extended sequence of him having sex with his new werewolf girlfriend, Rikki. Rikki and Alcide talked quite a bit while they were doing it and I’m sure that they may have said something important but, to be honest, that scene was all about Naked Alcide.

Some people (though certainly not me — no never!) would argue that all this episode needed to be memorable was for Alicde to show up naked. However, some other pretty interesting things happened as well…

For instance, Luna turned into Sam! That’s right. While Sam and Andy were off interrogating the fat redneck that Sam captured during the previous episode, Luna stumbled over to the mirror in her hospital room and discovered that she had shifted into Sam. This was one of those great “WTF” moments and Sam Trammell did an excellent job playing both Sam and Luna tonight.

(And, to be honest, it never feels like a true season of True Blood unless something batshit crazy happens with Sam.)

That said, I do wish that tonight’s episode had done a bit more with Luna transforming into Sam. For all the possible ways that tonight’s scenario could have played out, the show was content to have Luna sneak out of the hospital and join up with Sam and Andy as they continued to track down the murderous rednecks. Eventually, Luna nearly collapsed (because, after all, she was in the hospital for a pretty good reason) and transformed back into herself while Sam held her. It was a sweet moment for the two characters but, at the same time, I would have liked to have seen a little bit more of Luna as Sam.

Speaking of the rednecks, they managed to kidnap Jessica and presented her to Hoyt as a “gift” of sorts. They handed Hoyt a gun and then, rather conveniently, all but one of them left the house so that Hoyt could murder his ex-girlfriend. Now, last week, I declared that Hoyt had managed to claim Andy’s former title of being the biggest dumbass in Bon Temps. However, tonight, Hoyt somewhat redeemed himself by not only refusing to kill Jessica but by helping Jessica kill the one redneck left behind to guard them.

Since the sun was out, Hoyt left Jessica behind in the house while he went to get help. However, even though Hoyt may no longer be the biggest dumbass in Bon Temps, he’s still a contender and he promptly managed to get himself lost. Finally, Hoyt managed to flag down a passing truck just to have the unseen driver pull a gun on him. I’m going to guess that the driver is also the dragon who was mentioned in last week’s episode.

The rednecks’ attempts to offer up Jessica as a sacrifice were paralleled by not one but two separate vampires on tonight’s episode. Pam invited Tara to feast on an old high school rival down in her club’s dungeon. Even more importantly, Bill drank the blood of a human girl who was offered to him by Salome.

This was an especially important scene because, up until this point, Bill has been a very outspoken supporter of mainstreaming. By his actions on tonight’s show, it would appear that Bill has now come over to the side of Salome, Nora, and Russell. Indeed, all of the members of the Authority were so impressed by the appearance of Lillith during last week’s episode that they’ve all pretty much abandoned Roman’s precious mainstreaming.

All of them, that is, except for Eric. Alexander Skarsgard had some of his best scenes of the season tonight as he brooded over the actions of his fellow vampires and argued with his “sister” Nora. Judging by tonight’s episode and the preview for next week, we appear to be heading for a major confrontation between the “born again” Bill and the always skeptical Eric and I, for one, can’t wait to see how it all plays out.

Speaking of vampires, Sookie and Jason went to the faeries to try to discover which vampire killed their parents. With the help of the faeries, Sookie was able to enter her mother’s mind and see the attack that led to the death of her parents. However, she couldn’t get a clear view of the vampire’s face and, strangely, she also found herself entering into the mind of the vampire. This sequence, with its frequent jump cuts and distorted camera angles, was perhaps the best evidence offered up tonight that Stephen Moyer should direct more episode of True Blood once season 6 starts production.

Meanwhile, Lafayette has finally gotten smart enough to start demanding some sort of money for continually allowing himself to be possessed by dead people. He charges Arlene $300 to perform a séance where they attempt to convince the fire demon to stop chasing after Terry and Patrick. The ghost of dead Iraqi woman replies that the curse will only be lifted if Terry kills Patrick or Patrick kills Terry. Patrick responds by running out of the séance. Seeing as how Scott Foley is only a guest star, I’m going to guess that, one way or another, Patrick is going to be toast.

And did I mention that tonight’s episode featured Alcide naked?

Because it totally did.

Random observations:

Largely because of the sequence where Sookie flashes back to her parents being attacked and killed, this episode ended up with an unoffical scene count of 57.
I really hope that Bill comes to his senses soon.
How neat was it when Sam turned into that snake?
Was it just me or was Jason really cute tonight? This has really been a pretty good season for those of us who love Ryan Kwanten and his performance as the well-meaning but occasionally just a bit dense Jason.
I totally related to what Sookie was saying about waiting in line at the bank. Jason’s reaction was adorable and priceless.
Only 4 more episodes left!

Review: True Blood S5E7 “In The Beginning…”

Posted on July 22, 2012 by Lisa Marie Bowman

Wow.

That, in a word, sums up my reaction to tonight’s episode of True Blood. While I’ve enjoyed this season, I cannot deny that it’s been an uneven one with great episodes alternating with episodes that felt like they were mostly serving as filler. Tonight’s episode was one of the great ones and, if the final half of this season can continue to build on this episode’s momentum, season 5 of True Blood will be a memorable one indeed.

A lot of things happened on tonight’s episode of True Blood and I’m still taking them all in, even as I write this. This is going to be a review of first impressions and I make no apologies for that.

For a show that has often been in danger of coming across like a collection of random scenes and flamboyant quirks, tonight’s episode had a very definite and very strong theme and that was the theme of hate. Why do people (and vampires and werewolves) hate and how does it feel to be hated? Can hatred be ended or are we just fated to live our lives in a world that’s dominated by people trying to kill each other for reasons that don’t even seem to be all that apparent to them? At it’s best, True Blood has always served an allegory for the prejudices that have poisoned the past and which refuse to die in the present. That was certainly the case tonight. It was rarely subtle but then again, True Blood rarely is.

That’s kind of why some of us love it.

Where to begin with recapping this episode? Well, let’s start with Sookie. After having her little freakout at the Faerie nightclub, Sookie was subdued by two faeries who, once Sookie regained consciousness, informed her that she has to be careful with her magic powers because, since Sookie is only half-Faerie, she’s running the risk of depleting herself. As the faeries grimly explain to her, if she uses up her magical powers then she’ll no longer be half-faerie. Instead, she’ll just be normal. Sookie can barely disguise just how excited she is by this news.

Later, Sookie goes to the hospital to see Luna, who is still recovering from being shot by rednecks two episodes ago. While there, she talks to Sam and she asks him if he would want to be normal if he had the chance. Sam replies that he doesn’t know and that he really doesn’t have a choice in the matter. Sookie, however, does and she ends the episode lighting up the sky in an effort to deplete her magic.

As for Sam, he’s using his powers to continue to pursue the men who shot him and Luna He manages to catch one of them — who, somewhat predictably, is named Jim Bob — in the hospital.

Jim Bob’s friends, meanwhile, are busy hanging out with their new best friend, Hoyt. Usually, I find an excuse when writing these reviews to refer to Andy as being a dumbass. However, I may have to stop doing that because, as of late, Hoyt is a 100 times more of a dumbass than Andy. Having been “rescued” last week, Hoyt is apparently now a born again redneck and he seems to have little trouble joining up with this hate group and letting them know all about how angry he is at Jessica.

Yeah, Hoyt’s definitely a bigger dumbass than Andy.

But, as tonight’s episode proved, rednecks aren’t the only ones who are capable of hatred. Do you remember how, last week, I theorized that Russell wouldn’t actually kill Roman? Well, I was certainly wrong as tonight’s episode opened with Roman dead and Salome assuming control of the Authority. And, much as I (and a lot of other people) predicted, it was revealed tonight that it was Salome and not Nora who originally dug Russell up in the first place.

As the new head of the Authority, Salome not only releases Nora but also pardons Russell for killing Roman. Once the lone dissenting member of the Authority is killed by Russell, Salome leads the remaining members in drinking the blood of Lilith. Though originally hesitant, Bill and Eric both also drink the blood because, as Eric puts it, it’s just vampire’s blood.

In the very next scene, we find Nora, Salome, Russell, the Rev. Newlin, Eric, and Bill all drunkenly wandering the streets of New Orleans. While Russell and Newlin flirt, the other members of this happy group go out of their way to intimidate humans and announce that the city belongs to them. As if to prove their point, they then crash a party where they proceed to make a bloody (and almost disturbingly graphic) feast out of everyone there. Eventually, so much blood is spilled and so much hatred is released that a very naked Lilith suddenly appears and proceeds to walk over to where Nora is feeding on one unfortunate guest. As Eric, apparently lost in his own daze of a blood lust, watches Lilith and Nora, he suddenly has a vision of his own as Godric appears to remind him that he knows what he’s doing is wrong but, ominously, Nora does not.

(At this point, the show truly earned my review of “Wow.”)

As of tonight’s episode, it certainly appears as if that long-threatened war between humans and vampires is right around the corner…

Random Thoughts And Observations:

Tonight’s unofficial scene count: 35.
Who do you think the Dragon is? I’m going to make an early guess and say that it’s Buddy Dearborn, if just because I can’t think of any other reason for including that scene where Andy goes to visit him.
I have to admit that I found the scenes where Lafayette attempted to get that spirit exorcised out of him to be almost unbearably disturbing and difficult to watch.
How hot was Alcide while he was training for his fight with J.D?
Though it didn’t do much to move the story forward, my favorite scene tonight was when Arlene was watching her wedding video. It was a sweet moment of calm in a stormy episode and Carrie Preston’s performance as Arlene really sold it.
This entire episode, in fact, was very well-acted. Denis O’Hare was all decadent evil as Russell and Anna Paquin’s scenes where she considers whether or not she wants to be normal were very well done.
As often happens whenever True Blood tackles the most serious of themes, this episode was full of some great one-liners. Here are some of my favorites:
“I don’t know how to make lunch so I made you breakfast instead.”
“Your son doesn’t have a grave because y’all ate him.”
“Hate group is about more than hate.”
While I think the show made the right decision when it came to killing off Roman, I’m still going to miss Chris Meloni’s performance in the role.

Bleh! 10 Random Thoughts About The 2012 Emmy Nominations

Posted on July 19, 2012 by Lisa Marie Bowman

The 2012 Emmy Nominations were announced this morning and, at the risk of repeating myself, “Bleh!”

I know that I’ve kind of set myself up as the awards-crazy member of the TSL team and that’s a title that I wear proudly. Usually, I love writing up posts about the Oscars and the Emmys and whatever other silly awards might be handed out during any particular week.

But seriously, this year’s Emmy Awards are just making me go, “Bleh,” with boredom.

For the boring list of official nominees, click here.

For the far more interesting list of my personal nominees, click here!

Here’s ten random thoughts that went through my head as I looked over the list of nominees:

1) The best comedy on TV, Community, was totally and completely snubbed with the exception of one writing nomination.

2) The Walking Dead was also snubbed. To be honest, I feel that the Walking Dead’s 2nd season was a bit too uneven to justify it winning but, at the very least, it deserved a nomination.

3) 3o Rock, which hasn’t been interesting for a while, received all sorts of nominations.

4) My three favorite guilty pleasures — Pan Am, The Client List, and Ringer — were completely ignored. I’m not surprised by that but seriously, I was still hoping that the Emmy nominations would be at least a little bit fun.

5) The tyranny of Betty White continues as she was nominated for Outstanding Reality Series Host.

6) I was excited by a few of the nominations: Girls and Veep for Best Comedy Series, Game of Thrones and Boardwalk Empire for best drama series, Claire Danes for best actress in a drama series, Uma Thurman for best guest actress in a drama, and Idris Elba for best actor in a miniseries. Degrassi picked up a nomination as well. Yay!

7) The two most overrated shows on TV, the Colbert Report and The Daily Show, were both nominated for like the 100th time.

8) Both the Office and Dexter were thoroughly snubbed, as they should have been. In the past, I’ve loved both of those shows but this season, they both seemed to take viewer loyalty for granted.

9) Apparently, networks can now pass off their failed shows as being miniseries. That’s the only possible way to explain Ashley Judd picking up a nomination for best actress in a miniseries.

10) With the exception of a nomination for Project Runway, the Lifetime Network was pretty much ignored. When you ignore Lifetime, you pretty much leave me no choice but to ignore you.

Lifetime! My life, my time…

Review: The Newsroom S1:E4 – “I’ll Try to Fix You”

Posted on July 16, 2012 by Leonard Wilson

The key to Episode 4 of The Newsroom’s season really comes down to the last 10 to 15 minutes. The episode seems light and even and then by the end everyone is moving in a mad scramble to get the news out. Very nice to see that, honestly.

This episode, entitled “I’ll Try to Fix You” has the News Night 2.0 team closing out 2010 and celebrating the impending New Year. It’s more or less a lighthearted, fun episode. Mac approaches Will in his office, letting him know that her boyfriend Wade wants to speak with him on something. Wade informs Mac that he’s missing a major headline.

Neal appears to have this weird obsession over Bigfoot, which becomes a running theme in this episode. It’s cute in that it comes up a number of times here, very similar to the story about the Chicken in The Social Network. Maggie finds Jim still working to find any major stories they may have missed. After a little light flirting (well, it seemed that way), Don shows up and Maggie has to go. A lightly inebriated Don decides to set up Maggie’s roommate, Lisa, with Jim for New Year’s. In the middle of selling Jim, Lisa’s phone goes off with a Rod Stewart song. After what happened with the email fiasco, I found myself recalling that because sooner or later, that ringtone would need to come back into this episode. Maggie appears to have something of an issue with Lisa and Jim, but again, she’s with Don. I kind of wish she’d make up her mind already.

Wade tells Will that the House cut 80% of the DOJ budget, and the three go over whether this is a story to run with. When Wade leaves, Mac and Will have a slight argument over Wade. Mac’s a line in particular that made me laugh, “How do you introduce the Netflix queue of crazy divorced women with digitally remastered breasts you spend your nights with?”, which works in the argument between the two.

Will heads out to the party, and finds Sloan Sabbith. Eyeing the group, they have a short exchange on whether he should mingle and who he should mingle with. He heads out and speaks to Nina Howard and finds out she’s a Gossip Columnist. Rather than going with the New Year kiss, Will starts to lecture her on what she does, stating she “knows right from wrong” and that it’s “it’s a form of pollution.” The attempt to civilize Nina ends up with a drink in his face. Poor guy has no luck whatsoever.

Charlie and Will reconvene the following morning to find that he’s on Page Six of the New York Post. Will clears the air with Charlie on this and moves on to the morning meeting. Of the topics that weren’t discussed, they decide to run with both the notion that the Republicans believe that Obama is out to take away their guns or gun rights. The broadcast goes on to show that there really hasn’t been any kind of legislation to show that this is the current plan.

Maggie and Lisa have a brief discussion on Jim, and Maggie comes to Jim’s defense when Lisa points out that he’d think she’s dumb. Again, this is going to come to a head later on.

Mac, along with a woman named Carrie (played by Kathryn Hahn, who I haven’t seen since Step Brothers), head to his apartment. When she goes to change her clothes and informs him she has a joint in her purse, he discovers a pistol and they have words. I’m not sure if Hahn’s going to come back, but it would be interesting to have her come back as a foil to Mac.

As Will and Sloan go over the next broadcast, she beams and asks him how the night went. Will informs her that her friend was packing heat. Sloan tells him he has to stick with her because she’s a little obsessive. Olivia Munn has some great moments back and forth between Jeff Daniels in this episode, and so far her character still seems to be the only one without any romantic issues.

With Will’s chances in the dating scene spiraling downward and making headlines, Don proves how much of an ass he is by giving Maggie a news blip that causes her to call Jim. While she has Jim on the phone, Don calls Lisa, who’s phone rings in the background with the Rod Stewart song. I personally can’t wait for Don to get punched outright in the face. That will be the highlight of the season for me.

After being called in on Saturday, Will finds everyone in the office going over the particulars of the Bigfoot story. Will meets with Charlie and Mac over Will being in the newspapers when it comes to light that AWM (their parent company) has been flaming him the entire time. Charlie admits about the meeting with Leona and Mac blows up because the only way that the 3 Year no work clause could have taken effect would have been if it were changed in the contract. The contact that Will changed to allow him to fire Mac also allows AWM to keep him from working anywhere else.

Just when you think it’s going to keep going on, the story explodes into high gear with the iNews blip on the shooting of Congresswoman Gabrielle Giffords. All hands are on deck as they race to get the story together and everyone prepped. It shines as easily the biggest highlight of the episode and smacked the complaining, “Not This relationship stuff again” sigh I had right off my face. During the broadcast, it comes out that CNN and NPR are going with the story that Giffords died that day. Ironically enough, CNN had the very same problem just a week or two ago, incorrectly reporting that the “Obamacare” Heath Reform vote didn’t pass before Justice Roberts’ vote came through.

When Reese shows up onto the floor and calls Will out to declare Giffords dead just as everyone else does, who shows up to actually save the day but Don of all people. Talk about jaw drop!! He’s the last person I would have expected to have come in to help this group. Will calls in Mac and Charlie to thank them in a cursing tirade, and gives Neal a chance on his Bigfoot story. With all of this done to Coldplay’s “Fix You”, it plays out so damn well that you may almost forget all of the other scenes you were watching beforehand. It’s a fantastic final few minutes that showcases what the Newsroom is about.

My only worry is that they’re moving so fast with these news reports that by the time the season is over, they could conceivably end up in the Present Time. How they’re going to come up with news after doing that is going to require a few rabbits and hats. Overall, a well done episode.

Review: The Newsroom S1:E3 – “The 112th Congress”

Posted on July 16, 2012 by Leonard Wilson

Though I’m a registered Democrat (which I did before realizing I could be Independent) and my family’s mostly Republican, Politics tend to make my eyes glaze over and a lot of it goes over my head. My reasoning is that no matter who you have in office, neither side has everything right and you’ll find corruption and/or underhanded deals no matter what side is chosen. It’s because of this that makes The Newsroom a little difficult for me to write about from a political standpoint, but on an entertainment standpoint, I’m having fun. This show is getting a little tighter with every episode.

This episode, titled “The 112^th Congress”, opens with a statement taken from the 9/11 Commission back in 2004. Will makes an apology to the American viewing public on the way News Night has been, stating that they failed to give the right news – “A leader in an industry that miscalled election results, miscalled hyped up terror scares, ginned up controversy, and failed to report on tectonic shifts in our country”. Will stresses that they will be concentrating on giving the news, and opinions that also contrast his own. I liked the way this scene moved, jumping back and forth through the events of writing out the speech, getting everyone up for their morning meeting, cleaning it all up and providing it to Charlie before the actual broadcast. This is all while the speech is given. The opening editorial lays down the template to the News Night viewers on where it’s headed.

The following scene is a conference room with Charlie, Reese, another associate and Leona (Jane Fonda) in a debriefing meeting on the News Night changes. This takes place on November 3^rd, 2010. The show moves to this location, the Bigwig Conference, a number of times as we go over the months since NN2.0’s inception. I have to admit I really liked the movement of the scenes back and forth here. Don approaches Jim and gives him a little flak on why he wasn’t in the loop on Will’s speech, given that his own show that comes afterward is also trying to be the one to move up to that treasured 8pm slot. Don also has something of an issue with Maggie on this as well, but it only lasts for a moment.

Reese goes on to mention that since the News Night change, Will’s lost about a good 7% of his audience. Though they’re doing what they feel is the right thing, it is costing them from a viewer’s standpoint. I liked how Leona really doesn’t speak up until the middle of the episode, her character just kind of taking in all of the information that’s given.

There’s a very interesting conversation between Will and Charlie, talking about the changes in the Tea Party’s progression. Granted, this all requires first level research for stronger opinions & statements to be formed, but from the way The Newsroom presents it (and my interpretation of it), the Tea Party kind of swooped in and changed the Republican landscape (or was at least trying to at the time) for their own pursuits. That Will, being a Republican himself, decides to make this the top story felt like it added to the “all the facts” angle the NN2.0 was shooting for. For the record, were he a Democrat, I’m pretty sure that they could have done the same thing for that party, using a story on gun control or something like that.

Getting back to the story, it’s revealed in the Bigwig conference that Will is treating his interview subjects like members in a courtroom and that at one point in his life, he was a prosecutor. I liked this, but the information seemed sudden to me, as if Sorkin and crew were in their writing room and the question came of “Well, how is Will so good at this?”, and they came up with the lawyer angle. Then again, to counter that, we learned 4 episodes into Mad Men that Don Draper’s name wasn’t his and his past wasn’t his either. I suppose it makes sense here too.

Mac meets one of Will’s new dates and overreacts a little with the compliments, inquiring on who she is. Turns out that the lady works for the New York Jets as a choreographer. Mac and Will move to Will’s office, where she berates him on his dating choice for the evening. There’s a bit of cute back and forth banter before she nearly storms out and Charlie catches her, telling them both the keep up what they’re doing with the Tea Party pressure. Will asks how the 44^th floor (The Bigwig Conference) is handling this, and Charlie lies to him about it. Undoubtedly, this will end up being a problem later on in the season. The relationship angles still appear a little blurry. We learn that Maggie’s issues are attributed to Panic Attacks, which opens a nice scene between she and Jim on the terrace of the building. I already touched on the Sorkin Girls in the last episode. I’ll let it go here, but it does kind of show why she’s been the way she’s been. The problem here is that with the forward momentum the scene made, it takes two steps back in having her with Don still by the end of the episode. I’m not saying they should be in each other arms by now, but I wouldn’t mind seeing thing forward just a little more.

The story moves ahead to June 18, 2010, where Will goes after a senator regarding statements made on AIDS and it’s spread. The Bigwigs are not pleased at all on this. After the broadcast, Mac finds another date waiting for Will, who Will points out is an actual brain surgeon. That was actually worth a chuckle, indeed.

At the Bigwig Conference, Reese points out that there was a party every year he and his mother were invited to at Telluride that they didn’t receive an invite for this time around. Reese points out that Will’s broadcasts has cost them Koch Industries, which happens to be close to the Lansing’s (Reese and Leona).

Near the end of the Bigwig Meeting, Leona finally speaks up, letting Charlie know that Will needs to back off as the parent company, AWM has special interests with of the parties that Will has been attacking. Leona threatens to fire Will, which of course would be a problem due to a special clause in his contact that prevents him from working for 3 years. That was kind of cool, reminding me of what happened with Conan O’Brien when he left NBC. So now, the stakes are raised. Do they continue doing what they’ve planned and face being fired or revert back to the old format?

While I still have the same complaints as before (Sharpen up the girls, etc.), the episode ramped up things with some of the actual broadcasts that were done. The Bigwig Conference scenes were some of the strongest parts there, I felt. We’ll see where this all goes.

Review: True Blood S5E6 — “Hopeless”

Posted on July 15, 2012 by Lisa Marie Bowman

(SPOILERS BELOW)

I have to admit that Hopeless is not only the title of the latest episode of True Blood but it’s also the way I felt after watching the first 30 minutes. After last week’s exciting Michael Lehman-directed episode, Hopeless seemed to be moving a bit too slowly for its own good. However, once the show’s second half kicked in, I’m happy to say that the episode picked up the pace and it all ended with one of those wonderful (if, in this case, somewhat predictable) cliffhangers that we’ve all come to expect from True Blood.

At the end of last week’s episode, both Sam and Luna had been gunned down by a bunch of masked rednecks in a pickup truck and Emma had turned into an adorable wolf puppy and gone running into the woods. At the time, I predicted that Sam would live but Luna appeared to be dead. Well, tonight, I discovered that looks can be deceiving because Luna apparently isn’t dead. Now, don’t get me wrong. I didn’t want Luna to be dead but, at the same time, considering just how dead Luna looked at the end of last week, it was still somewhat shocking to see her being not only wheeled into the hospital but being totally conscious as well.

Anyway, with Luna recovering in the hospital and Emma having safely made it to her grandmother’s place, Sam volunteers to help Andy track down the masked men who shot them. Andy, at first, is reluctant to accept the help but Sam eventually convinces him and that’s probably a good thing because, as we all know, Andy is kind of a dumbass.

Sam and Andy’s investigation leads them to the same gun shop where, a few episodes earlier, Sookie had gone to purchase some tools to use to try to control the newly vampiric Tara. The same clerk that waited on Sookie is there to talk to Andy and, much like his last appearance, the actor playing the clerk goes totally over-the-top with his performance. Fortunately, he tries to pull a gun on Andy which gives Sam an excuse to shoot him with a crossbow and kill him off before we have to spend any more time listening to him.

As for the masked rednecks themselves, they don’t show up until the very end of the show, at which point they kill a vampire who happens to be draining Hoyt dry. Not realizing that Hoyt was a very willing victim, the rednecks proceed to “rescue” him by tossing him into their van. It was, at this point, that I noticed that one of the rednecks was wearing a Barack Obama mask.

Tonight’s other big plot dealt with — of course — the vampires.

At the end of last week’s episode, Bill, Eric, Alcide, and Sookie had finally found Russell and were preparing to take him in when Alcide was attacked by a werewolf. At the start of tonight’s episode, Alcide managed to rather easily defeat the two wolves and for that, I say “Yay!” because it gave the show an excuse to show us Alcide all shirtless and tough-looking. The Authority showed up at this point and took Russell into custody. Before Eric and Bill were returned to Authority HQ, they were ordered to erase the memories of Sookie and Alcide. While Eric erased Alcide’s memory (and took the time to tell him that he would, from now on, find Sookie physically repulsive), I got the feeling that Bill kinda faked it with Sookie.

(Regardless of whether Bill faked it or not, it took Sookie all of a few hours to not only fully remember everything about Russell and the Asylum but also to restore Alcide’s memory as well.)

Back at Authority HQ, Bill and Eric are hailed as heroes by Roman and the other members of the Commission. While Eric, being Eric, makes little effort to hide his contempt for the whole situation, Bill swears his loyalty to “mainstreaming” and, to be honest, goes a bit overboard while doing so.

Roman announces that he’s going to execute Russell that night and then grants Eric permission to speak with Nora. When Eric goes down to see Nora in her prison cell, Nora reacts to the news of Russell’s impending execution with a joyous smile. It soon becomes apparent why because, right as Roman attempts to administer the true death, Russell suddenly breaks free of his bonds and grabs him. Salome’s little smile as Russell moves in to kill Roman should erase any doubt as to who originally set Russell free.

At first, I assumed that show ended with Russell killing Roman but, as my BFF Evelyn pointed out to me a few minutes ago, we never actually saw Roman die. We saw some blood splattering on Russell and we saw Roman’s face twisting in apparent agony but we didn’t actually see him die. Hopefully, Roman will survive this attack because, seriously, Chris Meloni’s performance has simply been too good and too strong for him to be so easily dispatched.

As for the rest of what happened on tonight episode, Pam broke up Jessica’s fight with Tara and Hoyt was all excited because he thought that meant that Jessica actually did love him. When Jessica let him know that wasn’t the case, Hoyt replied by going out and finding that previously mentioned vampire to suck his blood.

(Seriously, girls, haven’t we all had a Hoyt in our life at some point?)

Meanwhile, Terry returned to Bon Temps and told Arlene that he couldn’t be near her because he’s got that fire spirit chasing after him.

Alcide decided that he wanted to be packmaster, after all.

And, finally, Jason told Sookie about the faerie nightclub and that their parents were killed by a vampire. Afterward, they went to the club themselves and it was there that Hadley not only confirmed Jason’s story but also explained that the vampire killed their parents specifically because it was attracted to the smell of Sookie’s blood.

Needless to say, Sookie didn’t take that news well.

A Few Random Thoughts and Observations:

Tonight’s unofficial scene count: 38.
Tonight’s episode moved a little bit too slowly for me. As usual, the action picked up during the final 15 minutes and the show ended with a pretty exciting cliffhanger.
Dale Dickey has been one of my favorite character actresses ever since I first saw Winter’s Bone and I’m always happy to see her bring her own distinct brand of Southern gothic to True Blood.
I was going to comment on the fact that Sam seemed to recover from being shot pretty quickly but maybe that has something to do with him being a shifter. That’s my usual excuse whenever something happens on True Blood that doesn’t ring true to me: “Well, they’re all supernatural.”
I’m usually not a huge fan of werewolf politics but I did enjoy it when Alcide and the packmaster had their little redneck confrontation. As always happens whenever I see rough but confident men trying to intimidate each other, my inner country girl squealed a little.
I also have to admit that I laughed out loud at the sight of Roman in his blue polo shirt. There’s just something oddly appropriate about a self-important bully like Roman wearing a polo shirt that is just a tad too small.
I hope that someday some guy says to me, “You’re way too pretty to not be stupid,” just so I can reply, “What’s your excuse?”

Review: True Blood S5E5 — Let’s Boot And Rally

Posted on July 8, 2012 by Lisa Marie Bowman

Oh my God. Where to begin?

After last week’s vaguely disappointing episode, tonight’s episode of True Blood was a triumphant return to form. Perhaps not coincidentally, it was also the second episode this season to be directed by Michael Lehman. As he did previously with “Authority Always Wins,” Lehman kept tonight’s episode moving quickly and managed to juggle the many subplots and characters with an ease that hasn’t always been present on True Blood in general or this season in particular. Along with bringing out the best in his actors (all of whom found the perfect pitch between comedy and drama in this episode), Lehman knows just how far he can push True Blood’s signature Southern gothic atmosphere before losing focus.

And speaking of tonight’s plot, after a season that has occasionally seemed to be a bit scatter-brained, True Blood’s many subplots finally started to come together tonight.

Let’s start with my Sookie, Eric, and Bill because they’re my favorites. When we last saw Sookie, she was about to get it on with Alcide and I was happily saying, “You go, girl!” because I had just seen Magic Mike a few days earlier. Well, unfortunately, thing didn’t quite work out as Sookie ended up throwing up all over Alcide’s shoes and then, if that weren’t mortifying enough, who should pop up in the bedroom doorway but Eric and Bill? It turns out that Eric and Bill have decided to go back on their “Fuck Sookie” policy and they now ask her to help them track down Russell. Though, by this point, Sookie probably wishes she could just get a night off, she agrees to help. As delivered by Anna Paquin, Sookie’s sarcastic little speech was definitely one of tonight’s highlights.

Accompanied by Alcide, Bill, Eric, and Sookie track down poor old Doug, the fellow who originally discovered that Russell had escaped. Sookie reads Doug’s mind and discovers that Russell was freed by a female member of the Authority. Though Sookie doesn’t see her face, Bill is quick to put the blame on Nora. Using a reluctant Doug as their guide, they track Russell down to a scary, old abandoned asylum. These wonderfully creepy scenes, where they searched for Russell and came across random, blood-drained corpses, represented True Blood at its best.

Eventually, they found Russell laying in bed and, instead of just killing him, Eric started to have a conversation with him. That conversation, however, was interrupted by what sounded like a wolf and Alcide apparently collapsing to the floor…

But that’s not all!

It wouldn’t be a season of True Blood without Sam getting into some sort of weird trouble and tonight was no exception. When last we saw Sam, he arrived late to a get together of his shifter friends and discovered that they had been murdered. On tonight’s episode, after he dealt with the police, Sam went to see Luna. While he talked to Luna, a group of redneck drove up in a pickup truck and gunned both of them down while Emma turned into a dog and ran into the woods. Sam appeared to have survived but, as the episode ended, Luna looked pretty much done for.

Meanwhile, Terry and Sgt. Devins are still up in South Dakota and the start of tonight’s episode found them tied up in the basement of their fellow vet, Bill Eller. Eller explained that, as a result of what they did in Iraq, they’re now being pursued by a fire monster known as an Ifrit. Terry believes Eller and Devins (who, the hotness of Scott Foley aside, is kinda turning out to be a real toadsucker) does not. It doesn’t matter, of course, because — as soon as they convince Eller to set them free, the Ifrit shows up.

As I’ve said before, I haven’t been a big fan of the whole Iraq subplot in the past because it just felt very predictable and obvious. And I have to admit that my fellow TSL contributor Senor Geekus figured out — long before I did — that it was going to be an Ifrit that was setting all those fires. But, I actually liked the direction that they took with it tonight. It’s still a bit too heavy-handed for my tastes but, at the very least, the Ifrit makes for an intimidating threat.

But that’s not all. Tara has a new job as a bartender and, on her first night at work, she unexpectedly bonds with Jessica but that bond soon falls apart when Jessica comes across Tara drinking Hoyt’s blood. Lafayette is still possessed and having to deal with Jesus’s disembodied head suddenly showing up. Jason can’t remember much about what happened at the Faerie “safe house” but he’s now having disturbing dreams about his parents. And Andy? Well, Andy’s still a dumbass…

A Few Random Observations:

Tonight’s unofficial scene count: 40
Molly, the cheerful girl who works at the Authority headquarters and who called up to tell Eric and Bill that they had been iStaked, is one of my favorite minor characters this season.
How cute was Jason at the start of his little dream tonight?
A definite highlight of tonight’s episode was Jessica and Tara’s conversation at the bar. I loved watching them bond and their discussion about how it feels to suddenly know that you’re different was a good example of how True Blood — at its best — uses vampirism as a metaphor for so many other things.
I have a feeling that Salome is actually the one who rescued Russell. If it was Nora, the show wouldn’t have any reason not to have shown us her face tonight.
No, the picture at the top of this post doesn’t have much to do with tonight’s episode but I just happen to like it.
There were a few good lines tonight but my personal favorite was Sookie’s “I’ve seen enough horror movies to know you don’t split up when you’re in a big scary asylum and there’s a crazed killer on the loose.”

Review: The Newsroom S1:E2 – “News Night 2.0”

Posted on July 4, 2012 by Leonard Wilson

After seeing the second episode of The Newsroom, which is my first Aaron Sorkin show experience, I’ve learned four things:

1.) In the Sorkin Universe, guys may be asses, but girls seem to make all the huge mistakes.

2.) Everyone is just one moment away from emotionally exploding.

3.) The “Walk and Talk” gets things done.

4.) There are very few moments of silence.

Okay, here we are with the second episode for The Newsroom. This one appears to be tighter compared to the pilot episode and an overall improvement from that, though it still has it’s problems. The episode overall is about the construction of News Night 2.0, the revised version of the broadcast that will concentrate on giving the news and not letting the ratings control the content. It’s a great plan, but issues do arise. Charlie (Sam Waterston) has to warn one of Will’s colleagues, Reese (Chris Messina) about giving Will the numbers on the ratings. As Will is a big fan of the ratings, Charlie fears that this will sway him from following the new broadcast process. Reese explains that he’s not the bad guy, but is only giving Will what he wants. Despite the warning, he still speaks with Will in a later scene.

That I liked, the notion that Will is still laboring under the belief that he should shoot for the news that people want to hear versus the news they should. This episode was partially supposed to show how going against that process didn’t work out for him and should ground him going forward. In some ways, I think it succeeded. The News Night Team is trying something different, but in order for that to work, everyone has to be on board. By the end of the episode, you come to find out who’s with Mac on this, and who’s against it. I’m loving where the show is going on that front.

We now have our antagonists in Reese, who wants Will to keep the old format going and we have Don. Don is staying with the NewsNigh Team to make sure the transition goes well, but at the same time, is rooting for Will to fail because it puts his new show in that prized time slot. I’m under the impression that later on, we’ll see both of these individuals trying to sabotage things.

Here’s what worked for me:

– The Introduction of both Reese and Sloan. Both Chris Messina and Olivia Munn had some good scenes in the episode. They both appeared to be even keeled for the most part. Reese’s “walk and talk” with Will was nice, though in doing a bit of research, I’ve discovered it’s bit of a Sorkin staple. Olivia Munn’s character, Sloan Sabbith is introduced when Mackenzie hires her to perform the Financial News segment to start before Will’s broadcast. I’m hoping her character gets some more time in. Of course, I’ve been a fan of Olivia’s for years, so there’s some bias there, admittedly. It’s cool seeing how far she’s come. Sabbith also happens to be one of the only girls who hasn’t had some kind of serious emotional crash, yet (and that’s still questionable).

– More pop and zip. Overall the episode moved very well. I didn’t get the feeling of slowdown from the pilot, with it’s empty areas and all the time spent trying to figure out who was what. It was basically, “What’s our show?”, “Who do we need to get it going?”, “Oh damn, we messed up!”, “The Broadcast”, “The Aftermath”. I wouldn’t mind seeing that template keep going. By the time we reached Will’s actual broadcast, I was all smiles. It’s quick, to the point and there’s just never a quiet moment. Everyone has something to say to fill in the space, all the time. I wish I could write the dialog in my fiction like that.

And then there’s the one glaring problem:

– Women are Always the Source of the Issue in a World Where Men Seemingly Do No Wrong. During last year’s Oscars, Lisa Marie and I got into a debate over her hatred of Sorkin and my love for The Social Network. We agreed to disagree that he can do dialog and that he kinda, sorta, maybe has a problem with writing women. I was pretty sure I won that argument when Sorkin accepted his Oscar – I was rooting for him to win. This episode, however had me face palming myself, like a PR agent watching their star client mess up with everyone watching.

Again, where Sorkin excels in dialog and moving that forward, the girls get the short end of the stick. Every mistake and problem that occurs in this episode is the direct result of something a girl should have done or didn’t do or blew out of proportion. The flow moves in this pattern:

1.) Girl makes big mistake. As her Superior Male supervisor is going to blow up because of it, she loses her mind in a theatrical fashion. (Both Maggie and Mac do this to great effect, it’s like they haven’t had tea or something.).

2.) Girl gets verbally chewed out by Superior Male. This also seems to happen publicly where people can see it.

3.) Girl apologizes, kowtows and hopes the Male she works for doesn’t look bad because of her actions.

It may sound a little exaggerated, but it’s there. Now you may say, “Len, that’s not right. The girls are on equal footing with the guys. And you’re a guy, it shouldn’t matter, should it?” Perhaps it shouldn’t, but as someone who prefers seeing women in media that don’t complain about broken fingernails, The Newsroom still needs improvement on this level. I can’t claim to understand women in the slightest, but I’ve seen and have known tons of them that just aren’t this…submissive, for want of a better word. Case in point – It’s stated that Mackenzie McHale was a journalist in war-torn areas for a long time. Yet, in the Newsroom, she comes across as being particularly clumsy and high-strung. I would have expected a calmer person, kind of a like a Kathryn Bigelow. Could you imagine Mac, the way she is in the Newsroom, being as effective in a warlike environment? That bothered me a bit, honestly. If Sorkin could fix that one part, he’d be downright perfect. It has me wondering what the first show he doesn’t write will be like. That this has become the only problem for me says a lot for how much better the show’s done in these two episodes.

So basically, I’m loving where the show is going, but it needs to up the girl factor. I’m hoping Sloan may be that factor. For the next episode, I’ll try not to be issue like a dead horse, but if they keep giving me the ammo, I’m be tempted to fire off a round or two.

Review: True Blood S5E4 — “We’ll Meet Again”

Posted on July 1, 2012 by Lisa Marie Bowman

Tonight’s episode of True Blood could very well have been called “Everybody hates Sookie.” Seriously, Sookie did not have an easy time of it for most of tonight though, in the end, she got to have drunken sex with Alcide so I guess things didn’t work out too badly for her.

But before we get to that…

When we last saw Tara (Rutina Wesley), she was torturing herself in a tanning salon. At the start of tonight’s episode, Pam (Kristen Bauer Von Straten) finally abandoned her facade of indifference long enough to save Tara and, as her maker, command to Tara to stop with the attempts at self-destruction. Though still reluctant, Pam has started to take Tara under her wing and accept her responsibilities as a “maker.” By the end of the episode, Pam was even bringing Tara a willing young woman to feed upon.

However, Pam had more to deal with than just Tara. Having finally been released from the Authority HQ, Bill and Eric go straight to Pam and demand to know if she told anyone about Russell. While Eric interrogated Pam, Bill talked to Tara about her new life as a vampire. For me, Bill and Tara’s scene was one of the highlights of the season so far. It was beautifully acted by both Rutina Wesley and Stephen Moyer and it was a nice change from the show’s often frantic pace.

Speaking of noteworthy acting, Alexander Skarsgard got his own Emmy moment in tonight’s episode when he released Pam from his control. He did this to protect her from both Russell and the Authority and tonight’s episode skillfully got every note of drama and pathos out of the moment that it could.

Meanwhile, Jason and Andy were invited to accompany corrupt old Judge Clements for a night out on the town. Of course, in this case, that meant going out to a deserted field and stepping through a portal that led to some sort of fairy-run Moulin Rouge-type nightclub. I enjoyed the sequences in the nightclub, if just because they were so decadent and over-the-top. Jason didn’t enjoy it quite as much because he ran into his cousin Hadley, who apparently works at the club. Hadley let it slip that the nightclub’s actually a “safehouse” and that Jason and Sookie’s parents were killed by vampires. When Jason had a bad reaction to that bit of information, both he and Andy are promptly kicked out of the club and back through the portal. Who would have guessed that faery bouncers could be that effective?

Speaking of vampires, Nora (Lucy Griffiths) finally breaks down and tells Roman (Chris Meloni) who the secret Sanguinista Chancellor is. It turns out, to no one’s great surprise, that it’s the little kid vampire, Alexander Drew. Roman promptly responds by giving Drew the true death and who can blame him? That kid was a smug, spoiled little brat and, for a little kid,he certainly made a big mess when he exploded.

Even with all that going on, tonight’s episode truly belonged to Sookie and Anna Paquin’s frequently underrated lead performance. The beginning of the show finds Sookie with not a friend in the world. Alcide is mad at her for killing his fiancee. Lafayette is mad at her for telling Alcide about Debbie. Eric and Bill are missing. Tara’s blames Sookie for her transformation into a vampire. To top it off, she can hear the thoughts of everyone in town and it quickly becomes apparent that all of them blame her for everything bad that’s happened over the course of the entire series.

Poor Sookie! Seriously, who couldn’t relate to that feeling in one way or another?

Lafayette, meanwhile, has one of his possessed moments and this leads to him attacking Sookie’s car. Later, when Sookie is driving home, her brakes go out and she ends up crashing her car. Shaken but unhurt, Sookie stumbles back to her house and does what anyone would do under these circumstance.

She starts drinking.

By the time Alcide shows up to tell her that he’s covered up her involvement in Debbie’s death, Sookie is totally drunk and soon, she and Alcide are engaging in perhaps the tamest sex scene in True Blood history. And to that, I say, “You go, girl.” It probably would have been better if a jealous Bill hadn’t been standing outside her window watching (and seriously, windows have blinds for a reason) but still, it’s about time something good happened to Sookie.

A Few Random Observations:

I apologize if tonight’s review isn’t one of my better efforts. I’ve been dealing with an onslaught of allergies and asthma for the past week and I have to admit that I’ve spent much of tonight in a sort of daze.
Tonight’s unofficial scene count was 35.
You’ll notice that I haven’t spent much time on Terry’s flashbacks to Iraq. That, quite frankly, is because that little subplot doesn’t hold that much interest to me. So far it just feels as if it’s an excuse for Alan Ball to indulge in some nostalgic criticism of George W. Bush and the Iraq War without having to acknowledge that Barack Obama has pretty much been pursuing the same foreign policy in the rest of the Middle East. I’m still hoping that the show does something unexpected with this whole subplot but, so far, it’s all been pretty predictable.
“How you like Bush now!?” was the epitome of a line so heavy-handed that it probably backfired. What made this line annoying to me is that it was hard to shake the feeling that the show would never have had the guts to feature soldiers committing a war crime in Afghanistan while shouting, “Yes, we can!” (Much less, “How you like Obama now!?”)
No appearances by the Rev. Newlin tonight but I’m sure he’ll play a big role in the later half of the season. I get the feeling that there was a lot of foreshadowing going on with Bill and Jessica’s discussion concerning whether or not Bill was still king of Louisiana.
Compared to last week, there was a definite shortage of memorable lines in tonight’s episode. However, Kristen Bauer Von Straten’s delivery of the line, “3 days old and she already has an eating disorder…” was perfectly delivered with just the right combination of concern and self-pity.
Anna Paquin’s version of the Pina Colada Song was adorable.

If I was the type to give out grades, I’d give tonight’s episode a good solid B. If nothing else, I was glad that Bill and Eric finally got out of the Authority HQ. I have to admit that I’m starting to wonder if Russell is actually going to show up this season or is he just going to be an unseen metaphor.

Time will tell.