AMV Of The Day: Crazy In The Night (Gakkou no Kaidan)


As the third day of Horrorthon draws to a close, how about an AMV?

Song: Crazy In The Night by Kim Carnes

AnimeGakkou no Kaidan

Creator: rspectcopyrightmyass (As always, please be sure to check out this creator’s channel)

Past AMVs of the Day

Horror Song of the Day: The Dead Are After Me by George Edward Lott


The dead!  Are after me!

The 1986 film, Raiders of the Living Dead, features what may be the greatest song ever written about zombies.  For your listening pleasure, here is George Edward Lott’s The Dead Are After Me!

Music Video of the Day: Careful What You Wish For by Bad Omens (2018, directed by Orie McGinniss)


“Careful what you wish for” is a frequent horror theme.  We all know that, when the monkey paw curls its finger, we might think it’s a positive thing but the opposite usually turned out to be true.  Did you wish for someone in a box?  Who wished for someone in a box?

This music video was one of the many Bad Omens videos directed by Orie McGinness, who has also done videos for Warbringer, Dayshell, Afterlife, Gideon, American Sin, and a host of others.

Enjoy!

Horror Song of the Day: Damien (by DMX)


It’s been a while, but I’ve always thought of October as the best month for Through the Shattered Lens. The site has always leaned into sci‑fi and horror at its core—and in the early days, it was especially heavy on the horror side of things. That was really the big common thread between Lisa Marie and me when we first got started here.

So, as part of easing my way back into being a little more active on a site I’ve watched grow for over 16 years, I wanted to spotlight something that’s stuck with me for decades: “Damien,” the ninth track off DMX’s 1998 debut album It’s Dark and Hell is Hot. That record catapulted DMX—Earl Simmons—into instant superstardom.

“Damien” has always been the track I kept coming back to, even years after the album first dropped. The album itself was pure fire: a mix of chest‑thumping, hyper‑aggressive tracks laced with one of the rawest and most distinctive voices hip‑hop had seen since the losses of Biggie and Tupac. At the time, some even saw DMX as their natural successor.

But “Damien” stood apart. The song oozes dark energy, hitting like lyrical possession from start to finish. Built around a haunting sample from Stanley Clarke’s “Slow Dance,” the beat sets the stage for DMX to pour out a narrative of bad breaks, self‑inflicted wounds, and a desperate search for a guardian angel—only to meet something else entirely. Instead of an angel, he finds Damien, a voice offering help but radiating malevolence.

When “D” first enters the track, he plays almost like a mischievous accomplice, a shadowy partner in crime. But as the verses build, that “help” morphs into something more toxic, more sinister—a presence that feeds off the chaos it creates.

DMX’s debut wasn’t just a hit album; it pushed horrorcore rap into the mainstream in a way few had managed before. With “Damien,” he delivered one of the most chilling, unforgettable examples of horror woven directly into hip‑hop—a track that feels just as unsettling now as it did back in ’98.

Damien

Uh, Def Jam
Uh, Ruff Ryders
Uh, my nigga TP, creep with me

Why is it every move I make turns out to be a bad one?
Where’s my guardian angel? Need one, wish I had one
I’m right here, shorty, and I’ma hold you down
You trying to fuck all these bitches? I’ma show you how
But who-? (Name’s D, like you, but my friends call me Damien)
And I’ma put you hip to something (uh-huh) about this game we in
You and me could take it there, and you’ll be
The hottest nigga ever living (that’s a given?) You’ll see
Hmm, that’s what I’ve been wanting all my life
Thinkin’ about my little man, so I call my wife
Well, your dada is about to make it happen
(What you mean, my nigga?) I’m about to make it rapping
Today I met this cat, he said his name was Damien
He thinks that we’re a lot alike and wants to be my friend
(You mean like Chuckie?) Ha ha, yeah, just like Chuckie
(Dada, looks like we both lucky) Yeah

The snake, the rat, the cat, the dog
How you gon’ see him if you living in the fog?
The snake, the rat, the cat, the dog
How you gon’ see him if you living in the fog?
The snake, the rat, the cat, the dog
How you gon’ see him if you living in the fog?
The snake, the rat, the cat, the dog
How you gon’ see him if you living in the fog?

Ay-yo, D (What up, D?) You’s a smooth nigga
I seen you when nobody knew who pulled the trigger
Yeah, you know, it’s always over dough
You sure? I could have swore it was over a hoe
Nah, nah, that ain’t my style (igga, you stay fronting)
But you’re still my man, and I ain’t gonna say nothin’
Got some weed? Go ‘head, smoke it (what?) Go ‘head, drink it (what?)
Go ‘head and fuck shorty, you know I can keep a secret (aight)
I’m about to have you driving, probably a Benz
But we gotta stay friends, blood out, blood in
Sounds good to me, fuck it, what I got to lose?
Hmm, nothin’ I can think of, any nigga would choose
Got me pushing the whips, takin’ trips across seas
Pockets stay laced, nigga, I floss Gs
For that nigga I would bleed, give him my right hand
Now that I think about it, yo, that’s my man!

The snake, the rat, the cat, the dog
How you gon’ see him if you living in the fog?
The snake, the rat, the cat, the dog
How you gon’ see him if you living in the fog?
The snake, the rat, the cat, the dog
How you gon’ see him if you living in the fog?
The snake, the rat, the cat, the dog
How you gon’ see him if you living in the fog?

You like how everything is going? You like what I gave ya?
You know if you was going down, I’d be the one to save ya
But yo, I need a favor, these cats across town hate me
Plus their behavior hasn’t been too good lately
What? Anything for you, dog, where them niggas at?
38th from Broadway (aight, let me get the gat)
Run up on ’em strapped, bust off caps in four niggas
Laid low for ’bout a month then killed two more niggas
Now I’m ready to chill, but you still want me to kill
Look at what I did for you! Dog, come on, keep it real!
Aight, fuck it, I’ma do it, who is it this time?
Ayy-yo, remember that kid Sean you used to be with in ’89?
Nah, that’s my man! (I thought I was your man?)
But yo, that’s my nigga (hey, who’s your biggest fan?)
Either do it or give me your right hand, that’s what you said
I see now, it ain’t nothing but trouble ahead (uh-huh)

The snake, the rat, the cat, the dog
How you gon’ see him if you living in the fog?
The snake, the rat, the cat, the dog
How you gon’ see him if you living in the fog?
The snake, the rat, the cat, the dog
How you gon’ see him if you living in the fog?
The snake, the rat, the cat, the dog
How you gon’ see him if you living in the fog?

In the fog, the fog, living in the fog
How you gon’ see him if you living in the fog?
How you gon’ see him if you living in the fog?
The snake, the rat, the cat, the dog
To be continued, motherfuckers
Ah-hahahahaha

Music Video of the Day: Cars by Gary Numan and Fear Factory (1999, directed by John S. Bartley)


In 1999, Fear Factory and Gary Numan teamed up to give a new spin to an 80s classic.  This video plays more to the horror element of Numan’s song, which is something that I think is often overlooked.

John S. Bartley, the credited director, worked primarily as a cinematographer.  Among the television series that he worked on: The X-Files, Bates Motel, iZombie, and Vikings.  He also worked on the 2002 spider horror film, Eight-Legged Freaks.

Enjoy!

Music Video of the Day: Shining Love by Odin (1985, directed by ????)


Odin was one of the many hair metal bands that tried to make it big in the 80s.  They were a part of the same L.A. scene that launched everyone from Poison to Guns ‘N’ Roses to Mötley Crüe.  Today, they are probably best-remembered for being prominently featured in the 1988 documentary, The Decline of Western Civilization Part II: The Metal Years.  While bands like Poison and RATT and musicians like Ozzy Osbourne appeared in the documentary as battle-weary veterans, Odin was meant to represent the up-and-coming band that was on the verge of breaking through.  This video came out a few years before Odin was featured in Decline.

Who directed this video?  I’m not sure.  I even resorted to asking Google A.I.  Google A.I. replied with:

Mark Romanek is a pretty well-known director so if he started out his career directing videos for Odin, that would be a pretty big deal.  However, every list of credits that I could find for Romanek online listed neither Odin nor this video.  The video was released in 1985.  Both Wikipedia and the IMDb list Romanek’s first music video as being 1986’s Sweet Bird of Truth by The The.  I could be wrong but I’m 99.9% certain that Mark Romanek did not direct this video.

Odin never did break through and broke up shortly after the release of the documentary.  (They may have gotten more screentime then most of the veterans but what most people remembered from that movie was Ozzy making breakfast and Chris Holmes drinking beer.)  Maybe one reason they didn’t really break through is because, according to this video, their drummer could blow people up just by looking at them.  It’s not a good idea to blow up your own fans.

Enjoy!

Music Video of the Day: No New Tales To Tell by Love and Rockets (1987, directed by Tony van den Ende)


Love and Rockets is definitely one of those 80s bands that should have been bigger than they were.  Basically made up of every member of Bauhaus except for Peter Murphy, Love and Rockets was responsible for some of the best songs of the decade.

No New Tales To Tell is from their third studio album, Earth, Sun, Moon.  Thanks to this music video, which was put in heavy rotation on MTV, the song did manage to reach number 18 on the U.S. charts.  The video was directed by the very prolific Tony van den Ende and it features a few shots of the band in their Bubblemen costumes.  (The Bubblemen were a side project for several members of the band.  They performed while dressed as friendly bees.)

Enjoy!