I am a totally unapologetic fan of Lindsey Stirling. I imagine some of that is because I wish I could play the violin. It’s an instrument that has always fascinated me and I’ve always regretted that I never learned how to play it. I also regret that I never learned how to play the piano or really any musical instrument. Back when I was in the third grade, I had a music teacher who told me that I had the worst singing voice she had ever heard and that I needed to pay more attention in class. Oh well!
Anyway, this is a really nice and heartfelt performance of Silent Night. Silent Night is actually one of my favorite Christmas songs. I certainly prefer it to that one where everyone’s singing about the bells.
This video was filmed at Temple Square in Salt Lake City.
If Sucker Punch had taken place during the Christmas season, one could very easily imagine this video as being a scene in the film. It just needs a giant ninja and Scott Glenn offering up words of pithy wisdom.
That said, what this song and this video do so well and what I love about them is that it provides a whole new spin to a very familiar song. Does the Grinch now own a casino or an Old West saloon? Is the Grinch now a gangster? And what exactly is the Grinch’s relationship with Sabrina Carpenter? This video leaves us with much to ponder during the holiday season.
This video was directed by Joshua Schultz, who has also directed videos for Juliet Simms and Haley Reinhart. According to the imdb, he’s currently in pre-production for a film called The Fog.
Happy Holidays! Trust Linsdey Stirling to elevate one of the worst Christmas songs ever written with an energetic performance and an entertaining music video.
(I should admit that I have a personal bias against Santa Baby, one that goes back to my dancing days. Let’s just say that falling flat on your ass in front of a huge crowd of people while dressed like one of Santa’s helpers and while Santa Baby plays in the background is not necessarily one of my happiest holiday memories.)
In 1986, David Byrne of Talking Heads directed his very first feature film. True Stories took place in the fictional town in Virgil, Texas and, as Byrne himself put it, it was “a project with songs based on true stories from tabloid newspapers. It’s like 60 Minutes on acid.”
Some people love True Stories. I am not one of them. However, not surprisingly, the film did have a killer soundtrack. The best known song to come off of the True Stories soundtrack was Wild Wild Life. The video for Wild WildLife takes place at what appears to be a karaoke bar, where different performers lip sync to the song while dressed up as their favorite performers. One person is dressed up like Billy Idol. Another does Madonna. Jerry Harrison imitates Prince. Be sure to keep an eye out for a young John Goodman, who co-starred in True Stories and who damn near steals this video with his energetic performance.
Wild Wild Life subsequently won the award for Best Group Video at the MTV Music Video Awards.
Before MTV ever hit the airwaves, there was TOMMY, Ken Russell’s stylized cinematic vision of The Who’s 1969 ‘rock opera’. It was a match made in heaven, teaming Britain’s Wild Man of Cinema with the anarchic rock and roll of Pete Townshend, Roger Daltrey, John Entwistle, and Keith Moon (not to mention England’s own enfant terrible,Oliver Reed ). Russell both captures the spirit of Townsend’s hard rock opus and expands on it visually with an all-out assault-on-the-senses musical featuring an all-star cast that includes an Oscar-nominated performance by Ann-Margret as the mother of “that deaf, dumb, and blind kid” who “sure plays a mean pinball”!
The Who’s original album cover
Townshend, the group’s primary songwriter, had been experimenting with long-form rock’n’roll since the beginning, notably the nine minute suite “A Quick One While He’s Away” on their second album A QUICK ONE (retitled in America HAPPY JACK). TOMMY was…
You couldn’t go into any bar, pub, or tavern in my fishing port hometown of New Bedford, MA for literally decades without someone playing Looking Glass’s #1 hit from 1972, “Brandy (You’re A Fine Girl)” on the jukebox – usually more than once a night!:
(And yes, that’s future country legend Kenny Rogers doing the introduction!)
The song/story of a barmaid in love with a sailor she can never truly have, because as he says “my life, my lover, my lady, is the sea” resonated with us locals, as I’m sure it did in every “harbor town” where barmaids work “layin’ whiskey down” to hard working seafaring men (not to mention that fact that it made a helluva great slow-dancing tune as closing time neared – ah, those were the days, my friends!).
The band Looking Glass was from New Brunswick, New Jersey, and consisted of Elliot Lurie (lead singer…
Girlfriend In A Coma is another happy song from The Smiths.
The song is straight forward. It is literally about a girlfriend in a coma. The only question is whether her boyfriend is being sincere when he sings that he hopes that everything will be okay or is he instead telling the truth when he says that he doesn’t want to see her.
Some clue as to how the singer feels about his girl comatose girlfriend might be found in video’s use of clips from The Leather Boys, a British film from 1964. An example of British kitchen sink realism, The Leather Boys is about a biker named Reggie (Colin Campbell) who marries his girlfriend, Dot (Rita Tushingham), but would still rather spend most of his time with his fellow biker, Pete (Dudley Sutton). At the time of its release, the film was considered to be shocking because it openly dealt with gay themes at a time when homosexual activity was still illegal in the UK. Just as the film ends with Reggie still unsure about his sexuality, Girlfriend In A Coma ends with Morrissey still sounding unsure about whether or not he wants his girlfriend to wake up.
Girlfriend In A Coma was the first single to be released from The Smiths’s final studio album, Strangeways, Here We Come. The album was named after Strangeways, an infamous prison in Manchester. Before the UK absolished the death penalty, Strangeways was famous for its gallows. A total of 100 prisoners were hanged at Strangeways between 1869 and 1964.
It seems like we’ve lost an old friend, one who was welcomed into homes across America for decades. Roy Clark, Country Music’s King of Strings, adept on guitar, banjo, and mandolin, and one of TV’s most Familiar Faces thanks to his 14 year gig as co-host of HEE HAW, passed away yesterday at age 85. Clark was born in Virginia on April 15, 1933, and picked up his first guitar at age 14. He was a two-time National Banjo Champion by age 15, and made his Grand Ole Opry debut at 17. Roy joined Jimmy Dean’s band in the early 50’s, but was fired for his chronic tardiness. He then began playing backup for rockabilly queen Wanda Jackson.
When Dean got a guest host spot on THE TONIGHT SHOW, he brought his old bandmate Roy on, and Clark’s expert playing, coupled with his unassuming, warm personality, tore the house down…
Yesterday, when I wrote about the video for Shout by Tears For Fears, I apparently made up a song that doesn’t actually exist. I wrote that Shout was the band’s signature song, along with Everyone Wants To Rule The World. I also wrote about the joint vocalist of Tears for Fears, Richard Orzabal. Not only did I make up a song that didn’t exist but I also created an extra member of Tears For Fears. As everyone knows, the song is called Everybody Wants To Rule The World and the singer is named Roland Orzabal. I don’t know how I screwed up those two simple facts last night. Maybe I was writing from Earth-2.
For many people, Everybody Wants To Rule The World will always be the song from Real Genius. The song actually first appeared on the 1985 album, Songs From The Big Chair, for which it was a last-minute addition. Roland Orzabal has said that he originally felt that the song was too lightweight and that it wouldn’t be a good fit with the rest of the album but producer Chris Hughes convinced Orzabal to include the song. Hughes felt that the song would chart well in America and he turned out to be correct. Would the song have been as popular if it had been called by its original title, Everybody Wants To Go To War? That’s like asking if War and Peace would have been as much of a success if Tolstoy had called it War! What Is It Good For?
As for the video, it features Curt Smith driving through the desert, people racing dune buggies, men dancing in front of gas pumps, and the Cabazon Dinosaurs. The scenes of Curt in the desert were filmed in California and Nevada while the scenes of Tears For Fears performing were shot in London. Curt Smith has said that the shooting of the video was a “disaster” and that there was a serious accident involving the dune buggies that led to a child being thrown from one of the vehicles and hitting his head on a rock, leaving him temporarily unconscious. Despite all of the difficulty involved in shooting the video, it was still placed in heavy rotation on MTV and played no small role in making the song a hit.
Everybody Wants To Rule The World spent two weeks as the number one song in the U.S. In the UK, it peaked at number two, the only thing keeping it from reach the top being the charity single, We Are The World.
Tears For Fears frontman Roland Orzabal and keyboardist Ian Stanley were both practitioners of primal scream therapy, in which people confronted their fears and insecurities by shouting. This song was inspired by both the treatment and political protest.
The video, which was put in heavy rotation on MTV and become one of the defining videos and songs of the 1980s, features Orazbal and Curt Smith letting it all out on the cliffside at Durdle Door in Dorset. The video was one of the 300-something videos to have been directed by Nigel Dick, who has done videos for almost everyone.
Shout spend three weeks as the number one single in the US and has since become Tears for Fears signature song, along with Everybody Wants To Rule The World.
Through the Shattered Lens