Cardiac Arrest is one of Madness’s more serious songs, though it retains their signature sound. The lyrics are about a man who literally works himself to death, having a heart attack while he’s on the way to his job. The video features Chas Smith playing the man who has the heat attack while the other members of the band encourage him to not work so hard and to take time to actually enjoy life.
Smith not only stars in the video but he also wrote the song. The song was actually based on his father, who had suffered from repeated heart attacks at the time that the lyrics were composed. Hence, in the video, Smith is almost playing his own father.
Perhaps because of the subject matter, Cardiac Arrest was a rare non-hit for Madness. The song was also banned by BBC Radio 1 because it was felt that the lyrics were too disturbing.
Rather than telling you to “enjoy,” I’ll just suggest taking the song and video’s message to heart.
“I don’t know what this song is about. When I was writing this I was going through a divorce. And the only thing I can say about it is that it’s obviously in anger. It’s the angry side, or the bitter side of a separation. So what makes it even more comical is when I hear these stories which started many years ago, particularly in America, of someone come up to me and say, “Did you really see someone drowning?” I said, “No, wrong”. And then every time I go back to America the story gets Chinese whispers, it gets more and more elaborate. It’s so frustrating, ’cause this is one song out of all the songs probably that I’ve ever written that I really don’t know what it’s about, you know?”
— Phil Collins, on In The Air Tonight
I was thinking about Phil Collins last week.
I was visiting some members of my family in London and, on Thursday night, I was watching as the results of the general election came in. After spending the past few days worrying that Jeremy Corbyn might actually somehow weasel his way into power, I was very happy to see the results of the exit poll, which indicated that Corbyn’s Labour Party was going to lose in a landslide. As I watched the results come in and as Labour lost seat after seat, I found myself thinking about Phil Collins.
Phil Collins has a reputation for being a supporter of the Tories, though he’s often said that he’s not. This is because he let the UK after Tony Blair was initially elected. Collins said that he was living in Switzerland because that’s where his girlfriend lived but many others accused him of being a tax exile. During the 2005 election, Oasis’s Liam Gallagher famously quipped that everyone should vote Labour because, otherwise, Phil Collins might return home. Everyone had a good laugh, except for Phil who is notoriously thin-skinned about such things. Last Thursday, as I watched Boris Johnson give his victory speech with Elmo, Count Binface, and Lord Buckethead standing behind him, I asked myself, “Can Phil Collins come home now?”
(Which was a stupid think to ask since it’s been nearly ten years since the UK last had a Labour government and I’m fairly certain that Phil Collins has already come home. Chalk it up to the emotion of the moment. After spending a week being yelled at by angry Corbynites, watching them go down in defeat was a moment of such personal gratification that I was perhaps allowed to ask myself one silly question.)
Phil Collins may be thin-skinned but perhaps he’s earned the right to be. For all the ridicule that has been directed his way over the years, Phil Collins’s songs have, for better or worse, defined an era and many of them hold up far better than is usually acknowledged. Take, for instance, In The Air Tonight. Today’s music video of the day is not only one of the ultimate songs of the 80s but it’s also a song that has been sampled by a countless number of other artists.
It’s also a song that’s been the subject of many rumors. The most popular one is that Phil Collins wrote it after witnessing a man drowning. The legend goes that Collins was too far away to save the man but that someone else was close by but declined to help. Collins wrote the song to call out the callousness of the person who declined to help and, so the story goes, used to reveal the person’s name during his concerts. Much like the idea of Phil Collins hiding out in Switzerland because he didn’t want to pay his taxes, it’s a good story but it’s also not true. Collins has said that he has no idea what the song is about, beyond that he was in a dark place emotionally when he wrote it.
The song’s rapid progress up the charts was undoubtedly helped by the music video above. During the early days of MTV, this video was part of the regular rotation. Director Stuart Orme went on to direct several other videos for both Collins and Genesis, though In The Air Tonight remains his best work.
As with so many of R.E.M.’s songs, the meaning of Crush With Eyeliner is open to interpretation.
Courtney Love, for instance, has sworn that this song was about her. Michael Stipe was friends with Kurt Cobain and took Courtney Love to the MTV Music Video Awards in 1994, after Cobain’s suicide. Love has said that both Crush With Eyeliner and County Feedback are about her.
For his part, Michael Stipe has said that the song was meant to be a tribute of sorts to the New York Dolls, with the song’s mentioning of Frankenstein meant to serve as a direct reference to the Dolls’s song of the same name. Stipe has also said that the song is also about people who take on different personalities depending on whatever situation they find themselves in at the moment. That could very well describe Dolls. Of course, it could also describe Courtney Love as well.
Crush With Eyeliner was also one of the first songs that Stipe wrote after suffering through five months of writer’s block. Stipe had sunk into a deep depression following the death of his friend, the actor River Phoenix. When it came time to record Crush With Eyeliner, Stipe brought in another friend, Sonic Youth’s Thurston Moore, to provide backing vocals on the song.
The video was directed by Spike Jonze and features a Japanese band lip-synching to the song. Jonze is a director who needs no introduction. Jonze got his start doing pop culture-themed music videos before eventually going on to become one of the most interesting feature filmmakers around. Four years after the shooting of this video, he would marry (and later divorce) Sofia Coppola. Coppola’s Lost In Translation, which was also set in Japan, features Giovanni Ribisi playing a character who is widely thought to have been based on Jonze. Coppola, for her part, said that the character was not directly based on Jonze, though “there are elements of him there, elements of experiences.”
Today’s music video of the day is the video for Harry Styles’s Adore You and you know what? It’s kind of brilliant.
It takes place in the fishing village of Eroda where everyone suffers from “resting fish face,” which is another way of saying that no one there ever smiles. But then Harry Styles is born and he has a smile so bright that it literally blinds people! It all goes on from there and it’s a really cute, clever, and kind of touching video.
This video was directed by Dave Meyers, who has done videos for just about everyone in the world. He did the video for Katy Perry’s Fireworks for instance. (Remember when you couldn’t go anywhere without hearing that song being played? That was …. well, that torture, to be honest. It’s a good song but not one that benefits from being overplayed.) Meyers has also done videos from Taylor Swift, Ariana Grande, Justin Timberlake, Kelly Clarkson, Avril Lavingne, P!nk …. like I said, just about everyone.
One good thing about being rich is that whenever you’re coming out of a relationship or you’ve been stricken by ennui or if you’re just not sure about the meaning of life, you can jump off an isolated cliff into the ocean and you can somehow survive and, to quote the title of today’s music video of the day, “live forever.”
Of course, it helps if you look like Liam Payne. I mean, those abs can do anything.
Since yesterday’s music video of the day was New Order’s first video for Blue Monday, it seems only appropriate that today’s video should be for Orgy’s cover of the same song. I’m usually not a huge fan of covers but Orgy brings their own unique interpretation to the song.
Through the Shattered Lens 