To me, there is no better way to close out the year than with this classic song from Journey! Have a happy and safe New Year’s Eve!
Ever since I first saw Caddyshack (not to mention the episode of The Simpsons were Rodney Dangerfield played Mr. Burns’ son), Any Way You Want It has always been my favorite Journey song. The video is also Journey at its best, simple, without pretension, and rocking!
For today’s song of the day, I wanted to give people a chance dance, even if just while sitting at their desk. Here are the Commodores with Machine Gun.
In 1987, ITV commemorated the 10-year anniversary of the death of Elvis Presley by airing Love Me Tender, a special that featured popular British acts covering songs that were originally made famous by Elvis. Pet Shop Boys’s synth-pop version of Always on My Mind proved to be the unexpected hit of the program and the band released the song as a single. It went on to become the UK’s Christmas number one single for the year.
It was also featured in It Couldn’t Happen Here, a surreal film that starred Pet Shop Boys and which was directed by documentarian Jack Bond, who had started his career with a ground-breaking film about Salvador Dali and who later became famous for his work with TheSouth Bank Show. The subsequent music video was lifted from the film. In the movie and the video, Chris Lowe and Neil Tennant are driving a taxi cab. They stop to pick up a passenger, an older man played by Joss Ackland. (In the movie, there’s an earlier scene in which Lowe and Tennant hear a news report about an escaped killed who matches their new passenger’s description.) While their passenger rambles on, Lowe and Tennant turn on the radio and listen to the song, which leads to several other clips from the film. And while the critics may not have cared much for It Couldn’t Happen Here, the band’s version of Always On My Mind remains a popular classic.
When the infamous epic Caligulawas first released back in 1979, a disco version of Caligula’s love theme — We Are One — was also released as a promotional gimmick.
This song is so over-the-top, so blatantly exploitive, so insidiously catchy, and so totally inappropriate for so many reasons that become clear after you watch the film it was written for that it simply cannot be ignored. To me, this song represents everything that makes the Grindhouse great.
(As well, I hope whoever was playing bass got paid extra…)