This music video was directed by Harmony Korine, to whom the Shattered Lens wishes a happy birthday.
Enjoy!
This music video was directed by Harmony Korine, to whom the Shattered Lens wishes a happy birthday.
Enjoy!
This song originally appeared in the 1991 Wim Wenders film, Until The End of the World.
Tarsem Singh also directed The Cell, that film in which Jennifer Lopez goes into the mind of a serial killer. That’s a film that I’ve been meaning to review for a while, even though I don’t remember caring much for it the last time that I watched it.
Enjoy!
All things considered, it’s possible that this might be the song of the year for 2026.
52 years ago, on a date that will live in infamy, President Richard Nixon signed into law the national speed limit of 55 Miles Per Hour. Though the law was later repealed, the scourge of the speed limit continues.
Though this song is just a little before my time, it still feels like it was specifically recorded just for me. I have always considered traffic laws, not just the laws themselves but the way they are enforced, to be the epitome of everything that can go wrong when people blindly respect authority.
As for the video, it also feels like it was specifically filmed for me. It’s actually a fun little video with a sense of humor and who hasn’t wanted to tell a traffic judge what he can do with his gavel?
Enjoy!

“Neverending Journey” by Nobuo Uematsu from Lost Odyssey is one of those tracks that just pulls you right into the game’s vibe without trying too hard. It kicks off super chill with soft strings and light woodwinds, creating this mellow, reflective mood like you’re wandering through old memories that won’t fade. The orchestral start feels patient and open, giving every note space to settle in before things pick up.
Then comes that smooth shift where the electric guitar riffs crash in — bold, distorted, and full of grit, but it flows naturally from the gentle opening. It’s like Uematsu’s flipping the switch from quiet nostalgia to raw determination, blending classical swells with rock edge in a way that screams the game’s themes of endless struggle. The guitar doesn’t steal the show; it amps up the emotion, turning introspection into something with real forward drive.
That mix is why the track sticks with you — Uematsu nails the immortal wanderer’s paradox, weary but unbreakable. From serene strings to guitar-fueled resolve, it captures Kaim’s story perfectly, making you feel the weight and hope of a journey with no end. It’s a standout that proves game music can hit as deep as any epic soundtrack.
Huey Lewis and the News don’t get the respect they deserve and no, that Patrick Bateman monologue doesn’t count.
The Heart of Rock & Roll was inspired by a gig that the band played in Cleveland. Before the performance, Lewis felt that the band’s hometown of San Francisco had the world’s best rock music fans but, after being greeted by an enthusiastic crowd in Cleveland, he realized that there were true rock and roll fans all over America. “The heart of rock and roll is in Cleveland,” Huey said but when it came time to write the song, it was decided that “still beating” sounded better.
(The band actually directed several regional versions of the song. If you heard the song on the radio in Maryland, Huey included a shout-out to Baltimore. If you were in Texas, he would mention Dallas and Houston. In Canada, he gave credit to Toronto.)
The music video was directed by Edd Griles. Shooting occurred in several different locations while the band was touring. The New York shoot was the most difficult as it lasted for 13 hours and in freezing weather. Amongst the rock and roll greats included in the video: Elvis Presley, Buddy Holly, Bill Haley, Roy Orbison, Little Richard, and Chuck Berry.
Enjoy!

“Alicia” from the Clair Obscur: Expedition 33 soundtrack hits with this quiet emotional force that sneaks up on you. Louis Testard’s composition feels intimate, almost fragile at first, built around a slow progression that flows between melancholy and solace. When Alice Duport‑Percier’s voice comes in, it feels less like a vocal performance and more like a memory being sung—gentle, human, and full of warmth that complements the game’s painterly atmosphere. The track doesn’t tell you what to feel; it just leaves space for you to find your own emotions in it.
What stands out most to me is how balanced it feels—Testard’s score never overwhelms. Every instrument breathes, giving Duport‑Percier’s voice that clear space to bloom. The music grows patiently, moving from soft contemplation toward a kind of quiet hope, like someone lifting their eyes after a long, heavy silence. It’s the kind of composition where you can feel each breath behind the notes, and that subtle pacing mirrors the emotional rhythm of Clair Obscur beautifully.
By the time the last notes fade, “Alicia” leaves this lingering ache that’s hard to shake. It feels deeply personal—the kind of track that stays in your chest long after it ends. Testard and Duport‑Percier manage to craft something that transcends simple “game music”; it’s closer to a conversation between sorrow and serenity. It’s not just background—it’s the emotional pulse of the adventure itself.
To me, there is no better way to close out the year than with this classic song from Journey! Have a happy and safe New Year’s Eve!
Ever since I first saw Caddyshack (not to mention the episode of The Simpsons were Rodney Dangerfield played Mr. Burns’ son), Any Way You Want It has always been my favorite Journey song. The video is also Journey at its best, simple, without pretension, and rocking!
With 2025 soon to be forgotten, now seems like a good time to share one of my favorite songs from The Chemical Brothers.