Horror Film Review: The Guardian (dir by William Friedkin)


OH MY GOD!  THAT TREE IS EATING PEOPLE!

“You mean the tree played by Kevin Costner?”

No, no.  You’re thinking of the wrong Guardian, my imaginary friend.  This Guardian is from 1990 and it’s the killer tree film that was directed by William Friedkin.

“William Friedkin directed a killer tree film?”

Apparently so.

“What’s it about?”

It’s kind of hard to say.  Camilla (Jenny Seagrove) is hired as a nanny and proceeds to not only claim the baby as her own but also tries to seduce the baby’s father away from his wife.

“I think it’s cute the way that you always mention the actor’s name is parenthesis….”

Well, that’s what we’re taught to do.  But back to The Guardian.  The Guardian could also be a movie about a druid who steals babies so that she can sacrifice them to a tree God.

“You mean like that big talking tree from the from Lord of the Rings?”

I guess.  Or maybe Camilla is a reincarnation of Lillith, the demon who kidnaps babies in the night.

“Poor Lillith, so misunderstood.”

Or maybe Camilla is a witch who can make wolves and tress do her bidding!

“Like Sabrina?”

I don’t want to talk about fcking Sabrina.

“Did you mean to spell the f-word that way?”

I try to keep my actual cursing to minimum.  That way, it means something.

“That’s sweet.”

Whatever.  Back to The Guardian!  It’s also possible that Camilla actually is a tree that’s come to life and is now doing evil tree stuff!

“So, what you’re saying is that the film is unclear about just what exactly Camilla’s deal is?”

That’s it, exactly!  The Guardian is a notorious mess and it’s probably significant that this is one of two films that William Friedkin doesn’t even acknowledge in his otherwise tell-all autobiography, Friedkin Confidential.  Reportedly, there were problems on the set. From what little I’ve found online, it would appear that Friedkin originally wanted the movie to be about a mentally deranged woman who thought she was a druid. But the producers wanted a horror film about a woman who actually was a druid. Somehow, this eventually led to The Guardian becoming a movie about a woman who is actually a tree. What’s funny is that the film itself feels like a typical crazy nanny Lifetime film, up until the moment that one of Camilla’s employers attempts to take a chainsaw to that tree.

“Trees don’t like chainsaws.”

Yeah, no joke.  Anyway, before all that happens, Camilla is killing people left and right but yet no one seems to notice.  She doesn’t make any secret of the fact that she’s trying to seduce Phil (Dwier Brown) but Phil’s wife, Kate (Carey Lowell), doesn’t seem to care.  Instead, Phil and Kate attempt to set Camilla up with their friend, goofy Ned (Brad Hall).  It doesn’t take long for Ned to get devoured by a bunch of wolves.  That’s what happens when you walk in on a druid nanny turning into a tree, I guess.

“Isn’t Brad Hall married to Julia Louis-Dreyfus?”

Indeed, he is!  And you don’t see him in any movies nowadays so I guess getting eaten by wolves was kind of the last straw.  But the movie gets even weirder!  There’s also an odd scene in which three gang members just happen to be walking through the woods when they come across Camilla and the baby. They kind of pop up out of nowhere and they immediately turn out to be some pretty bad guys. Luckily, a tree pops up and kills the all. Is the tree Camilla or is the tree someone else? Who knows?

“Gang members in the woods?  You mean like in Friday the 13th Part 3?”

Strangely enough, yes.  Even stranger is the fact that no one notices anything strange about Camilla. To be honest, there are times that Camilla might as well be wearing a sign that reads, “Druid” but no one seems to notice. Then again, it’s debatable whether or not she was actually a druid. She might actually be a tree and I guess it’s understandable that something like that wouldn’t naturally occur to anyone. I mean, I think we’ve all probably met a druid or two but someone who is actually a tree? Well, that’s unusual.

“Very unusual!”

Anyway, The Guardian is a messy film and I’m afraid that I’m probably making it sound more fun than it actually is.  If you do watch it, please be sure to chime in with your thoughts on whether or not Camilla is actually a tree.  I look forward to hearing your opinion!

“Don’t you want to hear my opinion?”

No.

Yes, this an actual scene from The Guardian.

Horror on the Lens: Hands of a Stranger (dir by Newt Arnold)


After concert pianist Vernon Paris (James Stapleton) loses his hands in an auto accident, he is the recipient of a double hand transplant.  Unfortunately, Vernon isn’t happy with having a stranger’s hands and he fears that he’ll never be able to play the piano again.  Even worse, he soon becomes convinced that the hands are evil and are trying to force him to commit murders.

But is it the hands or Vernon’s own unstable mind that’s responsible his actions?

This 1962 horror film was the fourth adaptation of the Maurice Renard’s The Hands of Orlac.  As opposed to other film adaptations of Renard’s novel, Hands of Stranger plays up the ambiguity of whether the recipient of the hands is truly possessed or if he’s just using the hands as an excuse to indulge in his dark side.

Enjoy!

 

Music Video of the Day: Black River Killer by Blitzen Trapper (2009, dir by Daniel Elkayam)


If Cormac McCarthy was writing and directing music videos, the end result would probably be a lot like this brilliant video for Blitzen Trapper’s Black River Killer.

The song may be about a man who is thrown in jail on a whim and charged with the murder of a woman that was found on the Sunset Strip but, as soon becomes obvious, sometimes whims turn out to be correct.  The song’s narrator is a murderer, one who kills randomly and without giving it much of a second thought.  According to an interview Eric Earley gave to Rainn Wilson, the killer is actually a supernatural force that possesses one individual after another.  So, even if the current Black River Killer ceases his activities, a new one will take his place.

Enjoy!

Horror on TV: Suspense 1.7 “A Night At The Inn” (dir by Robert Stevens)


Suspense was an anthology series that aired from 1949 to 1953.  As you can probably guess from the show’s title, each episode was a thriller of some sort.  Occasionally, the episodes were also horror-themed.  Suspense was also a live production, with each episode essentially functioning as a 30-minute play.

Tonight’s episode of Suspense originally aired on April 26th, 1949 and it features Boris Karloff.  It deals with four thieves hiding out in a British Inn, after having stolen a ruby eye from a holy statue in India.  Needless to say, that was not a particularly wise decision.

Enjoy!

Save The Goat!: Curse III: Blood Sacrifice (1991, directed by Sean Barton)


Having absolutely nothing to do with either of the Curse films that preceded it, Curse III: Blood Sacrifice takes place in South Africa during the 1950s.  American Elizabeth (Jenilee Harrison) has just married plantation owner Geoff Armstong (Andre Jacobs) and is still struggling to adjust to living in Africa.  When her sister, Cindy (Jennifer Steyn), comes over for a visit, she and Elizabeth stumble across what appears to be a native ceremony.  When they realize that the local witch doctor is about to sacrifice a goat, Cindy steps on and grabs the goat.  Not happy at being interrupted and needing to make a sacriice to atone for an earlier murder, the witch doctor places a curse on Elizabeth and her entire family.  Later, a rubbery fishman stalks the plantation, using a machete to kill every colonialist it comes across.

Curse III is the best of the Curse films, though that may not be saying much.  The film is largely a standard slasher with a super natural twist, right down to the first victims being horny teens.  However, both the setting and the 1950s time period make the film slightly more interesting than the usual 90s, direct-to-video horror fare, with the curse being the result of a cultural misunderstanding and many of the victims too blinded by their own prejudices to realize how much trouble they are in.  Making what would turn out to be both his first and last film as a director, acclaimed editor Sean Barton showed that he knows how to put together an effective “stalking” scene, wringing out all the atmosphere that he could from that plantation.  Best known for co-starring in the later seasons of Three’s Company, Jenilee Harrison is adequate if not particularly memorable in the lead role but the film is, not surprisingly, stolen by Christopher Lee,  who plays a local doctor and who lends Curse III whatever gravitas it may have.

Game Review: The Last Half of Darkness (1989, SoftLab Laboratories)


Today, I was planning to take a look back at L.A. Noire but, due to last night’s storms, I lost power right as I was about to start composing my thoughts.  The power has since come back but, rather than do a rush job on one of my favorite games, I’m going to hold off on posting about L.A. Noire until tomorrow or Wednesday.

Instead, for today, I’ll recommend The Last Half of Darkness, a haunted house game that can be played at the Internet Archive.  In The Last Half of Darkness, you are searching the home of your late aunt.  Your aunt was a voodoo witch and you stand to inherit her considerable estate if you can finish the potions that she was working on and also solve the mystery of her death.  To do that, you are going to have to go through and search her home.  The problem is that you are not alone.  Open the right door and you will find the secret to returning life to the dead.  Open the wrong closet or cabinet and prepare to meet your fate at the fangs of a snake or the hands of an angry ghost.

The Last Half of Darkness is a challenging game that is also a lot of fun, assuming that you can get the hang of the game’s point-and-click interface.  Instead of typing out your commands, you click on a list of options that are on the right side of the screen.  You then have to click on the picture of whatever object you want to pick up or direction you want to head.  It took me a while to get used to it but, once I did, it barely bothered me.

This is a good game, full of wit and atmosphere and puzzles that require some concentration but which are not impossible to solve.  For those of you like me who sometimes need to cheat to win a game, here’s a helpful walk-through.

The game itself can be played by clicking here.

Horror Scenes That I Love: Smashing The Mirror in The Boogey Man


Ulli Lommel’s 1980 slasher film The Boogey Man is a pretty silly movie but I do like this scene.  The idea of seeing something in the reflection of a mirror that doesn’t appear to actually be in the room is one of my top nightmare fuels.

Plus, after the storms we had last night and the fact that there’s still debris all over the place and just driving from one location to another is kind of a pain in the ass right now, there’s just something satisfying about watching a mirror get destroyed.

Break, baby, break!

 

4 Shots From 4 Films: American Psycho, Final Destination, Ginger Snaps, Shadow of the Vampire


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

This October, we’re using 4 Shots From 4 Films to look at some of the best years that horror has to offer!

4 Shots From 4 2000 Horror Films

American Psycho (2000, dir by Mary Harron)

Final Destination (2000, dir by James Wong)

Ginger Snaps (2000, dir by John Fawcett)

Shadow of the Vampire (2000, dir by E. Elias Merhige)

Enter The Vault of Horror


by Johnny Craig

Along with The Haunt of Fear and Tales From The Crypt, The Vault of Horror was a horror anthology comic book that was published, from 1950 to 1955, by EC Comics.  Hosted by The Vault-Keeper, The Vault of Horror featured adaptations of classic horror stories along with totally original tales of terror and fright.  The Vault of Horror was so popular among young readers that eventually a psychiatrist named Fredric Wertham claimed that it, along with other comics, was responsible for juvenile delinquency and every other social ill facing 1950s America.  Congress investigated and, because of all the bad publicity, EC canceled all of their horror titles.

However, the jokes on Wertham and Congress because The Vault of Horror is now eagerly sought after by collectors and is viewed as a high point in comic book history.  Below are a few covers from The Vault of Horror, all done by artist Johnny Craig.

Are you read to enter the Vault?

 

Horror on the Lens: Curse of the Swamp Creature (dir by Larry Buchanan)


Today’s horror on the lens is 1966’s Curse of the Swamp Creature!

Probably the best thing about Curse of the Swamp Creature is that it was filmed in the town of Uncertain, Texas, which is right near the Texas/Louisiana border.  Uncertain, which sits on the shores of Caddo Lake, was incorporated in 1961.  Reportedly, when filling out the paperwork, the town’s founders wrote “Uncertain” in the blank for the name because they genuinely hadn’t come up with a name.  And …. well, you know what happens when you try to make a joke on an official document.

Anyway, this film was directed by Larry Buchanan and that’s really all you need to know about it.  Buchanan specialized in making low-budget remakes of other films, though he always claimed that Curse of the Swamp Creature was a totally original idea on his part.  The film is about a mad scientist who lives in the swamp and is trying to reverse evolution.  Things don’t always work out the way that they should and occasionally, the mad scientist has to feed his alligators.  John Agar’s in the movie, of course.

Enjoy!