Horror On The Lens: Frankenstein Meets The Space Monster (dir by Robert Gaffney)


Last night, I watched Poltergeist on TCM and I found myself thinking about how much I’ve always liked James Karen’s performance in that film.  Karen plays Craig T. Nelson’s boss, the guy who moved the headstones but left the bodies.  Karen also appeared in Return of the Living Dead and, up until his death a few years ago, he was a busy character actor.  He almost always seemed to play slightly sinister executive types.  If you saw him in a film, you knew he would probably be a crooked businessman, a corrupt lawyer, or a politician on the take.  And yet, even though he often played less than savory characters, he always played them not as being evil but instead, at worst, merely misguided.  Anyway, as I watched him get yelled at by Craig T. Nelson in Poltergeist, I decided that our next horror on the lens would be a James Karen film.

Today’s horror on the lens is the 1965 film, Frankenstein Meets The Space Monster.  This film features not only the debut of James Karen but it also gave him a rare lead role.  For once, james Karen gets to the hero!  Though he’s much younger than he was when he appeared in films like Poltergeist and Return of the Living Dead, you’ll know James Karen as soon as you see him.

Despite the movie’s title, it’s not about Frankenstein.  Instead, it’s about an astronaut named Frank who is actually an android.  When his latest mission into space goes wrong, Frank ends up crashing in Puerto Rico.  Now malfunctioning, Frank causes some major chaos.  Can his creator, Dr. Adam Steele (James Karen), track Frank down and put an end to his reign of terror?

And what about the Martians?  Android Frank isn’t the only threat in Puerto Rico.  A group of Martians have landed and are determined to kidnap any girl wearing a bikini so that they can use them to repopulate their race.  We’re told that every woman on Mars — with the apparent exception of Princess Marcuzan, played with evil haughtiness by Marilyn Hanold — has been killed as the result of an atomic war.  Assisting Princess Marcuzan is Dr. Nadir (Lou Cutell), a short, bald Martian with pointy ears.

One of the oddest things about Frankenstein Meets The Space Monster is that, despite being a standard — if wonderfully nonsensical — low-budget B-movie, it features a great soundtrack!  Just try to get “That’s The Way It’s Got To Be” out of your head.

Enjoy!

Artwork of the Day: Attack of the Beast Creatures (Artist Unknown)


Artist Unknown

I’m going to ask the obvious question here. What the Hell is a beast creature and how is it different from a regular beast or a regular creature? It’s hard to tell from the poster but I think it’s going to take more than a pitchfork to hold back these things, whatever they are.

This is from 1985. The identity of the artist is unknown. If you are the artist or know who the artist was, leave a comment and let us know!

Horror on TV: Friday the 13th: The Series 1.26 “Bottle of Dreams” (dir by Mac Bradden)


Tonight’s episode of Friday the 13th: The Series is the finale of the first season.  When the spirit of Uncle Lewis (R.G. Armstrong) attempts to re-enter the world of the living, it leads to Micki and Ryan reliving some of their worst memories.

The episode originally aired on July 25th, 1988.

Dead Connection (1994, directed by Nigel Dick)


A former boxer and phone sex addict (played by real-life boxer Gary Stretch) is picking up women in Los Angeles, taking them to cheap motels, and beating them to death. Detective Matt Dickson (Michael Madsen, with blonde hair) is a burned out homicide cop who finds himself investigating the murders. It doesn’t take Dickson long to figure out that the killer is using the names of former boxing champs when he checks into the motels. He also figures out that the boxer has phone sex before and after the killing. That’s a lot but it’s not enough to solve the case. To do that, he’ll have to team up with a journalist (played by Lisa Bonet) who has personal reasons for wanting to take down the killer.

Back in the 90s, the main reason that I watched Dead Connection was because I had a hopeless crush on Parker Posey and she was listed as being one of the stars of the film. Parker does appear early on in the film and is just as funny and appealing in her small role as she was in bigger parts in other movies. Unfortunately, Parker gets killed pretty early on in the movie. That traumatized me the first time I saw the movie.

After Parker dies, the main reason to watch the movie is to see what Michael Madsen can do with his clichéd role. It turns out that Madsen can do a lot, even though there’s nothing unusual about the character on paper. Madsen just had the right look and the right style of acting for neo-noirs like this one. Even in a movie like this one, Madsen makes the whispering and the arched eyebrow seem cool and natural. Judging from her performance here, Lisa Bonet should have been a bigger star too. Just as with Madsen, there’s nothing unusual about her role but she still plays it with a lot of conviction.

The main problem with Dead Connection is that it reveals the identity of the killer in the first few minutes and it’s hard to believe that it would take the police a particularly long time to track him down. The minute it was learned that he was using the names of boxers to check into motels, that should have been the end of it for him. Instead, the movie dithers around for a good 90 minutes before finally ending on a predictable note. Despite the script’s flaws, Dead Connection is competently directed by Nigel Dick, who was also responsible for several music videos in the 80s and the 90s. Perhaps that explains why Tears for Fears’s Curt Smith has a tiny role as a desk clerk.

In the U.S., the film was released under the title Dead Connection, playing up the phone sex angle. In Europe, the focus was instead put on the killer’s boxing career and the film was called Final Combination, which made it sound like it was a movie about safecrackers. Neither title is really great but I prefer Dead Connection.

Game Review: Anonymous Connection (2021, moniker ersatz)


The time is the near future. Earth has been invaded by the Hive. The sky is full of monsters. The surface is uninhabitable. You spend your days in an underground bunker, communicating with other survivors via the screen of your computer. Your user name is Blaze. Your friend, who you have never met in person, goes by the name of Topaz. One day, Topaz asks you if you remember what it was like to kiss. The two of you fantasize about the world that once was while trying to maintain a human connection in an inhumane world. What you don’t know is that the Hive is listening in as well, analyzing the conversation and trying to understand what makes humans tick.

There’s a lot more to this game than just sexting at the end of the world. (And the conversation between you and Topaz never gets that explicit so, if that’s what you’re looking for, you’re out of luck.) Instead, the game tells a story about how, even at the worst of times, people need to connect in order to survive. The conversation that you have with Topaz is about more than just getting off. It’s about surviving the bad times by remembering the good. Even though things are bad outside of your bunker, you and Topaz are capable of connecting. The Hive are not. All three of the characters come to life in this well-written, IF game. It’s a simple story that will leave you with a lot to think about.

Play Anonymous Connection.

Scenes That I Love: The Blue Sunshine Kicks In


Today’s scene that I love comes from Jeff Lieberman’s 1978 film, Blue Sunshine.

If you haven’t seen the film, Blue Sunshine is the nickname for the acid that a group of characters dropped while in college during the 60s. Unfortunately, ten years later, all of them are losing their hair, suffering from extreme migraines, and turning into psycho killers. It’s the worst acid flashback of all time!

This is a pretty good film, one that uses the horror genre as a way to explore the contrast between the idealism of college and the realities of the real world. It’s also, as you can see in the scene below, quite suspenseful and more than a little frightening.

“My Monster”, Short Film Review, By Case Wright


Some shorts are just garbage trash. Some lack a coherent structure. This particular short tried to be clever, but ended as kinda dumb. I don’t mind things being stupid. Many of the nicest people in my life aren’t geniuses. In fact, a nice dumb friend is waaaay better than a smart mean one. This short was like a dumb/lazy friend. It felt like a couple of randos got a camcorder and just decided to make a Christmas themed short horror film.

I have watched worse films. At least, this short was done on a small budget; so, I can’t crap on it too much. It does need some crapping upon… for fairness.

Lily has a problem: she sees a monster outside of her window and her Tae Bo training boyfriend doesn’t believe her. Eventually, he sees the monster and it kills him and she starts dating the monster. I guess that it’s like a trial by ordeal. The monster defeated her boyfriend; so, the monster gets to watch old movies with her etc.

We used to elect Presidents the same way. The electoral college was a battle royal with everybody claiming each other’s spouses and electoral college votes. The Iowa caucuses was just full-on cannibal- very Hills have Eyes, but with extra corn. I’m sure that those brave/weird souls of yesteryear would’ve understood this short film and would have been immensely entertained. I am not and was not, but they did make an ok home movie.

4 Shots From 4 Jeff Lieberman Films


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Yesterday was the birthday of the great director, Jeff Lieberman, who was responsible for some the best and most unusual horror thrillers of the 70s and the 80s!  Today, TSL honors this talented filmmaker with….

4 Shots From 4 Jeff Lieberman Films

Squirm (1976, dir by Jeff Lieberman, DP: Joseph Mangine)

Blue Sunshine (1978, dir by Jeff Lieberman, DP: Don Knight)

Just Before Dawn (1981, dir by Jeff Lieberman, DP: Joel King and Dean King)

Remote Control (1988, dir by Jeff Lieberman, DP: Tim Suhrstedt)

Horror On The Lens: Attack of the Giant Leeches (dir. by Bernard Kowalski)


For today’s public domain horror film, I present to you 1959’s Attack of the Giant Leeches. This 60-minute film is a classic Drive-in film. While it has its slow spots, it also features an iconic performance from Yvette Vickers, who is like one of my favorites of the strong, confident, unapologetically sexy women who dominated the old B-movies. (Plus, she was only 5’3 and it’s not easy being brave when you’re having to look up at everyone. Trust me, I know.) This short little film is steamier than Louisiana in August and is full of bayou atmosphere.

I have to admit that I’m kinda freaked out by the scenes of people floating underwater in this film. And leeches … agck! Don’t even get me started on leeches. Especially giant leeches…