Behind the Camera: The Unauthorized Story of Three’s Company (2003, directed by Jason Ensler)


Do you remember Three’s Company?

The sitcom was a big hit when it aired in the 70s and 80s and it still gets a lot of play in syndication today.  Based on a British sitcom (and you would really be surprised to how closely the first season followed the original series), Three’s Company starred John Ritter as Jack Tripper, an aspiring chef who moved in with two single women, Janet (Joyce DeWitt) and Chrissy (Suzanne Somers).  Because their impotent landlord (Norman Fell) didn’t want people of the opposite sex living with each other unless they were married, Jack pretended to be gay.  Every episode centered around a misunderstanding, though it was Suzanne Somers’s performance as the perpetually bouncy and braless Chrissy Snow that made the show a hit.  The show fell apart when Somers asked for more money, Ritter and DeWitt got angry with her, and the studio bosses lied to everyone.  Today, the show is legendary as an example of how backstage tension can end even a popular series.

Behind The Camera: The Unauthorized Story of Three’s Company attempts to dramatize the success and eventual downfall of Three’s Company.  Joyce DeWitt appears at the beginning and the end to talk about how important she thinks the show was.  In the movie, she is played by Melanie Paxson.  John Ritter is played by a lookalike actor named Bret Anthony while an actress named Jud Taylor plays Somers.  Brian Dennehy plays ABC president Fred Silverman and other executives are played by Daniel Roebuck, Wallace Langham, Gary Hudson, and Christopher Shyer.  The movie recreates all of the drama that went on during Three’s Company without offering much insight or really anything new to the story.  Even though the movie was co-produced and hosted by Joyce DeWitt, Suzanne Somers is really the only sympathetic character in the movie.  DeWitt comes across as being jealous while Anthony plays John Ritter as being a bland nonentity who chooses his own success over being honest with his costars.  The network executives are more interesting, just because watching them provides a glimpse into how real producers and showrunners picture themselves.  They just wanted to make a good show about a sex addict pretending to be gay so he could live with two attractive, single women but the agents and the network presidents just keep getting in the way!  Won’t someone please think of the mid-level network executives?

Bland though this recreation was, it was enough of a rating hits that NBC went on to produce several more Behind The Camera films.  Three’s Company was only the beginning.

Searching For Babe Ruth


Because today is Babe Ruth’s birthday, I wanted to watch a movie about the player who is still considered to be one of the best to ever play the game of baseball.  Specifically. I wanted to watch a film that was made about him while he was still alive, The Babe Ruth Story (1948). in which the very presence of Babe Ruth on a baseball field causes a previously crippled child to walk again.

I couldn’t find that movie streaming anywhere online but I did watch two other Babe Ruth movies.  First, I watched Babe Ruth Story: That Ever Livin’ Babe (1962).  It’s available on Prime and it’s a documentary that was made about Babe Ruth.  Actor Pat O’Brien narrates the life of Babe Ruth, from his start at a school for wayward boys all the way through the end of his career.  It was a good good documentary and one thing that I found interesting is that the documentary didn’t try to sugarcoat any of Babe Ruth’s later problems with gambling or that he liked to live large.  (That was the reason why, despite his success on the field and his popularity off the field, Babe Ruth was one of the few former stars not be offered a management position after he retired from playing,)  The documentary even admits that, having grown up so poor that his own family sent him away, Babe Ruth was determined to enjoy his fame.  More importantly, the documentary also featured a lot of footage of Babe Ruth both on and off the field, including his first game at Yankee Stadium and also he and his wife selling liberty bonds during World War I.

Then, on YouTube, I found Just Pals (1932), a nine-minute film starring the Babe himself.  Babe Ruth returns to the “orphanage” where he grew up and watches a group of boys play baseball.  When one of the boys strikes out and walks away dejected, Babe Ruth takes the time to teach the boy how to properly hold and swing a bat.  That’s not quite as good as magically curing a cripple but Babe Ruth still offers some good advice and an important lesson.  He teaches the kid how to hit a ball like Babe Ruth.  The team wins the next game and Babe Ruth is there to see it.  Then he drives away with one of the orphans stowing away in the trunk of his car.

What I’d really like to see is Babe Comes Home (1927), a silent movie starring Babe Ruth that supposedly featured a lot of footage from Babe Ruth’s games.  Unfortunately, it’s believed to be a lost film.

Artist Unknown

Babe Ruth was born 130 years ago and he played his last game 90 years ago.  He was the first baseball player and one of the first athletes to become a celebrity in America and he’s still considered to be one of the best to ever play the game.  I don’t know if he actually called his shot at the 1932 World Series but I like to think he did.

Happy birthday to Babe Ruth, the man who epitomized the the spirit of baseball!  As for the rest of us, Spring Training begins on February 20th, the Dodgers and the Club will play in Japan in March 18th and 19th, and then the Regular Season runs from March 27th to September 28th!  Go Rangers!

 

 

 

Scenes That I Love: Ronald Reagan in Kings Row


Today’s scene that I love features future President Ronald Reagan, giving what he considered to be his best performance in 1942’s Kings Row.  He liked one of the lines in this scene so much that he used it as the title for autobiography.

On what would have been Ronald Reagan’s 114th birthday, here is today’s scene that I love.

 

4 Shots From 4 Films: Special Francois Truffaut Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, on what would have been his 93rd birthday, TSL pays tribute to the great Francois Truffaut.  No one captured the act of falling in love in life, people, and cinema with the skill, sensitivity, and humor of Francois Truffaut.  It’s time for….

4 Shots From 4 Francois Truffaut Films

The 400 Blows (1959, dir by François Truffaut, DP: Henri Decae)

Shoot the Piano Player (1960, dir by François Truffaut, DP: Raoul Coutard)

The Story of Adele H. (1975, dir by Francois Truffaut, DP: Nestor Almendros)

The Last Metro (1980, dir by François Truffaut, DP: Nestor Alemndros)

A Joseph Cotten Scene That I Love From Citizen Kane


Joseph Cotten passed away 31 years ago today.  Cotten appeared in a lot of good films and worked with many important directors but he will always be remembered for bringing to life Jedidiah Leland, the drama critic in Citizen Kane.  I liked the character so much that I paid tribute to him with my penname, though I substituted an A for the first I.

Cotten played Jedidiah as both a young man and an old man in Citizen Kane.  The first time I saw the movie, I reacted to the young Leland.  With each passing year, I think I understand better what the older Leland was talking about when he said that memory is the greatest curse ever inflicted on the human race.

(Even retired and living in what appears to be a nursing home, Jedidiah Leland still spoke like a drama critic.)

 

The Opening of THE LAST OF THE MOHICANS (1992) – one of my favorite scenes. 


I can’t let Michael Mann’s 82nd birthday pass without sharing one of my favorite scenes of his filmography. Have y’all ever started watching a movie and immediately knew you were going to love it?! That’s what the opening 4 minutes of THE LAST OF THE MOHICANS did for me. The credits start and the soundtrack reveals the powerful musical theme of the movie as well as its beautiful mountain setting. And then we join Hawkeye (Daniel Day-Lewis), his dad Chingachgook (Russell Means), and his brother Uncas (Eric Schweig) in the middle of their hunt as they’re sprinting through the woods after their prey. They just look so cool running together under Mann’s stylish direction. It’s not even the best scene in the film, but it’s the scene that drew me in and let me know I was in for something special.

Happy Birthday, Michael Mann and thanks for sharing your talent with all of us! 

Enjoy this awesome scene, my friends!

Madhouse (1990, directed by Tom Ropelewski)


Mark (John Larroquette) and Jessa Bannister (Kirstie Alley) have a perfect yuppie lifestyle going until their respective family members show up at their California home and refuse to leave.  First, it’s Mark cousin (John Diehl) and his wife (Jessica Lundy).  Then it’s Jessa’s sister, Claudia (Alison LaPlaca), who has just left her husband and now has to find a new man to support her lifestyle.  Mark and Jessa just want some time alone but instead, they have to deal with a cat who is frequently mistaken for dead, broken marriages, a shipment of cocaine, and a neighbor (Robert Ginty) who builds weird bed frames.  Mark has a big contract to land and Jessa is trying to succeed as a television news reporter but it’s not easy when you’re living in a madhouse.

There are some films that you just like despite yourself and that’s the way I feel about Madhouse.  It’s very much an 80s film, with its emphasis on material goods and achieving the perfect lifestyle.  (The appearance of Dennis Miller as Mark’s co-worker only reminds us of just how much a product of its era that Madhouse is.)  There are a lot of jokes that don’t work and some, like the cat that is continually mistaken for dead, that shouldn’t work but do.  It’s a sitcom transferred to the movies and the humor rarely rises above that level.  It ever stars two of the decade’s biggest sitcom stars, John Larroquette and Kirstie Alley.  Larroquette shows us why he was better suited for television while Alley shows how tragic it was that she didn’t have a bigger film career.  Kirstie Alley gives such a dedicated and fearless performance as someone who has been driven to the end of her rope that it keeps you interested in the film.  Alley, like the great comedic actresses of Hollywood’s golden age, was an actress who could mix physical comedy with barbed one-liners and who was undeniably appealing as she moved from one disaster to the next.  In Madhouse, she was beautiful, frantic, sexy, neurotic, relatable, and funny all at the same time.  By the end of this movie, you really do wish she had gotten more and better opportunities to show off her talents in the years after Cheers went off the air.

Madhouse is nothing special.  It’s a generic comedy about unwanted family guests.  But I’ll always appreciate it for Kirstie Alley.

Scenes That I Love: The Tiger Scene From Manhunter


Since today is Michael Mann’s birthday, today’s scene that I love comes from his 1986 film, Manhunter.

In this scene, a blind woman (played by Joan Allen) pets a sedated tiger while her new boyfriend (Tom Noonan) watches.  This would actually be a pretty romantic scene if not for the fact that her boyfriend is also a homicidal maniac.  This is a scene that, when you watch the film, seems to come out of nowhere but, when you look back, you realize it was one of the key moments in the narrative.  While the killer watches the woman who represents a possible redemption embrace another predator, the profiler played by William Petersen continues his way into the killer’s tortured psyche.

This scene is Michael Mann at his best.

4 Shots From 4 Films: Special Michael Mann Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, we celebrate the 82nd birthday of the great Michael Mann!  It’s time for….

4 Shots From 4 Michael Mann Films

Thief (1981, dir by Michael Mann, DP: Donald Thorin)

Manhunter (1986, dir by Michael Mann, DP: Dante Spinotii)

Heat (1995, dir by Michael Mann, DP: Dante Spinotti)

Public Enemies (2009, dir by Michael Mann, DP: Dante Spinotti)

Song of the Day: Night Train to Mundo Fine by John Carradine


On this date, 119 years ago, the great actor John Carradine was born in New York City.

Over the course of his career, Carradine worked for just about everyone.  He appeared on stage.  He appeared in film and television.  He played the great roles of Shakespeare and he also played Dracula.  He was a part of both the John Ford and the Fred Olen Ray stock companies.  He had a reputation for taking almost any role offered to him and, as a result, his huge filmography offers up a wonderful amount of variety.

He was also a singer!  Here he is performing today’s song of the day, Night Train to Mundo Fine!  This song was featured Coleman Francis’s Red Zone Cuba.  Say what you may about the song or the film, how can you not love Carrdine’s dramatic (and perhaps slightly mocking) delivery of the lyrics?