Brad’s “Scene of the Day” – The Pool Hall fight in COOGAN’S BLUFF!


One of the best action scenes in the Don Siegel / Clint Eastwood collaboration COOGAN’S BLUFF (1968)… I really enjoy this scene because Coogan tried to use Libby Raven, but she surprised him by being smarter than he thought she was. Enjoy this classic scene from COOGAN’S BLUFF!

Lafayette Escadrille (1958, directed by William Wellman)


In the days leading up to World War I, spoiled rich kid Thad Walker (Tab Hunter) flees Boston after getting hit with a car theft charge and ends up in Paris.  He befriends a group of American expatriates (including David Janssen, Will Hutchins, Jody McCrea, and William Wellman, Jr.) and eventually joins the French Air Force as a members of the Lafayette Escadrille.  Thad also falls in love with a French prostitute named Renee (Etchika Choureau) and, after Thad strikes a French officer, he goes on the run with her.

I always wonder how many people have watched this film over the years because of the presence of a young Clint Eastwood in the cast, just to discover that he doesn’t get many lines and his character is largely interchangeable with the other young actors playing the members of the Lafayette Escadrille.  This is a Tab Hunter movie, meaning that the action is dominated by Hunter’s sincere but bland screen persona.  Director William Wellman wanted to cast Paul Newman in the lead role and that would have been something to see.  Instead, the studio insisted on Hunter.  They also insisted that Wellman change the film’s ending so that Hunter could survive instead of getting shot down on his very first mission.  William Wellman was so disgusted with the studio that he retired from directing.

What had to make it all especially galling for the director was that Lafayette Escadrille was based on his own life.  His son, William Wellman Jr., plays “Bill Wellman” in the film and Thad was based on actual friend of Wellman’s.  The film was meant to be a tribute to his friends, many of whom did not survive World War I.  Instead, the studio insisted that it be just another Tab Hunter service comedy.  The best scenes are the ones where it’s just Thad and his friends trying to make it through basic training.  Unfortunately, those scenes are overshadowed by Thad on the run.

The film is still there for those of us who enjoy catching future stars.  Clint Eastwood, David Janssen, Tom Laughlin, Will Hutchins, Brett Halsey, and Jody McCrea are all present and accounted for.  Rumor has it that James Garner can spotted in the background but I couldn’t find him and Garner had already co-starred with Brando in Sayonara when this move was made so I doubt he was doing background work.  Tab Hunter’s blandness sinks the production but the rest of the cast would go on to better things.

I review COOGAN’S BLUFF (1968) – starring Clint Eastwood!


Here at The Shattered Lens, we’re looking forward to celebrating the birthday of Clint Eastwood on May 31st. In anticipation, I decided to revisit COOGAN’S BLUFF (1968). 

Clint Eastwood is Coogan, a tough as nails deputy sheriff from Arizona, who’s ordered by his boss, Sheriff McCrea (Tom Tully) to go to New York City and bring back the escaped killer James Ringerman (Don Stroud). When he gets to New York, he’s informed by Lieutenant McElroy (Lee J. Cobb) that Ringerman has overdosed on LSD while in the state’s custody, he’s now in the Bellevue Hospital, and he will not be released to Coogan until the state Supreme Court says so. Stuck in the Big Apple with nothing to do but flirt with probation officer Julie Roth (Susan Clark), Coogan decides to take matters into his own hands and get Ringerman out of the hospital early. He bluffs the attendants at the hospital into turning Ringerman over to him so he can catch the first plane back to Arizona. It seems like a good plan until he’s ambushed by Ringerman’s girlfriend Linny (Tisha Sterling) and his friend Pushie (David Doyle), he gets conked on the head, and he loses both his gun and his prisoner. Now, in trouble with Lieutenant McElroy and Sheriff McCrea, Coogan is ordered back home to Arizona. Determined to get Ringerman at any cost, Coogan stays in the city and leaves a trail of broken hearts and bruised bodies on his way to capturing his man! 

Made in 1968 after Eastwood’s string of excellent spaghetti westerns with Sergio Leone, COOGAN’S BLUFF may be set in contemporary times, but Coogan still seems to be a product of the old west. A big part of the fun is watching him interact with the people of New York City, where everyone is trying to take advantage of him, whether it be the cab driver, the hotel clerk, or the hooker down the hall. When he finally gets to the police station, he sees a building that’s completely overrun with criminals and crazies. He soon finds that Lieutenant McElroy follows the law down to the letter, while he treats the law as more of a set of suggestions on his way to getting the bad guys. This leads to endless frustration and almost gets Coogan arrested multiple times throughout the film as he doesn’t want to deal with all the red tape. One thing that doesn’t change whether Coogan is in Arizona or New York is his success with the ladies. They all swoon and he more than willingly obliges. The only problem for his prospect of true love is the fact that getting his guy always comes first, and he’ll use that sex appeal to get whatever information he needs. One of the main action scenes in this film, the bar fight, is set up ironically when the woman he’s “using” turns the tables and instead sets him up to be pummeled. 

COOGAN’S BLUFF is Eastwood’s first film with director Don Siegel, with whom he’d make DIRTY HARRY a few years later. You can definitely see the genesis of Harry Callahan in Walt Coogan, a man who does whatever it takes to stop criminals, is quick with a whip, and usually pisses off his superiors along the way. In some ways, you could say that Walt Coogan set the mold for the hero of cop films for the next couple of decades! It also has that sense of humor that would be a mark of Eastwood’s cop films. This one includes a funny thread that runs throughout where every person he meets assumes he’s from Texas because he wears a cowboy hat, and he always corrects them that he’s from Arizona. I get this as I always make sure people know that I’m from Arkansas! 

Overall, I really enjoy COOGAN’S BLUFF due mainly to Clint Eastwood’s excellent performance in the lead role. It was a great start to his “post Leone” career and would influence action movie heroes from that point forward. 

Here’s What Won At Cannes


Here’s what won at this year’s Cannes Film Festival.  As the Academy’s membership has become more international, Cannes has been transformed into an Oscar precursor over the past few years.  Time will tell if that’s the case this year.  (Of the film’s that did win this year, The Secret Agent sounds like the most Oscar-friendly)

Palme d’Or
Jafar Panahi for It Was Just an Accident

Grand Prix
Joachim Trier for Sentimental Value

Jury Prize
Mascha Schilinski for Sound of Falling and Oliver Laxe for Sirat (tie)

Best Director
Kleber Mendonça Filho for The Secret Agent

Best Screenplay
Jean-Pierre and Luc Dardenne for Young Mothers

Best Actress
Nadia Melliti for The Little Sister

Best Actor
Wagner Moura for The Secret Agent

Special Prize
Resurrection, dir. Bi Gan

Camera d’Or for Best First Film
The President’s Cake, dir: Hassan Hadi

Palme d’Or for Best Short Film
I’m Glad You’re Dead Now, dir: Tawfeek Barhom

Live Tweet Alert: Watch Ninja III: The Domination With #ScarySocial!


As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, for #ScarySocial, I will be hosting 1984’s NINJA III: THE DOMINATION!

If you want to join us on Saturday night, just hop onto twitter, start the film at 9 pm et, and use the #ScarySocial hashtag!  The film is available on Prime and Tubi!  I’ll be there co-hosting and I imagine some other members of the TSL Crew will be there as well.  It’s a friendly group and welcoming of newcomers so don’t be shy!

 

4 Shots From 4 Films: Special Roger Deakins Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today is the birthday of our greatest living cinematographer, Roger Deakins!  It’s time for….

4 Shots From 4 Roger Deakins Films

Barton Fink (1991, dir by the Coen Brothers, cinematography by Roger Deakins)

The Hurricane (1999. dir by Norman Jewison, DP: Roger Deakins)

Skyfall (2012, dir by Sam Mendes, cinematography by Roger Deakins)

Sicario (2015, dir by Denis Villeneuve, cinematography by Roger Deakins)

Hostage For A Day (1994, directed by John Candy)


Hostage For A Day is the only film that the much-missed John Candy ever directed.  (It premiered on Canadian television, a few months after his death.)  It’s also one of the only films to feature George Wendt in a leading role, as opposed to being a supporting player.  The film is full of funny people like Don Lake and Robin Duke.  John Vernon plays Candy’s father-in-law.  A lot of talent went into this movie.  It’s too bad that it’s not very good.

Wendt does give a good performance in the lead role.  He plays Warren Kooey, who is depressed on his 41st birthday.  His wife (Robin Duke) has drained their bank account to remodel their house and apparently shag their interior decorator, Hondo (Currie Graham).  No one respects him at work.  Warren’s reflection in the mirror tells Warren that he needs to do something with his life.  Warren decides to fake a hostage situation so that he can collect the ransom.  The problem is that the SWAT team has recently had their budget cut and can’t afford to pay the amount that Warren comes up with.  Then some real kidnappers (led by John Candy, making a very brief appearance) hold him hostage for real.  While this goes on, Wendt continues to talk to his reflection in the mirror and there are a few sweet but out-of-place scenes featuring him reuniting with his childhood sweetheart, Diane St. Clair (Christopher Templeton).

As a director, Candy never seems to be sure what type of film he’s trying to make.  The comedy is broad but Candy also tries to sneak in some sentimental moments and the end results just doesn’t mix well.  He gets some good performances for his cast but the film itself never really comes together.  This was George Wendt’s only starring role and he does a good enough job that I regret he didn’t get bigger roles once Cheers went off the air because, judging by this film, he could have handled them  I just wish this movie was better.

4 Shots From 4 Films: All 4 of Lau Ching-Wan’s Hong Kong Film Award-Winning Performances!


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Actor Lau Ching-Wan won his 4th Hong Kong Film Award for Best Actor last month for the film PAPA. Today’s “4 Shots From 4 Films” celebrate Lau, one of the world’s great actors, and those four films that featured his incredible performances.

MY NAME IS FAME (2006)

OVERHEARD 3 (2014)

DETECTIVE VS. SLEUTHS (2022)

PAPA (2024)

I Watched 61* (2001, Dir. by Billy Crystal)


61* is about two baseball player and two friends who couldn’t seem to be more different.

Roger Maris (Barry Pepper) is an introverted family man who doesn’t like it when reporters show up at his house in search of a story or a quote.  He’s a good ball player, one of the best, but he doesn’t want to be a celebrity.  Mickey Mantle (Thomas Jane) is a larger-than-life personality, a beloved figure on the field and in the dugout.  Mickey loves being famous and the fans love him.  Both Maris and Mantle are members of the New York Yankees.  Because Mantle is struggling with his drinking, he becomes Maris’s roommate when they’re on the road.  In 1961, the two friends both go after Babe Ruth’s record of 60 home runs in a season.  The press presents their season as a battle, a race to see who will be the first to hit the sixty-first home run of the season.  Mantle and Maris, though, are just swinging the bat and making plays.

I really enjoyed 61*, which is a baseball film made by and for people who love baseball.  I liked the contrast between the quiet Maris and the charismatic Mantle.  Even though Maris is a hard worker and a good ballplayer, Mantle is the fan favorite and the one that people actually want to break the record.  I appreciated that Maris and Mantle remained friends even when the press tried to turn them into rivals.  That’s what teamwork is all about.  Barry Pepper and Thomas Jane were great as Maris and Mantle and the movie showed how each man dealt with the stress of possibly breaking Babe Ruth’s record.

(Why is there an asterisk in the title?  Babe Ruth set his record in a season that only had 154 games.  The 1961 baseball season was 8 games longer.  The asterisk was added as a reminder that Maris and Mantle had 8 more games than Ruth did to try to break the record.  Baseball fans understand how important accurate statistics are to a player’s career and a team’s season.)

61* celebrates the way baseball used to be, a game played by athletes who had to depend on skill and teamwork instead of performance enhancing drugs.  The movie opens with Maris’s family watching as Mark McGuire closes in on breaking the record.  McGuire would only briefly hold the record.  He would lose it, for 48 minutes, to Sammy Sosa and then, three years after winning it back, he would lose it a second time to Barry Bonds.  Of course, Roger Maris won the record without using steroids so, as far as I’m concerned, it still belongs to him.

If you’re a baseball fan, 61* is a film that you have to see.

10 Films For The Weekend (5/23/25 Edition)


Here are ten films that I recommend checking out this weekend.  These films are all streaming so, if you’re stuck inside due to weather or crippling depression, give them a shot!

In Memory of My Dad

This Memorial Day is going to be a difficult one for me because it’s also going to be the one-year anniversary of the car accident that eventually led to my Dad passing away last year.  These first two films, I’m recommending in his memory.  One of them was a favorite of movie of his.  The other movie is one that makes me think about him and my mom whenever I watch it.

First off, National Lampoon’s Animal House (1978) was one of my Dad’s favorite movies.  He saw it in theaters when it was first released and, whenever he would come across the film on television, he would get the biggest smile on his face.  I love this film, too.  I reviewed it a few years ago but, for here, I’ll just say that this film works as both the quintessential college comedy and also as a surprisingly touching portrait of friendship.  As Dean Wormer, John Vernon set the standard for heartless authority figures for years to come.  Tim Matheson, Peter Riegert, Tom Hulce, Stephen Furst, Kevin Bacon, Karen Allen, Bruce McGill, James Daughton, Mark McGill, BELUSHI!  For the record, my favorite member of Delta House was always Hoover.  Animal House is currently on Prime. 

Secondly, I have to mention Dazed and Confused (1993).  Richard Linklater’s portrait of life in 1970s Texas has long been a favorite of mine.  There’s a lot of reasons, from the clever dialogue to the genuinely funny moments to the performances of the truly amazing cast.  Matthew McConaughey may have been the one to become a star but the film is full of great performances, from everyone from Jason London to Parker Posey to Wiley Wiggins and Michelle Burke to Cole Hauser and Ben Affleck to Adam Goldberg and Anthony Rapp to Nicky Katt …. well, you get the idea.  Linklater has sometimes said that he regrets that the film didn’t have more “serious” moments but I think he’s being a bit too hard on himself and the film.  There’s a definite sense of melancholy to Dazed and Confused.  These characters have no idea what’s waiting for them in the future.  This film always makes me think of my Mom and Dad because it’s about their generation.  (My Dad once told me that the film was very accurate.)  Whenever I watch this film, I’m reminded that everyone was young once and, eventually, everyone gets older.  Dazed and Confused is on Prime.

For Memorial Day

Memorial Day is an often misunderstood holiday.  It was first celebrated after the Civil War and it’s meant to be a time to honor those who sacrificed their lives defending the United States.  It’s mean to be a time of sober reflection but that’s not currently our nation’s strong suit.

I’m not a huge fan of war films but I do like Battleground (1949), a simple but moving portrait of a platoon of soldiers fighting during the Battle of the Bulge.  Battleground, made when World War II was a very fresh memory, is a touching and realistic portrait of combat, one that focuses on the humanity of the soldiers involved.  No one is presented as being superhuman or as an indestructible action hero.  Instead, they’re vulnerable, frequently frightened, and often frustrated.  At the same time, they’re also putting their life at risk for their country and battling one of the greatest evils that the world has ever known.  Battleground is a tribute to American soldiers and those who sacrificed their lives to battle the Nazis.  Amongst the ensemble cast, young Ricardo Montalban stands out as a tragic soldier.  For now, Battleground can be viewed on YouTube.

The Best Years Of Our Lives (1946) won the Oscar for Best Picture of 1946 and, while I would have given the Oscar to It’s A Wonderful Life, The Best Years Of Our Lives remains a powerful portrait of returning veterans and their struggle to adjust to life during peacetime.  Fredric March, Dana Andrews, and Harold Russell return from combat and find themselves surrounded by friends and family who have no way of understanding what they experienced while serving their country.  Wonderfully directed by William Wyler and featuring a brilliant cast, The Best Years Of Our Lives is a moving film, one that reminds us that the scars of war don’t disappear once the shooting stops.  The film is streaming on Pluto and Peacock.

For All You Car Fans

The Indianapolis 500 is scheduled for this Sunday.  Personally, I like cars and I like the people who aren’t afraid to drive fast.

Fast Company (1979)  is one of the many 70s films to be made about racing.  It’s certainly not the first to feature William Smith as a driver who loves speed and taking risks.  What sets Fast Company apart is that it was directed by David Cronenberg.  It’s a film that Cronenberg did for the money and it was also the first time that he worked with two important future collaborators, actor Nicholas Campbell and cinematographer Mark Irwin.  Even though there’s not much of Cronenberg’s signature stye here, he does show himself to be an adroit genre director.  The cars are fast, the races are well-shot, and John Saxon shows up as the villain.  Fast Company is on Tubi.

Used Cars (1980), an early film from Robert Zemeckis and screenwriter Bob Gale (who celebrates a birthday tomorrow), is one of my favorite films, a hilarious and shameless comedy that features Kurt Russell, Jack Warden, and Gerrit Graham at their absolute best.  Russell, at a time when he was still struggling to establish himself as something more than a Disney star, gives a wonderful and charismatic performance as a used car salesman with political ambitions.  This film is worth seeing for his suit alone!  Jack Warden plays twin brothers, one good and one bad.  Never look away when Gerrit Graham is in a scene because, even when he’s in the background, he can make you laugh.  This ends with one of the greatest chase scenes ever directed.  Used Cars is on Tubi and you definitely need to watch it if you haven’t already.

Odds and Ends

Of all the films that I’ve ever seen at SXSW, Shock of the Future (2019) remains my favorite.  Starring Alma Jodorowsky as a musician living in 70s Paris, Shock of the Future pays tribute to the female pioneers of electronic music.  Needless to say the soundtrack is wonderful but, beyond that, Shock of the Future is a film that captures the joy that comes from creativity and artistic expression.  It’s a film that will leave you wanting to create something wonderful.  Shock of the Future is on Tubi.

Terminal Bliss (1992) is a portrait of teenagers with too much money, too many drugs, and not much of a conscience.  It’s a film that wears its influences on its sleeve but, at the same time, director Jordan Alan (who was 19 at the time) does a good job of capturing the ennui and detachment that dominates his character’s lives.  This is a flawed film but worth seeing for Luke Perry’s performance as a young sociopath.  After years of only being available in a French-language dub, the English-version of Terminal Bliss is currently on YouTube.

Ruggero Deodato’s Raiders of Atlantis (1983) may not be as well-known as Deodato’s Cannibal Holocaust or The House on the Edge of the Park but it’s still an entertainingly weird mix of Atlantis, Miami Vice, Mad Max, and Raiders of the Lost Ark.  The Atlanteans return to land of the living and, for some reason, they’re riding motorcycles and dressing like wannabe punk rockers.  It makes no sense but Deodato keeps the action moving and the cast is a who’s who of Italian exploitation, featuring Christopher Connelly, Tony King, Ivan Rassimov, Bruce Baron, and George Hilton!  The soundtrack is wonderfully over-the-top.  It can be found on Tubi!

Godzilla vs Destoroyah (1995) is one of the best Godzilla films and, unfortunately, it’s one that often seems to get overlooked.  Godzilla is at his most fearsome and destructive and Destoroyah is a more than worthy opponent.  The members of the Godzilla Task Force all get to wear cute uniforms.  Godzilla vs Destoroyah is available on Tubi.

Have a wonderful weekend!