4 Shots From 4 Films: Special 1991 Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, we pay tribute to the year 1991!  It’s time for….

4 Shots From 4 1991 Films

The Silence Of The Lambs (1991, dir by Jonathan Demme, DP: Tak Fujimoto)

JFK (1991, dir by Oliver Stone, DP: Robert Richardson)

Until the End of the World (1991, dir by Wim Wenders, DP: Robby Muller)

The Sect (1991, dir by Michele Soavi, DP: Franco Fraticelli)

Six Gun Gospel (1943, directed by Lambert Hillyer)


Marshals Nevada Jack McKenzie (Johnny Mack Brown) and Sandy Hopkins (Raymond Hatton) are sent to the frontier mining community of Goldville to determine who is responsible for hijacking all of the gold that should be coming out of the town.  Not surprisingly, it’s all the work of another dastardly saloon owner (Kenneth MacDonald) who is planning on stealing all the gold, chasing off all the settlers, and then selling their land to the railroad company.  While Sandy goes undercover as the town’s new preacher, Jack agrees to ride shotgun on a gold shipment, along with with Dan Baxter (Eddie Drew).  Dan is in love with Jane Simms (Inna Gest), the daughter of honest miner Bill Simms (Kernan Cripps).

Johnny Mack Brown made a countless number of westerns for several different production companies but it seems like they always featured a crooked saloon owner and a plan to sell the land to a railroad company.  Luckily, nobody watches these movies for the plots and that was probably true even when they were first released.  People watch these movies for the nostalgia value of watching a movie where it’s good vs evil and good always triumphs without leaving any sort of lingering doubt about whether or not the heroes did the right thing.  Johnny Mack Brown is as authentic on a horse and carrying a gun as he ever was and there’s a scene where he manages to get a gun despite being tied up that’s pretty cool.  The appeal of Johnny Mack Brown was that he always seemed like he could do the things that he did in the movies in real life as well.  Raymond Hatton provides comic relief, pretending to know the hymns being sung by his congregation and providing some songs of his own.  There’s enough gun fights and horse chases to provide nostalgic happiness for fans of the genre and that’s the important thing.

The Wild Pair (1987, directed by Beau Bridges)


A police detective named Benny Avalon (Bubba Smith) and an FBI agent named Joe Jennings (Beau Bridges) are assigned to work together to take down a drug dealer named Ivory Jones (Raymond St. Jacques).  Avalon and Jennings don’t immediately get along.  Avalon is tough and streetwise while Joe is a good example of what used to be called a yuppie.  When they discover that Ivory is connected to a white supremacist gang led by Col. Hester (Lloyd Bridges), Avalon and Jennings have to set aside their differences and work together.

The Wild Pair starts out as a standard buddy cop film until things take a sudden serious turn and it instead becomes a violent and blood-soaked revenge thriller.  It tries to mix comedy and action in the style of Beverly Hills Cop but it doesn’t work.  Beverly Hills Cop understood that you could only take the violence so far without losing the laughs.  The Wild Pair has the bad guys killing several innocent (and likable) people and also murdering Avalon’s cat.  Maybe Walter Hill could have pulled off what this film was going for.  He certainly managed to do so with 48 Hours.  But this film was the directorial debut of Beau Bridges, a good actor who, as a director, was no Walter Hill.  As for Bubba Smith, he was always more of a personality than an actor.  That served him well in the Police Academy films but here he’s actually supposed to be playing someone other than Bubba Smith and his limitations of an actor become especially glaring once the film turns serious.  Lloyd Bridges also seems miscast as the villain but that may just be because I’ve watched Airplane! and Hot Shots too many times.

The pair may be wild but they’re also forgettable.

Retro Television Review: The American Short Story Episode 8 “The Blue Hotel”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing The American Short Story, which ran semi-regularly on PBS in 1974 to 1981.  The entire show can be purchased on Prime and found on YouTube and Tubi.

This week, we have an adaptation of a Stephen Crane short story.

Episode 1.8 “The Blue Hotel”

(Dir by Jan Kadar, originally aired in 1977)

In the dying days of the Old West, a train pulls into a station in a small frontier town.  Getting off the train, a Cowboy (John Bottoms), an Easterner (Geddeth Smith), and a Swede (David Warner) head to the town’s only hotel.  A blizzard is coming and the three men are seeking shelter for the night.  The owner of the hotel, Scully (Rex Everhart), is happy to provide it.  As the men wait for dinner to be served, they play a card game with Scully’s son, Johnnie (James Keach).

At first, the game plays out without incident.  The men are all friendly, with the exception of the Swede.  The Swede remains quiet and seems distrustful.  After a few hands of the game, the Swede accuses Johnnie of cheating.  Over the next few hours, as the wind howls outside, the Swede rants and raves.  Convinced that the wild west is truly full of outlaws and that it’s all exactly like the dime-store novels that he read before boarding the train, he cannot bring himself to accept that the men mean him no harm.  It all leads to violence and tragedy.

This episode made excellent use of the shadowy Blue Hotel and the desolate wind blowing outside.  Over the course of an hour, the hotel went from being a friendly shelter to an ominous location that seemed to pulse with paranoia.  David Warner gave a strong performance as the unstable Swede and the final act of violence (which was changed slightly from the short story’s original conclusion) comes as a genuine shock as does the final twist in the tale.  The Blue Hotel becomes a look at how people unknowingly shape their own destiny, for better or worse.

Live Tweet Alert: Join #ScarySocial for You’re Next!


As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, at 9 pm et, Deanna Dawn will be hosting #ScarySocial!  The movie?  2013’s You’re Next!  

If you want to join us this Friday, just hop onto twitter, start the movie at 9 pm et, and use the #ScarySocial hashtag!  It’s a friendly group and welcoming of newcomers so don’t be shy.

The film is available on Prime!

Scene That I Love: The Party in Eyes Wide Shut


Eye Wide Shut (1999, directed by Stanley Kubrick)

Stanley Kubrick would have been 97 years old today!

In honor of this visionary and his career, here is a wonderful  scene from his final film, 1999’s Eyes Wide Shut.  Like so many of Kubrick’s films, it took a while for people to really appreciate Eyes Wide Shut.  It’s an odd and, at times, frustrating film but still a film touched by Kubrick’s unique genius.  It’s also a Christmas film and one that I plan to revisit for the site in December.

In this scene, Tom Cruise discovers that it’s not quite as easy to crash a super secret party as he thought it would be.

6 Shots From 6 Films: Special Stanley Kubrick Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

On this date, 97 years ago, Stanley Kubrick was born in New York City.  The rest, as they say, is history.

In honor of one of the world’s greatest directors, here are….

6 Shots From 6 Stanley Kubrick Films

The Killing (1956, dir by Stanley Kubrick, DP: Lucien Ballard)

Paths of Glory (1957, dir by Stanley Kubrick, DP: Georg Kraus)

Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964, dir. Stanley Kubrick, DP: Gilbert Taylor)

2001: A Space Odyssey (1968, dir by Stanley Kubrick, DP: Geoffrey Unsworth)

Barry Lyndon (1975, dir by Stanley Kubrick, DP: John Alcott)

The Shining (1980, dir by Stanley Kubrick, DP: John Alcott)

Girl You Know It’s True (2023, directed by Simon Verhoeven)


In 1988, a German music producer named Frank Farian (Matthias Schweighofer) has already recorded and produced a song called Girl You Know Its True.  He just needs to find two performers who are more photogenic than the middle-aged studio musicians who actually sang it.  Frank discovers Rob (Tijan Njie) and Fab (Elan Ben Ali), two friends who are trying to make it as dancers.  Rob is German and biracial.  Fab is French.  Frank tells them that all they have to do is lip-synch along with the record whenever they’re “performing” the song.  After Frank assures them that this type of thing is done all the time, they agree.  Frank also tells them that they will be known as Top Shelf.

The song becomes a hit and Rob and Fab become stars but they’re not known as Top Shelf, a name that is dismissed as being too German.  Instead, they find superstardom as Milli Vanilli.  With their popularity comes money, groupies, and drugs.  But when word gets out that neither Rob nor Fab actually sang on their record, everything collapses into one of the biggest entertainment scandals of the past 40 years.

I never would have guessed that a good movie could be made about the fall of Milli Vanilli but Girl You Know Its True is a surprisingly compelling and well-acted retelling of the familiar story.  The movie is as much as about the business of fame as it is about the band itself with Frank realizing and explaining that a band’s image is much more important than the music itself.  Rob and Fab are presented as being incredibly naive and trusting when it comes to Frank and his promises, with Rob also sabotaged by a need for acceptance that came out of his troubled childhood.  The villain in this story is not the band but instead a music industry that knowingly looked the other way on Frank’s deception and then scapegoated Rob and Fab when the truth came out.  Rob and Fab each deal with going from being superstars to being pariahs in their own individual way.  It leads to tragedy for one and regret for the other.

Even though I was familiar with the story, Girl You Know It’s True took me by surprise.  It’s a genuinely good film.

Live Tweet Alert: Join #FridayNightFlix for Attack of the Killer Tomatoes!


As some of our regular readers undoubtedly know, I am involved in a few weekly watch parties.  On Twitter, I host #FridayNightFlix every Friday and I co-host #ScarySocial on Saturday.  On Mastodon, I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, at 10 pm et, I will be hosting #FridayNightFlix!  The movie?  1978’s Attack of the Killer Tomatoes!

If you want to join us this Friday, just hop onto twitter, start the movie at 10 pm et, and use the #FridayNightFlix hashtag!  I’ll be there happily tweeting.  It’s a friendly group and welcoming of newcomers so don’t be shy.

Attack of the Killer Tomatoes is available on Prime and Tubi!

See you there!

10 Films For The Weekend (7/25/25)


Leaving Soon

With the end of July approaching, I decided to take a look at what would soon be leaving Tubi.  I should mention that just because these films are leaving Tubi, that doesn’t mean they’re not going to start streaming somewhere else.  In fact, I imagine the reason that they’re leaving is because they’re going to start streaming somewhere else.  Here’s a few worthwhile films that are currently listed as “leaving soon” on Tubi.

Sweet Smell of Success (1957) stars Burt Lancaster as a viscous columnist and Tony Curtis as his henchmen.  When Lancaster discovers that his sister is dating a jazz musician, Lancaster decides to destroy the man’s life.  One can view this film as a satire on the tabloids, a metaphor for McCarthyism, or a commentary on cancel culture.  All those interpretations are legitimate.  Then again, it can also be viewed as just being a tremendously enjoyable and endlessly quotable pulp masterpiece, a noir where the damage isn’t done by bullets but instead by words.  Here’s the link on Tubi.

Terence Malick’s Song to Song (2017) is an intriguing Texas-set film.  It’s a Malick film and, in many ways, it’s Malick at his most self-indulgent.  There are times when the film, with its languorous shots and its multiple narrators, almost becomes a self-parody.  But there are also images that are so strikingly beautiful that they stick with you.  A talented cast — Michael Fassbender, Ryan Gosling, Natalie Portman, Val Kilmer, and others — wanders through the film and offers up tantalizing hints of what’s going on underneath the surface of their ennui-drenched lives.  It’s left to the viewer to decide what it all means.  It’s a Malick film and, because of that, worth taking a chance on.  Here’s the link on Tubi.

Based on a novel by Don DeLillo and directed by David Cronenberg, Cosmopolis (2012) is a surreal film that follows a businessman (Robert Pattinson) as he is driven around New York.  This is one of those films that people seem to either love or hate.  I loved it and I thought this was the first film that showed Pattinson was capable of doing more than just Twilight.  In a key supporting role, Paul Giamatti gives a notably disturbing performance.  Here’s the link on Tubi.

What would you do if you had the chance to live the last day of your life over and over again?  That’s the question asked by one of my favorite films of the past ten years, Before I Fall (2017).  This is a film that brough back memories of me and my friends in high school and left me wondering if I needed to apologize to anyone.  Here’s the link on Tubi.

I’m still annoyed (if not necessarily surprised) that Nightcrawler (2014) was thoroughly ignored by the Academy.  Jake Gyllenhaal definitely deserved, at the very least, a nomination for his performance as a sociopath who finds a successful career in crime journalism.  Bill Paxton and Rene Russo give excellent supporting performances.  This may be a mainstream film but its heart belongs to the grindhouse.  Here’s the link on Tubi.

Finally, what can I say about Chinatown (1974) that hasn’t already been said by a hundred other critics?  It’s one of the best noirs ever made and it’s debatable whether or not Jack Nicholson has ever been better than he was here.  Along with an intriguing mystery, the film features one of the most loathsome villains of all time, John Huston’s Noah Cross.  Faye Dunaway is excellent as the femme fatale with a devastating secret.  Here’s the link on Tubi.

Odds and Ends

After watching Chinatown, why not check out Francis Ford Coppola’s The Conversation (1974)?  I have to admit that I envy those who were alive in 1974 and who got to see the second Godfather, Chinatown, and The Conversation when they were all first released.  What’s it like to live during a cinematic golden age?  The Conversation is a brilliant thriller, featuring Gene Hackman at his best.  This is a true masterpiece of paranoia and it can be viewed on Prime.

If you’re in the mood for something completely different, the dramedy Class (1983) features Andrew McCarthy as a nerdy student who has an affair with the mother (Jacqueline Bisset) of his roommate (Rob Lowe).  It’s a very 80s film and definitely a guilty pleasure.  It can be viewed on Prime.

Speaking of Rob Lowe, he plays a bad guy in the enjoyably melodramatic Bad Influence (1990).  James Spader plays the good guy for once, an adorably nerdy guy who discovers that his new best friend doesn’t exactly have his best interests at heart.  Directed by Curtis Hanson, Bad Influence is sordid fun.  It can be viewed on Prime.

Finally, I should mention that I bought a copy of Gianni Russo’s autobiography this week.  Russo is the entertainer who played Carlo Rizzi in The Godfather and who appeared in a handful of other films, usually playing a gangster.  I’m disappointed to say that Russo did not write about the experience of co-starring in the gloriously absurd, totally 70s sci-fi flick, Laserblast (1978).  Fortunately, you can watch the film for yourself.  Russo’s role is actually pretty small but the Claymation aliens are just adorable!  This is also probably the only film ever made to feature Eddie Deezen as a bully.  Laserblast is on Prime.

You can check out last week’s films but clicking here!