Film Review: Gun (dir by Jessy Terrero)


Angel (Val Kilmer) has just been released from prison and he’s returned to the hard streets of Detroit.  Hooking up with his old friend Rich (50 Cent), Angel gets involved in a gun-running operation.

Unfortunately, it’s no longer easy or safe to sell guns in Detroit.  The police are cracking down.  Rival gun dealers are trying to take out a competition.  A raid at a club leaves a dealer dead and a huge power void in Detroit’s criminal underworld.  When it becomes obvious that the police have a snitch in Rich’s crew, Rich’s girlfriend (AnnaLynne McCord) suspects that it’s Angel.  Can Rich find the snitch without having to betray his best friend?  And does Angel have secrets of his own?

First released in 201o, Gun was the third film that Val Kilmer made with 50 Cent and it’s apparently their only collaboration that Kilmer didn’t mention in his autobiography.  It probably should be noted that Val Kilmer doesn’t look particularly happy in the movie but that actually works for his character.  Angel has just gotten out of prison, he’s mourning his wife, and he’s found himself right in the middle of the type of violent situation that could lead to him going back to prison.  In many ways, Angel feels like he could be a version of Heat’s Chris Shiherlis.  It’d easy to imagine that maybe Chris changed his name after escaping Los Angeles.  He became Angel and he found a new partner in the form of Rich.  Unfortunately, Detroit is a lot uglier than Los Angeles, Rich is no Neil McCauley, and Michael Mann’s not directing.  Kilmer’s performance is not bad.  Even in a low-budget movie like this, he still did his best.

That said, the film is centered around 50 Cent.  50 Cent plays Rich.  50 Cent provides the music.  50 Cent produced the film, along with Randall Emmett, a producer who largely made a career out of getting faded stars to appear in B-movies.  (He’s best-known for producing the many of Bruce Willis’s final films.)  As Rich, 50 Cent gives a rather stiff performance.  It’s not so much that he’s not convincing as a street smart gun dealer as he’s just not very interesting to watch.  There’s a predictability to his performance, one that is reflected in the songs that appear on the film’s soundtrack.  How many rap songs about making money and shooting people can one listen to before admitting that it all gets boring after a while?

In the end, the most interesting thing about Gun is the number of familiar faces who appear in small roles.  James Remar plays a cop.  Paul Calderon, the bartender from Pulp Fiction and the traitor from King of New York, plays a detective.  John Larroquette and, somewhat inevitably, Danny Trejo both make appearances.  Perhaps most oddly, Mike “Boogie” Malin, the winner of Big Brother All-Stars, plays an ATF agent.  I should mention that, in real life, Boogie Mike and Dr. Will Kirby (winner of Big Brother 2) had a friendship that widely mirrored the friendship between Rich and Angel.  I doubt that factored into his casting.  That would be giving Gun to much credit.

Gun was not a particularly compelling film, though it did win some authenticity points by actually being shot on location in Michigan.  That said, Val Kilmer gave a better performance than perhaps the material deserved.  Val is definitely missed.

Film Review: Edison (dir by David J. Burke)


In the town of Edison, a reporter named Pollack (Justin Timberlake) is convinced that he’s uncovered evidence of massive police corruption.  His editor, Moses Ashford (Morgan Freeman), responds by firing Pollack but then rehires him on the condition that he actually do the work and interview everyone involved.  Pollack is confused until he sees that Ashford has a Pulitzer Prize in his Edison bachelor pad.

FRAT stands for First Response Assault and Tactical.  Led by Captian Tilman (John Heard) and protected by duplicitous politician Jack Reigert (Cary Elwes), FRAT has made Edison safe but at what cost?  The constitution is regularly trampled.  Drug dealers are summarily executed.  Sgt. Lazaerov (Dylan McDermott) confiscates and uses the drugs himself while the newest recruit, Detective Deeds (LL Cool J), worries that he’ll be executed when he declines to lie in court.  Deeds has reason to be worried because he witnesses the attempted assassination of both Pollack and his girlfriend (Piper Perabo).

Teaming up with Detective Leon Wallace (Kevin Spacey), Pollack and Ashford try to get Deeds to turn on FRAT and expose the trouble in Edison.

First released in 2005, Edison was produced by Randall Emmett, who is today best-known for producing (and occasionally directing) Bruce Willis’s final films.  Emmett specializes in getting name actors to play small roles in what are otherwise B-movies.  In an Emmett film, De Niro, Stallone, Travolta, or Nicolas Cage might get top billing but usually, they only have a few minutes of screentime.  Edison is unique in that Morgan Freeman and Kevin Spacey (who was still considered to be a big name back in 2005) both actually have fairly large roles.  Though LL Cool J and Justin Timberlake are the stars of the film, it still appears that it probably took Freeman and Spacey longer than a day to shoot their scenes and that truly does set this film apart from other Emmett productions.  I should also note that Spacey wears an incredibly tacky hairpiece while Freeman gets an extended dance scene set to Time Has Come Today by The Chambers Brothers.

Is the film itself any good?  Eh, not really.  It’s a bit disjointed.  John Heard was a good actor but this movie was made when he was at the height of his “9-11 was an inside job” nuttiness and he gives a cartoonish performance as the main bad guy.  Cary Elwes is entertaining as the crooked politician but it’s hard not to feel that the film would have been more interesting if he and Kevin Spacey had switched roles.  LL Cool J is not particularly convincing as a cop so naive that he’s shocked to discover that there’s corruption on the force.  As for Justin Timberlake, this was actually his debut as an actor.  Timberlake is always at his best playing morally shady characters, like in Alpha Dog or The Social Network.  In this film, he has to play earnest and outraged and he’s never particularly convincing.  If anything, he comes across as being a little whiny.

That said, the idea behind Edison is at least interesting.  FRAT — like countless other special police units in the country — has become untouchable by actually doing its job.  The streets are safer, as long as you don’t get on FRAT’s bad side.  Who watches the watchmen?  Edison asked this now common question in 2005, when America was still embracing the survelliance state.  Flaws and all, Edison was ahead of its time.

 

Song of the Day: Overture (Lawrence of Arabia) by Maurice Jarre


Lawrence of Arabia (dir. by David Lean)

Since today is David Lean’s birthday, it only seems appropriate that today’s song of the day should come from the film that is regularly acknowledged as being Lean’s masterpiece, 1962’s Lawrence of Arabia.  Composed by Maurice Jarre, here is one of the greatest film scores of all times.

Scenes That I Love: The Match-to-Desert Cut In Lawrence of Arabia


The great British director David Lean was born 118 years ago today.

In honor of his films and his legacy, here is a scene that I love from Lawrence of Arabia.  In this scene, Peter O’Toole blowing out a flame transports us straight to a sunrise in the desert.  Though Lean started out his career directing small-scale but emotionally rich films like Brief Encounter and Great Expectations, he ultimately became best-known for directing historical epics and cinematic spectacles.  This scene shows us why.  Even to this day, it seems as if any epic film is destined to be compared to the work of David Lean.

4 Shots From 4 Films: Special John Stockwell Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, the Shattered Lens wishes a happy birthday to actor/director John Stockwell!  Though the critics might not always realize it, Galveston-born John Stockwell is responsible for some of the best beach movies of the 21st Century.  No one can make the beach and the ocean look as inviting (or as dangerous) as John Stockwell.

It’s time for….

4 Shots From 4 John Stockwell Films

Blue Crush (2002, dir by John Stockwell, DP: David Hennings)

Into the Blue (2005, dir by John Stockwell, DP: Shane Hurlbut and Pete Zuccarini)

Turistas (2006, dir by John Stockwell, DP: Enrique Chediak and Peter Zuccarini)

In the Blood (2014, dir by John Stockwell, DP: P.J. Lopez)

Scenes That I Love: Steve McQueen in Bullitt


In honor of the birthday of actor Steve McQueen, the true epitome of all things cool, here is the famous and trend-setting chase scene from 1968’s Bullitt, featuring McQueen behind the wheel and doing his own stunts on the streets of San Francisco.

 

4 Shots From 4 Films: Special Curtis Hanson Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, in honor the birthday of the late great Curtis Hanson, it’s time for….

4 Shots From 4 Curtis Hanson Films

The Bedroom Window (1987, dir by Curtis Hanson, DP: Gilbert Taylor)

L.A. Confidential (1997, dir by Curtis Hanson, DP: Dante Spinotti)

Wonder Boys (2000, dir by Curtis Hanson, DP: Dante Spinotti)

8 Mile (2002, dir by Curtis Hanson, DP: Rodrigo Prieto)

Valerie Perrine, RIP


Actress Valerie Perrine passed away today, after a long struggle with Parkinson’s disease.  She was 82 years old.

Perrine was the type of actress who could do it all.  She made her debut as Montana Wildhack in the 197s adaptation of Kurt Vonnegut’s Slaughter-House Five.  She was Oscar nominated for playing Lenny Bruce’s wife in 1975’s Lenny.  She was the only cop willing to write Adrienne Barbeau a ticket in Cannonball Run.  She could do drama just as easily as comedy.  But for many of us, she will always be best remembered for playing Ms. Teschmacher, Lex Luthor’s assisant who saved Superman’s life in 1978’s Superman and then helped Luthor escape from prison in 1980’s Superman II.

With Perrine’s passing, only three of the principles from Superman and Superman II are still with us: Sarah Douglas, Jack O’Halloran, and Marc McClure.

RIP.

Song of the Day: The Theme From Trip With The Teacher by Igo Kantor


Today’s song of the day is the oddly cheery theme music of 1975’s Trip With The Teacher.  Composed by Igo Kantor, this music may be inappropriate for a film about a teacher and four students who are kidnapped by a sociopath with narcolepsy but I defy you to get it out of your head!