Late Night Retro Television Review: CHiPs 4.21 “A Special Operation”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing CHiPs, which ran on NBC from 1977 to 1983.  The entire show is currently streaming on Prime!

This week, the fourth season comes to an end.

Episode 4.21 “A Special Operation”

(Dir by Leslie H. Martinson., originally aired on May 17th, 1981)

Season 4 comes to an odd end with A Special Operation.

Getraer is injured when he crashes his motorcycle.  He takes a piece of metal to the face and he nearly loses his eyesight.  Luckily, the abrasive but brilliant Dr. Patterson (James Sloyan) is able to save both Getraer’s eye and his ability to see with it.  However, the idealistic young Dr. Rhodes (A Martinez) worries that Patterson may have missed something.  Can Patterson set aside his ego long enough to listen to his younger colleague?

Hey, wait a minute, isn’t this CHiPs?

I don’t have any way to prove this but there’s a part of me that strongly suspects the season finale of CHiPs was also a backdoor pilot for a medical show.  So much time is spent with Patterson, Rhodes, and the nurses at the local hospital that it just feels like there was some hope that viewers would call in and demand to see more of Dr. Rhodes.  A Martinez even gives a very Erik Estrada-style performance in the role of Rhodes.

Speaking of Estrada, he’s barely in this episode.  (Ponch, we’re told, is preparing for to testify in a big court case.)  It largely falls to Jon Baker to stop the assassin (Eugene Butler) who has been hired to try to take Getraer out of commission.  This, of course, leads to the assassin stealing an ambulance and Baker chasing him.  The ambulance flips over in slow motion but somehow, the assassin survives to that Baker can arrest him.

It was a strange end for a season that’s largely been dominated by Erik Estrada and his performance as Ponch.  (Larry Wilcox, I will say, looked happy to have the finale to himself.)  For the most part, Season 4 was an uneven season.  The writing so favored Estrada over Wilcox that the show sometimes felt like it was turning into a parody of itself.  The show that started out about two partners on motorcycles became a show about how Ponch could literally walk on water and do no wrong.

Next week, we start season 5!

Retro Television Review: Miami Vice 5.6 “Line of Fire”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing Miami Vice, which ran on NBC from 1984 to 1989.  The entire show can be purchased on Prime!

This week, Crockett and Tubbs are assigned to protect a witness.

Episode 5.6 “Line Of Fire”

(Dir by Richard Compton, originally aired on December 16th, 1988)

Carlos Cantero (Aharon Ipalé) is on trial for murdering Ian Sims, one of Crockett’s confidential informants.  Crockett is the number one witness against him, which is a problem because Crockett just spent the last few months under the impression that he was Sonny Burnett, one of Miami’s biggest drug dealers.  Cantero’s defense attorney dismantles Crockett’s testimony by pointing out that Crockett had a “psychotic breakdown.”

(And you know what?  The attorney is actually very correct about that.  Crockett acts shocked when his mental health history is brought up but why wouldn’t it be?)

Luckily, there is an eyewitness to the murder of Ian Sims.  The FBI asks Crockett and Tubbs to keep an eye on Keith (Justin Lazard), a heavy metal fan who is willing to testify against Cantero.

I have to admit that I nearly gave up on this episode because my first impression of Keith was that he was the most annoying character to ever appear on a television show.  However, I’m glad that I didn’t because this episode actually introduced a very clever twist.  Keith is not actually Keith.  Instead, he’s DEA agent Joey Hardin, who has been assigned to pretend to be Keith to keep Cantero from going after the real Keith.  It turns out that FBI Agent Bates (Kevyn Major Howard, the “Do you believe in Jesus?” guy from Death Wish II) is crooked and he’s giving information to Cantero.

Unfortunately, Crockett doesn’t find out the truth until Joey has already been shot multiple times by Bates.  (Tubbs and Crockett proceed to gun down Bates.)  Joey nearly dies while the prosecutor chortles about how all of this is actually going to help him get a conviction.  It turns out that the prosecutor doesn’t know what he’s talking about.  The real Keith is now too terrified to testify against Cantero, leading to Cantero going free.  Joey does recover from being shot but, at the end of this episode, it’s hard not to feel that it was all for nothing.

This is one cynical episode!  But that’s okay.  Miami Vice was always at its best when it was being cynical and this episode is a throwback to old school Vice, back when the emphasis was on how no one could trust anyone and the government was often its own worst enemy.  Miami Vice was definitely a left-wing show but occasionally, it did reveal a libertarian streak.  That was certainly the case with this episode, in which the war on drugs is portrayed as being unwinnable because the government is naturally incompetent.  Young idealists like Joey Hardin are sent off to battle and are ultimately abandoned once they’re no longer needed.

This was a good episode.  I’m still having a hard time buying that Crockett could just go back to being a cop after being Miami’s top drug lord but whatever.  It’s the final season.  I’ll suspend my disbelief a little.

Join #MondayMania For Lying Eyes!


Hi, everyone!  Tonight, on twitter, I will be hosting one of my favorite films for #MondayMania!  Join us for Lying Eyes, one of the original Lifetime films!

You can find the movie on Prime and then you can join us on twitter at 9 pm central time!  (That’s 10 pm for you folks on the East Coast.)  See you then!

Song of the Day: Gimme Shelter by The Rolling Stones and Merry Clayton


Today, we continue to celebrate the birthday of Martin Scorsese with a song that has appeared in countless Scorsese films!  When Scorsese made his Rolling Stone documentary, nonetheless than Mick Jagger commented on how odd it was that this was the first Scorsese film to not feature Gimme Shelter.

From the Rolling Stones and Merry Clayton, here is today’s song of the day.

Monday Live Tweet Alert: Join Us For Tomb Invader!


As some of our regular readers undoubtedly know, I am involved in hosting a few weekly live tweets on twitter and occasionally Mastodon.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of Mastodon’s #MondayActionMovie!  Every week, we get together.  We watch a movie.  We snark our way through it.

Tonight, for #MondayActionMovie, the film will be 2018’s Tomb Invader!

It should make for a night of fun viewing and I invite all of you to join in.  If you want to join the live tweets, just hop onto Mastodon, find the movie on YouTube and hit play at 8 pm et, and use the #MondayActionMovie hashtag!  The  watch party community is a friendly group and welcoming of newcomers so don’t be shy.   

See you soon!

6 Shots From 6 Films: Special Martin Scorsese Edition


4 (or more) Shots From 4 (or more) Films is just what it says it is, 4 (or more) shots from 4 (or more) of our favorite films. As opposed to the reviews and recaps that we usually post, 4 (or more) Shots From 4 (or more) Films lets the visuals do the talking.

Today, the Shattered Lens wishes a happy birthday to the one and only Martin Scorsese!  It’s time for….

6 Shots From 6 Martin Scorsese Films

Taxi Driver (1976, dir by Martin Scorsese, DP: Michael Chapman)

Goodfellas (1990, dir by Martin Scorsese, DP: Michael Ballhaus)

Casino (1995, dir by Martin Scorsese, DP: Robert Richardson)

Shutter Island (2010, dir by Martin Scorsese, DP: Robert Richardson)

Hugo (2011, dir by Martin Scorsese, DP: Robert Richardson)

The Irishman (2019, dir by Martin Scorsese, DP: Rodrigo Prieto)

4 Shots From 4 Films: Special Allison Anders Edition


4 (or more) Shots From 4 (or more) Films is just what it says it is, 4 (or more) shots from 4 (or more) of our favorite films. As opposed to the reviews and recaps that we usually post, 4 (or more) Shots From 4 (or more) Films lets the visuals do the talking.

Today, the Shattered Lens wishes a happy birthday to the great director Allison Anders!  It’s time for….

4 Shots From 4 Allison Anders Films

Border Radio (1987, dir by Allison Anders, Dean Lent, and Kurt Voss, DP: Dean Lent)

Gas Food Lodging (1992, dir by Allison Anders, DP: Dean Lent)

Mi Vida Loca (1993, dir by Allison Anders, DP: Rodrigo Garcia)

Grace Of My Heart (1996, dir by Allison Anders, DP: Jean-Yves Escoffier)

Music Video of the Day: When The Going Gets Tough, The Tough Get Going by Billy Ocean (1985, dir by ????)


Sometimes, on twitter (or whatever it’s called nowadays), people will just become fixated with something.  Yesterday, it was this music video for a song called When The Going Gets Tough, The Tough Gets Going.  I lost track of how many times I saw this video shared on Saturday.

So, I figured, why not share it here as well?

This music video was made to promote the 1985 film, The Jewel of the Nile.  Along with Billy Ocean, the stars of the film — Kathleen Turner, Danny DeVito, and Michael Douglas — also appear in this video.  Was Danny really playing the saxophone?  No, he was not.  Apparently, in the UK, this video was briefly banned because Danny was not a member of the Musicians’ Union and his miming of the sax solo went against the rules.

The UK banning something because an American broke a rule?  Wow, that’s so unlike them!

Enjoy!