Music Video of the Day: One Step Closer by Linkin Park (2001, dir. Gregory Dark)


Yesterday I heard about the passing of Chester Bennington of Linkin Park. I have never been fan. I never really kept up on their career. However, I would feel remiss not doing a Linkin Park video today, so I picked the one video that did have a part in my life up to this point.

When this came out in 2001, I was 17 going on 18. Since I am part of whatever you want to call the transgenerational gap between Gen X and Millennials, my music as a kid was stuff like Nirvana or The Offspring. In other words, the Gen X bands of the early 90s. Despite the fact that I was in elementary and middle school during that time, watching Singles (1992) earlier this year when Chris Cornell also left us (his birthday was yesterday) was like looking through a time portal to an era I distinctly remember.

Britney Spears, Limp Bizkit, Backstreet Boys, and Blink-182 were the kind of musicians that popped up and flooded MTV and VH1 during the late 90s. Of course back then, you didn’t have a choice as to what videos you were going to see when you turned on the television. It’s not like it is today where if I want to watch Fat Lip by Sum 41, then I can, and then watch any other music videos I want for months or years before returning to watch that video. No such luck back then. If those weren’t the people you wanted to see, then too bad. As a result, I looked to the lists of greatest musicians that VH1 was putting out, and music documentaries in order to begin to fill in the music that came before my time–something I’m still doing to this day. That was me in high school. I was listening to The Velvet Underground while riding out musicians like the ones I already mentioned.

In 2001 I was in my last semester of high school. I’d been on permanent independent study for at least two-and-a-half years at that point. I watched a lot of TV, which didn’t help those musicians because it meant that I was probably seeing their video 2-3 times a day, everyday. That’s not a good thing. Aside from shows like TRL or the handful of videos VH1 played, there seemed to be no other outlet unless you were willing to be up early in the morning when MTV still played videos. Then I discovered that I had MTV2. They played all kinds of stuff. It was wonderful. This is where I remember Linkin Park first showing up on my radar. They showed up with this arguably embarrassing video. They looked and sounded like I would expect Backstreet Boys to be if they tried to combine rap with metal. They did nothing for me.

After I moved onto college and this video stopped being shown, the band basically disappeared from my life. It wasn’t until I transferred to Cal in 2007 that they showed up again. I don’t remember if my first roommate liked their music or not, but they came up. I was rooming with a freshman, so they were probably 10-11 when this came out. This was not the Linkin Park my roommate knew.

In the years that followed, I would hear them on the radio, and it wasn’t this Linkin Park. At the time of writing this, a new Linkin Park video was released for the song Talking To Myself. That is not the band in this video at all. They came a long way from my unfortunate introduction to them in presentation, style, and the place I was in at the time of its release. It’s doubtful that I’ll ever develop the kind of deep connection that many people have to the band. They slipped through the cracks in my life leaving only the memories of them that I have stated above.

Would I have written about this video at some point even if this tragedy hadn’t happened? Yes, I would have. While on the fringes, this video has stuck with me all these years. It would’ve essentially been the same thing I already wrote above about how much they changed while I wasn’t looking. It just wouldn’t have had to be in a somber tone, I would have had some fun with how ridiculous the video looks, made a comparison with It’s My Life by Bon Jovi, and it would have been wonderful to not have to include the following:

Rest in peace, Chester Bennington.

—————–

Now I need to talk a little bit about the crew because this may have one of the most unique directors I have come across while doing these posts. Gregory Dark got his start making adult films. I’ve only seen one of his movies–New Wave Hookers (1985). It is infamous for having Traci Lords in it. Well, had her in it, since the version that is available has her edited out, which is the version I saw–thankfully. The movie is bonkers, colorful, funny, has a humorous setup, and is so 80s it hurts–much like this video is so 2001 it hurts. That film seems to have kickstarted his career.

Looking at Dark’s filmography, it appears that about a decade later he moved into music videos. I can find credits for about 70 of them. I know that Michael Bay made an adult film while also doing music videos. But I’m pretty sure this is the first video I’ve spotlighted that was made by someone who had made a career out of making them.

The video was edited by prolific editor Jeff Selis. He’s done over 100 videos. Even with only 372 of these posts, this is already the third video he edited that I have put up here.

The concept for the video came from Linkin Park member Joe Hahn–according to IMVDb. According to Wikipedia, the video was originally supposed to be like the one released yesterday. He would go on to direct a bunch of their videos.

Toni Jo Peruzzi did the make-up for the video. For her, I can only find a handful of credits.

Music Video of the Day: Edge Of A Broken Heart by Vixen (1988, dir. ???)


Sometimes there’s no info. Sometimes there’s a bunch of info. This time around, just about everything is condensed into a VH1 show from 2004.

I only have a couple of things to add.

  • The video is that standard stage performance mixed with behind-the-scenes stuff that Wayne Isham is credited with creating.
  • Richard Marx is the guy who turns around and looks surprised. He co-produced their debut album and wrote this song.
  • If you listened to the video above, then you heard mention of an earlier band called Madam X. I will find a Madam X video.
  • The band still plays today, but Jan Kuehnemund–the first person they talked to–passed away in 2013.

Enjoy!

Music Video of the Day: Girlschool by Britny Fox (1988, dir. ???)


Of course there’s a video by a band named Britny Fox called Girlschool that came out in 1988. It wouldn’t be the weird world it is if that didn’t happen the same year as the band Girlschool did a cover of Fox On The Run.

I thought this was going to be a short post, but there’s a fair amount of info here.

First, yes, yes they were really there. According to an interview with bassist Billy Childs, they must have used some sort of cloth because he remembers being able to see the girls in the room while they were playing their part. He doesn’t know how it worked. Although at least as recently as 2015, he still wants to know exactly how they pulled that off. I’m assuming it operated the same way as a two-way mirror. That’s as far as I can go, short of digging into physics. It’s something that you see when you’re in a brightly-lit room, and don’t see if you are in a darkly-lit room.

While I can’t explain exactly how it works, I can show you some of the seams.

The clock is flat.

During the transition you can still see the bulletin board and clock.

The band is hiding behind Bach.

This part is kind of amazing to me. The band manager at the time had the foresight to film behind the scenes during the shooting. Here is the general behind-the-scenes stuff.

Now comes two people you might recognize in this video.

The first is the lady with the headphones. That is Kim Anderson who apparently did work on numerous videos, and is still remembered to this day along with other famous women from heavy metal videos. The band manager also edited together footage that included her.

You can see a super-short interview with her below.

The second is the teacher. That is Marianne Muellerleile. You may know her from one of her current 224 acting credits. The one that comes to mind is probably the wrong Sarah Connor from The Terminator (1984). However, she’s one of those actors who if a show had some success, then she was probably in at least one episode of it. My thanks go out to Billy Childs for bringing up where she was from in that aforementioned interview. It wasn’t coming to me.

The last is a quote from I Want My MTV. It’s from Kari Wuhrer talking about a time they shot the show Remote Control in Florida:

Kari Wuhrer: We shot in Florida during the third season, and Britny Fox were on the show as contestants. It was the height of hair metal. I hit on their singer. The next thing I knew, I was getting tattooed and I was on tour with them. He was so dumb, my father called him “the house plant.” As soon as the tour ended, I never heard from him again.

There you go. It’s one of the dumbest metal videos I’ve ever seen. At least Cherry Pie by Warrant was meant to be a parody. Yet, this does have some nice effects work. I just don’t know why it’s in this.

Enjoy!

Music Video of the Day: Fox On The Run by Girlschool (1988, dir. Jean Pellerin)


I can’t believe it took till the 369th post to do a Girlschool music video. I would have gone with I’m The Leader Of The Gang, but…Gary Glitter and all. Plus, while that one may have a scorpion in it, this one has a random dog in the background. That, and since I did The Ballroom Blitz by Sweet for other reasons, I figured I’d do their version of Fox On The Run, and then do the Girlschool cover.

Girlschool is a second wave British heavy metal band that is all-female. If you aren’t familiar with them, but do know who Motörhead is, then they are along similar lines, but women. They are friends. They collaborated. They had a similar opinion towards music that wasn’t heavy metal. They did covers of songs that weren’t heavy metal. Sadly, they now share something else in common–both of their lead singers are no longer with us. Kelly Johnson passed away from cancer in 2007. Lemmy passed away from cancer, congestive heart failure, and cardiac arrhythmia in 2015. Assuming it is still up, you can see them perform Please Don’t Touch below as Headgirl on Top Of The Pops.

If you don’t know Motörhead, then you should, and Girlschool is heavy metal, but with leanings towards punk rock and new wave. I even remember hearing an interview one time where Girlschool referred to themselves as a new wave band even though they play heavy metal.

In 1988, when this video came out, Kelly Johnson wasn’t with the group as she is in the performance above. Rhythm guitarist Kim McAuliffe sings lead vocals. She is an original member of the band.

The video…well this video is exactly what it looks like. It’s Girlschool doing a version of that kind of music video that made Bon Jovi’s career, which I’ve seen credited to the video for Home Sweet Home by Mötley Crüe. It’s that mixture of the band onstage, but also behind-the-scenes stuff that frequently includes a tour bus. The difference between this and those videos, is that this one screams that the 80s are about to die, whereas Home Sweet Home and Livin’ On A Prayer don’t.

Edge Of A Broken Heart by Vixen ages a bit better because of the glam, but it also came out in 1988. You can tell it was starting to wear thin even if the quality of the music wasn’t. I’ll do Edge Of A Broken Heart soon because while I don’t know if they had any formal connections with Poison, the first thing that came to mind when I watched that video was Poison. Then just in case you didn’t think that, they have someone with a Poison jacket on in the video.

I’ll get to other Girlschool videos, like the one where they transform from cats into humans. It’s weird to look at that video if your first introduction to them is this video. Or you discover them in the late 2000s while in college, and the greatest hits album you buy has a cover with them in leather and denim looking like they are ready to kill the photographer if they don’t leave soon. That would be how I found them.

I’ll get to their covers of Tush and 20th Century Boy as well. Of course they covered T-Rex and ZZ Top. In the meantime, enjoy their take on Sweet’s Fox On The Run even if the video is nothing particularly special.

The video was directed by Jean Pellerin who did about 20 videos, and has done some feature films.

Bart Devaney was the executive producer.

Jean Richardson was the producer.

Sarah Bayliss was the production manager.

The one who seems to have the most credits is the runner, Bill Payn, who did that on at least 32 videos. He also did some 1st and 2nd assistant directing work on a couple of music videos. He appears to still be doing work in those areas–music and otherwise.

Music Video of the Day: Scream! by Misfits (1999, dir. George Romero)


Depending on where you go, this was either directed solely by Romero, or by both him and Richard Donner. Considering I can’t find any credits for the two of them working together elsewhere, and Donner appears to have only directed two unrelated music-videos, I am going with just Romero. There is also an explanation on Wikipedia about how this video came into existence that seals the deal for me:

The music video was directed by George A. Romero, famous for his Living Dead film series. Bassist Jerry Only has expressed admiration for Romero, calling Night of the Living Dead “still to this day one of the scariest movies ever made.” At the time Romero was in Toronto filming Bruiser and needed a band to perform during the film’s final murder scene. The Misfits agreed to perform in the film and to record two songs for the soundtrack in exchange for Romero directing their “Scream” video. According to Only, “It was an even trade, we shook hands and the deal was done. Business complications soon followed and I became very unhappy with my record label and my publishing company.” No soundtrack was issued for Bruiser. The Misfits’ two songs, “Fiend Without a Face” and “Bruiser”, along with the demo version of “Scream”, were released in 2001 on the compilation album Cuts from the Crypt.

The “Scream” music video consists of black-and-white footage of the band members as zombies terrorizing a hospital along with a number of Misfits fans, interspersed with color footage of the band performing live. A promotional VHS version of the video was included for free with the purchase of a set of Misfits action figures from 21st Century toys in 1999 and 2000. The video was also included in an enhanced CD-ROM portion of Cuts from the Crypt in 2001.

With Romero’s passing yesterday, I thought I’d see if he ever did a music video. He apparently did for the legendary punk rock band, Misfits. With a little search, I can see why they would ultimately end up doing a video with Romero. They did a song called Night Of The Living Dead in 1979 and are a horror based punk rock band. They would later do songs called Land Of The Dead and Twilight Of The Dead. Their history as a horror band is chronicled over on Wikipedia.

From what I can tell, this was rather late in the game for The Misfits in the sense that they were having band overhauls including not having original lead-singer Glenn Danzig. That’s as far as I’ll go talking about the band because my knowledge about them until I did some reading right now consistened of the following:

Oh, yeah. I know of the Misfits. Much like Meat Puppets, Mudhoney, Green River and others, their names always come up when they talk about bands like Nirvana and Soundgarden. The bands that didn’t get enough attention, but if you want to know where the grunge explosion came from, then these are groups you are supposed to look at.

So, with no joke intended, rest in peace Romero. Enjoy the music video.

I didn’t find out that Martin Landau also passed away yesterday till after having written this post. Amazingly, this connects to him as well. The Misfits used to have their own record label called Blank Records. Then Mercury Records wanted the trademark to it, and exchanged studio time with the band for it. The band renamed the label, Plan 9 Records, after Plan 9 From Outer Space (1959). Rest in peace, Martin Landau.

Music Video of the Day: Sunday Morning by The Velvet Underground & Nico (2017, dir. James Eads)


I’ve been dying to do this on an actual Sunday morning.

I have no special info on this video other than a couple things below and the usual YouTube comment section nonsense. It amounts to people complaining that the video is too hippie, and that the group made fun of hippies in songs like Sweet Jane–a song that starts out trippy. If anything, the only problem I see is that if the quote over on Wikipedia from Andy Warhol is correct, then the song is supposed to be about paranoia. I’m not sure the images get that across.

I don’t care. I love the song. It has always felt warm, comforting, and like an out-of-body experience. This video reflects that for me.

It was directed by James Eads, who also did the art.

The animation was done by Chris McDaniel.

The only other credit for either of them that I can find is that James Eads designed the poster for the film What Would Bear Do? (2013). You can visit his website here, which has some of his artwork.

You can read a little about how the two met to take Eads artwork and turn it into animation here.

There are numerous videos and other pages of their animated images.

Enjoy!

Music Video of the Day: Fox On The Run by Sweet (1975, dir. ???)


Q: Didn’t you just feature a Sweet video yesterday?
A: No, Lisa did yesterday’s post.

Q: You know what I mean! The day before last-the last time you posted.
A: That’s true.

Q: Wait a second…did you and Lisa collude to do a Warren Fu video because you plan on doing…
A: I’ll stop you right there. Of course I will get to that video. How could I avoid it?

Q: So why are you doing this video? Because it was in the trailer for Guardians Of The Galaxy, Vol. 2? You want to point out that Marvel can also play the pick-a-song-that-ties-in-with-our-rival’s-movie game?
A: No, but since you mention it, that is a good tie-in.

Q: Then why are you doing this video? They all stand as stiff as Arthur Kane of New York Dolls. But at least that was something he was known for doing onstage.
A: Yes. That’s one of the reasons I am doing it. I want people to appreciate the difference between this, and the video for The Ballroom Blitz–made two years prior.

Q: Then what’s the other reason? Stop jerking me around.
A: The answer to that is easy.

Q: That’s not an answer.
A: Yes, it is. I just found out they’re gonna stick some tubes down my throat at the beginning of August. I’m so sorry it’s too cryptic for you.

Q: At least include those “Song Of The Month” things Andy Scott did about their songs. You forgot that when you did The Ballroom Blitz.
A: Good point. I did forget those. So, here they are for Fox On The Run and The Ballroom Blitz.

Q: Okay, I’m satisfied. Just say your stupid catchphrase, and end this conversation with yourself.
A: Enjoy!

Music Video of the Day: The Ballroom Blitz by Sweet (1973, dir. ???)


I am a few years behind when it comes to recent films. I’m still working through 2015 at the moment. As a result, I only watched Suicide Squad (2016) recently. I don’t like to watch short films made with footage edited from a feature film–trailers. Therefore, when I watched the movie, I was expecting this song to be in it since I had at least heard of a connection between the two. No such luck. Instead I got what felt like random musical choices with the exception of Paranoid by Black Sabbath since it was on the same album as Iron Man. That’s something that I doubt many people picked up on or cared if they did.

Anyhow, I was guessing at the date for this video because while it did get a European release in 1973, it didn’t get a release in the US till 1975–according to Wikipedia. Then I found the video again, also on Sweet’s official channel, but as it was played on the German show Disco on October, 27th 1973. That’s why I went with 1973 for the video.

It’s a stage performance video. It is one of the better ones I’ve seen. I think they did a good job editing it to match the fast-pace of the song. That’s all I can say about the video itself.

As for the song, it was inspired by an incident in January of 1973 in Kilmarnock, Scotland at Grand Hall where the band had to flee the stage under a barrage of bottles being thrown at them by the audience.

As for where you know it from, it’s probably either the Suicide Squad trailer, Dancing With The Stars, or Wayne’s World (1992). Wayne’s World is what introduced me to this song. It wasn’t until around 2007 that I found out they did other songs too. I’ll get to some of those another day.

Enjoy!

Music Video of the Day: In Another Life by EMIN (2013, dir. ???)


In another life, I wouldn’t have to spotlight this music video. But I might as well since it has made it all the way to the mass media. Plus, Jimmy Kimmel already beat me to a video that not only fits, but also ties in with the new Planet Of The Apes movie.

Land Of Confusion by Genesis (1986)

Land Of Confusion by Genesis (1986)

I’m sure you’ve all read or seen talk about EMIN’s involvement in the current controversy, the Miss Universe pageant, and Trump, Jr. However, the New York Times articles I read fail to talk about the music video itself. That’s disappointing. I guess that’s why I need to write this post.

EMIN is a Russian artist who was born in Azerbaijan as Emin Agalarov. He moved to Moscow as a kid, went to high school in New Jersey, and graduated from Marymount Manhattan College–according to Wikipedia. He said in an interview with The Irish Times back in 2015 that he went to college in Jersey–close enough. He says in that same interview that he started off singing at open-mic nights in bars. He would translate Elvis Presley songs into Russian so that he could sing them at home. Kinda like the kid in the Taiwanese film A Brighter Summer Day (1991) whose sister would translate Elvis songs for him.

After graduating with a Business degree, he went back to Russia and in 2005 started taking vocal lessons from a well-known Azerbaijani singer named Muslim Magomayev. Magomayev was famous enough that a few years before he died, he was given the Order Of Honour by Putin. Because of course that kind of connection would be there. After that, Wikipedia simply states facts about the success of his albums.

While he says otherwise, music does appear to be a hobby that he happens to take seriously. He works in the family business, because again, of course he does. According to that same interview with The Irish Times, he used to have an eBay store back in college where he sold Russian memorabilia. He also opened his own shoe store because of the success of the eBay store.

At least as of the date of The Irish Times interview, he identifies as Muslim. However, the most interesting part of the interview is as follows:

[Q:] Musically, you’d be on the Michael Bublé/ Enrique Iglesias end of the spectrum. Who were your heroes growing up?
[A:] My heroes were Elvis, Elvis and Elvis! One of my favourite Elvis songs is My Boy, and now that you’ve told me it was written by an Irishman [Phil Coulter] I love it even more.

With that background out of the way, let’s look at the video.

The video starts off in a boardroom where EMIN is being shown pictures of Miss Universe contestants because business connections. According to Wikipedia, Miss USA (2013)–Erin Brady–said that her and other contestants were not paid for their appearance in this video. Yet, if you go to the New York Times article it says that they weren’t paid for their appearance in EMIN’s video for Amor. But that same article also says that Trump made an appearance in that video. He doesn’t. I’m not sure what to make of that. I think the article has the two videos confused since Amor just has 2012 Miss Universe winner Olivia Culpo in it. Or the article was trying to say they were shot at the same time. That’s my best guess.

We see that it’s one of his co-workers who is showing him these photos.

EMIN isn’t interested…

but it is making this guy sweat.

EMIN falls asleep and wakes up back home.

For whatever reason, the video jump cuts to his head tilted to our left. He gets some coffee and spots a pretty woman in his kitchen.

Surprised, EMIN spills coffee on himself. Since he can’t go about his day with a metaphor, he goes and changes. Then he proceeds to leap on his couch…

and do a handstand like everyone does in the morning.

EMIN goes to brush his teeth when another woman appears.

He goes around and sings a bit before settling down at the piano where Miss Russia appears next to him.

She disappears too, which leaves EMIN confused. Luckily Miss USA straightens him out by hitting him in the head with a pillow.

This appears to turn him on when he realizes it was her.

Then EMIN realizes there are people behind him. That would be Miss Puerto Rico, Miss Poland, and Miss Switzerland. That means America attacked him, and behind him are people representative of a US territory acquired in the Spanish-American War, a country taken by Hitler during WWII, and one that is traditionally associated with remaining neutral in conflicts–particularly WWII.

They disappear on him as well, so he goes to look under the bed? Do women normally hide under there in his dreams?

After sitting in a chair, he is suddenly walking down some steps with Miss Spain, Miss Philippines, Miss Ukraine, Miss Turkey, and Miss Japan. We have a Russian singer walking in front of a country that once colonized the one behind it, that is followed by one that was part of the Soviet Union. Behind Miss Ukraine, we have Miss Japan representing a country who took the Philippines. To the side of Miss Ukraine, we have Miss Turkey. Interesting combination.

Now EMIN goes into his pool room and sees Miss Philippines and Miss Puerto Rico hanging out together. Makes sense, a former territory of the US with a current territory of the US.

We also see Miss Spain talking with Miss Switzerland. Two countries that were largely neutral during WWII.

Miss Turkey is walking on the other side of the pool while…

Miss Ukraine is poolside. Turkey having been one of the first countries to recognize Ukraine’s independence from the USSR. They still do as recently as January of this year as it pertains to Russia.

That’s when the co-worker from earlier jumps into the pool since she has the opposite body-type from the rest of the ladies.

EMIN wakes up and Donald Trump makes his cameo appearance to of course fire EMIN for showing up late and falling asleep at work.

That’s not bad. I still prefer claymation Trump firing Donner.

Rudolph The Red-Nosed Reindeer by Regis Philbin (2006)

There you go! That’s the video that is currently in the news. It’s not a particularly good song. It wouldn’t be a noteworthy video beyond the inclusion of Trump but for the seemingly intentional choices of which ladies to use depending on the countries they represent, and their relations over the years.

Music Video of the Day: Computer Games by Mi-Sex (1979, dir. ???)


I wasn’t kidding yesterday. Here is the music video where a band breaks into a data center to sing about games. To be more specific, they break into the then Control Data Corporation’s North Sydney center. Once inside, we see the games Speed Freak, Basketball, and Star Fire, along with code, a printout of the Mona Lisa, lots of paper, and tape storage.

I don’t think I’ve played any of the games. Although, while Star Fire looks familiar, I think I am confusing it for the Star Wars vector graphics game that a college near me had in its arcade when I did computer camp there one summer in the early 90s.

The band, Mi-Sex, is from New Zealand, and according to Wikipedia, started up just a year prior to this song. Aside from a history of the band, all I can find out about this song and video is that the song was a last-minute addition to the album, and what I already wrote above about the video.

There is one thing to mention about the band since it happened recently. On May 17th of this year, their guitarist and songwriter Kevin Stanton passed away.

If you want to take a trip back in time to late-70s computers and computer games, then this is the music video for you. It certainly makes me nostalgic. I also can’t get the song out of my head. It’s so catchy.

Enjoy!