Death Warrant (1990, directed by Deran Sarafian)


A series of murders have occurred at Harrison State Prison in California.  What better way to investigate the crimes and catch the guilty than to send in an undercover cop?  Who can enter a California prison and investigate the crime without drawing too much attention to himself?  It would have to be someone who could blend in with the population without seeming out of place.

How about Jean-Claude Van Damme?

Van Damme, in one of his early films, stars as Louis Burke, a Canadian with a Belgian accent who comes to Los Angeles to track down a serial killer known as the Sandman (Patrick Kilpatrick, who was last seen running for governor of California in 2021) and then just sticks around.  Burke enters the prison and somehow, he is not immediately tagged as being a B-movie star who is working for the police.  I guess California prisons are full of Belgian kickboxers.

A realistic portrait of prison and police work, this is not.  But it is Van Damme at his most berserk, flexing his muscles and shouting at his enemies and getting hit in the head by a flying wrench at one point.  To the surprise of no one, the Sandman eventually ends up in the prison with Burke and it leads to an epic showdown that takes place in the middle of a prison riot.  The fight is exciting because Van Damme and Kilpatrick were two tough actors who, at that point in their careers, had nothing to lose by going all out on screen.

(Of the three major B-action stars of the 90s, Dolph Lundgren was the one you watched because he could actually act.  Steven Seagal was the one you watched because you hoped someone would beat him up.  Jean-Claude Van Damme was the one you watched because he could actually do everything he did in the movies in real life as well.)

There are many good actors to be found in Death Warrant, playing paper-thin characters.  Robert Guillaume is the one-eyed clerk who takes Burke under his wing.  Larry Hankin is the biggest weasel in the prison.  Art LaFleuer is the prison guard from Hell.  George Dickerson is the obviously corrupt official.  Abdul Salaam El-Razzac is the voodoo priest who watches over the prison.  Cynthia Gibb is the attorney who pays Burke a conjugal visit.  It’s good to see them all.

Death Warrant is a dumb and entertaining B-movie that doesn’t take itself too seriously.  It’s not Van Damme’s best but it’s not his worst either.  It’s Damme fun.

Music Video of the Day: The Prince by Madness (1979, directed by ????)


Our first music video of the day for 2024 is also the first video to be released for Madness’s first single, The Prince.  This song was a tribute to Jamaican ska performer Prince Buster and it was a big enough hit that it led to Madness signing with Stiff Records and releasing a cover of Prince Buster as their second single, One Step Beyond.

(The band’s name was even taken from a Prince Buster song.)

Though the band did not have the resources to shoot an official video for the song, they did perform the song on Top of the Pops and they thought enough of how it was filmed that they subsequently purchased the rights to the performance.  The performance was often used as a promo for the band, making it technically Madness’s first music video.

Enjoy!

Happy Festivus!


Happy Festivus!

Tomorrow is Christmas Eve. Monday is Christmas. But today is a Festivus for the Rest of Us! How will you celebrate Festivus? Will you air your grievances or participate in the feats of strength? Festivus may not be for everyone but, for some of us, it’s our heritage.

If you need a reminder about what Festivus is all about, allow Frank Costanza to explain:

Here’s wishing you a merry little festivus!

Music Video of the Day: Eat It by Weird Al Yankovic (1984, directed by Jay Levey)


Reportedly, Michael Jackson really liked the video for Weird Al Yankovic’s Eat It and why shouldn’t he?  The video so closely followed the video for Beat It, duplicating it scene-for-scene, that Jackson was actually paid royalties from it.

Another fan of this song and also of Fat was Kurt Cobian who was flattered when Weird Al asked to parody Smells Like Teen Spirit but who also specifically asked, “Is it going to be about food?”  (Al assured Kurt it would be about how no one could understand his lyrics.)

This is the song and the video that put Weird Al on the map.

Enjoy!

Music Video of the Day: Wall of Eyes by The Smile (2023, directed by Paul Thomas Anderson)


I believe this is the first music video to be released by The Smile, a side project for three members of Radiohead.

This video was directed by Paul Thomas Anderson.  Based on this video, it looks like Anderson could have quite a career as a filmmaker if he chooses to pursue one.

Enjoy!

Music Video of the Day: Fat by Weird Al Yankovic (1988, directed by Jay Levey)


Yesterday, the video was bad.

Today, it’s fat.

This video was shot on the same set where the video for Bad was filmed.  Weird Al had to get permission for Michael Jackson to use the set and Jackson granted it.  Jackson appreciated almost all of Weird Al’s parodies, though he did ask Weird Al not to do a parody of Black or White.

I’ve always thought Fat was the better song.

Enjoy!