Late Night Retro Television Review: Pacific Blue 2.17 “Runaway”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing Pacific Blue, a cop show that aired from 1996 to 2000 on the USA Network!  It’s currently streaming everywhere, though I’m watching it on Tubi.

It’s time for more bicycle action.

Episode 2.17 “Runaway”

(Dir by Charles Siebert, originally aired on January 19th, 1997)

A teenage girl  (Boti Bliss) is missing on the boardwalk.  Maggie Garrity (Justina Vail), who runs the local shelter, is looking for her.  When she asks the bike patrol for help, TC is dismissive up until he looks up from his paperwork and sees Maggie.  I’ve noticed that this is a patten with the bike patrol.  It’s rare that they do anything until they see it will involve hanging out with an attractive members of the opposite sex.

TC recruits Chris to help him put up flyers.  Chris rolls her eyes because, seriously, why should a member of law enforcement be concerned with a teenage girl who has been abducted by a pimp (Gene Lythgow) and his psycho girlfriend (Ami Dolenz)?  Personally, I would dread working for Chris because she never stops complaining.  It says a lot about this show that the we’re nearly done with the second season and Chris still doesn’t have a personality beyond being whiny.

TC falls for Maggie but Maggie’s a nun!  After they manage to rescue the missing girl, TC asks Maggie if maybe she could stop being a nun for a new nights so that they could go out on a date.  Maggie says that it doesn’t work like that.  What I find interesting is that TC has no problem casually asking Maggie to give up her vows just because he wants to date her.  Hey, TC — this is why you’re single!

Meanwhile, Palermo has new expensive bicycle.  What a dork.  When the bike gets stolen, Victor has to find it.  Palermo sure is mad about his missing bike.  What a loser.

This show is not growing on me.

Famous Actors Throughout the Decades: Charles Bronson – 1950’s!


Today I’m starting a series about my favorite actors and their most important work in a particular decade, completely from my limited perspective. What a better actor for me to start with than Charles Bronson, my all time favorite. I hope to share some historical context as well as some tidbits about his film and TV appearances at the time. I know I’ll miss some good stuff, and I welcome your comments on that. We’ll see how this goes! 

Charles Bronson entered the world of acting using the name Charles Buchinsky. His very first role is in the film YOU’RE IN THE NAVY NOW (1951) with Gary Cooper! This also happens to be the film debuts of actors Lee Marvin and Jack Warden! Bronson himself has said that he got the role because he could “belch on cue!”

You’re in the Navy Now (1951)

Bronson worked with the best actors on earth from the very beginning of his career. Still billed as Buchinsky, Bronson would share the screen with Spencer Tracy and Katharine Hepburn in 1952’s PAT AND MIKE!

Pat and Mike (1952)

I was lucky enough to catch HOUSE OF WAX (1953) on the big screen last summer. Bronson, still billed as Buchinsky at the time, co-starred as Igor in the 3-D, Vincent Price box office smash. He had some amazingly creepy scenes in the film!

House of Wax (1953)
Me in 2024!!

For the first time in his career, he would be credited as Charles Bronson in the Alan Ladd western DRUM BEAT (1954). He changed his name during the McCarthy era to avoid the negative scrutiny and suspicion that a Slavic surname might bring, fearing it could damage his budding acting career during the strong anti-Communist sentiment in America. Under his new name, Bronson steals the film right out from under Ladd in the role of the rebellious Indian leader Captain Jack! This film should have catapulted Bronson into leading roles, but Hollywood didn’t really know what to do with him at this point.

Drum Beat (1954)

A couple of years later, Bronson would appear in a supporting role in the Glenn Ford western, JUBAL (1956). Also co-starring Ernest Borgnine and Rod Steiger, Bronson’s part is small but pivotal. I love the film and its Grand Tetons setting.

Jubal (1956)
My family in 2023!

1958 would be a year where Charles Bronson would get his first leading film roles, as well as his own TV series. First up was the B-western SHOWDOWN AT BOOT HILL (1958), directed by Gene Fowler, Jr. I’m a big fan of this short, simple oater. I think Bronson gives an excellent performance as the gunslinger with a chip on his shoulder, who really just wants a girl he can settle down with and a place he can call home. I recommend it to any person who likes 1950’s westerns and Bronson.

Showdown at Boot Hill (1958)

Next, the legendary Roger Corman would direct Bronson in the biopic MACHINE GUN KELLY (1958). This is an important film in Bronson’s career. French star Alain Delon would request Bronson as his co-star in the 1968 film FAREWELL, FRIEND based on his performance in MACHINE GUN KELLY, and that film would help turn Bronson into one of the biggest male movie stars in the world. It’s another good film that draws another strong performance from Bronson as the infamous gangster who was tough as long as he had his machine gun. Quentin Tarantino is a big fan of the movie calling it the “best film Corman ever directed.” A poster for MACHINE GUN KELLY can be seen at Jack Rabbit Slims in Tarantino’s sensational PULP FICTION (1994).

Machine Gun Kelly (1958)

After appearing on countless TV shows during the 50’s, Bronson got his own beginning in 1958. The show, MAN WITH A CAMERA, would run for two seasons and produce a total of 29 episodes, with such excellent guest stars as Tom Laughlin, Angie Dickinson and Lawrence Tierney. A young Bronson is very good in the series, easily handling the action and the dialogue. He’s so good in fact, that it really is hard to believe that mainstream stardom would continue to elude him for another decade. In his characteristically sarcastic way, Bronson would joke that he played second fiddle to a light bulb, or something along those lines, but it’s a series I definitely recommend.

Man with a Camera (1958-1960)

I hope you’ve enjoyed a trip through the 50’s with the legendary Charles Bronson. There is so much more I could have covered, but I chose the appearances that have affected my life the most! The 1960’s would prove to be a successful, frustrating and ultimately rewarding decade for Charles Bronson. We’ll get to that next time on “Famous Actors Throughout the Decades: Charles Bronson!”

Prince of Bel-Air (1986, directed by Charles Braverman)


Robin Prince (Mark Harmon) is a laid-back former volleyball player who, at the age of 32, makes his living as a pool guy.  It’s an easy life and he enjoys it.  He sleeps with the wife (Deborah Harmon) of one of his clients and he hangs out with his richer friends.  Robin enjoys being a bachelor but that all changes when he agrees to give a job to Justin (Patrick Labyorteaux), the son of Stanley Auerbach (Robert Vaughn) and meets Justin’s cousin, an artist named Jamie Harrison (Kirstie Alley).  Justin goes from being bitter about having to work to idolizing Robin and his lifestyle.  Robin, meanwhile, falls for Jamie.

This film came out before Summer School, another movie that featured Mark Harmon as a laid-back guy who falls for Kirstie Alley, but it has a similar vibe.  Again, Mark Harmon is playing a likable guy who has never grown up and again, Kirstie Alley is playing a sophisticated woman who, at first, seems like she’s too serious for Harmon’s character.  Robin’s mentorship of Justin feels a lot like Hamon’s mentorship of his Summer School students.  (Dean Cameron even plays a supporting role in both Prince of Bel-Air and Summer School, though he’s far more memorable in Summer School.)  Prince of Bel-Air is more dramatic than Summer School.  In Prince of Bel-Air, Mark Harmon plays a character who secretly understands that there’s not much of a future in his lifestyle, even if he’s not initially willing to admit it.

Prince of Bel-Air is a likable movie.  Mark Harmon gives an amiable and relatable performance as someone who is finally trying to grow up and, as always, Robert Vaughn is a perfectly smug villain.  Kirstie Alley’s sultry performance is the highlight of the film.  In the 1980s, Alley has a smoky-eyed beauty that, when combined with her ribald sense of humor, made her irresistible.  It only takes a few minutes to understand why Robin would be willing to give up his previous life to be with her.  There’s nothing particularly deep about Prince of Bel-Air but it’s still an entertaining 100 minutes.

Retro Television Review: Fantasy Island 7.7 “The Wedding/Castaways”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1984.  Unfortunately, the show has been removed from most streaming sites.  Fortunately, I’ve got nearly every episode on my DVR.

This week, Lawrence ruins everything.

Episode 7.7 “The Wedding/Castaways”

(Dir by Bob Sweeney, originally aired on November 26th, 1983)

Ugh, this episode.

Nerdy Fred Connors (Richard Gilliland) wants to spend a weekend alone with a beautiful woman.  His favorite supermodel, Christy Robbins (Phyllis Davis), has been pressured by her manager (Steve Perry) into agreeing to spend the weekend with Fred at Pelican Cove.  Fred and Christy will have their picture taken before and after their weekend together to show just how much spending time alone with Christy Robbins will improve one’s outlook on life.

Let’s just stop here and state the obvious.  This makes ZERO sense.  Christy’s manager has no idea who Fred is.  He doesn’t even meet Fred until it’s time to him and Christy to go to Pelican Cove.  Christy is a world-famous model.  In what world would a celebrity agree to be abandoned on an isolated island with a total stranger?  The photographers aren’t staying on the island with them.  Instead, Christy and Fred are dropped off on the island and then everyone else leaves.  If I was Christy, I would get a new manager.

A rival model named Celina Morgan (Shannon Tweed) was also up for the “abandoned on an island with a possible sex maniac” gig and she’s upset that she lost out to Christy.  So, she sneaks out to Pelican Bay herself and soon, she and Christy are fighting over the right to spend their time with Fred.  It’s dumb and it makes no sense and, considering that the whole fantasy is basically two beautiful woman fighting over one dorky guy, it’s actually feels a bit demeaning and mean-spirited.

Of course, it’s nowhere near as mean-spirited as the other fantasy.  Lucy Gorman (Jeannie Wilson) is unhappy in her marriage to Dr. Jack Gorman (Gordon Thomson).  She tells Roarke that the only good thing that came out of her marriage was her daughter (Andrea Barber) but Lucy even feels jealous of her!  Lucy wants to go back to her wedding day so she can see what would happen if she left her husband at the altar and pursued another doctor (Richard Pierson).

Well, the main that would happen is that Lucy’s daughter would never be born.  But somehow, this doesn’t occur to Lucy until the fantasy has started.  How would that not occur to a mother?  This fantasy was …. I can’t even begin to describe how annoying it was.  Lucy came across as being very self-centered and kind of dumb.

I swear, the seventh season has just been terrible so far and I blame one person.

And, no, it’s not Mr. Roarke.

Seriously, ever since Lawrence showed up, the Island just hasn’t been the same.  Are we sure that Lawrence isn’t the Devil?  I mean, I know the Devil was traditionally played by Roddy McDowall on this show but I’m sure he change his appearance.  There’s something sinister about Lawrence and I don’t trust him.  He doesn’t care about Roarke and he doesn’t care about the fantasies.

What a disappointing trip to the Island.  Traditionally, the last season of any show is usually the worst but it’s still painful to watch Fantasy Island misfire like it did with this episode.

4 Shots From 4 Films: Special Edward D. Wood, Jr. Edition!


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films is all about letting the visuals do the talking.

It’s always a good time to pay tribute to Ed Wood.

4 Shots From 4 Ed Wood Films

Bride of the Monster (1955, dir by Edward D. Wood, Jr.)

Plan 9 From Outer Space (1956, dir by Edward D. Wood, Jr)

Night of the Ghouls (1958, dir by Edward D. Wood, Jr)

The Sinister Urge (1960, dir by Edward D. Wood, Jr.)

Music Video of the Day: Pop Goes The Weasel by 3rd Bass (1991, directed by Jesse Dylan)


Vanilla Ice was very popular in 1990.

By 1991, everyone was sick of him.  How unpopular was Vanilla Ice?  He was so unpopular that 3rd Bass scored a moderate with Pop Goes The Weasel, a song attacking him for cultural appropriation.  Like Vanilla Ice, two of the rappers in 3rd Bass were Caucasian but they presented themselves as respecting rap’s traditions and history.  Vanilla Ice, on the other hand, couldn’t even be bothered to give credit to Queen for stealing their bass line.

This video found a lot of popularity on MTV.  Ironically, it was MTV that made Vanilla Ice a star to begin with by repeatedly playing the video for Ice Ice Baby.  In this video, Vanilla Ice was played by Henry Rollins.

Director Jesse Dylan has also done videos for Tom Waits, The Black Keyes, Eels, Skid Row, Lenny Kravitz and Lita Ford.  He also directed the Will Ferrell soccer epic, Kicking and Screaming.

Enjoy!