Late Night Retro Television Review: Highway to Heaven 4.8 “All the Colors of the Heart”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, we will be reviewing Highway to Heaven, which aired on NBC from 1984 to 1989.  The entire show is currently streaming on Amazon Prime, Tubi and other services!

Episode 4.8 “All the Colors of the Heart”

(Dir by Michael Landon, originally aired on November 18th, 1987)

This episode brings Jonathan (Michael Landon) and Mark (Victor French) to a summer camp for the blind, where they come into contact with two men. There is Frank Riley (Tom Sullivan), an athletic blind man with a great attitude who has high hopes of gaining his sight and being able to see for the first time in his life. In contrast, there is Scott (Peter Kowanko), a young man who is in the process of rapidly losing his sight and is in complete denial of his new reality. Jonathan and Frank, who also happens to be the man who started the camp, work with Scott in hopes of helping him to face both the physical and the emotional challenges of going blind. Will Frank actually be able to regain his sight? Will Scott be able to accept his condition and find a reason to embrace life again? 

Our family watched HIGHWAY TO HEAVEN often during its run in the 80’s. My mom loved the series, and I remember its episodes going straight for the heart. I haven’t revisited it as an adult, and I must admit that I had an enjoyably nostalgic time when I watched this episode today.

While I personally had warm and fuzzy feelings based on the show’s connection to my youth, the content of the episode itself was quite serious. Scott, the young man who is going blind, is basically giving up on life, so much so that he contemplates killing himself. Peter Kowanko, who plays Scott and bears a striking resemblance to actor James Van Der Beek, is pretty good in the part. He spends most of his time screaming at people that they don’t understand what he’s going through. It’s not the most endearing performance, but I can’t help but wonder how I would react in the same position. Heck, I’ve had some of my own health issues recently, and the anxiety that has come along with that has definitely hampered my ability to put others first. I think Tom Sullivan is a little more successful in the role of Frank Riley, the man who has been blind since birth. Sullivan, who is blind in real life, receives a “Story By” credit for this episode, and is reportedly much like the man he portrays here. While some of his scenes do lean heavily into melodrama at the end, his inspiring sense of humor and overall outlook on life gives us glimmers of hope throughout the episode. I did want to point out that Kowanko and Sullivan do almost all of the heavy lifting in the acting department in this episode. While they had some fun interplay at the beginning, I was surprised by how little the characters played by Landon and French factored into the main storyline. I’m going to assume this is the exception and not the norm for the show. 

Overall, I enjoyed revisiting this TV series from my youth. This specific episode contains a strong message about the importance of finding the joys in life under the most difficult of circumstances. I think we all need to be reminded of that from time to time, even when we’re not facing the types of challenges that these characters are being forced to deal with. Michael Landon, who directed this episode, got me at the end as I felt some moisture welling up in my own eyes. I’m definitely looking forward to taking a little deeper dive into the series in the near future. 

Brad reviews ESCAPE FROM DEATH BLOCK 13 (2021), starring Robert Bronzi!


Well, I finally did it. I finally made it all the way through a movie starring Robert Bronzi, the Hungarian Charles Bronson lookalike who started making movies a few years ago with titles like DEATH KISS (2018), ONCE UPON A TIME IN DEADWOOD (2019) and 12 TO MIDNIGHT (2024). Any person who’s read any of my work on here knows that Charles Bronson is my all-time favorite actor, and that I’ve been obsessed with him for over 40 years. I’ve known about Bronzi since he first popped up in 2017, but I haven’t had much interest in him because his only similarity to Bronson is his very basic look. I watched enough of DEATH KISS back in the day to know that he doesn’t have any of Bronson’s charisma, grace or acting ability. I turned it off or fell asleep and never finished it. Well, this past week, I was on the set of a movie that’s being filmed here in Central Arkansas that’s using my brother’s convenience store as one of its filming locations. I was talking to a producer of the film (David Wade), and of course, as the conversation went on I eventually told him that I’m obsessed with Charles Bronson. If you hang around me long enough, that information is sure to be shared at some point! Once David knew this, he told me that he acted in a film with Robert Bronzi in 2021 called ESCAPE FROM DEATH BLOCK 13 that was filmed at the Mansfield Reformatory in Ohio, the location made famous as the prison used in the classic THE SHAWSHANK REDEMPTION (1994). He was impressed that I was fully aware of Bronzi and his resemblance to Bronson. I promised him that I’d watch the film since he’s in it, so here we are! 

The plot of ESCAPE FROM DEATH BLOCK 13 is simple. After his brother’s death, Hungarian construction worker Mick Kovacs (Robert Bronzi) travels to America seeking justice. Visiting a recycling factory owned by the shady Renda (Nicholas Turturro), Mick demands compensation owed to his brother’s family. When Renda’s goons attack him, Mick is framed for extortion and attempted murder, and finds himself in the Pleasant Hill Penitentiary, where he faces sadistic guards, violent inmates, and the corrupt Warden Jack (Debbie Scaletta). Before going to prison, Kovacs is offered a deal by Detective Borelli (Lyindaa Russell) and FBI Agent Langley (Lawrence Hilton-Jacobs) to uncover a drug ring. Once inside, he discovers that Renda and the Warden are responsible for his brother’s death. Driven by a desire for vengeance, Mick sparks a violent riot in hopes of bringing justice to all those who have done his family wrong!

I’m not going to spend much time reviewing ESCAPE FROM DEATH BLOCK 13. If you’re a movie viewer who thinks the idea of watching an ultra low budget prison movie, filmed at Shawshank prison, with terrible acting, terrible special effects, and a lead actor who looks kind of like Charles Bronson sounds fun, then this could be the movie for you. This movie is not even close to the quality of Bronson’s 80’s Cannon films. Those films had good directors who delivered entertaining low budget action films, and Bronson was always worth the price of admission. Bronson’s Cannon movies were extremely profitable, especially in the golden age of VHS rentals. In the case of ESCAPE FROM DEATH BLOCK 13, director Gary Jones has delivered a terrible movie that is fun if you like bad movies. This movie knows it’s a bad movie, leans into its turkeydom, and hopes you will like it because Bronzi looks like Bronson, and there is action. In other words, it’s complete schlock that’s looking for an audience that digs the cheesiest of cheese. There’s not a thing wrong with liking cheesefests. I just want to make sure you know that’s what you’re getting into!

I did find it interesting that ESCAPE FROM DEATH BLOCK 13 is full of references to Charles Bronson’s TV and movie filmography. In this film, Robert Bronzi plays a character named Mick Kovacs. From 1958-1960, Bronson starred in the TV series MAN WITH A CAMERA playing a character named Mike Kovac. Nicolas Turturro plays a bad guy named Renda in this film. Al Lettieri played a bad guy named Frank Renda in Bronson’s excellent 1974 action film MR. MAJESTYK. And finally, in this film, Kenny Hendrix plays a bare knuckle prison boxer named Chaney. In my personal favorite Charles Bronson film, HARD TIMES (1975), Bronson plays a bare knuckle boxer named Chaney. I will admit these references were fun to spot as they came up throughout the film’s 105 minute runtime, which is probably a good 30 minutes longer than it needs to be. 

As I mentioned earlier, I watched ESCAPE FROM CELL BLOCK 13 because David Wade, who plays a prison guard in the film, asked me to. David does a fine job as guard Schaffner, with his performance fitting in perfectly with the vibe of the film. His friendly manner on the movie set at my brother’s store gave me a rooting interest in the film, and from that standpoint, I thoroughly enjoyed it! 

Wild Thing (1987, directed by Max Reid)


After his hippie parents are murdered by a drug dealer named Cutter (Robert Davi!), a young boy is taken in and raised by a homeless woman (Betty Buckley).  The boy eventually grows up to be Wild Thing (Robert Knepper), an urban Tarzan who jumps from rooftop to rooftop at night and who protects the neighborhood for evil doers (like Cutter).  A social worker (Kathleen Quinlan) hears the legend of Wild Thing and eventually finds him.  She continues his education, explaining to him why people do the “body bump.”  Carrying a bow and arrow and accompanied by a surprisingly loyal cat, Wild Thing fights the bad guys and seeks revenge for his parents.

Wild Thing is one of those movies that should be incredibly bad but somehow it isn’t.  John Sayles was one of three writers to work on the script (Sayles was the only one to get credit) and the film has a self-aware sense of humor similar to the scripts that Sayles wrote for films like Alligator, Battle Beyond The Stars, and Piranha.  A young Robert Knepper is probably about as convincing as anyone could be as an urban Tarzan who speaks broken English and who carries a bow and arrow as he makes his way across the rooftops of his neighborhood.  As always, Robert Davi is a good villain.  Davi knows that he’s appearing in a live action comic book and he gives an appropriate performance.

Wild Thing is a surprisingly enjoyable movie and yes, the song Wild Thing is heard in the movie but not as much as you might think.  There’s a few scenes where the song starts to play and is then cut off, as if the movie is teasing our expectations.  I just wish Sam Kinison had been invited to perform his version.

 

Retro Television Review: Malibu CA 2.25 “Big Daddy”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Malibu CA, which aired in Syndication in 1998 and 1999.  Almost the entire show is currently streaming on YouTube!

Yes, this is from the first season. I don’t care. I refuse to waste my time looking for a second season advertisement.

This week sounds pretty bad.  On the plus side, I’m nearly done with this show.

Episode 2.25 “Big Daddy”

(Dir by Gary Shimokawa, originally aired on May 13th, 2000)

This episode of Malibu CA is the last episode to not be available on YouTube.  Here’s the plot summary from the imdb:

Lisa tells Jason and Traycee about the good feeling she gets from volunteering at the local Community Center and encourages them to do likewise. Traycee is ready to volunteer but Jason isn’t interested until he sees some of the pretty girls from the center, especially Diana. Jason hopes to get some one-on-one time with Diana at the Center but she assigns him to be a “Big Buddy” for a local boy, Kenny. At first the two don’t get along very well, with Kenny insulting Jason every chance he gets. But eventually they warm up to each other and Jason lets Kenny borrow his old guitar, on which he plans to teach the youngster to play.

According to Wikipedia, Scott Whyte (of City Guys “fame”) appears in this episode as Alex’s new boyfriend, who Scott suspects is a thief.

Both plotlines sound pretty dire.  It’s interesting that the second season featured guest appearances from people who previously appeared on Hang Time and City Guys.  I guess the thinking was that it would help the show’s rating.  It must not have worked because there was never a third season.

Next week, we have the series finale and that episode has been uploaded to YouTube so I’ll get to see how this all ended.  Even better, I’ll be done with Malibu CA and not a minute to soon, to be honest.

Scenes I Love: A Visit to the Planetarium from Rebel Without A Cause


Since today is Nicholas Ray’s birthday, it seems appropriate to share a scene from Ray’s best-known film, 1955’s Rebel Without A Cause.  In this scene, a group of teens who can barely find happiness or peace on their own planet are asked to consider the wonders of the universe.

4 Shots From 4 Films: Special Nicholas Ray Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Director and screenwriter Nicholas Ray was born 114 years ago today, in Galesville, Wisconsin.  He would go on to become one of the most influential American directors of all time, making independently-minded films that celebrated rebels and iconoclasts.  The directors of the French New Wave loved him and for good reason.

Today, we celebrate the life and legacy of Nicholas Ray with….

4 Shots From 4 Nicholas Ray Films

They Live By Night (1948, dir by Nicholas Ray, DP: George E. Diskant)

In A Lonely Place (1950, dir by Nicholas Ray, DP: Burnett Guffey)

Rebel Without A Cause (1955, dir by Nicholas Ray, DP: Ernest Haller)

Bigger Than Life (1956, dir by Nicholas Ray, DP: Joseph MacDonald)

Music Video Of The Day: My Own Summer by Deftones (1997, dir by Dean Karr)


In this video, the Deftones perform while standing on shark cages.  Which … I don’t know.  That, honestly, is something that I would never do.  It just seems like you’re inviting trouble and, to prove my point, Chino Moreno does fall into the water while performing.  Apparently, Chino survived being attacked by the shark because he’s still around.  Maybe he’s like Felix Leiter in the original James Bond novels and he’s bionic now.

Enjoy!