Late Night Retro Television Review: Pacific Blue 1.10 “Captive Audience”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing Pacific Blue, a cop show that aired from 1996 to 2000 on the USA Network!  It’s currently streaming everywhere, though I’m watching it on Tubi.

I’m a little bit late with this review but so what?  I mean, what’s Pacific Blue going to do?  Chase me on their bicycles?

Episode 1.10 “Captive Audience”

(Dir by Terrence O’Hara, originally aired on May 4th, 1996)

The local bank is being robbed!  The three robbers — desperate and murderous criminals all — have taken hostages, including TC and Cory.  TC just wanted to check out his safe deposit box.  Cory just wanted to withdraw some money so she could buy a motorcycle.  (If she had been withdrawing the money to buy another bicycle, I would have thrown a shoe at my television.)  TC is in uniform.  The robbers know he’s a cop.  Cory is not in uniform and she and TC are pretending not to know each other.  There’s also a pregnant woman in the bank who goes into labor, which means that Cory is going to have to get over her loathing of babies to help deliver one!

*Sigh*

I think I’ve said before that I hate cop shows that feature people being held hostage.  It’s always the same thing.  The robbers threaten a lot of people.  The hostages get beaten and abused.  Outside the bank, the negotiator says, “You have to give me more time!”  On Pacific Blue, the negotiator is Captain Palermo and there’s something just silly about him, in his shorts and crisp polo shirt, directing a bunch of rough-and-ready SWAT team members who are in protective gear.  Hostage situations are serious and potentially deadly but Palermo chasing the robbers are on his bicycle just made me laugh and laugh.  I also laughed when the SWAT team first arrived at the bank and spotted Cory and TC’s bicycles sitting outside the building.  “There might be cops in there,” someone says.  Apparently, they’re unsure about whether or not bike cops should be considered real police or not.  I’m glad I’m not the only one.

It falls to Del Toro and Chris to track down Doc Mueller (Charley Lang), a paranoid electronics expert who lives in a tent on the beach.  He agreed to help disable the bank’s alarm so that the SWAT team can sneak inside.  He also taps into the head robber’s “cellular phone” so that the cops can see who he is working with on the outside.  Shows from the 90s are always amusing because everyone’s always like, “He’s got a cellular phone!”  In 1996, those were still unusual and only used by desperate bank robbers.

(On a positive note, one of the robbers is played by a handsome young actor named Walton Goggins.  What ever happened to him?  Seriously, there’s not much about his performance here that indicates the type of actor he would become but still …. WALTON GOGGINS!)

Everything works out, of course.  The main bank robber tries to escape in a helicopter but Palermo chases him — on his bike! — and manages to jump into the helicopter.  It would have been really impressive if not for the bicycle and the fact that the Pacific Blue uniforms — those shorts and those blindingly white shirts — make all of the characters look really silly.  It’s hard to take a cop seriously when he’s dressed like an aging track coach.  The important thing, though, is that Cory gets over her hatred of babies and Palermo shows that bike cops deserve as much respect as real cops.

Eh.  Who cares?

 

Music Video of the Day: Stand Up by David Lee Roth (1988, directed by ????)


Today’s music video of the day is for David Lee Roth’s Stand Up.  Stand Up was the second single to be released from Dave’s second solo album, Skyscraper.  This video finds David Lee Roth driving an fancy car, picking up beautiful women, and driving to a fancy city.  It’s just a typical day in the life of Diamond Dave and a reminder that Van Halen’s original success was as much about Roth’s showmanship as Eddie’s technical virtuosity.

At 70, David Lee Roth is still with us, though he says he’s retired from touring.  Roth, by the way, is a state-trained emergency medical technician in New York, a pilot, a visual artist, and a martial artist.

Enjoy!

Scenes That I Love: The Making Of An Assassin From Executive Action


The Kennedy files were just released a few hours ago.  There’s supposedly either 8,000 or 80,000 of them, depending on which source you trust.  It’ll take a while for people to go through them and, to be honest, I’ll be surprised if anything new is discovered.  I’m pretty much a natural born skeptic when it comes to conspiracy theories, even though I love reading about them.

Today’s scene that I love comes from one of the first conspiracy-themed films to be made about the Kennedy assassination, 1973’s Executive Action.  In this scene, the infamous photograph of Lee Harvey Oswald holding his rifle is created.

Brad’s “Video of the Day” is THE CHEAP SEATS, country supergroup Alabama’s celebration of Minor League baseball!


I was in college back in 1993 when country supergroup Alabama released the album “Cheap Seats.” I loved everything the band released, so this one was no different. The title track of the album was all about the feeling of sitting in a minor league baseball stadium and enjoying the food, the atmosphere, the beer, and the baseball. Growing up in Arkansas, we didn’t have our own Major League franchise, but we had a great minor league franchise in Little Rock, the Arkansas Travelers. Some of my favorite memories as a boy were going to watch the Arkansas Travelers with my parents or with my little league teams. I still enjoy going with my son to watch them when I want to relax and have a great time!

So, sit back, relax, and enjoy The Cheap Seats! I dedicate this song to my friend, Erin!

Maker Of Men (1931, directed by Edward Sedgwick)


Bob Dudley (Richard Cromwell) is the wimpy son of Coach Dudley (Jack Holt), who is in charge of the local college’s football team.  Bob joins the team out of a sense of family obligation but he turns out to be a cowardly player who would rather fumble the ball than take a hard hit.  Coach Dudley is disgusted with his son.  Bob’s girlfriend (Joan Marsh) dumps him.  Bob drops out of school and disappears for two years and no one seems to care. Then, on the day of a big game, Bob reappears playing for another college.  Despite Coach Dudley’s team being led by All-American Dusty Rhoades (John Wayne!), Bob leads the rival team to victory.  He’s won Coach Dudley’s respect.  Coach Dudley is probably going to get fired.

This was one of the weirdest sports films that I’ve ever seen.  Usually, you would expect Coach Dudley to bring out the best in his son or to understand that his son is just not meant to be a football player.  Instead, Bob is forced to drop out of college!  Bob returns just so he can defeat his father.  The slight Richard Cromwell is not a convincing football player.  On the other hand, John Wayne is a convincing football player but his role is tiny.  The movie is a little over an hour long and 20 minutes of that running time is taking up with grainy footage of an actual football game.

The best thing about the film?  It reminds us that everyone, even John Wayne, had to start somewhere.

4 Shots From 4 Films: Special 1999 Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, we pay tribute to the year 1999.  It’s time for….

4 Shots From 4 1999 Films

Eyes Wide Shut (1999, dir by Stanley Kubrick, DP: Larry Smith)

Fight Club (1999, dir by David Fincher, DP: Jeff Cronenweth)

The Virgin Suicides (1999, dir by Sofia Coppola, DP: Edward Lachman)

The Straight Story (1999, dir by David Lynch, DP: Freddie Francis)

Retro Television Review: Fantasy Island 6.9 “Naughty Marietta/The Winning Ticket”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1984.  Unfortunately, the show has been removed from most streaming sites.  Fortunately, I’ve got nearly every episode on my DVR.

This week, Tattoo’s rich!

Episode 6.9 “Naughty Marietta/The Winning Ticket”

(Dir by Don Weis, originally aired January 8th, 1983)

Let’s get the boring storyline out of the way first.

Overbearing Beatrice Solomon (Jayne Meadows) wants her daughter, Alison (Dorothy Hamill) to become an actress.  Beatrice’s husband (David Doyle) wishes that Beatrice would just back off.  Mr. Roarke sends Alison into the past, where Alison finds herself transformed into Marietta, the subject of the operetta Naughty Marietta.  Lorenzo Lamas plays Captain Richard Warrington, who is trying to track down a notorious pirate on behalf of the Governor of Louisiana (James Doohan).  There’s a lot of singing and the costumes are nice but it’s also kind of boring because ice skater Dorothy Hamill was a terrible actress and she has next to no chemistry with Lorenzo Lamas.  The fantasy ends with everyone brought back to the present, including Lamas who, it turns out, was actually just a guest having a fantasy of his own.  It’s nothing we haven’t seen before and I don’t want to talk to much about it because the other story is …. A TATTOO STORY!

After years of being the sidekick and Mr. Roarke’s enigmatic frenemy, Tattoo finally gets a story of his own.  When Margaret Stanton (Hope Lange) comes to the Island to award a check to an employee who won the Irish Sweepstakes, Roarke is saddened to inform her that the man, a groundskeeper named Ambrose, passed away shortly after winning.  Roarke assigns Tattoo to find out who Ambrose’s closest friend was on the Island.  Tattoo takes his job seriously.  Afterall, Tattoo was one of the few people who regularly checked on the curmudgeonly old man, always stopping by to talk and to make sure that he was feeling okay.  As a matter of fact, you could even say that Tattoo was a true friend to the old man.  In the end, he was truly the old man’s best friend….

OH MY GOD, TATTOO’S RICH!

After reading the deceased man’s diary, Roarke and Tattoo realize that Ambrose would have wanted Tattoo to have the money.  Tattoo now has a million dollars and Roarke decides that this means that Tattoo is now a guest at Fantasy Island.  Tattoo moves into the most spectacular guest bungalow.  Tattoo orders a fancy meal and leaves a huge tip.  Tattoo is having a wonderful time until Mr. Roarke informs him that guests are not allowed to live on the Island….

WAIT, WHAT!?

Okay, first off, it wasn’t Tattoo’s idea to be a guest.  It was Roarke’s idea.  Roarke also mentions that Tattoo is the one who came up with the idea of not allowing guests to live on the Island but, over the past few seasons, we’ve seen many guests decide to never leave the Island and Roarke has never had a problem with it!  Seriously, I thought Tattoo and Mr. Roarke were finally getting along.  Suddenly, it seems like Mr. Roarke has decided to kick him out.  “I will miss you,” Mr. Roarke says.  Well, then don’t make him leave!  Can’t Mr. Roarke do whatever he feels like doing?

Tattoo, for his part, says that he will miss being on the Island.  He’ll miss Mr. Roarke.  He’ll miss the rest of the staff.  He’ll miss everything.  Tattoo decides that rather than leave the Island, he’ll donate the money to build a retirement home in England.  And that’s nice and all but I still don’t understand why Tattoo would have had to leave in the first place.  Maybe Mr. Roarke just wanted to teach Tattoo about generosity but Tattoo is already extremely generous.

As the show ends, Mr. Roarke mentions that Tattoo still needs to pay for his stay in the bungalow and for all the food he ordered.  DON’T START, MR. ROARKE!

This was a weird episode but it was still nice to see Tattoo get his moment in the spotlight.  I still think he should have allowed to keep the money and stay on the Island.  I mean, seriously, this Island is full of eccentric rich people living in haunted mansions.  Why should Tattoo miss out on all the fun?

Music Video of the Day: Now I’m In It by Haim (2020, dir by Paul Thomas Anderson)


I definitely know the feeling.  I have yet to see a Haim video to which I can not relate.

This video was directed by Paul Thomas Anderson, who did several videos for Haim and did such a good job with all of them that I personally think he might have a future in feature films.

Enjoy!