Today the Shattered Lens wishes a happy birthday to Wayne Coyne of the Flaming Lips. Our song of the day is The Golden Path, a collaboration between Wayne and The Chemical Brothers.
As I walked along The supposed golden path I was confronted By mysterious spectre He pointed to the graveyard Over on yonder hill I paused in cosmic reflection Confused on wondering Of how I came to die
Hm! I was confused Coz if I was dead How and why did I die And I composed myself And decided I should face it
Then I stood paralyzed On the supposed golden path And I was confronted By powerful demon force And there was the devil And we spoke his words Flowed like glowing lava from the mouth of a volcano And I said: Help me, Lord!! I found myself in some kinda hell But I did not believe in heaven and hell World in opposites kind of reality
But I gained control of myself And decided to press on
As I walked along The supposed golden path I was trembling with fear All the lions and the wizards yet to come I seen in the distance Silver mountains rising high in the clouds And a voice from above did whisper Some shining answer from the moon
Please forgive me I never meant to hurt you
Songwriters: Edmund John Simons / Steven Gregory Drozd / Thomas Owen Mostyn Rowlands / Wayne Michael Coyne
As some of our regular readers undoubtedly know, I am involved in hosting a few weekly live tweets on twitter and occasion ally Mastodon. I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of Mastodon’s #MondayActionMovie! Every week, we get together. We watch a movie. We snark our way through it.
Tonight, for #MondayActionMovie, the film will be 1992’s Nemesis, from director Albert Pyun!
Then, on twitter, #MondayMuggers will be showing 1986’s Wanted: Dead or Alive, starring Rutger Hauer! The film is on Prime and it starts at 10 pm et!
It should make for a night of fun viewing and I invite all of you to join in. If you want to join the live tweets, just hop onto Mastodon, pull up Nemesis on YouTube, start the movie at 8 pm et, and use the #MondayActionMovie hashtag! Then switch over to twitter, pull Wanted: Dead or Alive up on Prime, and use the #MondayMuggers hashtag!
106 years ago today, actor Robert Stack was born in Los Angeles, California.
Though Stack found his greatest success on television and as the original host of Unsolved Mysteries, he also had an active film career. Here he is in 1980’s Airplane!, demonstrating how to provide encouragement and build up confidence.
4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films is all about letting the visuals do the talking.
Today is the birthday of director John McNaughton! It’s time for….
4 Shots From 4 John McNaughton Films
Henry: Portrait of a Serial Killer (1986, dir by John McNaughton, DP: Charles Lieberman)
The Borrower (1991, dir by John McNaughton, DP: Julio Mucat and Robert C. New)
Normal Life (1996, dir by John McNaughton, DP: Jean de Segonzac)
Wild Things (1998, dir by John McNaughton, DP: Jeffrey L. Kimball)
When it Rains In LA features Eric Roberts as Nate.
Nate is a happy man who lives in a big house and who obviously has a lot of money. He’s even got a much younger trophy wife, a Russian named Sasha (Monroe Cline). One day, Nate receives an odd package, a box that contains a rather hideous mask. Nate looks at the mask and then takes a sip of tea. He promptly drops dead.
After Nate’s funeral, the suddenly widowed Sasha flies to Los Angeles to see her friends from college. (Or, at least, that’s how I assume she met these people. At times, it’s difficult to really keep track of how anyone in this film actually knows anyone else.) Though she’s just buried her husband, she still flirts with the pilot of her airplane, the likably dorky Harry (Tom Gipson). She also meets a mysterious woman named Anna (Leslie Stratton) and doesn’t seem to notice that she’s being watched by a mysterious, bearded man (Mike Ferguson) who continually hides his face inside of his hoodie.
From the minute that Sasha lands in Los Angeles, it starts to rain. Everyone that Sasha meets mentions how strange it is that it’s raining in Los Angeles. Some people say the rain is probably no big deal. Other people act as if the rain has some sort of secret meaning. Sasha keeps her opinions to herself.
Her friends seem to be curiously unconcerned with Sasha suddenly being a widow. One of them won’t stop talking about the death of his former lover. They go to a club, where the bartender gives out free drinks and the owner seems to be strangely hostile. Sasha meets Harry. Characters appear and then disappear without anyone seeming to notice. Everyone comments on the strangeness of rain in Los Angeles. People start to die in brutal ways but again no one seems to really care. It’s a slasher film where societal detachment is the biggest threat.
It’s an odd film. The budget was obviously low and the majority of the performances are a bit amateurish but, whether it was intentional on the part of the filmmakers or not, the film often plays out like a surreal dream. Sometimes, the film moved at an almost rushed pace and then other times, a heavy sense of ennui seems to descend over the action and the characters. Characters repeatedly do things that don’t make any sense but they do it with such determination that it becomes rather fascinating to watch. The film’s final moments are surprisingly effective, certainly more effective than you might expect from all the moments that came before them. Visually, this low-budget film has moments of almost ghostly beauty. The scenes of the rain falling in Los Angeles are effectively atmospheric and ominous. In the end, the film qualifies almost as a work of outsider art.
And, let’s not forget, Eric Roberts is in it! This was the first Eric Roberts film to be released in 2025. Nate dies before the opening credits and Eric still gets top billing. I imagine it will be the first of many.
Previous Eric Roberts Films That We Have Reviewed:
This morning I got up to make coffee for me and my wife. When I came back to our room, she had started the movie ENOUGH (2002) with Jennifer Lopez on the new projector that she bought me for Christmas. I’m not that big of a fan of Lopez, but I decided I’d go ahead and sit down to sip on my coffee prior to starting my day. I ended up watching the whole movie!
Jennifer Lopez plays Slim, a waitress in a diner in L.A., who meets a rich guy named Mitch Hiller (Billy Campbell) who impresses her when he gets rid of this rude jerk (Noah Wyle) trying to hit on her. Mitch and Slim get along famously, eventually getting married and having a cute little girl named Gracie. Everything seems perfect in their little world. Unfortunately, things aren’t what they seem, and one night Slim checks her husband’s pager. She calls the number and discovers Mitch has been cheating on her. When she confronts him about the affair, his entire countenance changes, and he begins beating the crap out of her. After the altercation, and before heading out to continue his affair, Mitch warns Slim not to leave because he refuses to live without her. With the help of her friend Ginny (Juliette Lewis) and a couple of others, Slim takes Gracie and they escape from Mitch. With all his money and connections, Mitch is able to track her down no matter where she goes. Feeling like she has no other options, Slim turns to her wealthy, estranged father, Jupiter (Fred Ward). He provides her the funds she needs to set up a new life and identity. Unfortunately, that damn Mitch tracks her down again. Narrowly escaping, Slim decides that she’s done running. She sends Gracie away with Ginny and begins training rigorously in self defense techniques. This time she’s taking the fight to Mitch with plans to end this shit once and for all.
If you’re looking for a realistic drama about the effects of spousal abuse on the family unit and then across the larger society, ENOUGH is not the movie for you. This movie is more for the Charles Bronson crowd, where the bad guys are truly evil and the audience is in complete agreement with their need to perish. This is a formula that continues to work even if you have to completely suspend your disbelief. For example:
-Is it realistic that Mitch would be able to conceal what a complete and total asshole he is for many years from Slim, but then one night turn out to practically be the sidekick of Satan?
-Is it realistic that Mitch would be able track Slim and Gracie down time and time again, no matter where she goes across the country, even after she uses her Dad’s resources to change her identity?
-Is it realistic that Slim would be able to get enough self defense training in a short period of time to be able to confront the extremely fit Mitch at the end and kick his ass?
While the setup is probably not the most realistic, we have to see images of Mitch beating up Slim on multiple occasions, even trying to kill her at one point. We also see him knock little Gracie to the ground and hurt her. We see him terrorizing her and anyone who tries to help her. This audience member just wanted to see Mitch pay.
I don’t really have any close connections to the main actors in ENOUGH, but they all do their jobs well enough to keep me involved. I have always been a fan of its director, Michael Apted. He’s made a few movies that I really like in CLASS ACTION (1991) with Gene Hackman, THUNDERHEART (1992) with Val Kilmer, and BLINK (1993) with Madeleine Stowe. He’s a more than competent director who knows how to get a reaction from his audience. This certainly may not reflect his best work, but he still handles the material in a professional manner.
My final word on ENOUGH… I enjoyed the film in the same way I like the 3 piece combo at KFC, which I really do enjoy. I know it’s probably not the best stuff out there, but the classic formula still works, and I’m satisfied when it’s all gone!
Today’s music video of the day brings back some memories, though admittedly the clubs of Denton could not really match the legendary reputation of Studio 54. Still, the important thing is that everyone’s a legend to someone.
Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Sunday, I will be reviewing the Canadian series, Degrassi High, which aired on CBC and PBS from 1989 to 1991! The series can be streamed on YouTube!
This week, Wheels breaks another heart.
Episode 1.7 “Just Friends”
(Dir by Kit Hood, originally aired on December 12th, 1989)
Heather Farrell has a crush on Wheels so Erica Farrell helps her throw a party so she can invite Wheels to their house and share a dance with him and maybe discover if he feels the same way about her that she does about him. Of course, Wheels doesn’t feel that way about Heather and is surprised when Snake informs him that Heather obviously has a crush on him. Still, that doesn’t stop Wheels from making out with Heather on her front porch while all of the party guests watch through the front window.
Heather has a boyfriend!
Well, no. Actually, Wheels tells Snake that he still doesn’t like Heather like that and that making out with her is just something that happened. He’s only interested in her as a friend. (AGCK! I mean, don’t get me wrong. This is actually a lot more realistic than what happens on most high school shows but poor Heather!) Wheels is supposed to call Heather when he gets home so that they can talk. Of course, Wheels doesn’t call Heather and he ends up with not one but both of the Farrell twins mad at him and giving him their trademark evil eye.
(Of course, as we all know, Wheels is eventually going to be sent for prison after he runs over a kid while driving drunk so, really, the Farrell twins kind of lucked out here.)
The main problem with any episode that centers around the Farrell twins is that it’s difficult to remember which is which and neither one of them is really that interesting of a character. I spent most of this episode trying to remember whether it was Erica or Heather who had the abortion. I’m pretty sure it was Erica, which explains why Erica freaked out when she saw Heather making out with Wheels. Erica doesn’t want the same thing that happened to her to happen to Heather. But, aside from that, the Farrells have always kind of been boring characters and their party looked kind of lame as well.
Lucy was invited to the party but, instead of going, she instead went to the hospital to visit with L.D., who had just been told that she had Leukemia. Good for Lucy! One of the best parts of Degrassi High has been watching Lucy go from being self-centered and kind of mean to being one of the show’s most genuinely nice characters. To the show’s credit, it’s shown her slowly becoming more emotionally mature as opposed to just having her change overnight. It’s another example of how Degrassi High was realistic in the way that most teen shows were not and still aren’t.
Finally, Kathleen, Melanie, and Diana went to a movie but they didn’t invite their friend Maya (Kyra Levy) because Maya is in a wheelchair. They didn’t think Maya would have been able to take the “streetcar” to the movie and the theater was not wheelchair accessible. The next day, an angry Maya tells them that she could have gotten a ride from her mom and that they could have gone to a different theater that was accessible. Maya angrily tells them not to assume that she can’t do things just because she’s in a wheelchair. Good for Maya! Myself, I’m just happy to see that Kathleen has apparently dumped the abusive Scott and is refusing to speak to him. Good for for Kathleen!
This episode was a good example of how Degrassi High dealt realistically with being a teenager. The Farrell twins are kind of boring but the L.D. and Maya subplots were well-handled. This was a good episode, even if both Joey and Caitlin were noticeably absent.
Needless to say, my heart goes out to everyone who is dealing with wildfires in Los Angeles. My heart also goes out to all the people in North Carolina and Hawaii who are still struggling to rebuild their lives. I’ve heard some infuriating stories about the failure of local and national government to help those effected but I’ve also heard some inspiring stories about ordinary people looking out for their neighbors and bravely helping out in whatever way they can. That’s one reason why I love this country.
Through the Shattered Lens 