Late Night Retro Television Review: Check It Out! 2.20 “The Son Also Rises”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing the Canadian sitcom, Check it Out, which ran in syndication from 1985 to 1988.  The entire show is currently streaming on Tubi!

I don’t even know where to start this week.

Episode 2.20 “The Son Also Rises”

(Dir by Stuart Gillard, originally aired on March 8th, 1987)

For what seems like the 100th time since I started watching the second season of this show, Edna is going on vacation.  Technically, she’s going to be taking a computer course but everyone refers to it as being a vacation.  Not that it matters because, knowing this show, we’ll never hear another word about this class that Edna is taking or the promotion that she’s hoping to get.

No sooner has Edna left then Howard’s ex-girlfriend, Molly Maguire (Diana Barrington), shows up.  As Howard explains it to his employees (though why they would care, I have no idea), Molly was the great love of Howard’s life when he was in college and studying hotel management.  (We often hear about all of these wonderful things that Howard did in the past, which leads me to wonder why, in his mid-50s, he’s just the manager of a middling grocery store in Canada.) Howard is excited to reconnect with Molly.  It’s hard not to notice that, for all the episodes that have portrayed Howard as being the perfect boyfriend, he always tries to hook up with someone else whenever Edna is out of town.  Oddly, it appears that none of her friends at the store have ever told Edna that Howard isn’t particularly faithful when she’s away.

(Remember when Howard threw a snit fit over Edna having dinner with her ex-husband?  Seems kind of hypocritical, no?)

Howard’s plan to hook up with Molly is to invite her over to his apartment and to have Viker dress up like a butler in order to fool her into thinking that he’s rich.  However, when Molly shows up, she reveals that she doesn’t want to rekindle any sort of romance with Howard.  Instead, she wants Howard to give her child support because, according to Molly, he’s the father of her “teenage” son, Mickey (Keith Knight).

(Teenage is in quotes because, despite everything that Howard and Molly say to the contrary, Mickey is clearly not a teenager.  Actor Keith Knight, who appeared in a number of classic Canadian films including My Bloody Valentine and Class of 1984, was 31 years old when he appeared in this episode.)

Howard and Mickey bond.  Mickey turns out to be a pretty nice and intelligent “kid” and Howard starts to think that maybe he would like to be a father.  (Good luck explaining any of this to Edna, Howard.)  Howard worries about paying child support.  Leslie the cashier offers to loan him the money.  (What?)  But then Molly shows up and reveals that — ha ha! — Howard’s not Mickey’s father after all.  She just said that to get some money from Howard but since Howard obviously doesn’t have any money, never mind.

Well, that was …. interesting.  Seriously, what a weird episode.  Howard’s a jerk and, after bonding with 30-something Mickey, he discovers that he’s not Mickey’s father.  Edna comes back from her trip and asks Howard if anything happened while she was gone.  Howard says he doesn’t know where to start.  Roll credits!  There have been many inconsequential episodes of Check It Out! but none as inconsequential as this.

Lisa Marie’s Week In Television: 11/10/24 — 11/16/24


I got caught up with a few shows this week.  Here’s my thoughts on what I watched.

Accused (Tuesday Night, Fox)

I watched the three most recent episodes of Accused this week.  The road rage episode had its good moments and it kept my guessing, though I would have appreciated a bit more of a twist at the end.  The episode with Nick Cannon was so bad that it felt like a parody of woke programming.  (It’s kind of funny how everyone apparently just agreed to forget about Cannon’s history of making anti-Semitic statements.)  The episode with Michael Chiklis as the wrestling coach was much better, though I kept expecting the coach to reveal that he was actually the wrestler’s father.  That would have been a neat twist.

Accused is an uneven show but it’s pretty interesting when it works.  And when it doesn’t work, it’s interesting in an entirely different way.

American Sports Story: Aaron Hernandez (Tuesday Night, FX)

As I’ve said before, this miniseries started out strong but, as so often happens with these Ryan Murphy-produced true crime things, it went downhill quickly.  The final episode was perhaps the worst of the series, if just because it tried to turn Hernandez into some sort of victim.  I have no doubt CTE played some role in his actions but so what?  In the end, at least one man is dead because of Aaron Hernandez.  Ask Odin Lloyd’s family if they care about Aaron Hernandez’s struggle to adjust to living in prison.  I don’t care if he felt uncomfortable with his sexuality.  I don’t care if he was put under tremendous pressure by his coaches.  I don’t care if he was molested when he was a child.  Aaron Hernandez made his decisions and he suffered the consequences and the last thing he deserves is sympathy.

Baywatch Nights (YouTube)

I reviewed Baywatch Nights here!

Check It Out! (Tubi)

My review of Check It Out! will be posting shortly.

CHiPs (Freevee)

I reviewed CHiPs here.  I had a bit of panic when I read the Freevee was shutting down, as I’ve still got many episodes of CHiPs to review and watch.  I’ve been told, however, the shows on Freevee will also be “free” on Prime.  We’ll see!  I’m nor sure that I would want to pay money just for the chance to watch Erik Estrada.

Friday the 13th: The Series (YouTube)

You can read my latest review of Friday the 13th here!

Hell’s Kitchen (Thursday Night, Fox)

My heart broke for Anthony this week!  I took some comfort that Chef Ramsay seemed to be just as said as I was to watch Anthony go.  I was glad Anthony was allowed to keep his jacket.

Highway to Heaven (Hulu)

I reviewed Highway to Heaven here!

Inmate To Roommate (Hulu)

Earlier this year, I enjoyed what I saw of the second season of this A&E show.  (When my Dad had his accident, I stopped watching Inmate to Roommate because taking care of my Dad took priority over any television show.)  This week, I decided to watch the first season of the show on Hulu.  The first season felt a bit more staged than the second season.  If the second season had a raw authenticity to it, the first season was marred by too many scenes that were obviously just done for the cameras.  Still, I appreciate any show that encourages people to give ex-convicts a chance to prove themselves.

Jake Paul vs Mike Tyson (Netflix)

I watched a little of this with Jeff on Friday night.  I was pretty bored with it but at least it was filmed in Texas.  That said, due to my obligations as the hostess of #FridayNightFlix, I stopped watching before either Jake or Tyson left their dressing rooms.  Jeff wrote about the fight here and here!

The Love Boat (Paramount Plus)

I reviewed The Love Boat here1

Malibu CA (YouTube)

For my sins, I reviewed Malibu, CA here!

Miami Vice (Prime)

I reviewed Miami Vice here!

Monsters (YouTube)

I reviewed Monsters here!

Rockin’ Ronny (Night Flight Plus)

This special originally aired in 1986.  It featured a collection of clips from Ronald Reagan’s movies, mixed in with footage of him as president.  Obviously, the show was meant to poke fun at and be critical of Reagan but it didn’t really work.  Rather than coming across as being any of the bad things that this special seemed to be trying to suggest that he was, Ronald Reagan just came across as being a likable old man.  Certainly, he seemed more presidential than any of the folks we’ve recently elected here.

Say Nothing (Hulu)

I am about halfway through this new miniseries about The Troubles in Northern Ireland.  So far, it’s been a powerful few hours.  I’ll share more of my thoughts after I’ve watched the remaining episodes.

St. Elsewhere (Hulu)

I reviewed St. Elsewhere here!

Welcome Back, Kotter (Prime)

I can’t believe I’m paying money for this show.  You can read my latest review here!

Retro Television Review: Welcome Back, Kotter 4.8 “X-Rated Education”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing Welcome Back Kotter, which ran on ABC  from 1975 to 1979.  The entire show can be purchased on Prime.

This week, Gabe Kaplan is missing.

Episode 4.8 “X-Rated Education”

(Dir by Norman Abbott, originally aired on October 28th, 1978)

Epstein, because he’s apparently the only student who works in the audio-visual department, is setting up the projector in the classroom so that it can be used to show a sex education film.  Carvelli and Wilbur enter the room and announce that they have a pornographic film that they want to watch.  Horshack and Washington then show up and decide that they want to watch the movie as well, even though Horshack doesn’t seem to be quite sure what an adult film actually is.

(Horshack also now appears to now be about 50 years old.  The Sweathogs are aging …. fast!)

Epstein says that they can use a different projector to watch the pornographic film.  The Sweathogs and Carvelli head off to the storage closet while Julie takes the first projector to the office so that she can show the sex ed film to a bunch of parents who are not sure they want their children taking sex ed.

You can guess what happens, can’t you?  The two films get mixed up.  The Sweathogs end up watching the tame sex ed film.  Horshack becomes obsessed with the butterfly that is featured in the film.  The protesting parents watch the adult film and demand that both Julie and Woodman be fired.  Can Julie talk Epstein into explaining what happened even though it’ll mean that Epstein will be running the risk of being expelled?  Much like Horshack, Epstein appears to be 50 years old in this episode so maybe getting expelled would be good for him at this point.

This episode raises a simple question.  Is it really an episode of Welcome Back, Kotter if Kotter isn’t around to be welcomed back?  Gabe Kotter is not in this episode and his absence is neither mentioned nor explained.  (Off-screen, Gabe Kaplan was not happy with the show’s direction and refused to appear in all but a handful of season four’s episodes.)  It’s a shame because the plot of this episode does actually feel like a throw back to the type of first and second season episodes that Kaplan usually did quite well with.  Instead of Kaplan’s understanding but firm Gabe Kotter, we get Julie telling Epstein to tell the truth and negotiating with the parents.  Julie now works at the school but I’m not totally sure what her job is actually supposed to be.  Sometimes, she appears to just be Woodman’s administrative assistant.  Other times, she appears to be a guidance counselor.  Sometimes, she’s a teacher.  Julie usually gives good advice but she’s an outsider and it’s obvious that, unlike her husband, she would never consider herself to be a Sweathog.  Whereas Gabe talks to the Sweathogs, Julie often seems to be talking down to them.

This episode also suffers due to the fact that Barbarino is not present, even though the idea of the Sweathogs watching a sex education film seems like a classic Barbarino plot.  Robert Hegyes is the main Sweathog now.  He was a good actor but he was also way too old, at this point, to be playing a high school student.  Lawrence Hilton-Jacobs continues to be underused and Ron Pallilo performance as Horshack has grown more and more grating as the fourth season has progressed.

In the end, only John Sylvester White’s unhinged performance as Woodman remains a consistent source of laughs on this show.  Woodman is not quite as antagonistic towards Julie as he is towards Gabe but his constant bitterness is still a lot of fun to watch.  Maybe they should have renamed this show Welcome  Back, Woodman.

Anyway, this was another fourth season episode that fell flat because the Sweathogs and Julie all seemed like they would rather be anywhere than appearing on Welcome Back, Kotter.  Seriously …. let the Sweathogs graduate!

Mike Tyson vs Jake Paul: The Aftermath


You can’t always get what you want.

Last night, almost every true fight fan wanted to see Mike Tyson knock out Jake Paul.  It didn’t happen, because Tyson is 58 years old and Jake Paul is 31 years younger.  Tyson started out strong but, after the third round, it was obvious that he was exhausted and it even looked like Jake Paul was going easy on him as things reached their conclusion.  Mike made it 8 rounds without collapsing, which was a personal victory considering how tired he looked by the end of the fight.  Jake and Mike both got paid and I imagine that was their main concern.

Last night was hardly the worst thing that I’ve ever seen as far as boxing is concerned.  I lived through the 90s and the era when Don King would shove any fighter, regardless of how mentally unstable or drug-addicted, into the ring.  I am old enough that I can remember Oliver McCall having a nervous breakdown in the ring and refusing to defend himself against Lennox Lewis.  I can remember Andrew Golota throwing away two certain victories because he just couldn’t stop hitting Riddick Bowe below the belt.  I can remember Mike Tyson biting off a chunk of Evander Holyfield’s ear.  I can even remember Montell “Ice” Griffin.  Trust me, I’ve seen a lot worse that Paul vs. Tyson.  But watching Iron Mike lose to a YouTube star, that’s definitely the type of thing that will hurt the soul of any 90s kid.  The new generation has arrived and the man who was once the greatest boxer in the world lost to a former Disney star.

The biggest loser last night was not Netflix, despite all of the technical difficulties that they had trying to broadcast a live event.  The biggest losers were the people who purchased a Netflix subscription just to watch the fight and instead spent most of the night staring at error messages and a buffering image.  Did the Netflix engineer not consider that Mike Tyson coming out retirement to fight a YouTube star would put added stress on their servers?  Netflix still made their money, though.  They got what they wanted, even if fight fans didn’t.

I have no problem acknowledging that, even past his prime and two years away from sixty, Mike Tyson could easily beat me up.  But now I have to live with the knowledge that Jake Paul could beat me up too.  That’s the real tragedy of Paul vs. Tyson.

THE KILLER – The film that introduced Hong Kong Heroic Bloodshed and Chow Yun-fat to the rest of the world!


It was 1997 and I was in an outlet mall in Branson, MO. Being a film buff, I found myself looking for entertainment related books and noticed a book with Jackie Chan on the cover called “Hong Kong Babylon.” Jackie was enjoying some popularity in the United States at the time due to the financial success of RUMBLE IN THE BRONX. I opened up the book and started browsing through the various chapters. I saw blurbs about a bunch of movies I had never heard of and blurbs about a bunch of people I had never heard of. Jackie Chan was the only person I knew anything about. I put the book down because I saw another book about Hong Kong movies. This one was called “Sex & Zen and A Bullet in the Head.” I opened it up and saw some of the same people and movies mentioned in the other book. I liked this book better because it had more pictures. I remember this second book opening with a chapter called “10 that Rip.” It was their listing of 10 movies that would determine if you were a potential Hong Kong movie fan or not. Watching these movies would either open up that part of your mind that got excited about Hong Kong movies, or you would be hopelessly lost and not a candidate for Hong Kong movie fandom. As I looked closer, I noticed this same man in both books. He was usually holding a gun and looking extremely cool. That man’s name was Chow Yun-fat, and somewhere in the back of my mind, I thought I remembered seeing him years earlier on a VHS box at our local Hastings Entertainment Superstore. Not really being a fan of foreign movies at the time of the Hastings notice, I didn’t pay much attention, but now I really took notice. Chow caught my attention, but I also found it interesting that there were so many other movies that I’d never heard of, and I thought I knew a lot about movies. I bought both books and took them home with me. It’s no exaggeration to say that these books changed my life, and I was soon lost in a world of Hong Kong films.

No film exemplified my newfound love for Hong Kong movies more than THE KILLER, which was directed by John Woo and starred my new obsession, Chow Yun-fat. I was happy to find that it was readily available on VHS. I watched it on repeat. I had not seen anything that I thought was so awesome. The story is simple. It’s about a hitman, the killer of the title (Chow Yun-fat), accidentally blinding a nightclub singer (Sally Yeh) when he’s performing a job. Feeling devastated that he hurt this beautiful woman, he spends the next few months hanging around the nightclub hoping to have a chance to help her. He finally gets a chance one night when a group of young hooligans attack her on her way home. Chow steps in and beats the crap out of the guys and sends them on their way. This starts a beautiful relationship and the two fall in love. The killer has to perform one more job to get the money needed for a surgery that will hopefully restore her eyesight.  When performing that last job, a tough cop (Danny Lee) finds himself on the trail of the killer and will do anything to get his man. John Woo has somehow crafted a story where Chow Yun-fat is an honorable “killer” on a noble mission to protect this young woman, and who is now the target of the Chinese triads trying to eliminate him. While trying to bring down the killer, the tough cop finds himself caught in the crossfire between the killer and the triads. When Chow goes out of his way to take a hurt young girl to the hospital, our tough cop realizes the hitman isn’t that bad after all, and the two men begin to have a respect for each other. There’s no time to rest though, as they find themselves having to team up to take on an army of triad soldiers armed to the teeth and out for blood.

I had never seen anything like THE KILLER up to that point in my life. The action had a style and flare that aroused everything I love about movies. I soon learned it fit into a subgenre of Hong Kong films labelled “heroic bloodshed,” a genre that I would go deep, deep, deep, into! The opening action sequence features the impossibly charismatic Chow Yun-fat dressed impeccably, taking on an underworld boss and his henchman, with two guns blazing in stylish slow motion. John Woo’s work has been endlessly copied by this point, but that does not take away how I felt watching this movie for the first time. I also loved the shameless sentimentality in the film, first between the killer and the singer, and then later between the killer and the cop. For a movie that’s balls to walls action, it has a huge heart. I was hooked.

I immediately began searching out all of John Woo’s films including A BETTER TOMORROW, BULLET IN THE HEAD and HARD-BOILED. After I watched those movies, I started trying to find every Chow Yun-fat film I could. I’ll never forget how I felt when I saw GOD OF GAMBLERS for the first time. I realized that Chow could do anything, not just cool heroic bloodshed films. I will tell anyone who’ll listen that Chow Yun-fat is my favorite living actor. After being a fan for 27 years, I still search the internet for any news I can find about a movie he may be working on.

And it all started at an outlet mall in Branson, MO, and when I first got my hands on THE KILLER.

Live Tweet Alert: Watch Bay of Blood With #ScarySocial!


 

Bay of Blood (1971, dir by Mario Bava, DP: Mario Bava)

As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, for #ScarySocial, I will be hosting Mario Bava’s Bay of Blood!

If you want to join us on Saturday night, just hop onto twitter, start the film at 9 pm et, and use the #ScarySocial hashtag!  The film is available on Prime and Tubi!  I’ll be there co-hosting and I imagine some other members of the TSL Crew will be there as well.  It’s a friendly group and welcoming of newcomers so don’t be shy