Late Night Retro Television Review: CHiPs 2.19 “Bio-Rhythms”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing CHiPs, which ran on NBC from 1977 to 1983.  The entire show is currently streaming on Freevee!

This week, it’s all about bio-rhythms!

Episode 2.19 “Bio-Rhythms”

(Dir by Don Weis, originally aired on February 17th, 1979)

The Davis family is back!

Now, if you don’t remember the Davises. they were the family of independent truckers who appeared in an episode called The Volunteers.  Patriarch Charley Davis (Tige Andrews) is taciturn and protective.  Their friend, Sam (Steve Franken), is taciturn and protective …. actually, to be honest, he and Charley are kind of interchangeable.  Daughter Robbie (Katherine Cannon) is in charge of the business and is being pressured by another trucker (Michael Conrad), who is willing to resort to sabotage to keep Robbie from making her deliveries.  It’s a good thing that Robbie has got Ponch on her side!

Technically, Robbie also has Baker on her side but this is definitely a Ponch episode.  Baker is present but he does very little.  Instead, it’s Ponch who flirts with Robbie.  It’s Ponch who stops by Robbie’s apartment and uses her shower.  It’s Ponch who spends an extended period of time wearing just a towel.  Somewhat inevitably, Charley shows up around the same time that Ponch steps out of the shower.  Ponch is kicked out of the apartment and his clothes are tossed out the window.  Ponch loses his towel while retrieving his clothing.  Cue the close-ups of an old woman staring at him with a impressed look in her eyes and Erik Estrada flashing his Estrada smile.  It’s not that Erik Estrada wasn’t nice to look at.  It’s just that he was so obviously aware that he was nice to look at that the whole scene ends up feeling rather smarmy.  One gets the feeling that there was a clause in Estrada’s contract specifying that he, and only he, would be allowed to show off on the show.

While Ponch helps Robbie deal with her rivals, he also learns about biorhythms, the pseudo-science that says that, by calculating how long someone’s been alive, it can be determined which days are going to be good for them and which days are going to be bad.  Sindy Cahill is doing a study on biorhythms for her master’s degree.  Getraer tells his squad that the department is also very interested in whether or not biorhythms effect an officer’s productivity.  Baker is skeptical about biorhythms but Ponch believes in them and even buys a biorhythm calculator.

Believing the Baker’s biorhythms have him at peak physical perfection, Ponch arranges for Baker to play handball against Getraer.  Ponch even takes bets.  Unfortunately, Ponch spent so much time figuring out Baker’s biorhythms that he never stopped to consider Getraer’s.  The episode ends with Getraer on his way to victory and Baker looking embarrassed.

Handball?  Biorhythms?  Corrupt labor unions?  Could this episode be more Californian?

This episode was fairly dull.  A huge problem was that the Davis family and their drama are never as interesting as the show seems to think that they are.  Much as with The Volunteers, I felt like I was watching a backdoor pilot for a show about the Davises when I really just wanted to watch a show about the Highway Patrol.  This episode didn’t do much for me.  Maybe everyone’s biorhythms were off when they filmed it.

Retro Television Review: Miami Vice 3.6 “Shadows In The Dark”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing Miami Vice, which ran on NBC from 1984 to 1989.  The entire show can be purchased on Prime!

This week, Crockett loses it!

 Episode 3.6 “Shadows In The Dark”

(Dir by Christopher Crowe, originally aired on October 31st, 1986)

Crockett and Tubbs are assigned to work with Lt. Ray Gilmore (Jack Thibeau) in investigating a series of burglaries.  The burglar has broken into several houses.  Each time, he eats whatever meat is in the house, he draws a picture on the wall, and then he steals a pair of pants.  Gilmore is convinced that the burglar is working his way towards doing something even more serious and deadly.

Crockett and Tubbs soon discover that Gilmore is suffering from intense burnout.  Years spent getting inside the minds of burglars and working nights have left Gilmore angry and erratic.  When Gilmore finally snaps and starts shooting an icebox, Crockett and Tubbs assume that the investigation is over.  Instead, Castillo informs them that, with Gilmore now committed to a mental hospital, they will now be in charge of the investigation.

Soon, Crockett finds himself becoming just as obsessed as Gilmore.  He starts staying up late.  The few instances in which he does sleep, he’s woken up by intense nightmares.  Crockett becomes obsessed with the mysterious burglar, to the extent that Castillo and the rest of the Vice Squad start to worry that he’s losing his mind.  In the end, Crockett does manage to figure out what house the Shadow (Vincent Caristi) will be targeting next.  Both the Shadow and Crockett break into the house at the same time, leaving the homeowner terrified as the two men fight.

“I’m a cop!  I’m a cop!” a desperate and wild-eyed Crockett shouts at her while holding up his badge.

This was a dark episode, one that played out more like a mini-horror movie than a typical episode of Miami Vice.  (Appropriately, this episode aired on Halloween and was clearly made with the scary season in mind.)  While I do think Crockett’s descent into madness happened a bit too quickly, I can’t deny that Don Johnson did a great job as the unhinged Sonny Crockett.  When he desperately yelled “I’m a cop!,” it was obvious that he was trying to convince himself as much as the poor woman who owned the house.  Though this episode was definitely a showcase for Don Johnson, Edward James Olmos did get plenty of opportunities to employ the Castillo stare as Crockett grew more and more unstable.  Finally, Vincent Caristi was truly frightening as the Shadow.

Interestingly enough, the episode’s plot is similar to Manhunter, which came out earlier that year.  The episode even features a scene where Crockett, Tubbs, and Gilmore visit a former burglar so that they can get his insights on their current prey.  (Manhunter, of course, was the first film to feature Dr. Hannibal Lecter being consulted about a serial killer.)  Miami Vice‘s  producer and creator, Michael Mann, directed Manhunter and, though he didn’t direct this episode, it’s clear that Shadow In The Dark was meant to be a bit of an homage to the film.

Season three has, so far, been a bit uneven but this was a good and offbeat episode.

Monday Live Tweet Alert: Join Us For Revolt and One False Move!


As some of our regular readers undoubtedly know, I am involved in hosting a few weekly live tweets on twitter and occasion ally Mastodon.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of Mastodon’s #MondayActionMovie!  Every week, we get together.  We watch a movie.  We snark our way through it.

Tonight, for #MondayActionMovie, the film will be 2017’s Revolt, starring Lee Pace!

Then, on twitter, #MondayMuggers will be showing 1992’s One False Move, starring Bill Paxton and Billy Bob Thornton!  The film is on Prime and it starts at 10 pm et!

It should make for a night of fun viewing and I invite all of you to join in.  If you want to join the live tweets, just hop onto Mastodon, pull up Revolt on YouTube, start the movie at 8 pm et, and use the #MondayActionMovie hashtag!  Then switch over to twitter, pull One False Move up on Prime, and use the #MondayMuggers hashtag! 

Enjoy!