Lisa Marie’s Week In Review: 5/27/24 — 6/2/24


(Our power is back!  Jeff, Erin, and I went out to dinner tonight and, when we returned to the house around 8:00, all of the lights were on!  I was so happy that I yelled for joy and then did a little jump and twirl in front of the house!  It might take a few days to get back into the regular posting habit — Retro TV Reviews might take another week off — but still, we are back!  I’m currently watching Degrassi on Pluto TV and thinking about how much cleaning we’re going to be doing tomorrow.

Below is what I wrote at 9 this morning while taking advantage of the free wifi at a nearby McDonald’s.  I scheduled it because I wasn’t expecting the power to be back today.  It provides an honest look at how I was feeling for most of today!)

6 days — six! — without power and it doesn’t appear that the situation is going to change soon.  Slowing down work is that it keeps raining.  I understand that but I’m still not happy.  No lights.  No AC.  I’ve had to toss out a ton of food.  Last night, I did my laundry at a freaking laundromat.  Meeting a stranger while washing your thongs is cute in romantic comedies but considerably less so in real life.

Disasters bring out everyone’s true character.  Erin is checking on our elderly neighbors.  Jeff has been helping people clear fallen tree branches out of their yards.  Case and Leonard have stepped up to keep the site active during our absence.

And I’ve been kvetching for six days.

Hopefully, the Texas Branch of TSL will be back soon!

(Want to see what I did last week,  when we had power?  Click here!)

Retro Television Review: Getting Away From It All (dir by Lee Philips)


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sundays, I will be reviewing the made-for-television movies that used to be a primetime mainstay.  Today’s film is 1972’s Getting Away From It All!  It  can be viewed on YouTube.

For Fred Clark (Larry Hagman) and Mark Selby (Gary Collins), life is New York City just isn’t that much fun anymore.  The weather is terrible.  The traffic cannot be navigated.  The only people ruder than the cabbies are the doormen.  Fred and Mark have come up with the perfect plan.  They’ve decided to move to a small country town and purchase a house on a small island.  In fact, they’re going to buy the entire island!  It’s surprisingly cheap.  Fred and Mark don’t ever really stop to wonder why the island is available for so little money.  Seriously, if you’re buying an island, you should probably ask yourself those questions.

Mark’s wife, Alice (E.J. Peaker), is enthusiastic about the idea.  Less excited is Fred’s wife, Helen (Barbara Feldon).  Helen enjoys living in the city and having a nice job in an office building.  She gets along with her boss (played by Jim Backus, one of many veteran actors to show up in a small role in this film).  Perhaps hoping that Fred will change his mind once he’s confronted with the reality of actually living in the country, Helen finally gives in.

It does turn out that the island is not quite the paradise that Fred and Mark were expecting.  The only way to get out to the island is in a leaky rowboat.  The house is falling apart and, as Helen is disgusted to learn, it also doesn’t have indoor plumbing.  There’s no electricity either but fortunately, the local handyman is working on it.  His name is Herbie and he’s played by a very young and thin Randy Quaid.  If you’ve ever wanted to hear Randy Quaid speak with an exaggerated New England accent, this is the film for you.  There’s nothing convincing about Quaid’s accent but it still seems only fair, considering all of the Yankee actors who have butchered the Southern accent over the years.

Just when it looks like Fred and Mark have managed to make the Island livable, they get a disturbing letter.  As the new owners of the Island, they owe 20 years worth of back taxes.  As Fred puts it, the tax bill is more than either of them can afford.  If they can’t raise the money, the town will take back the Island.   Fred and Mark consider trying to get jobs but it turns out that neither one of them knows much about being fisherman.  They then decide to charm the town into nullifying the tax bill.  That turns out to be more difficult than either man imagines.

Getting Away From It All is a comedy that deals with a universal theme, the desire to escape from the harshness of everyday life and find a perfect place to which to escape.  That said, the film’s main reason for existing is a parade of comedic cameos.  Jim Backus, Vivian Vance, Joe E. Ross, Burgess Meredith, Paul Hartman, and J. Pat O’Malley all appear in small roles, appearing just long enough for 1972 viewers to say, “Hey, I recognize that person!”  The end result is a rather shallow film that has a few chuckle-worthy moments.  (Again, Randy Quaid pretending to be from Maine has to be worth something.)

In the end, for all of the film’s celebration of getting away from it all, it’s hard not to feel that Gary, Mark, Alice, and Helen will all end up back in Manhattan sooner than later.  Some people are just city folks.

The Black Hole, Short-Film Review (Dir. Philip Sansom, Olly Williams)


Gravity …..

No not that gravity. The gravity that makes you feel fat like Your Mom.

Specifically, black holes- A star is big – Really big. So, I’m tryin to get close the center of this star like everyone does with Your Mom. I’m getting closer to this star’s center, but it’s radius is REALLY big so I’m feelin some gravity, but when it collapses on itself and turns into a black hole- there’s serious gravity ahead. Before, the star was 2 million millions wide like Your Mom. Now, this star is just a few miles wide like Your Mom wishes she could be. So now, I can get WAAAAAY closer to the star’s center because the radius is tiny tiny tiny now. Therefore, this black hole will pull me harder than before like way harder just like Your Mom.

Before I was two million miles from the center because stars are what what scientists call BIG. Now, I can get right up on that star’s center like everyone does with Your Mom. As I get closer and closer to the center, I can’t get away because the pull is so strong like Your Mom’s grip. In fact, the light around me is curving and can’t get away. So, I will look like I’m frozen in a photograph like this Pearl Jam song:

This short film – poorly depicts a black hole, but it accurately depicts GREED. A man prints out a hole that is black, but not a Black Hole because we’d all be dead. He uses it to steal from his company by placing a hole that is black over the company’s safe with a tiny bit of tape. He takes out a bunch weird European looking monopoly currency, which checks as legit because Europeans are weird. Wanting to grab as much as he can, like everyone does with Your Mom, he climbs in the safe but the hole that is black falls off the safe, trapping him inside.

I tricked you into learning! HA!

Quick Review: The Last Stop at Yuma County (dir. by Francis Galluppi)


This review might be a bit biased, as I’m a fan of actor Jim Cummings’ work. I loved The Wolf of Snow Hollow and his brief cameo in Halloween Kills. The moment Francis Galluppi’s Last Stop at Yuma County was released on Apple Films, I bought it. Not even a rental. At 90 minutes, it’s a short crime thriller that fits in well with those late night gems you may come across.

On his way home to celebrate his daughter’s birthday, a Knife Salesman (Cummings) arrives at a gas station in Yuma County, Arizona, only to find that the station’s gas truck is a bit delayed. He decides to wait for the truck in the the gas station’s diner. Additionally, the news on the radio is going around about a recent heist of a nearby bank. Similar to movies such as Legion or Tales From the Crypt Presents : Demon Knight, the Diner makes a great setting for a standoff when the two robbers make an appearance – played by Richard Brake (Barbarian) and Nicolas Logan (I Care a Lot). Can the Knife Salesman and the local waitress, Charlotte (Jocelin Donahue, The House of the Devil) make it through the day and save themselves?

For his first production, Galluppi handled things well, I felt. The shots are evenly paced, well lit and framed in such a way where it doesn’t feel like the camera lingers too much or is too shaky. The strongest part of The Last Stop in Yuma County are the characters. Cummings, Brake, and Logan are the stand outs, but everyone contributes to the story in their way. The film dances between drama and comedy pretty quick, which had me chucking in moments before getting jolted back to reality with the ever changing situation.

If the movie has any kind of drawback, it’s that some of the story’s elements aren’t fully closed up by the time the film ends. It’s not a terrible thing, considering where the focus of the story moves, but a little more closure would have been nice. Outside of that, The Last Stop at Yuma County is worth the watch.

Scenes I Love: Lighting the Beacons in Return of the King


We just received word that the Texas Branch is still currently down. It’s been six full days without power. I can’t even begin to imagine the impact, but we’re hoping that they back up and running soon. Case and I are keeping the fires lit here, but it also reminds us of Lisa Marie’s John Wick levels of legendary speed, sheer will, creative output and literary fortitude. We miss the Bowmans, and are rooting for their quick return.

In the meantime, we’re sharing some of our favorite scenes and films. It seems fitting that the Lighting of the Beacons sequence of The Return of the King is our focus here. With the city of Gondor under attack, the steward Denathor (John Noble) doesn’t wish to call for any help. With Pippin’s (Billy Boyd) help, Gandalf (Ian McKellan) gets word out to Rohan in a most spectactular fashion. Howard Shore’s score amplifies the sequence to epic levels.

Enjoy!