Late Night Retro Television Reviews: Degrassi Junior High 2.4 “Dinner & A Show”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sunday, I will be reviewing the Canadian series, Degrassi Junior High, which aired on CBC and PBS from 1987 to 1989!  The series can be streamed on YouTube!

In yourself, you must believe….

Episode 2.4 “Dinner & A Show”

(Dir by John Bertram, originally aired on January 25th, 1988)

It’s a night of awkward dates and dinners on this week’s episode of Degrassi Junior High!

Yick Yu finally works up the courage to ask Melanie if she would like to go to a movie with him.  While Kathleen rolls her eyes in the background, Melanie says that she’d love to see a movie with Yick.  Yick suggests that they see Revenge of the Reptile, which is really gory and features killer reptiles!  Melanie says that she’s not into any of that and suggests that they instead see Crying Into The Wind.  Yick agrees, even though it’s obvious that Crying Into The Wind is not a film that is going to appeal to a typical 13 year-old male.

After Yick leaves, Kathleen makes fun of Melanie for having a date.  Melanie replies that it’s not a date.  She and Yick are just friends and Melanie is looking for “a man.”  Right on schedule, Snake walks up and asks Melanie if she wants to see a movie.  Melanie, forgetting all about her plans with Yick, says, “Sure!”  Snake suggests Revenge of the Reptile.  Melanie, forgetting that she’s not into gory reptile films, says, “Sure!”

Poor Yick is heartbroken when Melanie tells him that something has come up and she won’t be able to go to the movies with him.  Arthur suggests that Yick cheer himself up by going to see Revenge of the Reptile….

Meanwhile, Shane’s parents want to have dinner with Spike and her mother.  Shane’s parents have decided a few things.  First off, the baby is going to be given up for adoption.  Secondly, Shane is going to private school.  While sending Shane to a private school might not be a bad idea, deciding what’s going to happen to the baby before they’ve even met Spike or her mother is definitely not cool.  Shane’s parents are the first of many bad parents that will show up over the course of Degrassi’s long history.

Spike decides to just not tell her mom about the dinner invitation.  But then Shane’s parents call personally and invite them to a fancy restaurant.  Needless to say, it’s not a pleasant dinner.  Shane’s father not only wants to send Shane to private school but he also thinks that Spike should be sent to a home for unwed mothers, like a character in a 1930s farm melodrama.  Shane’s mother, meanwhile, makes no secret of the fact that she blames Spike more than she blames her son.  Finally, Shane stands up for himself and says that he’s not going to go to private school.  Of course, Shane then ruins the moment by saying that he’s ready to be a father.  No, Shane, you’re not.  You’re barely ready to be in the 8th Grade.

At the movie theater, Snake and Melanie discover that they really don’t have much in common.  Snake may be a nice guy but he’s a terrible conversationalist.  Joey and Wheels, upset that they don’t have dates, show up and spend the whole time making snarky comments.  (Joey brings along a toy Godzilla that he uses to try to scare Melanie.)  Worst of all, Yick shows up and finds himself staring straight at Melanie.  Melanie smiles awkwardly while Yick’s heart breaks once again.

The next day, at school, Melanie tells Kathleen that her date wasn’t that great.  Meanwhile, Spike asks Shane if he even wants her to have the baby and Shane can’t answer.

I loved the way the episode contrasted the awkwardness of Melanie’s date with the awkwardness of Spike’s dinner.  Melanie’s problems are nowhere near as serious as Spike’s but both of them are a result of immature people trying to make mature decisions.  The main theme of this episode is that no one is ready to be an adult.  Melanie says that she’s ready to date “a man,” but she can’t even find it in herself to be honest with Yick.  Yick and Snake both want to start dating but they’re still incapable of understanding that Revenge of the Reptile is not exactly a romantic movie.  Shane wants to be a father but can barely stand up to his own parents.  Shane’s parents may be adults but they don’t understand that being an adult means talking to other people before deciding their lives for them.  The only person who truly understands how lost everyone is Spike and all she can do is try to make it day-by-day.

Watching an episode like this, it’s nice to know that Spike will eventually find happiness with Snake and that her daughter will grow up to be Emma.  I can only imagine how emotionally devastating all of this must have been for people watching it for the first time in 1988.  Degrassi Junior High rarely offered false hope, which is why it remains relevant today.

 

 

Lisa Marie’s Week In Review: 1/15/24 — 1/21/24


Yay!  I’m feeling healthy and I have a new laptop!  I’m looking forward to the Oscar nominations being announced on Tuesday and, of course, I’m looking forward to watching a lot of movies over the rest of the January.

Here’s what I watched, read, and listened to this week:

Films I Watched:

  1. The Crow (1994)
  2. The Devil’s Partner (1961)
  3. Death Hunt (2017)
  4. Guardians of the Galaxy Vol. 3 (2023)
  5. The Hippie Temptation (1967)
  6. Invasion USA (1985)
  7. Living in Oblivion (1995)
  8. Murphy’s Law (1986)
  9. Radical Wolfe (2023)
  10. Rock N Roll High School (1979)
  11. Sound of Freedom (2023)

Television Shows I Watched:

  1. American Nightmare
  2. Baywatch Nights
  3. Check It Out!
  4. CHiPs
  5. Couples Court with the Cutlers
  6. Degrassi Junior High
  7. Fantasy Island
  8. Friday the 13th: The Series
  9. Hell’s Kitchen
  10. Highway to Heaven
  11. The Love Boat
  12. Maury
  13. Miami Vice
  14. NFL Playoff Game: Bills vs. Taylor Swift’s Team
  15. Monsters
  16. Night Court
  17. Poochinski
  18. Steve Wilkos Show
  19. T and T
  20. Welcome Back, Kotter

Books I Read:

  1. The Coworker (2023) by Freida McFadden
  2. Unruly: A History of England’s Kings and Queens (2023) by David Mitchell

Music To Which I Listened:

  1. Above & Beyond
  2. Armin van Buuren
  3. The Chemical Brothers
  4. Donavon
  5. Ellie Goulding
  6. Jennifer Lopez
  7. Jessica Simpson
  8. John Carpenter
  9. Moby
  10. Muse
  11. Phantogram
  12. Saint Motel
  13. Selena Gomez
  14. The Soft Moon
  15. Tiesto
  16. ‘Til Tuesday

Live Tweets:

  1. Death Hunt
  2. Murphy’s Law
  3. Invasion U.S.A.
  4. The Crow

Awards Season:

  1. The Emmy Winners
  2. North Dakota Film Society Winners
  3. African American Film Critics Association Winners
  4. Portland Critics Association Winners
  5. Critics Choice Award Winners
  6. Visual Effects Society Nominations
  7. Latino Entertainment Journalists Association Nominations
  8. Music City Film Critics Association Winners
  9. Iowa Film Critics Association Winners
  10. AARP Winners
  11. Online Film Critics Society Nominations
  12. BAFTA Nominations
  13. Chicago Indie Critics Winners

News From Last Week:

  1. The Soft Moon and Silent Servant die in Los Angeles
  2. Mary Wiess of the Shangri-Las dies at 75
  3. Surfing Great Kelly Slater and Robert Kennedy Jr. Go Shark Diving in Hawaii
  4. Scream’ actress Melissa Barrera joins disruptive anti-Semitic rally at Sundance

Links From Last Week:

  1. The Birth Of 007! Reviewing All Bonds Beginning With “Dr. NO!”
  2. Tater’s Week in Review 1/19/24
  3. And I live just like an outlaw

Links From The Site:

  1. I reviewed The Hippie Temptation and Living In Oblivion!
  2. I reviewed Degrassi Junior High, Miami Vice, CHiPs, Fantasy Island, Baywatch Nights, The Love Boat, Monsters, Poochinski, Highway to Heaven, T and T, Friday the 13th, Welcome Back Kotter, and Check It Out!
  3. I shared my week in television!
  4. I paid tribute to John Carpenter, James Earl Jones, Kevin Costner, Richard Lester, David Lynch, and Radley Metzger!
  5. I shared scenes from Airplane!, Escape From New York, The Untouchables, Notorious, and Toby Dammit!
  6. I shared music videos from John Carpenter, Donovan, Jennifer Lopez, Mac Miller, and Til Tuesday!
  7. Jeff shared music videos from Madness and Mick Mars!
  8. Erin shared Mural of Martin Luther King, Jr, Trouble on Crazy Man, Diana Made Detective, The Tramplers, The Gladiators, No Business Being A Cop, and Empty Holsters!

More From Us:

  1. At Days Without Incident, Leonard shared songs from Dua Lipa and Fallout Boy!
  2. At her photography site, Erin shared Leaf, Red, Wheelchair, Block, Two Worlds, Cart, and Surviving!
  3. At my music site, I shared songs from Tiesto, Armin van Buuren, Selena Gomez, The Chemical Brothers, Jessica Simpson, Above & Beyond, and Ellie Goulding!

Want to see what I did last week?  Click here!

Retro Television Reviews: The Hippie Temptation (dir by Warren Wallace)


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sundays, I will be reviewing the made-for-television movies that used to be a primetime mainstay.  Today’s film is 1967’s The Hippie Temptation!  It  can be viewed on YouTube.

“This is a hippie,” a sober and serious voice says over the image of a rather clean-cut young man sitting in a park.

So starts the 1967 CBS news documentary, The Hippie Temptation.  Hosted by a white-haired and distinguished voiced journalist named Harry Reasoner, The Hippie Temptation takes a look at the subculture that, in 1967, was taking the youth of America by storm.  Reasoner walks through the Haight Ashbury neighborhood of San Francisco, followed by a group of hippies who hang on every word.

Hippies, Harry explains, their very name suggests that they are hip!

Harry Reasoner talks about how the hippies are predominantly liberal and say that they are dropping out of a society that they consider to be hypocritical.  They have no interest in what their straight parents are concerned with.  Harry’s tone goes from being gently condescending to rather alarmed as he explains that hippies use a new illegal drug called LSD to try to open up their minds.  The bad trip, Harry says, is always a possibility and suddenly, the screen is full of Dutch angle images of San Francisco.

The majority of this documentary focuses on the dangers of LSD.  A pipe-smoking scientist shows a diagram of a chromosome of a repeated LSD user.  The repeated use of LSD is compared to having epilepsy.  Harry says that LSD is illegal in California but it’s still easy to find in San Francisco.  No mention is made of marijuana or heroin or any of the other drugs that may have been a part of the Haight Ashbury scene.

Harry is a bit surprised that the hippies are not particularly concerned about what the scientists think about LSD.  The Hippie Temptation is to not care about consequences and to instead do whatever you want.  Harry discusses how the hippies claim not to care about money or material things but, as he points out, some people are getting rich in Haight Ashbury.  He drops in to visit a local band called the Grateful Dead “who appear to be living in affluence.”  The members of the band admit that they also use LSD and other drugs.  Harry shows us a performance of the Grateful Dead performing and comments on how the light show is designed to imitate a psychedelic experience.

(Along with the Grateful Dead, future actor Peter Coyote also appears briefly, giving out free food as a member of a collective called The Diggers.)

Hippies can make money, Harry says, if they can find an employer who doesn’t mind long hair and strange clothing.  It’s hard not to smile at this comment because, by today’s standards, the hippies in this documentary look remarkably preppy and almost conservative.  Turtlenecks, colorful shirts, and neck length hair no longer come across as being the height of rebellion.  The majority of the hippies that Harry talks to look like they could be accountants.

This is one of those documentaries where the older generation tries to figure out why their kids are so weird.  It’s hard not to smile at the sight of a clearly uncomfortable Harry Reasoner being surrounded by a bunch of future accountants and middle managers.  That said, this documentary was an interesting time capsule.  It was a chance to see a firsthand account of what people were worried about in 1967.

Past Lives Wins In Chicago!


The Chicago Indie Critics have announced their picks for the best of 2023!

The winners are listed in bold.

BEST INDEPENDENT FILM
All of Us Strangers – Producers: Graham Broadbent, Pete Czernin, and Sarah Harvey
Anatomy of a Fall – Producers: Marie-Ange Luciani and David Thion
The Iron Claw – Producers: Sean Durkin, Tessa Ross, Angus Lamont, Derrin Schlesinger, and Juliette Howell
Past Lives – Producers: Christine Vachon, Pamela Koffler, and David Hinojosa
The Zone of Interest – Producers: James Wilson and Ewa Puszczyńska

BEST STUDIO FILM
Barbie – Producers: David Heyman, Margot Robbie, Tom Ackerley, and Robbie Brenner
The Holdovers – Producers: Mark Johnson, Bill Block, and David Hemingson
Oppenheimer – Producers: Christopher Nolan, Charles Roven, and Emma Thomas
Poor Things – Producers: Yorgos Lanthimos, Emma Stone, Andrew Lowe, and Ed Guiney
Spider-Man: Across the Spider-Verse – Producers: Phil Lord, Chris Miller, Avi Arad, Amy Pascal, and Christina Steinberg

BEST FOREIGN FILM
Anatomy of a Fall – Producers: Marie-Ange Luciani and David Thion
The Boy and the Heron – Producer: Toshio Suzuki
Godzilla Minus One – Producers: Kenji Yamada, Kazuaki Kishida, Minami Ichikawa, and Keiichiro Moriya
When Evil Lurks – Producers: Roxanna Ramos and Fernando Diaz
The Zone of Interest – Producers: James Wilson and Ewa Puszczyńska

BEST DOCUMENTARY
American Symphony – Producers: Matthew Heineman, Lauren Domino, and Joedan Okun
The Disappearance of Shere Hite – Producers: R.J. Cutler, Kimberly Ferdinando, Nicole Newnham, Molly O’Brien, Elise Pearlstein, and Trevor Smith
Silver Dollar Road – Producers: Raoul Peck, Blair Foster, Rémi Grellety, and Hebert Peck
Still: A Michael J. Fox Movie – Producers: Davis Guggenheim, Annetta Marion, Jonathan King, and Will Cohen
20 Days in Mariupol – Producers: Raney Aronson-Rath, Mstyslav Chernov, Derl McCrudden, and Michelle Mizner

BEST ANIMATED FILM
The Boy and the Heron – Producer: Toshio Suzuki
Elemental – Producer: Denise Ream
Nimona – Producers: Karen Ryan, Julie Zackary, and Roy Lee
Spider-Man: Across the Spider-Verse – Producers: Phil Lord, Chris Miller, Avi Arad, Amy Pascal, and Christina Steinberg
Teenage Mutant Ninja Turtles: Mutant Mayhem – Producers: Seth Rogen, Evan Goldberg, and James Weaver

BEST DIRECTOR
Greta Gerwig – Barbie
Alexander Payne – The Holdovers
Bradley Cooper – Maestro
Christopher Nolan – Oppenheimer
Celine Song – Past Lives

BEST ORIGINAL SCREENPLAY
Anatomy of a Fall – Justine Triet and Arthur Harari
Barbie – Greta Gerwig and Noah Baumbach
The Holdovers – David Hemingson
The Iron Claw – Sean Durkin
Past Lives – Celine Song

BEST ADAPTED SCREENPLAY
American Fiction – Cord Jefferson
Are You There God? It’s Me, Margaret. – Kelly Fremon Craig
Killers of the Flower Moon – Eric Roth and Martin Scorsese
Oppenheimer – Christopher Nolan
Poor Things – Tony McNamara

BEST ACTOR
Jeffrey Wright – American Fiction
Paul Giamatti – The Holdovers
Bradley Cooper – Maestro
Cillian Murphy – Oppenheimer
Teo Yoo – Past Lives

BEST ACTRESS
Sandra Hüller – Anatomy of a Fall
Lily Gladstone – Killers of the Flower Moon
Carey Mulligan – Maestro
Greta Lee – Past Lives
Emma Stone – Poor Things

BEST SUPPORTING ACTOR
Ryan Gosling – Barbie
Glenn Howerton – BlackBerry
Dominic Sessa – The Holdovers
Charles Melton – May December
Robert Downey Jr. – Oppenheimer

BEST SUPPORTING ACTRESS
Rachel McAdams – Are You There God? It’s Me, Margaret.
America Ferrera – Barbie
Da’Vine Joy Randolph – The Holdovers
Julianne Moore – May December
Emily Blunt – Oppenheimer

BEST ENSEMBLE
American Fiction – Casting director: Jennifer Euston
Asteroid City – Casting director: Douglas Aibel
The Holdovers – Casting director: Susan Shopmaker
Oppenheimer – Casting director: John Papsidera
Poor Things – Casting director: Dixie Chassey

BEST CINEMATOGRAPHY
Barbie – Rodrigo Prieto
Killers of the Flower Moon – Rodrigo Prieto
Oppenheimer – Hoyte van Hoytema
Poor Things – Robbie Ryan
The Zone of Interest – Łukasz Żal

BEST PRODUCTION DESIGN
Barbie – Susan Greenwood and Katie Spencer
The Color Purple – Paul Denham Austerberry and Larry Dias
Killers of the Flower Moon – Jack Fisk
Oppenheimer – Ruth De Jong
Poor Things – Shona Heath and James Price

BEST COSTUMES
Barbie – Jacqueline Durran
The Color Purple – Francine Jamison-Tanchuck
Killers of the Flower Moon – Jacqueline West
Poor Things – Holly Waddington
Priscilla – Stacey Battat
Wonka – Lindy Hemming

BEST MAKEUP
Barbie – Ivana Primorac
The Iron Claw – Natalie Shea Rose and Elle Favorule
Maestro – Kazu Hiro, Sian Grigg, Kay Georgiou, Lori McCoy-Bell
Poor Things – Nadia Stacey, Mark Couler, and Josh Weston
Priscilla – Jo-Ann MacNeil and Cliona Furey

BEST EDITING
The Holdovers – Kevin Tent
The Iron Claw – Matthew Hannam
Oppenheimer – Jennifer Lame
Poor Things – Yorgos Mavropsaridis
Spider-Man: Across the Spider-Verse – Michael Andrews

BEST ORIGINAL SCORE
Barbie – Mark Ronson and Andrew Wyatt
The Boy and the Heron – Joe Hisaishi
Killers of the Flower Moon – Robbie Robertson
Oppenheimer – Ludwig Göransson
Spider-Man: Across the Spider-Verse – Daniel Pemberton

BEST ORIGINAL SONG
“I’m Just Ken” – Barbie – Written by Mark Ronson and Andrew Wyatt
“What Was I Made For?” – Barbie – Written by Billie Eilish O’Connell and Finneas O’Connell
“Keep It Movin’” – The Color Purple – Written by Halle Bailey, Denisia Andrews, Brittany Coney, and Morten Ristorp
“Peaches” – The Super Mario Bros. Movie – Written by Jack Black, Aaron Horvath, and Michael Jelenic
“A World of Your Own” – Wonka – Written by Neil Hannon, Simon Faraby, and Paul King

BEST VISUAL EFFECTS
The Creator – Jay Cooper, Ian Comley, Andrew Roberts, and Neil Corbould
Godzilla Minus One – Kiyoko Shibuya and Takashi Yamazaki
Guardians of the Galaxy Vol. 3 – Stephane Ceretti, Alexis Wajsbrot, Guy Williams, and Dan Sudick
Oppenheimer – Andrew Jackson, Giacomo Mineo, Scott Fisher, and Dave Drzewiecki
Poor Things – Simon Hughes

BEST STUNTS
The Iron Claw – Hiro Koda and Chavo Guerrero Jr.
John Wick: Chapter 4 – Stephen Dunleavy, Scott Rogers, and Jeremy Marinas
Mission: Impossible – Dead Reckoning Part One – Wade Eastwood and Rudolf Vrba
Polite Society – Crispin Layfield and Rob Lock
Sisu – Oula Kitti

BREAKOUT ARTIST
Charles Melton
Dominic Sessa
Cailee Spaeny
Celine Song
Sophie Wilde

SIGHT UNSEEN AWARD
Helen Mirren – Barbie
Bradley Cooper – Guardians of the Galaxy Vol. 3
Oscar Isaac – Spider-Man: Across the Spider-Verse
Hailee Steinfeld – Spider-Man: Across the Spider-Verse
Jack Black – The Super Mario Bros. Movie

IMPACT AWARD
Local award given to individuals who have made a positive impact on Chicago cinema
Rebecca Fons – Gene Siskel Film Center
Dann Gire and Raymond Benson – “Dan and Raymond Movie Club”
Morgan Harris – Acacia Media Group
Katie Rife, Will Morris, and Ryan Oestreich – Music Box Theatre programming
Dennis Scott – Music Box Theatre organist

4 Shots From 4 Films: Special Radley Metzger Edition


4 (or more) Shots From 4 (or more) Films is just what it says it is, 4 (or more) shots from 4 (or more) of our favorite films. As opposed to the reviews and recaps that we usually post, 4 (or more) Shots From 4 (or more) Films lets the visuals do the talking.

95 years ago today, Radley Metzger was born in New York, New York.  After serving as a photographer in the U.S. Air Force, Metzger went into film distribution.  He brought European “art” films to the United States and booked them in various grindhouse theaters.  Like so many film distributors and producers, Metzger eventually realized that he could make a lot more many by making his own films.  In the late 60s and the early 70s, Metzger was one of the pioneers of what would eventually become known as “porno chic.” He directed adult films that were distinguished by their strong sense of composition, intelligent storylines, and their sense of characterization.

Unfortunately, Metzger’s films were a bit too arty for the adult crowd and too explicit for the mainstream critics. Still, over the years, Metzger’s work has been rediscovered and appreciated by open-minded film lovers and by people like me who just happen to like artistically-minded decadence.

Today, we honor Radley Metzger with….

4 Shots From 4 Radley Metzger Films

Carmen, Baby (1967, dir by Radley Metzger, DP: Hans Jura)

Camille 2000 (1969, dir by Radley Metzger, DP: Ennio Guarnieri)

The Lickerish Quartet (1970, dir by Radley Metzger. DP: Hans Jura)

Little Mother (1973, dir by Radley Metzger, DP: Hans Jura)

Music Video of the Day: Can’t Get Enough by Jennifer Lopez (2024, dir by Dave Meyers)


Today’s music video of the day is the latest from Jennifer Lopez.  Supposedly, this video was inspired by her wedding to Ben Affleck and her previous marriages.  I like the idea of getting married in the rain.  Rain makes everything better.  Also, even if a bouquet is cursed, you should make every effort to catch it.  Curses are temporary but celebrity bouquets are forever.

The divorce better get a music video of its own.

Enjoy!