Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sundays, I will be reviewing the made-for-television movies that used to be a primetime mainstay.  Today’s film is 1971’s Thief!  It  can be viewed on Tubi and YouTube.

Neal Wilkinson (Richard Crenna) would appear to be living a great life.  He has a nice house in the suburbs.  He has a beautiful girlfriend named Jean Melville (Angie Dickinson).  As he heads into middle-age, he is still fit and handsome and charming.  He dresses well, or at least well by the standards of the early 70s.  (By the standards of today, a few of his ties are a bit too wide.)  Everyone believes that Neal has a nice and comfortable job as an insurance agent.

Of course, the truth is far different.

Neal is a veteran con man and a thief.  He’s just recently been released from prison and his deceptively friendly parole officer (played by the great character actor, Michael Lerner) is convinced that Neal will screw up again eventually.  And, of course, Neal has screwed up.  A gambling addict, he is $30,000 in debt.  Can Neal steal enough jewelry from enough suburban homes to pay off his debt?  Can a man like Neal change his ways?

This is a surprisingly somber made-for-TV movie.  Just from the plot description and the film’s first few minutes, you might expect Thief to be a light-hearted caper film in which Neal and Jean work together to pull off one last heist so that Neal can retire.  Instead, Neal spends almost the entire film lying to Jean and there’s hardly a light moment to be found.  Neal says that he wants to retire from his life of crime but, as the film makes clear, that’s a lie that he’s telling himself.  Neal cannot stop stealing and gambling because he’s as much of an addict as the wild-haired junkie (Michael C. Gwynne) who briefly confronts Neal at the parole office.  At one point, Jean tells Neal, “The more I know you, the less I know you,” but the truth of the matter is that Neal is so deep in denial about the futility of his life that he doesn’t even know himself.

It’s not a particularly happy film.  Richard Crenna is ideally cast as Neal, playing him with enough charm that the viewer can buy that he could talk his way out of being caught in a stranger’s backyard but with also with vulnerability that the viewer can see his fate, even if he can’t.  Thief also provides a rare opportunity to see Cameron Mitchell playing a sympathetic role.  Mitchell is cast as Neal’s attorney, who continually tries to get Neal to stop messing up but who ultimately knows that his attempts to reform Neal are just as futile as Neal’s attempts to go straight.

The movie ends on a surprisingly fatalistic note, one that suggests that there’s only one way to truly escape from a life of crime.  I can only imagine how viewers responded in 1971, when they turned on their television and found themselves watching not a light-hearted caper film but instead a bleak examination of criminal ennui.  It’s not a happy film but it is more than worth watching for Richard Crenna’s lead performance.