Late Night Retro Television Reviews: Check It Out 1.5 “Everyone’s A Winner”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing the Canadian sitcom, Check it Out, which ran in syndication from 1985 to 1988.  The entire show is currently streaming on Tubi!

This week, Bingo turns dangerous!

Episode 1.5 “Everyone’s A Winner”

(Dir by Gary Plaxton, originally aired on October 30th, 1985)

Jack Christian, the assistant manager of Cobb’s, has been assigned to oversee the store’s bingo promotion!  He has handed out over 3,000 bingo cards to all of Cobb’s customers.  Each day, a new number is drawn.  The first person to get a bingo will win a free trip to …. GREECE!

Really, Greece?  That seems kind of random, especially for a grocery store contest.  It seems like it would be easier to just give the winner a discount or even a basket of free groceries.  But no, the contest is for a free trip to Greece and everyone in Toronto is excited about it.  However, when Murray the Stockboy takes a look at the bingo cards, he notices what everyone else has missed.  All of the cards are identical.  Apparently, in order to save some money, Christian gave the printing job not to the usual company that Cobb’s uses but instead to his cousin Lenny.  And now, once the number 35 is called, 3,000 people will be demanding a free trip to Greece.

Well, that could be a problem.

Another problem is that, when two blind men shop in the store at the same time, the leashes of their service animals get tangled.  Security guard Alf untangles the leashes but he gives the wrong dog to each man.  The men don’t notice because they’re blind.  That said, one of the dogs is considerably larger than the other and that really does seem like something that one should be able to sense, even without eyesight.  The dogs lead each man to the wrong home.  One man is injured when he falls in a pool.  The other man has sex with first man’s wife three times.  Now, both men want to sue Cobb’s!  Howard’s genius solution is to give both men a shopping cart and telling them to fill it up for free.  However, the two men’s dogs end up running through the store, knocking over the bingo machine, and causing the bingo balls to scatter all over the place.

Yay!  For some reason, that means the bingo promotion is canceled and everyone totally accepts it because Canadians are nice people.  Seriously, if they tried that in the States, the store would have burned to the ground….

Actually, one of the more interesting things about Check It Out! is that the show never specifically says that it’s taking place in Canada, even though it obviously is.  Almost every member of the cast has a Canadian accent.  All of the measurements make use of the metric system.  And yet the show itself will often toss in random references to places and people in the U.S.  For instance, Edna has a sister who lives in Florida.  In this episode, Howard makes a reference to Ronald Reagan’s economic policies.  One gets the feeling that the show’s producers hoped to fool Americans watching in syndication into thinking that this very Canadian show was actually taking place in the U.S.  It reminds me a bit of how Italian actors and directors would often be credited with stereotypically “American” name in order to hide the fact that a film was an Italian production.

As for this week’s episode, Jeff Pustil’s portrayal of Christian’s growing desperation was amusing.  Most of the episode’s jokes, however, fell flat.  I’ve noticed that this show repeatedly uses the same joke structure.  Someone will say something outrageous and then Howard will repeat it in a slightly shrill tone.  It gets old after the 10tth times it happens.  Admittedly, hhere was some potential to the story.  (Check out The Office’s “Golden Ticket” episode for an example of this type of story done effectively.)  But having everything resolved via a random case of Dues Ex Machina just felt like laziness on the part of the writers.

I guess the lesson here is that you’ll have to pay your own way to Greece.

Lisa Marie’s Week In Television: 10/29/23 — 11/4/23


Well, Horrorthon is over and I’m trying to get caught up on all the shows that I have waiting for me on the DVR and on all the streaming services.  It’ll probably take a while for me to watch all of it but that’s okay.  I always enjoy a good excuse to just sit on the couch for a few hours.

Here’s a few notes on what I watched this week!

The Amazing Race (Wednesday Night, CBS)

I can’t wait to get caught up on the latest season of The Amazing Race!  I watched the latest episode on Wednesday and I’m glad that the team that got U-turned still managed to survive and make it to the pit stop in time.  I’ve never been a fan of the U-turn and I always lose a little respect for  teams that choose to use it.  Of course, this season, it appears that the teams have not been given the option of opting out.

Big Brother 25 (24/7, CBS and Paramount Plus)

Yay!  This season is nearly over.  Seriously, this is one of the all-time worst seasons of a show that really has never been that good to begin with.  I’ve been writing about Big Brother over at the Reality TV Chat Blog!

Check It Out (Tubi)

I watched the 5th episode of this Canadian sitcom earlier today.  Unless I get too tired to write it up, my review should drop in a few more hours.

Dirty Pair Flash (YouTube)

I watched another episode of this anime on Friday night.  I couldn’t really follow the plot but everyone had really neat hair and a lot of stuff blew up.  It was stylish and fun in its own incoherent way.

Dr. Phil (YouTube)

I used several episodes of Dr. Phil as background noise this week.  I quickly got used to the sound of him yelling about being trained in forensics.

Friday the 13th (YouTube)

I wrote about Friday the 13th here!

Get Gotti (Netflix)

Get Gotti is a three-episode crime docudrama about the efforts to put mobster John Gotti in jail.  It’s a story that I’ve heard before but John Gotti was an intriguing figure and the docuseries did a good job of contrasting Gotti’s flamboyant charisma with the somewhat more low-key people who spent years trying to put him in prison.  New York in the 80s will always be a fascinating topic.

Gun (Tubi)

I wrote about Gun here!

Highway to Heaven (Tubi)

I wrote about Highway to Heaven here!

Jennifer Slept Here (YouTube)

Here, I wrote about Jennifer Slept Here!

The Love Boat (Paramount Plus)

I wrote about The Love Boat here!

Monsters (Tubi)

I wrote about Monsters here!

Nightmare Café (YouTube)

I wrote about the next-to-final episode of this series here!

Survivor (Wednesday Night, CBS)

I wrote about Survivor here!

T and T (Tubi)

I wrote about T and T here!

Welcome Back, Kotter (Tubi)

I wrote about Welcome Back, Kotter here!

Yes, Prime Minister (PBS, Monday Morning)

The second season started with Sir Humphrey getting rid of a troublesome cabinet secretary by tricking Jim into thinking the secretary was planning to launch a leadership challenge.  What’s funny is that the secretary was viewed as being a threat because of his radical employment policies but, once he had been manipulated it resigning, Jim decided to continue the secretary’s plan and just take credit for it himself.  No one won but it was very funny.

Film Review: You Are So Not Invited To My Bat Mitzvah (dir by Sammi Cohen)


You Are So Not Invite To My Bat Mitzvah is a well-acted, well-written, and sweet-natured coming-of-age film, featuring Sunny Sandler as Stacey Friedman, a Hebrew school student who is eagerly looking forward to both her Bat Mitzvah and the party after while also dreading the prospect of that party being ruined by her well-meaning but kind of embarrassing parents (Adam Sandler and Idina Menzel).

Stacey believes that the party, the first major event of her adulthood, will determine the rest of her life and therefore, it’s important that it be a huge party with a wonderful entrance video and at least one celebrity guest.  Her older sister (a wonderfully deadpan Sadie Sandler) tells her not to get her hopes up.  Her father tells her to stop obsessing on her party and concentrate on what it means to be Jewish.  Stacey can only watch in horror as her parents invite their dry cleaner to the ceremony and her mother insists on buying her a dress that Stacy says makes her look like the woman who takes sick kids out of the classroom.

Still, Stacey knows that no matter what happens, she’ll always have her BFF, Lydia Rodriguez Katz (Samantha Lorraine), at her side.  Except that, in the weeks leading up to her Bat Mitzvah, Stacey discovers that Lydia is dating Andy Goldfarb (Dylan Hoffman), the inarticulate soccer player that Stacey has had a crush on for years.  Of course, as Lydia points out, every girl at the school has had a crush on Andy for years.  In a moment of anger, Stacey announces, “You are so not invited to my bat mitzvah!”

As I said, it’s a sweet and very sincere movie, one that celebrates friendship and family.  It’s not particularly shocking that Andy turns out to be a middle school jerk but everyone’s had a crush like Andy Goldfarb and, if they’re lucky, everyone had had friends like Stacey and Lydia.  In the end, the message here is that friendship is more important than some boy who can barely speak in complete sentences and that being adult means thinking about more than just your own concerns.  It’s a good message.  This film acknowledges its debt to John Hughes by having Stacey’s father take her to a festival of Hughes’s film and, like the best of those films, You Are So Not Invited To My Bat Mitzvah is a teen comedy with heart.

Also, like the best of John Hughes’s films, it’s full of memorable characters.  It’s tempting to roll your eyes when you see just how many people involved in this film are named Sandler but everyone gives such a good performance that you quickly forget about any charges of nepotism.  We all know that Adam Sandler has made a lot of bad films over the years but he seems to finally be at a point in his career where he’s no longer embarrassed by the fact that he can actually be a good actor.  Sunny Sandler is likable and relatable as Stacey and easily carries the film’s emotional moments while Sadie Sandler’s deadpan delivery is one of the movie’s highlights.  Idina Menzel, who also played Adam Sandler’s wife in the far different Uncut Gems, is perfectly cast as Stacey’s overbearing but loving mother and Sandler’s real-life wife, Jackie Sandler, is well-cast as Lydia’s mother.  Samantha Lorraine makes both her friendship with and her anger at Stacey feel real and poignant.  Sarah Sherman is great as the quirky but ultimately quite wise rabbi.  Even Luis Guzman shows up and is responsible for some of the film’s funniest moments.

If I had seen this film two months ago, I probably would have said that it was a simply a well-made and very likable coming-of-age film.  Seeing it today, at a time when Jews are being told not to enter certain neighborhoods and to hide any external signs of their religion and their cultural background, You Are So Not Invited To My Bat Mitzvah feels very relevant.  At a time when anti-Semitism is being mainstreamed and posters of abducted Jewish children are being ripped off walls and people are openly chanting the most vile of words, You Are So Not Invited To My Bat Mitzvah feels almost defiant.  It is a film about people who proudly and unapologetically Jewish and, when Stacey reads from the Torah at her Bat Mitzvah, it’s not just the prelude to a party or a chance for her to realize that her friendships are more important than the Andy Goldfarbs of the world.  It’s a religious ceremony, it’s a cultural tradition, and it’s a proud and triumphant declaration of identity, one that defies all of the hateful bigots.  In these troubled times, You Are So Not Invited To My Bat Mitzvah is a film that takes on an entirely new importance.

Retro Television Reviews: Welcome Back, Kotter 2.18 “Whatever Happened To Arnold? Part One”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing Welcome Back Kotter, which ran on ABC  from 1975 to 1979.  The entire show is currently streaming on Tubi!

This week, we have the start of a two-part story!

Episode 2.18 “Whatever Happened to Arnold? Part One”

(Dir by Bob LaHendro, originally aired on February 3rd, 1977)

At the apartment, Gabe tells Julie about his uncle who was a skin diver.  His name was Mike Nelson Kotter.  One day, Mike was shocked to see a guy go down 40 feet without equipment.  When Mike demanded to know what the guy was doing, the guy replied, “You jerk!  I’m drowning!”

At school, Epstein amuses the Sweathogs by doing his Mr. Kotter impersonation.

Gabe walks in on Epstein’s routine but he’s not upset because it actually gives him the perfect excuse to tell the Sweathogs about the school drama festival.  He needs some volunteers to appear in one scene from a play, which Gabe will direct.

“Acting is stupid,” Barbarino says, “Pretending to be somebody else.”

Horshack disagrees and shows off his acting skills by falling to his knees and declaring his love for Freddie.  Freddie proceeds to do his Harry Belafonte impersonation which leads to Barbarino ripping his t-shirt and shouting, “Stella!” before Gabe then does his Vito Corleone impersonation and compliments Barbarino’s Marlon Brando.

“I was doing John Wayne,” Barbarino replies.

Realizing that Horshack actually is serious about wanting to act, Gabe offers to direct Horshack in a scene from Cyrano de Bergerac.  Of course, Horshack’s co-star will be Judy Borden (Helaine Lembeck), who goes to Mr. Woodman to complain about having to work with a Sweathog, though she should be used to it by now as she ends up having to work with them every time that she appears on the show.  Woodman tells Judy to do what he does and imagine that she’s a missionary and the Sweathogs are a bunch of cannibals preparing to eat her.

“Throw me into the pot!  THROW ME INTO THE POT!” Woodman starts yelling.

Later, when Woodman sees Horshack in costume and carrying a sword, Woodman shouts that Kotter is “arming the Sweathogs!” before adding, “Call out the national guard!”  Poor old Woodman.

Unfortunately, Gabe’s attempts to hold rehearsal are interrupted by Barbarino, Freddie, and Epstein, who all show up and proceed to heckle Horshack and Judy.  First Judy storms off.  That’s to be expected because that’s what Judy always does.  But then Horshack gets angry, yells that he’s trying to do something good for all the Sweathogs, and storms off the stage.

The next day, there has still been no sign of Horshack.  Freddie, Epstein, and Barbarino tell Gabe that they broke into Horshack’s house but didn’t see any sign of him or his family.  With Horshack missing, that means someone is going to have to put on the fake noise and play Cyrano in his place.

“Stella!” Barbarino shouts.

Anyway, the day of the drama festival comes and Barbarino …. well, he’s not a very good Cyrano.  He forgets his lines.  He talks back to the audience.  He and Judy argue in the middle of the scene.  He dances while delivering the few lines that he does remember.  He ends the scene by falling to his knees and screaming, “Stella!”  But it doesn’t matter because he’s a young John Travolta and he’s absolutely adorable with his fake nose.  The audiences loves him but Barbarino says that the moment feels hollow because this should have been Arnold’s moment.

“Where could he be?” Freddie asks.

“I don’t know,” Gabe says, “but I think the problem is something more serious than this play.  But what?”

And, on that rather ominous note, this episode ends.  Fear not, we’ll learn what happened to Horshack in the next episode.  For now, let’s just remember that John Travolta did a very convincing Brando and a very amusing Cyrano.  The entire cast of this show did a good job (and I especially enjoy John Sylvester White’s weekly descent into insanity) but episodes like this remind us of why John Travolta is the one who went on to become the biggest star.

Live Tweet Alert: Watch American Gothic with #ScarySocial


 

As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, for #ScarySocial, Deanna Dawn will be hosting 1988’s American Gothic!

If you want to join us on Saturday night, just hop onto twitter, start the film at 9 pm et, and use the #ScarySocial hashtag!  The film is available on Prime.  I’ll probably be there and I imagine some other members of the TSL Crew will be there as well.  It’s a friendly group and welcoming of newcomers so don’t be shy.

Music Video of the Day: Money For Nothing/Beverly Hillbillies by Weird Al Yankovic (1989, directed by Jay Levey)


On Friday night, myself, Lisa, Leonard, and several other people all watched UHF, the ahead-of-its-time comedy starring Weird Al Yankovic.  One of the highlights of the movie was this music video, which combined Dire Straits’s Money For Nothing with the Beverly Hillbillies.

The video’s animation was done by David Silverman, who would go on to work on The Simpsons.  Mark Knopfler and Guy Fletcher, both of Dire Straits, both performed on the song.  Knopfler later said was that his one condition for allowing the parody was that he and Fletcher be allowed to play on it.

According to Yankovic, the song’s strange title was due to the demands of the lawyers.  He prefers to call the song “Beverly Hillbillies For Nothing.”

Enjoy!