Scenes That I Love: Malone First Meets Ness In The Untouchable


In honor of what would have been Sean Connery’s 93rd birthday, today’s scene that I love comes from the film for which Connery won an Oscar, 1987’s The Untouchables. 

In this scene, Kevin Costner’s Eliot Ness first meets Sean Connery’s Jim Malone.

Live Tweet Alert: Join #FridayNightFlix for My Man Godfrey!


As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on Twitter and Mastodon.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, at 10 pm et, #FridayNightFlix has got my favorite screwball comedy, 1936’s My Man Godfrey!

 

If you want to join us this Friday, just hop onto twitter, start the movie at 10 pm et, and use the #FridayNightFlix hashtag!  It’s a friendly group and welcoming of newcomers so don’t be shy.

My Man Godfrey is available on Prime and YouTube!  See you there!

Here’s The Trailer For FOE!


Paul Mescal and Saoirse Ronan will be co-starring Amazon’s FOE, which will be released to theaters in October 6th.  The advertising is already making references to “visionary director” Garth Davis.  Did people learn their lesson about tossing around words like “visionary” with Malcolm & Marie?

Anyway, here’s the trailer!

Retro Television Reviews: City Guys 5.25 “And Then There Were None” and 5.26 “Al’s In Toyland”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing City Guys, which ran on NBC from 1997 to 2001.  Almost the entire show is currently streaming on YouTube!

This week, City Guys finally comes to an end.

Episode 5.25 “And Then There Were None”

(Dir by Frank Bonner, originally aired on December 8th, 2001)

Having graduated from Manny High, the gang (and Ms. Noble!) gather together at the Manhattan Diner so that they can remember all of the adventures they had over the past five years of high school.  I can understand a group of high school friends wanting to get together for one last time before going to college but what is the principal doing there?  I mean, Ms. Noble has retired.  Why isn’t she hanging out with her husband?  Why isn’t she in the Hamptons?  WHY IS SHE STILL HANGING OUT WITH THESE KIDS!?

Anyway, as you may have guessed, this is a clip show.  We get clips of Dawn crusading for the environment during the first season and then a scene of her getting drunk at Chris’s penthouse.  And then we get a clip of that weird time that Ms. Noble tricked L-Train into thinking she couldn’t walk.  We relive a few of the times that Al and L-Train did something stupid.  Cassidy remembers some cringey radio drama that she did with Chris and Jamal and, for some reason, she also remembers Chris’s terrible Austin Powers impersonation.  Finally, Chris and Jamal remember their stupid radio show.  After everyone has left, Chris and Jamal share one final embrace and then Chris leaves Manhattan Diner.  Jamal stands at the booth alone and …. wow, that’s kind of depressing.

In general, I loathe clip shows but I usually make an exception if they are a part of a series finale.  City Guys is a show that I grew tired of reviewing about halfway through the 4th season but the finale actually was kind of touching.  If nothing else, the cast themselves seemed to be genuinely emotional about filming their final scenes together.

However, this effective episode was not the final episode of City Guys to air.  There was one more episode to go….

Episode 5.26 “Al’s In Toyland”

(Dir by Frank Bonner, originally aired on December 15th, 2001)

As I’ve often said while reviewing both City Guys and Hang Time, NBC didn’t really pay much attention to little things like showing episodes in the order in which they were supposed to be seen.  Nowhere is this more evident than with the final episode City Guys, which finds the gang back in high school despite having graduated and left for college in the previous episodes.  This is because Al In Toyland was not meant to be the series finale.  It was meant to air earlier in the season but it was pushed back because of the terrorist attacks on September 11th, 2001.

This episode opens by reminding us that Ms. Noble is a monster as she announces that she has signed Jamal, Chris, L-Train, Dawn, and Cassidy up for the marching band without telling them ahead of time.  She explains that they all need an elective arts credit.  (Cassidy has appeared off-Broadway but somehow doesn’t have an elective arts credit?)  The band, of course, practices on the roof of the school and the gang is horrified to discover how uncool the band kids are.

Why isn’t Al in the band?  It’s because he’s working in advertising!  The president of Snappy Toys has hired Al to do commercials for him because he was impressed by Al’s suggestion that “Snappy Toys Ain’t Just For Kids No more” could be their new slogan.  Somehow, this leads to L-Train starring in a commercial.  I mean, it’s strange enough that a company would put Al in charge of their advertising but why would they hire L-Train to star in their commercial?

Snappy Toys asks Al to develop a campaign for a toy gun known as the Annihilator.  L-Train tells a story about a friend of his who entered a store with a toy gun and got shot by the owner.  Al promises that he’ll develop a non-violent commercial for the gun but his boss says that he wants the commercial to look like the “opening scene of Scream!”

While Al works on his advertising career, Chris, Jamal, Dawn, Cassidy, and L-Train discover that the band kids really know how to party.  In fact, they’re throwing a rave …. on the roof of the school!  It turns out that the band has very high standards and, after a pep rally, they kick Chris, Jamal, Dawn, Cassidy, and L-Train out of the band for just not being cool enough.  I guess they listened to Chris and Jamal’s radio show.

Meanwhile, Al sees his younger sibling playing with the guns and pretending to be dead.  He decides that he can’t work for Snappy Toys.  He quits but his boss assures him that, “a kid like you, who stands up for what he believes in — you have a great future.”

And so ends City Guys!  And, to be honest, Al’s In Toyland wasn’t a terrible episode.  I liked the fact that Al’s boss was not portrayed as being some sort of sleazy, money-crazed villain but instead just as a reasonable businessman making business decisions.  And I even liked the band subplot, if just because it featured all of the main characters being put in their place for once.

What is left to say about City GuysCity Guys was the show that I used to launch Reto Television Reviews.  I’ve been watching and reviewing the show for nearly a year.  At first, I kind of enjoyed the show and then I got kind of annoyed the show and, by the fifth season, I think it was pretty obvious that I was ready to be done with it.  That said, I do feel a little emotional saying goodbye to it.  City Guys was a show that had a few good moments, though it never really escaped the shadow of better Peter Engel-produced shows like California Dreams and Saved By The Bell.

Next week, we’ll be starting a look at a new show on Thursday.  Here’s a preview:

Music Video of the Day: Hells Bells by AC/DC (1980, directed by Eric Dionysius and Eric Mistler)


Widely considered to be one of AC/DC’s best songs, none other than horror author Stephen King has cited the song as a personal favorite.  He even included it on the soundtrack for his directorial debut (and farewell), Maximum Overdrive.

Like most of AC/DC’s videos, the video for Hells Bells keeps things simple by focusing on the band rocking out on stage.

Enjoy!

Retro Television Reviews: The Love Boat 3.3 “The Grass Is Greener/Three Stages of Love/Oldies But Goodies”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

For this week’s cruise, Julie learns that she’s not the only person who can do her job!

Episode 3.3 “The Grass is Greener/Three Stages of Love/Oldies But Goodies”

(Dir by Alan Rafkin, originally aired on September 22nd, 1979)

This week, Julie is super excited when her friend, Tina Philips (Joan Hackett), boards the cruise with her young son, Brian (Adam Rich).  Tina and Julie went to cruise director school together, where they were both taught by none other than Captain Stubing.

(As I’ve mentioned before, there have been a lot of weird continuity issues with establishing just how long anyone had actually known Captain Stubing.  During the first season, everyone was unsure of what to make of Captain Stubing and none of them had any experience sailing with him.  But, in the second season, Stubing was suddenly celebrating his five year anniversary as the ship’s captain.  And, in this episode, Stubing is established as being Julie’s mentor.)

Tina had a crush on Stubing while she was a student and Stubing had a bit of a crush on her as well.  Though Tina could have had a great career as a cruise director, she decided to get married and settle down instead.  Now, with her marriage falling apart, Tina boards the boat and immediately starts giving Stubing and Julie advice.  Julie, meanwhile, takes care of Brian while Tina dances with the captain.  Tina lives Julie’s life and Julie lives the life she could have had if she had stayed in Alaska and gotten married.  It turns out that Julie’s a great substitute mom but Tina is a terrible substitute cruise director.  Her idea of throwing a sock hop is a huge bust and, to be honest, it does seem a bit childish for a luxury cruise.  In the end, Tina returns to being a single mom and Julie returns to being childless and career-driven.  Yay, I guess.

Meanwhile, Nora (Amanda Blake) boards the ship with her daughter, Daphne (Karen Morrow).  Daphne is determined to marry a millionaire but Nora is the one who finds love when she meets the wheelchair-bound Phillip (Barry Sullivan).  Unfortunately, Phillip’s stuffy valet, Perkins (Werner Klemperer), insists that Philip needs to stay in his cabin and watch his blood pressure.  Fear not, though.  Daphne finds a millionaire and the millionaire hires away Perkins so now Phillip and Nora are free to have fun.  Yay!

(Though, really, Phillip should keep an eye on his blood pressure….)

Finally, Mike (Eddie Mekka) and Robin (Lani O’Grady) seems like a perfect couple, except for the fact that Mike is convinced that all relationships go through three stages before ending and he has an annoying habit of saying stuff like, “We’ve just entered stage two!”  Robin gets tired of Mike and his cynicism and eventually, Mike decides to give love a try because …. well, I’m not sure why.  I think it was because the episode was nearly over.

This episode was pleasant but, ultimately, rather forgettable.  Nora and Phillip were a nice couple but Perkins was portrayed in an over-the=top villainous light, especially when one considers that he was just doing the job he was hired to do.  Mike and Robin seemed like they were still destined to break up, even as they left the ship in love.  I did enjoy the scenes in which Tina’s sock hop party turned out to be a bust, just because it seemed like a dumb idea from the minute she mentioned it.  That said, the main message of this episode seemed to be that having a family and career were two mutually exclusive things, which I certainly did not agree with.

Again, this was not necessarily a bad episode.  It was just kind of a bland one.