Retro Television Reviews: The Master 1.11 “Failure to Communicate”


Welcome to Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing The Master, which ran on NBC from January to August of 1984.  The show can be found on Tubi!

This week, we meet Max Keller’s father!

Episode 1.11 “Failure to Communicate”

(Dir by Sidney Hayers, originally aired on May 4th, 1984)

This week’s episode of The Master opens with McAllister (Lee Van Cleef) teaching Max (Tim Van Patten) how to fight even while blindfolded.  McAllister explains that, when one’s sight is taken away, the other senses become even stronger.  Hmmm…. I wonder if this will prove to be relevant to their next adventure?

Having apparently given up on trying to find McAllister’s daughter (not that they ever seemed to be trying that hard to begin with), Max and McAllister head to Los Angeles so that Max can visit his father.  Max’s father, Patrick (Doug McClure), has been estranged from Max ever since the death of Max’s mother and older brother.  However, under McAllister’s guidance, Max has learned the importance of forgiveness.

However, before Max can drop in on his father, he and McAllister have to rescue Kathy Hunter (Ashley Ferrare), who is being chased by three men in a cemetery.  McAllister is impressed when Kathy uses some martial arts skills of her own to fight off the men.  (Kathy explains that she has been in training for six years.)  McAllister takes Kathy home to her father, a wealthy bunker named Jason Hunter (J.D. Cannon).  Max, meanwhile, goes to his father’s law office.

However, Patrick is not at his office.  Instead, Max meets Patrick’s administrative assistant, Laura Crane (Rebecca Holden).  Laura is blind but, as we saw at the start of the program, that just means that all of her other senses are now superhuman.  As soon as she meets Max, she knows that he recently stopped off at a gas station and that he drives a van.  All it takes is for her to touch his face for her to realize that she is Patrick’s son.

Patrick, unfortunately, is not doing too well.  He is now an alcoholic and he’s more likely to be found in the local cocktail lounge than in court.  He’s in danger of losing his license and he’s also struggling financially.  In fact, at the cocktail bar, Patrick is meeting with Straker (Marc Alaimo), one of the men who previously tried to abduct Kathy in the cemetery.  Straker is blackmailing Patrick into helping with Staker’s next attempt to kidnap Kathy.  Of course, when Max arrives at the bar looking for his father, all Hell breaks loose when Max sees the men from the cemetery.  Patrick can only watch as Max and a late-arriving McAllister chase the men out of the bar.

After the bar fight, Max and Patrick have a tense meeting at Patrick’s office.  Max accuses his father of being a bitter drunk.  Patrick says that Max is irresponsible.  Patrick tells Max to get out of his life.  Meanwhile, McAllister escorts Laura back to her apartment.  Okassa (Sho Kosugi) shows up and we get yet another fight, this time between Sho Kosugi and Lee Van Cleef’s very busy stunt double.

The next day, Patrick, Laura, McAllister, and Max all end up at a reception for Kathy.  Patrick spots the three kidnappers at the reception and, having had a change of heart, attempts to lead Kathy outside to safety.  However, this just leads to both Patrick and Kathy being kidnapped.  Straker calls Kathy’s father and demands a $3,000,000 ransom but, fortunately, Laura smelled cemetery dirt on the men who grabbed Kathy so Max and McAllister head back to the cemetery, break into a church, and manage to rescue both Kathy and Patrick!

Yay!  I guess the episode’s over, right?

Nope, not even close.

While Max and McAllister are rescuing Patrick and Kathy, Straker is busy kidnapping Laura.  Straker then calls Kathy’s father and announces that he still expects to get his 3 million or “your lawyer’s secretary gets it!”  Kathy’s father is like, “Why would I pay 3 million dollars for someone who I don’t even know?,” which is kind of a fair question even if it’s not a popular one.  McAllister, however, tells Kathy’s father that it’s important to take care of everyone, even the strangers.

Patrick finally breaks down and admits that he was a part of the plot to kidnap Kathy.  He tells Max and McAllister that the man behind the plot is actually Paul Stillwell (Mark Goddard), who is Jason Hunter’s head of security.  (This seems familiar….)  Patrick also explains that Stillwell is holding Laura prisoner on the Princess Louise, a decommissioned cruise ship that has been turned into a floating restaurant.

Accompanied by Patrick, Max and McAllister go to the ship.  Unfortunately, Okassa pops up out of nowhere and gets into another fight with Lee Van Cleef’s stunt double so it falls to Patrick and Max to rescue Laura.  (Patrick suddenly turns out to have some martial arts skills as well, which is a bit odd considering that Patrick is a middle-aged, overweight, out-of-shape, alcoholic attorney.)  The bad guys try to outsmart Max by turning out all the lights on the boat but Laura is able to use her supersenses to help Max beat up Straker’s men in the dark.  Laura is rescued and the bad guys are sent to prison!

As for Patrick, the Hunter family decides not to press charges because they understand that Patrick was being blackmailed.  Swearing that he’s going to live his life the right way from now on, Patrick pours out his last remaining liquor bottle.  Hooray!

This was one of those episodes that was a bit too busy for its own good.  Rather than have Max and McAllister fight against worthy opponents, this episode just had Max and McAllister continually defeat the same three idiots over and over again and you have to wonder why it never seemed to occur to the bad guys to change their strategy when it came to whole kidnapping thing as opposed to repeating the same thing over and over again.  With all of those kidnappings and rescues, there really wasn’t much time left for the emotional heart of the story, which should have been Max mending his relationship with his father.  Considering how much of this series has focused on Max and McAllister’s family issues, it was a bit anti-climatic that Max’s real father just turned out to be some drunk who was being blackmailed.  At least some of the fight scenes were well-choreographed and Rebecca Holden did a good job as Laura Crane, even if the character herself was occasionally too flawless and perfect to be believed.

Next week, maybe McAllister will finally remember that he’s supposed to be looking for his daughter.  We’ll see!

Here’s The Trailer For The Marvels!


The trailer for The Marvels dropped today.  I got through about 30 seconds of it before I started to get a headache thinking about how insufferable the discourse around this film is going to be.  Comic book films can be fun but, over the past few years, the discourse around them has become unbearable.  Will this film be accused of being too woke or not woke enough?  Probably both because that seems to be the way of the culture right now.

On a personal note, I have to admit that I’m at the point where I’m a bit bored with all of the Marvel films and TV shows.  I was very much invested in the MCU for its first ten years but Endgame just felt like the logical place to end the saga.  Everything after that — with the possible exception of the Spider-Man films — has felt somewhat anti-climatic.  The first ten years of the MCU worked because every film, in one way or another, was clearly a part of a bigger story.  Post-Endgame, it’s hard not to feel like the films are lacking the epic feel that previously excited audiences.

Will The Marvels reverse the MCU’s fortunes?  We’ll find out later this year!  For now, here’s the trailer:

Live Tweet Alert: Join #FridayNightFlix for White Line Fever!


 

As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter and I hope to continue to be until the site finally becomes unusable.  (It’s going to happen eventually so enjoy it while you can!)  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, at 10 pm et, #FridayNightFlix has got 1975’s White Line Fever!  Jan-Michael Vincent is an independent trucker, determined to do things his way!

If you want to join us this Friday, just hop onto twitter, start the movie at 10 pm et, and use the #FridayNightFlix hashtag!  It’s a friendly group and welcoming of newcomers so don’t be shy.

White Line Fever is available on Prime!  See you there!

Music Video of the Day: Both Sides of the Story by Phil Collins (1993, directed by Jim Yukich)


Both Sides of the Story was the lead single from Phil Collins’s fifth solo album.  Collins has said that both the song and the music video were inspired by the 1991 film Grand Canyon, which featured a group of Los Angeles residents (played by Kevin Kline, Steve Martin, Danny Glover, and others) dealing with crime, racism, gangs, and income inequality.

The video was directed by Jim Yukich, who directed almost all of Phil Collins’s videos in the 80s and the 90s.  The video follows the lyrics of the song, going from the poor to the rich to finally a violent confrontation in the streets.  This is Phil Collins in a serious mood.

Enjoy!