Game Review: Locked Door (2022, Cody Gaisser)


(SPOILER WARNING)

You are in a room. A wooden door leads north. That’s the only exit. But, the door is locked!

This is a puzzle that has faced many a player of Interactive Fiction. We’ve all had to deal with the locked room scenario, where you have to find the solution for how to get that door open. You can play guess the verb. You can look for things to examine. You can check your inventory to see if you have something on you that could be used in some clever way to unlock the door.

Or you could just pick up the iron key and see what it does.

To quote the game itself:

Room A
A plain white room. A wooden door leads north.

You can see an iron key here.

Can it be that simple? Why not? One side effect of playing too much interactive fiction is that you reach a point where you assume that every solution has to be complicated. Sometimes, you can just pick up the key.

There is another room, though. Be sure to go in the other room and read what you find.

Keep in mind, this is only the first Locked Door game. There are at least three other adventures, all asking if you can unlock more doors. I’ve been playing the fourth one. I’ll review it as soon as I figure out how to open up the damn door.

Play Locked Door

The New Frontier (1935, directed by Carl Pierson)


In 1889, wagon master Milt Dawson (Sam Flint) rides into a western town. He is planning on meeting his son John, who is also a wagon master. However, when a friend of Milt’s is killed by gambler Ace Holmes (Warner Richardson), Milt announces that he’s going to clean up the town and Ace is the first piece of trash that Milt is going to toss out. Ace responds by having his henchmen shoot Milt in the back.

After Milt’s death, his son finally arrives in town and you know that Ace is going to be in trouble because John Dawson is played by John Wayne! Seeking to avenge his father’s death, John teams up with an outlaw named Kit (Al Bridge) and declares war on Ace and his gang.

This is a typical western programmer, one that would probably be forgotten if not for the presence of John Wayne in an early starring role. This was before Stagecoach so the budget is low and the plot is simple. Even in his early 20s, John Wayne has the natural authority that would later make him a star but it’s still strange for me to see him in any film where he’s playing a young man who still has parents. There are some actors who you can’t picture as ever having been anything less than middle-aged and John Wayne is one of them. While most of the other actors are stiff and awkward, Wayne seems right at home in the dusty streets of The New Frontier. Interestingly, given Wayne’s identification with law-and-order, he plays a character here who has no problem working with outlaws and who understands that sometimes, the law can be unfair.  Ace is the most powerful man in town and John has no choice but team up with those on the outs of what was then considered to be respectability.  Another memorable scene juxtaposes a gun battle with the town’s citizens praying in church, a reminder that innocent people were often caught in the middle of the old west’s grudge matches.  These are interesting themes, though they’re not very deeply explored.  

Though the gunfights are nicely choreographed and shot, the chance to see a pre-stardom John Wayne clean up the old west is the main reason to watch The New Frontier.

Here Are The 2021 Nominations of the Set Decorators Society!


For those struggling to fill out your predictions for Best Production Design on your imaginary Oscar ballot, here are the 2021 nominations of The Set Decorators Society!

The winners will be announced on February 22nd.

BEST ACHIEVEMENT IN DECOR/DESIGN OF A FEATURE FILM – PERIOD
Being the Ricardos
House of Gucci
Licorice Pizza
Nightmare Alley
The Power of the Dog

BEST ACHIEVEMENT IN DECOR/DESIGN OF A FEATURE FILM — FANTASY OR SCIENCE FICTION
Dune
The King’s Man
The Matrix Resurrections
Spider–Man: No Way Home
The Tragedy of Macbeth

BEST ACHIEVEMENT IN DECOR/DESIGN OF A FEATURE FILM — CONTEMPORARY
CODA
Don’t Look Up
The Hand of God
The Lost Daughter
No Time To Die

BEST ACHIEVEMENT IN DECOR/DESIGN OF A FEATURE FILM — MUSICAL OR COMEDY
Cruella
Cyrano
The French Dispatch
tick, tick…BOOM!
West Side Story

The Power of the Dog Wins In Denver!


On Monday, the Denver Film Critics Society named The Power of the Dog as the best film of 2021!  Here are all the winners from Denver:

Best Picture
​Belfast
Drive My Car
Dune
The Power of the Dog
Spider-Man: No Way Home

Best Director
Kenneth Branagh – Belfast
Jane Campion – The Power of the Dog
Joel Coen – The Tragedy Of Macbeth
Ryusuke Hamaguchi – Drive My Car
Denis Villeneuve – Dune

Best Actress
Jessica Chastain – The Eyes Of Tammy Faye
Lady Gaga – House Of Gucci
Alana Haim – Licorice Pizza
Nicole Kidman – Being The Ricardos
Kristen Stewart – Spencer

Best Actor
Nicolas Cage – Pig
Benedict Cumberbatch – The Power of the Dog
Peter Dinklage – Cyrano
Will Smith – King Richard
Denzel Washington – The Tragedy Of Macbeth

Best Supporting Actress
Cate Blanchett – Nightmare Alley
Ariana DeBose – West Side Story
Kirsten Dunst – The Power of the Dog
Aunjanue Ellis – King Richard
Ruth Negga – Passing

Best Supporting Actor
Ben Affleck – The Tender Bar
Ciaran Hinds – Belfast
Troy Kotsur – CODA
J.K. Simmons – Being The Ricardos
Kodi Smit-McPhee – The Power of the Dog

Best Sci-Fi/Horror
Dune
The Green Knight
Last Night In Soho
A Quiet Place Part II
Spider-Man: No Way Home

Best Animated Film
Encanto
Flee
Luca
The Mitchells vs. The Machines
Raya And The Last Dragon

Best Comedy
Barb & Star Go To Vista Del Mar
Don’t Look Up
Free Guy
The French Dispatch
The Suicide Squad

Best Visual FX
Dune
Godzilla vs. Kong
The Green Knight
Shang-Chi And The Legend Of The Ten Rings
Spider-Man: No Way Home

Best Original Screenplay
Zach Baylin – King Richard
Kenneth Branagh – Belfast
Mike Mills – C’mon C’mon
Michael Sarnoski – Pig
Paul Thomas Anderson – Licorice Pizza

Best Adapted Screenplay
Jane Campion – The Power of the Dog
Joel Coen – The Tragedy Of Macbeth
​Ryusuke Hamaguchi – Drive My Car
Sian Heder – CODA
Jon Spaihts, Eric Roth & Denis Villeneuve – Dune

Best Documentary
The First Wave
Flee
Procession
Summer Of Soul
The Velvet Underground

Best Original Song
“Be Alive” – King Richard
“Dos Oruguitas” – Encanto
“Guns Go Bang” – The Harder They Fall
“Just Look Up” – Don’t Look Up
“No Time To Die” – No Time To Die

Best Score
Germaine Franco – Encanto
Jonny Greenwood – The Power of the Dog
Jonny Greenwood – Spencer
Jeymes Samuel – The Harder They Fall
Hans Zimmer – Dune

Best Foreign Language Film
Drive My Car
Flee
A Hero
Petite Maman
The Worst Person In The World

Here Are The 2021 Nominees of the Visual Effects Society


On Tuesday (again, we’re playing catch-up), the Visual Effects Society announced their nominations for the best visual effects work of 2021 and, as you can probably guess, there was a lot of love for Dune and the Marvel films.

The winners will be announced on March 8th!  Here are the nominee:

OUTSTANDING VISUAL EFFECTS IN A PHOTOREAL FEATURE
“Dune”
“Godzilla vs. Kong”
“The Matrix Resurrections”
“No Time To Die”
“Shang-Chi and the Legend of the Ten Rings”
“Spider-Man: No Way Home”

OUTSTANDING SUPPORTING VISUAL EFFECTS IN A PHOTOREAL FEATURE
“Candyman”
“Last Night in Soho”
“Nightmare Alley”
“The Last Duel”
“The Tragedy of Macbeth”

OUTSTANDING VISUAL EFFECTS IN AN ANIMATED FEATURE
“Encanto”
“Luca”
“Raya and the Last Dragon”
“Sing 2”
“The Mitchells vs. The Machines”

OUTSTANDING ANIMATED CHARACTER IN A PHOTOREAL FEATURE
“Finch” – Jeff
“Flora & Ulysses” – Ulysses
“Jungle Cruise” – Aguirre
“Venom: Let There Be Carnage” – Carnage

OUTSTANDING ANIMATED CHARACTER IN AN ANIMATED FEATURE
“Encanto” – Mirabel Madrigal
“Luca” – Luca
“Raya and the Last Dragon” – Tuk Tuk
“The Mitchells vs. The Machines” – Katie Mitchell

OUTSTANDING CREATED ENVIRONMENT IN A PHOTOREAL FEATURE
“Dune” – Arrakeen City
“Jungle Cruise” – Waterfall Canyon
“Spider-Man: No Way Home” – The Mirror Dimension
“The Suicide Squad” – Valle Del Marre

OUTSTANDING CREATED ENVIRONMENT IN AN ANIMATED FEATURE
“Encanto” – Antonio’s Room
“Luca” – Portorosso Piazza
“Raya and the Last Dragon” – Talon
“Sing 2” – Crystal Theater
“Vivo” – Mambo Cabana

OUTSTANDING VIRTUAL CINEMATOGRAPHY IN A CG PROJECT
“Encanto” – “We Don’t Talk about Bruno”
“Godzilla vs. Kong” – Ocean Battle
“Loki” – Lamentis; Race to the Ark
“Raya and the Last Dragon”
“Shang-Chi and the Legend of the Ten Rings”

OUTSTANDING MODEL IN A PHOTOREAL OR ANIMATED PROJECT
“Black Widow” – The Red Room
“Dune” – Royal Ornithopter
“Encanto” – Casita Madrigal
“The Suicide Squad” – Jotunheim

OUTSTANDING EFFECTS SIMULATIONS IN A PHOTOREAL FEATURE
“Dune” – Dunes of Arrakis
“Godzilla vs. Kong” – Ocean Water & Battle Destruction
“Shang-Chi and the Legend of the Ten Rings” – Water, Bubbles & Magic
“The Suicide Squad” – Corto Maltese City Destruction

OUTSTANDING EFFECTS SIMULATIONS IN AN ANIMATED FEATURE
“Encanto”
“Luca”
“Raya and the Last Dragon”
“Sing 2”

OUTSTANDING COMPOSITING and LIGHTING IN A FEATURE
“Black Widow” – Red Room Crashing Back to Earth
“Dune” – Attack on Arrakeen
“Dune” – Hologram and Hunter Seeker
“Shang-Chi and the Legend of the Ten Rings” – Macau City
“Spider-Man: No Way Home” – Liberty Island Battle and Christmas Swing Finale

OUTSTANDING SPECIAL (PRACTICAL) EFFECTS IN A PHOTOREAL PROJECT
“Eternals”
“Jungle Cruise”
“The Matrix Resurrections”
“The Tomorrow War”

The Power of the Dog Wins in Houston!


On Wednesday (yes, I’m playing catch-up), the Houston Film Critics Society became the latest group to name The Power of the Dog as the best film of 2021!

Here all the winners from Houston:

Picture
Belfast
CODA
Don’t Look Up
Dune
King Richard
Licorice Pizza
Parallel Mothers
The Power of the Dog
tick, tick … Boom
The Tragedy of Macbeth

Director
Paul Thomas Anderson – Licorice Pizza
Kenneth Branagh – Belfast
Jane Campion – The Power of the Dog
Guillermo del Toro – Nightmare Alley
Denis Villeneuve – Dune

Actor
Benedict Cumberbatch – The Power of the Dog
Peter Dinklage – Cyrano
Andrew Garfield – tick, tick … Boom
Will Smith – King Richard
Denzel Washington – The Tragedy of Macbeth

Actress
Jessica Chastain – The Eyes of Tammy Faye
Olivia Colman – The Lost Daughter
Penelope Cruz – Parallel Mothers
Alana Haim – Licorice Pizza
Emilia Jones – CODA
Kristen Stewart – Spencer

Supporting Actor
Andrew Garfield – The Eyes of Tammy Faye
Ciarán Hinds – Belfast
Troy Kotsur – CODA
J.K. Simmons – Being the Ricardos
Kodi Smit-McPhee – The Power of the Dog

Supporting Actress
Jessie Buckley – The Lost Daughter
Ariana DeBose – West Side Story
Ann Dowd – Mass
Kirsten Dunst – The Power of the Dog
Aunjanue Ellis – King Richard

Ensemble Cast
Belfast
CODA
Mass
Nightmare Alley
The Power of the Dog

Screenplay
Belfast
CODA
Don’t Look Up
Licorice Pizza
The Power of the Dog

Animated Feature
Encanto
Flee
Luca
Raya and the Last Dragon
The Mitchells vs. the Machines

Cinematography
Dune
Nightmare Alley
The Power of the Dog
The Tragedy of Macbeth
West Side Story

Documentary Feature
Flee
The Rescue
The Sparks Brothers
Summer of Soul
Val

Foreign Language Feature
Drive My Car
Flee
Parallel Mothers
Riders of Justice
The Worst Person in the World

Original Score
Dune
The French Dispatch
The Harder They Fall
The Power of the Dog
Spencer

Original Song
“Dos Oruguitas” – Encanto
“Guns Go Bang” – The Harder They Fall
“Just Look Up” – Don’t Look Up
“No Time to Die” – No Time to Die
“Wherever I Fall – Pt. 1” – Cyrano

Visual Effects
Dune
The Matrix Resurrections
Shang-Chi and the Legend of the Ten Rings

Stunt Coordination
Black Widow
The Matrix Resurrections
No Time to Die
Shang-Chi and the Legend of the Ten Rings
Spider-Man: No Way Home

I Watched The Fan (1996, dir. by Tony Scott)


Yesterday, I told my sister that I wanted to watch a good baseball movie.

“How about The Fan?” she said, “It’s on Starz.”

“Is The Fan really a baseball movie?” I asked.

“It’s got people with baseball bats in it.” she said.

The Fan does have people with baseball bats.  Wesley Snipes is a baseball player who is getting paid a lot of money to swing a bat for the Giants but he’s in a slump because Benicio del Toro won’t let him wear his old number.  Robert de Niro is a Giants fan who uses a baseball bat to beat to death his best friend after de Niro kidnaps Snipes’s son and demands that Snipes play better.  Snipes has to win a game, even though it’s raining and he has terrible stats against the opposing pitcher.  De Niro sneaks on the field as an umpire and makes bad calls on purpose, which proves everything that I’ve ever said about umpires.

The Fan wasn’t bad.  I liked the baseball scenes and I also liked the scenes where de Niro would just start overreacting to anyone saying anything bad about the Giants because everyone knows a fan like that.  (Where I live, most of them are Cowboys fans.)  Whenever de Niro started to go crazy, Nine Inch Nails would play on the soundtrack, which was funny but also too obvious.  There was a lot about the movie that didn’t make any sense.  At the end of the movie, it’s raining so hard that there’s no way the game would have been allowed to continue but I guess once you accept that de Niro could sneak on the field dressed like an umpire, you have to accept that a baseball game would continue in the middle of a flash flood.  But we all know fans like the one played by de Niro.  At the start of the movie, I actually felt bad for him because it was so obvious that baseball was the only thing he had.  He still had all of his pictures from Little League and he wanted his son to be as big a baseball fan as he was because that was the only way that he knows how to relate to other people.  But then he started killing people and giving baseball fans everywhere a bad name.

Josh Hamilton once said that Dallas wasn’t a “real baseball town,” which hurt the feelings of fans like me who had supported him, through all of his struggles, when he was a member of the Rangers.  Whenever Hamilton would return to Arlington to play against the Rangers, everyone in the stands would chant, “Baseball town,” whenever he stepped up to the plate.  I still think it was rude for Hamilton to say what he said but he was right that Dallas doesn’t produce the type of baseball fans who will disguise themselves as umpires and take the field with a knife hidden in their cleats.  Rangers fans aren’t “the crazy fans,” like the ones who Snipes says he can’t stand in The Fan.  I hope that never changes but I also hope the Rangers get it together this upcoming season.  Support the team without kidnapping or killing anyone, that’s the duty of every true fan.  GO RANGERS!

Music Video of the Day: The Motto by Tiesto & Ava Max (2021, dir by Christian Breslauer)


And that is why you don’t drink in an elevator.

Or maybe that’s exactly why you should drink in an elevator.  It all has to do with how eager you are to be transported into another dimension.  I guess we should just be happy that the Overlook fixed those elevators after that incident with all the blood.

I remember, when I was in Rome, my sisters and I spent the night in a very nice hotel and I got stuck, alone, in an elevator at one point.  That definitely freaked me out.  You never know just how claustrophobic you are until you literally find yourself in an enclosed space with no way to get out.  Fortunately, the elevator was only stuck for like 15 minutes but it felt like an hour.  It wouldn’t have been as bad if there had been other people with me in the elevator.  We could have made Die Hard jokes.  But, the important thing is that things eventually worked out and I’ve been to Rome.

Enjoy!

V1
THATS THE MOTTO
THROW IT BACK WITH NO CHASER WITH NO TROUBLE
POPPIN THAT MOET BABY LETS MAKE SOME BUBBLES
PUFFIN’ ON THAT GELATO
WANNA BE SEEING DOUBLE
GOTTA DO WHAT YOU GOT TO

PRE 1
BELIEVE IT
WE AINT GOT NO PLANS TO LEAVE HERE
TELL ALL OF YOUR FRIENDS TO BE HERE
WE AINT GUNNA SLEEP ALL WEEKEND
OH YOU KNOW YOU KNOW YOU KNOW

HOOK
THATS THE MOTTO
DROP A FEW BILLS and POP A FEW CHAMPAGNE BOTTLES
THROWING THAT MONEY LIKE YOU JUST WON THE LOTTO
WE’VE BEEN UP ALL DAMN SUMMER, MAKING THAT BREAD AND BUTTER, TELL ME DID I JUST STUTTER
THATS THE MOTTO

V2
HOPPED IN THE RANGE, CAN’T FEEL MY FACE, THE WINDOWS DOWN
BACK TO MY PLACE MY BIRTHDAY CAKE IS COMING OUT
THE WAY ITS HITTING LIKE I COULD GO ALL NIGHT
DON’T WANT NO BLOODSHOT EYES
SO HOLD MY DRINK LETS FLY

Lisa Marie’s Week in Television: 1/16/22 — 1/22/22


I made a specific decision not watch too much TV this week (and next) so that I could concentrate on getting caught up on the films of 2021.  I made an exception for The Amazing Race, because I write about it for another site.  And, on Thursday, I did turn on the TV because I’ve had a long-standing argument with a friend of mine about whether or not The United States of Al is real show or just a twitter meme.  It turns out that it’s real!

Anyway, here’s a few thoughts on what little I watched.

Allo Allo (Sunday Night, PBS)

In occupied France, the search for the stolen money was replaced by the search for the stolen landmines.  Rene continued to try to run his cafe and cheat on his wife in peace while Michelle and the Resistance continued to insist that, as the bravest man in all of France, Rene had a responsibility to continually put his life in danger.  Along the way, Michelle said, “I shall say this only once,” and Herr Flick and Van Smallhousen disguised themselves as monks.  The comedy on this show is very broad but it’s also very well-acted so I can’t help but laugh.

Crabtree referred to the bombs as being “bongs.”  Again, it made me laugh.

The Amazing Race (Wednesday Night, CBS)

I wrote about the restart of the race here!  I shall miss Anthony and Spencer the most.

B Positive (Thursday Night, CBS)

This is one of Chuck Lorre’s many depressing sitcoms.  Imagine Mom but instead of being a bunch of drunks, all of the characters are terminally ill.  Anyway, I watched this week’s episode just to confirm to myself that this show actually exists.  And it does.  I didn’t pay much attention to the episode, though.  For some reason, what I did see reminded me of those annoying commercials that Kate McKinnon does for Verizon.

Who doesn’t love a comedy about people dying scared and alone?

Football Game: Cowboys vs 49 (Sunday Afternoon, CBS)

My initial reaction to Dallas’s loss went something like this: “Congrats on cheating your way to victory, San Francisco.  Must be great to have the officials on your side.  Well, you guys got the victory but at least my city is a nice place to live so we’ll call it a draw.”

Fortunately, it has since been explained to me what happened during the final minutes of the game and I now understand that the Cowboys lost because they made a lot of sloppy and stupid mistakes.  So, a sincere congrats to the 49ers and to the Cowboys: Stop screwing up!

Full House (Sunday Afternoon, MeTV)

MeTV showed four episodes of Full House as a part of their tribute to Bob Saget.  I watched all four and My God, that was a bad show.  Saget was likable, though.  And I liked both John Stamos and Lori Loughlin and even Candace Cameron did her best to bring some sort of reality to the over-the-top cutesiness of the show.  But everyone else was pretty obnoxious and the dialogue was so painfully sweet that it was impossible to listen to without cringing.  I do have to admit that the audience’s habit of responding to everything by going, “Awwwww!’ did make me smile a little.

Ghosts (Thursday Night, CBS)

Ghosts is about a couple who live in a haunted house with a bunch of quirky ghosts.  Cute concept but it gets old quickly.  Why can’t the scoutmaster ghost take that stupid arrow out of his neck?  This week, one of the ghosts discovered that she had the power to end people to Hell which … eh.  Like I said, it got old quickly.

Open All Hours (Sunday Night, PBS)

Arkwright was obsessed with Nurse Gladys Emmanuel.  Granville was depressed.  I’m pretty sure that Sunday was not the first that I had seen this episode.

The United States of Al (Thursday Night, CBS)

I watched an episode of this show just to see if it actually existed.  Apparently, it’s been on the air for a year or two but I have never met anyone who has actually watched the show.  Earlier this year, there was some twitter excitement over an extremely mawkish commercial for the show’s new season but that was pretty much it.  I always suspected that the commercial was actually some sort of viral prank but I guess I was wrong.

Anyway, this is about a veteran who lives with Al, who was his interpreter in Afghanistan.  It’s a culture clash comedy.  The main theme seems to be that Al is annoying af.  It’s also a Chuck Lorre sitcom so the show actually deals with serious issue in a cartoonish way.  This week’s episode featured Al getting addicted to online poker.  His roommate sprayed him with a garden hose until he snapped out of it.

Yep, this is a real show.

Oh!  And the episode ended with one of those stupid Chuck Lorre title cards for people who want to hit pause and discover what Chuck thinks about the world.  It was something about Liz Cheney.  It was like five or six words long but that proved to be too many for my ADD.  Oh well!