Josh Baker (Eric Roberts) is an extroverted artist for Marvel Comics who meets Cheryl (Janine Turner) while walking around New York City. Josh and Cheryl hit it off but when Cheryl suddenly collapses, she is picked up by a mysterious ambulance. When Josh goes to the hospital to check on her, he is told that Cheryl was never brought in. Soon, Josh discovers that people all over New York have been put into back of the ambulance and have never been seen again. Unfortunately, nobody believes Josh. Not the veteran NYPD detective (James Earl Jones) who Josh approaches with his suspicions. Not the staff of the hospital. Not even Stan Lee! The only people willing to support Josh are an elderly investigative reporter (Red Buttons) and an inexperienced detective (Megan Gallagher).
Yes, Stan Lee does play himself. While he had made a few cameo appearances on television and had previously narrated a French film, The Ambulance was Stan Lee’s first real film role. Josh works at an idealized version of Marvel Comics, where the artists are well-paid, no one is pressured into producing substandard work, and Lee is an avuncular father figure. It is the Marvel Comics that I used to imagine working at when I was growing up, before I found out about what actually happened to artists like Jack Kirby, Joe Simon, and Steve Ditko.
Idealized though it may be, the Marvel connection is appropriate because The Ambulance is essentially a comic book adventure. It does not matter how many times Josh gets hit by a car or falls out of a window, he always recovers in time for the next scene. When Josh does discover who is behind the ambulance, it turns out to be a villain who would not be out-of-place in a Ditko-era Spider-Man story.
The Ambulance is another one of Larry Cohen’s New York horror stories. Like most of Cohen’s films, it is pulpy, cheap, and entertaining. Eric Roberts is as crazy as ever and the movie is full of good character actors like James Earl Jones, Red Buttons, Richard Bright, and Eric Braeden. The Ambulance may be dumb but it is always entertaining.
Pingback: The Eric Roberts Collection: Top Gunner (dir by Daniel Lusko) | Through the Shattered Lens
Pingback: The Eric Roberts Collection: Deadline (dir by Curt Hahn) | Through the Shattered Lens
Pingback: The Eric Roberts Collection: Road to the Open (dir by Cole Claassen) | Through the Shattered Lens
Pingback: March Positivity: This Is Our Time (dir by Lisa Arnold) | Through the Shattered Lens
Pingback: The Eric Roberts Collection: Free Lunch Express (dir by Lenny Britton) | Through the Shattered Lens
Pingback: The Eric Roberts Collection: Joker’s Poltergeist (dir by Christopher S. Lind) | Through the Shattered Lens
Pingback: Retro Television Reviews: Dark Angel (dir by Robert Iscove) | Through the Shattered Lens
Pingback: The Eric Roberts Collection: Amityville Death House (dir by Mark Polonia) | Through the Shattered Lens
Pingback: June Positivity: Worth: The Testimony of Johnny St. James (dir by Jenn Page) | Through the Shattered Lens
Pingback: September Positivity: A Town Called Parable (dir by Scott Hester) | Through the Shattered Lens
Pingback: The Eric Roberts Collection: Enemies Among Us (dir by Dan Garcia) | Through the Shattered Lens
Pingback: October Positivity: Exodus of the Prodigal Son (dir by Andy Rodriguez) | Through the Shattered Lens
Pingback: The Eric Roberts Horror Collection: Dark Image (dir by Chris W. Freeman) | Through the Shattered Lens
Pingback: October Positivity: Prayer Never Fails (dir by Wes Miller) | Through the Shattered Lens
Pingback: The Eric Roberts Horror Collection: Clinton Road (dir by Richard Grieco and Steve Stanulis) | Through the Shattered Lens
Pingback: The Eric Roberts Horror Collection: The Dead Want Women (dir by Charles Band) | Through the Shattered Lens
Pingback: The Eric Roberts Horror Collection: Black Wake (dir by Jeremiah Kipp) | Through the Shattered Lens
Pingback: October Positivity: The Mark (dir by James Chankin) | Through the Shattered Lens
Pingback: October Positivity: The Mark: Redemption (dir by James Chankin) | Through the Shattered Lens
Pingback: The Eric Roberts Horror Collection: Bleach (dir by Michael Edmonds) | Through the Shattered Lens
Pingback: The Eric Roberts Collection: Top Gunner: America vs Russia (dir by Christopher Ray) | Through the Shattered Lens
Pingback: The Eric Roberts Collection: The Savant (dir by Sherri Kauk) | Through the Shattered Lens
Pingback: The Eric Roberts Collection: The Rebels of PT-218 (dir by Nick Lyon) | Through the Shattered Lens
Pingback: The Films of 2024: Scars (dir by Shaun Kosta) | Through the Shattered Lens
Pingback: The Eric Roberts Collection: Wolves of Wall Street (dir by David DeCoteau) | Through the Shattered Lens
Pingback: The Eric Roberts Collection: Enemy Within (dir by Damian Chapa) | Through the Shattered Lens
Pingback: Lifetime Movie Review: The Wrong Life Coach (dir by David DeCoteau) | Through the Shattered Lens
Pingback: The Eric Roberts Collection: Bonnie And Clyde: Justified (dir by David DeCoteau) | Through the Shattered Lens
Pingback: January Positivity: Mercy Streets (dir by Jon Gunn) | Through the Shattered Lens
Pingback: The Films of 2025: When It Rains In LA (dir by David M. Parks) | Through the Shattered Lens
Pingback: The Eric Roberts Collection: The Elevator (dir by Jack Cook and Mukesh Modi) | Through the Shattered Lens
Pingback: Love On The Shattered Lens: Frank and Ava (dir by Michael Oblowitz) | Through the Shattered Lens
Pingback: The Eric Roberts Collection: Amazing Racer (dir by Frank E. Johnson) | Through the Shattered Lens
Pingback: The Eric Roberts Collection: A Talking Cat!?! (dir by David DeCoteau) | Through the Shattered Lens
Pingback: The Eric Roberts Collection: Runaway Train (dir by Andrei Konchalovsky) | Through the Shattered Lens
Pingback: The Eric Roberts Collection: The Reliant (dir by Paul Munger) | Through the Shattered Lens
Pingback: The Eric Roberts Collection: Beyond The Trophy (dir by Daniel J. Gillin) | Through the Shattered Lens
Pingback: The Eric Roberts Collection: Devil’s Knight (dir by Adam Werth) | Through the Shattered Lens
Pingback: The Eric Roberts Collection: Bed & Breakfast (dir by Marcio Garcia) | Through the Shattered Lens
Pingback: The Eric Roberts Collection: Night Night (dir by Niki Koss) | Through the Shattered Lens
Pingback: The Eric Roberts Collection: Las Vegas Story (dir by Byron Q) | Through the Shattered Lens
Pingback: The Eric Roberts Collection: Raptor (dir by Jim Wynorski) | Through the Shattered Lens
Pingback: The Eric Roberts Collection: DC Down (dir by Geoff Meed) | Through the Shattered Lens
Pingback: The Eric Roberts Collection: Deadly Sanctuary (dir by Nancy Criss) | Through the Shattered Lens
Pingback: The Eric Roberts Collection: The Perfect Summer (dir by Gary Wheeler) | Through the Shattered Lens
Pingback: The Eric Roberts Collection: Rough Air: Danger on Flight 534 (dir by Jon Cassar) | Through the Shattered Lens
Pingback: The Eric Roberts Collection: Bad Substitute (dir by Steven Krasner) | Through the Shattered Lens
Pingback: The Eric Roberts Collection: Assault on Wall Street (dir by Uwe Boll) | Through the Shattered Lens
Pingback: Music Video of the Day: We Belong Together (2005, dir by Brett Ratner) | Through the Shattered Lens
Pingback: The Eric Roberts Collection: 69 Parts (dir by Ari Taub) | Through the Shattered Lens
Pingback: The Eric Roberts Collection: Border Blues (dir by Rodion Nahapetov) | Through the Shattered Lens
Pingback: The Eric Roberts Collection: Depth Charge (dir by Terrence O’Hara) | Through the Shattered Lens
Pingback: The Eric Roberts Collection: Best of the Best (dir by Bob Radler) | Through the Shattered Lens
Pingback: The Eric Roberts Collection: Best of the Best II (dir by Bob Radler) | Through the Shattered Lens
Pingback: The Eric Roberts Collection: Strange Frequency (dir by Mary Lambert and Bryan Spicer) | Through the Shattered Lens
Pingback: The Eric Roberts Collection: Megaboa (dir by Mario N. Bonassin) | Through the Shattered Lens
Pingback: The Eric Roberts Collection: Hunting Season (dir by Eduardo Castrillo) | Through the Shattered Lens
Pingback: The Eric Roberts Collection: Bigfoot vs D.B. Cooper (dir by David DeCoteau) | Through the Shattered Lens
Pingback: The Eric Roberts Collection: Doc Holliday’s Revenge (dir by David DeCoteau) | Through the Shattered Lens
Pingback: The Eric Roberts Film: Dawn (dir by Nicholas Ryan) | Through the Shattered Lens
Pingback: The Eric Roberts Collection: The Demonic Dead (dir by Rick Vargas) | Through the Shattered Lens
Pingback: The Eric Roberts Collection: Sink Hole (dir by Scott Wheeler) | Through the Shattered Lens
Pingback: The Eric Roberts Collection: The Chaos Experiment (dir by Philippe Martinez) | Through the Shattered Lens
Pingback: The Eric Roberts Collection: The Rideshare Killer (dir by Ashley Scott Meyers) | Through the Shattered Lens
Pingback: The Eric Roberts Collection: Red Prophecies (dir by Rodney James Hewitt and Christopher Gosch) | Through the Shattered Lens
Pingback: The Eric Roberts Collection: To Heal A Nation (dir by Michael Pressman) | Through the Shattered Lens
Pingback: Retro Television Review: The American Short Story #11: Paul’s Case | Through the Shattered Lens
Pingback: The Eric Roberts Horror Collection: Sorority Slaughterhouse (dir by David DeCoteau) | Through the Shattered Lens
Pingback: October Positivity: Broken Church (dir by Michaux Muanda) | Through the Shattered Lens
Pingback: The Eric Roberts Horror Collection: Insane Like Me? (dir by Chip Joslin) | Through the Shattered Lens
Pingback: The Eric Roberts Horror Collection: 2 Bedroom 1 Bath (dir by Stanley Yung) | Through the Shattered Lens
Pingback: The Eric Roberts Horror Collection: Space Sharks (dir by Dustin Ferguson) | Through the Shattered Lens
Pingback: October True Crime: The Company We Keep (dir by Jeff Edelstein) | Through the Shattered Lens
Pingback: October Positivity: Revelation Road: The Beginning of the End (dir by Gabriel Sabloff) | Through the Shattered Lens
Pingback: October Positivity: Revelation Road 2: The Sea of Glass and Fire (dir by Gabriel Sabloff) | Through the Shattered Lens
Pingback: The Eric Roberts Horror Collection: 616 Wilford Lane (dir by Dante Yore) | Through the Shattered Lens
Pingback: An Eric Roberts Holiday Film Review: So This Is Christmas (dir by Richard Foster) | Through the Shattered Lens
Pingback: An Eric Roberts Holiday Film Review: A Karate Christmas Miracle (dir by Julie Kimmel) | Through the Shattered Lens