Say “I Do” To “Honeymoon”


Ryan C. (fourcolorapocalypse)'s avatarTrash Film Guru

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It’s not every day that you find an unassuming, largely unheralded gem hidden deep in the Netflix horror section, so what the heck — when you do, in fact, stumble across one, it’s probably worth crowing about just a little bit, right? So allow me to introduce you, dear reader, to first-time director Leigh Janiak’s 2014 effort, Honeymoon.

Filmed in rural North Carolina with two British leads (not that you can tell, mind you — their American accents are flawless) for a reported $1 million, this flick is a perfect example of how much you can do with a small cast,  an insular location, a “been there, done that” premise, and what looks to be a rather short filming schedule, as long as you’ve got a director who understands how to build suspense, get great performances from their actors, and keep his or her audience on their proverbial…

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Soda Pop Cops: THE SEVEN-UPS (20th Century Fox 1973)


gary loggins's avatarcracked rear viewer

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Theater screens of the 70’s were awash in blue as the “tough guy cop” film put a chokehold on Hollywood. DIRTY HARRY Callahan took on punks in a series of action flicks, SERPICO took down corruption in New York, and L.A. detective Joseph Wambaugh’s novels were adapted into big (and small) screen features.  Producer Philip D’Antoni helped usher in this modern take on film noir with 1968’s BULLITT starring Steve McQueen, followed by the Oscar-winning THE FRENCH CONNECTION , with Gene Hackman as brutal cop Popeye Doyle.

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D’Antoni decided to direct his next effort, 1973’s THE SEVEN-UPS. CONNECTION costar Roy Scheider gets his first top-billed role as Buddy Manucci, head of an elite “dirty tricks” squad that takes down perps whose felonies will land them seven years and up in jail (hence the title; it has nothing to do with the lemon-lime soda!). Manucci’s childhood pal Vito Lucia (Tony LoBianco) is…

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