Review: Super 8 (dir. by J.J. Abrams)


The 1980’s was a special time in my life. It was another phase in my development in loving film. That decade saw many films starring kids and teens in coming-of-age tales both comedic, thrilling, dramatic and poignant. While there were many filmmakers who delved into this genre it was Steve Spielberg who mined it to great effect culminating in his classic boy-meets-alien film, E.T.: The Extra-Terrestrial. It’s been almost 30 years since the release of that film and now comes a filmmaker who seem to have grown up idolizing and loving Spielberg films of that era. The year is now 2011 and J.J. Abrams is that filmmaker who dared to pay homage to those very same coming-of-age Spielberg films of the 80’s with his very own simply titled Super 8.

From the very moment the film begins there’s a sense of wonderment as we, the audience, meet young kids who become the central characters of Super 8. The film takes place in the early days of 1979 in the town of Lillian, Ohio as Joe Lamb (Joel Courtney) tries to cope with the death of his mother. His friends keep him busy and dwelling on this tragedy through the Super 8 film they’re making in their spare time after school. These early scenes we begin to see the dynamics of the group as Joe acts as the calming influence on the group’s filmmaker, Charles (Riley Griffiths), the neurotic actor in Martin (Gabriel Basso) and the group’s stuntman/special effects tech in Carey (Ryan Lee). They all meet up at an old train depot where they plan to shoot scenes for their Super 8 zombie film. Into this eclectic group of kids comes in Alice (Elle Fanning) to play the wife to Martin’s detective character in their film.

It’s the scenes between the kids which lifts Super 8 from just being a nostalgic film to one that’s charming and magical. These scenes captures the creativity and youthful energy kids have always had no matter the era and place. These kids don’t act like stereotypes of what Hollywood thinks kids in films should act. There’s still little of the cynical teen dialogue that films nowadays give kids to say to make them seem more mature and worldly. There’s a sense of innocence in how these kids interact with each other. Some have called these scenes as being too on-the-nose nostalgic of Spielberg films of the 80’s. What some might call nostalgic I prefer to call as timeless. I still remember myself behaving with my childhood friends the way these kids did in this film

If Super 8 had just been about these group of kids trying to finish their Super 8 zombie film I conjunction with the dysfunction in the two main leads in Joe and Alice’s home life then Abrams film would’ve been the instant classic some have dubbed it. There’s only one problem with this and that’s the last half hour of the film and the scenes leading up to that involving the train derailment and the arrival of the U.S. Air Force to clean things up. The film begins to take on a split personality as these new elements get introduce to what has been a great coming-of-age story.

It’s these new elements and the final half hour which shows Abrams trying to combine a sweet story of kids and their lives growing up in small-town with an otherworldy and conspiracy tale that seem to come out of left field. By the time the final act of Super 8 arrives it becomes a different film altogether and the transition doesn’t work as well as the filmmakers might have hoped it would. Sure, this final reel has the thrills, explosions and danger, but the tonal shift in the story became so jarring that I had wished that Abrams just made two films instead of one. One film being the coming-of-age story and the other a thrilling sci-fi film.

Despite this I still enjoyed the film and I definitely loved the first two-thirds. The performances by Joel Courtney and Elle Fanning as Joe and Alice became the focal point for the story’s emotional foundation. Elle Fanning’s performance as Alice was one of the best things about Super 8. She nails every scene where she has to show extreme ranges of emotions but at the same time not try to oversell them. There’s a scene in the middle of the film where she begins to recount a personal detail as Joe sits behind her listening. Emotions begin to overwhelm her, but as kids moving towards teenhood are wont to do she tries to hold back the tears just waiting to flow freely and the sobs wanting to escapes. I wouldn’t be surprised if this scene alone had more than a couple people in the audience remembering similar events in their lives and just sobbing along with Alice.

Super 8 has been advertised as this mysterious film that may or may not have aliens but does pay homage to Spielberg and kid films of the 80’s. Abrams’ film definitely delivers on the thrills in the end, but it could’ve been so much more if it just stayed on course with just being about the kids and their magical time together making an amateur Super 8 zombie film in 1979. That would’ve been a film that deserved labels of instant classic.

All in all, Super 8 comes across as one of the more entertaining and magical films of the summer of 2011 if not the entire year. Make sure to stick around as the end credits roll to see the fruits of the kids labor titled simply as “The Case”.

The Dallas Mavericks Are The New NBA Champions!


As everyone has either seen or heard by now, the Dallas Mavericks won their first ever championship title last night when they easily defeated the Miami Heat in Game 6 of the NBA finals. 

People are not only excited that the Mavericks won but they’re also excited by how they won.  They came into the finals with everyone predicting that the Heat would easily defeat them.  They came in as underdogs.  But they never let that keep them from giving a 110% and, unlike the Heat, they never stopped playing with five minutes left in the quarter.  The Heat thought they could buy a championship.  The Mavs proved that you have to be willing to play for it.  LeBron James might be bringing home the big bucks but the Mavericks brought home the championship.

Congratulations to the Dallas Mavericks, the new NBA champions! 

Review: Game of Thrones Ep. 09 “Baelor”


My mind is a little bit jumbled as I sit down to review episode 9 of Game of Thrones.  As I’ve always been quick to admit, I’m not sports fan and, to be honest, I find most sporting events to be 1) tedious, 2) confusing, or 3) both.  So, there’s a lot of I don’t understand about the game between the Mavericks and the Heat tonight but I do understand that my city’s team won and YAY! for that.  Right now, there’s a huge party going on in downtown Dallas and, if it were just two years earlier, I would probably be down there, drinking too much, dancing in the middle of the street, flashing my boobs at passing cameras, and basically having a grand old Mardi Gras.

However, I’ve grown up a lot in the past few years and that’s why, instead of partying downtown, I instead observed the Mavs victory by going to the beloved DVR and playing the latest episode of Game of Thrones.

So, if you’re totally unfamiliar with the George R. R. Martin books, tonight’s “twist” was undoubtedly the shock of the television season.  The folks at Entertainment Weekly have already declared it to be so.  Now, if you’ve read the books or, if like me, you’ve only read an outline of them, then you already knew what fate lay in store for Nedd.  Still, I think HBO should be commended for actually going through with it.  It’s one thing to kill off a major character in a work of literature.  It’s another to kill off the star of your show.

So, tonight’s episode began with Nedd chained up in a dungeon and ended up with him being beheaded while his terrified daughters watched.  Nedd was executed despite the fact that, in order to protect his daughter, he’d just announced that Joffrey was the rightful heir to the throne.  And Joffrey repaid him by ordering his execution.  So, if you didn’t hate Joffrey before…well, why didn’t you?  I mean, seriously, not only has he been a consistent asshole (at least as far as the TV series goes, I understand that all the characters are a bit more nuanced in the books) but he still looks like Justin Beiber possessed by Pazuzu.  But anyway, if you had any wonders about the type of king Joffrey will be, those doubts were answered tonight.

A lot of viewers (like me) have commented that, in the first few episodes, Nedd came across as well-meaning but largely ineffectual and a little bit dull.  We knew that he’d have his moment at some point because he was played by Sean Bean.  But, far too often, it seemed like Sean Bean would be forever overshadowed by the more flamboyant characters played by Peter Dinklage, Aiden Gillen, and others.  Well, tonight, Sean Bean finally got his chance to shine and, as a result, viewers who had been casually dismissive of Nedd Stark will now be forced to look at him in a different light.  Whether it was the defiance he showed at the opening of the episode or the doomed dignity with which he faced his fate, Nedd was suddenly revealed as perhaps one of the strongest characters among this epic’s large cast.  And Bean proved himself to be exactly the right actor to portray that strength.

This episode was clearly dominated by Nedd’s death but here’s a few other points:

1) I don’t know whether this was intentional or maybe it’s just my Catholic background coming out on Pentecost Sunday but Nedd’s execution — with the rabid crowd calling for his blood — had a definite “Give us Barabas!” passion play feel to it.  The execution itself, I felt, was quite well-directed and seemed to be meant to remind us of Nedd putting down the dire wolf earlier in the season.

2) Peter Dinklage had a host of good scenes as Tyrion tonight.  Dinklage plays the role with just the right mix of duty and cynicism.  The brilliance of his performance, I think, is that he doesn’t go overboard with either trait.  It’s that perfect balance that makes Tyrion such a consistently interesting character.  As well, I loved his scenes with Charles Dance and Sibel Kekilli (playing the character of Shae).  Dinklage is one of those actors who seems to bring out the best of those appearing opposite him as well.

3) This episode’s other main plotline seemed to be Drogo’s sudden illness and the bloody approach the was taken to cure him.  The blood didn’t really surprise me because, quite frankly, it seems like anyone within the vicinity of Drogo is going to end up getting splattered with blood every other day.  Still, I like Drogo and it goes beyond the undeniable sex appeal of a big, strong man who takes what he wants.  He and Danys have probably one of the most genuine relationships on this show.  Then, to top it all off, Danys goes into labor.

So, next week brings us the season finale of Game of Thrones.  I’ve enjoyed discovering this new world over the past two months and I’ve enjoyed losing my Game of Thrones virginity here online with the readers of this site.  I can’t tell you what’s going to happen on episode 10 but I can tell you that I picked up a copy of George R. R. Martin’s novel earlier on Saturday and I plan to read it over the summer.  I look forward to discovering what the television series left out and also to preparing myself for season two of HBO’s Game of Thrones.

AMV of the Day: Mahou Shoujo Requiem


I think my love for the anime mahou shoujo series, Puella Magi Madoka Magica, may extend past this summer and til the end of the year. I’ve begun to watch the other new series to premiere in the last 12 months over in Japan, but this particular one has stuck itself in my head in a good way. It’s why whenever I find a great AMV done using the series I end up loving it. So, the last “AMV of the Day” is another Puella Mago Madoka Magica production.

This one is appropriately titled, “Mahou Shoujo Requiem”, and is paired with the ethereal and hypnotic song “Cosmic Love” by the group Florence + The Machine. Even the title of the song is quite appropriate as it highlights the cosmic aspect of the anime series the video is using.

The video’s creator is one “tehninjarox” and this creator also made the previous “AMV of the Day” entry (“A Prelude to Dreams”). The editing work in this latest AMV was exceptionally well done with scene transitions coming in fast and clear with each percussive beat of the song. I also like the fact that following the cosmic theme of the song there’s many images of Kyubey in the video. Can’t have a cosmic and requiem-themed AMV of this series and not Kyubey show up.

So, far this AMV of the Puella Magi Madoka Magica series one of the best one I’ve seen though not the best. The next one I plan to post in the future is the best one but not by much.

Anime: “Puella Magi Madoka Magica”

Song: “Cosmic Love” by Florence + The Machine

Creator: tehninjarox

6 Trailers That Will Save The World


Welcome to another edition of Lisa Marie’s Favorite Grindhouse and Exploitation trailers.

1) Psychomania (1971)

Also known as the Death Wheelers.  This is one of those trailer that can pretty much speak for itself.  (Though I will point out that co-star George Sanders committed suicide shortly after filming completed.)

2) 10 Violent Women (1982)

Not surprisingly, this movie was directed by Ted V. Mikels.  What makes this trailer memorable (for me) is the blandly cheerful narration.  I don’t know who that is providing the narration but you hear his voice a lot as you explore the world of grindhouse trailers.

3) The Twilight People (1973)

Made in the Philippines (as were many exploitation films in the 60s and 70s — I always expect to hear someone say, “Made in the Philippines — where life is cheap!” whenever I watch one of these trailers), The Twilight People is best remembered for featuring Pam Grier as the Panther Woman.  I love how the trailers for Filipino exploitation films always seem to promise us that we’re in for “blood…blood…and more blood!” like some nightmarish 1950s feminine hygiene film.

4) Cop Killers (1973)

Do you think we killed niiiiiiine people for nuthin, maaaaan?”  This trailer plays like one of the many “fake” grindhouse trailers that every toadsucker on Youtube is making nowadays.  (And, by the way, that trend is getting increasingly obnoxious as it’s obvious that a lot of these trailers are being made by jerks who have never even seen a genuine grindhouse film.)  However, Cop Killers is a real film and this is a real trailer.  Every time I go down to Half-Price books, I come across the DVD for this movie.  They want $9.00 for it.  And every time, I end up grabbing this DVD, planning on buying it, just to then come across a movie or book that I want more.  So, I haven’t seen Cop Killers yet but I’m sure that eventually, I’ll break down and get it.

5) Convoy Busters (1978)

Feel bad for all those cops getting killed Cop Killers?  Don’t worry, the fraternity of blue meanies got their revenge in plenty of other films, including this 1978 Italian film.  Convoy Busters was directed by Ruggero Deodat0 (of Cannibal Holocaust and House On The Edge of the Park fame) and is also known as Cop on Fire.  (Apparently, it was retitled to take advantage of the international success of Sam Peckinpah’s Convoy.)

6) The Psychic (1977)

This is the (very) American trailer for Lucio Fulci’s Murder To The Tune of Seven Black Notes.  This film is actually one of Fulci’s more subtle and interesting films and, considering that it’s a Fulci film without zombies or a huge amount of gore —  it has a surprisingly large number of fans (including Quentin Tarantino).  At the time of its release, however, it failed at the box office and so hurt Fulci’s reputation that the producers of Zombi 2 were able to hire him cheap whereas previously, they wouldn’t have been able to afford him.  Hence, it can be argued that the success of Zombi 2 was directly the result of the failure of The Psychic.  (That’s what we call the circle of life.)

Scenes I Love: Assault on Precinct 13


I think by now both fellow writers for the site and those who frequent said site know of my love for all and everything John Carpenter. I consider him one of the most underappreciated American filmmakers. All his films contribute something even those where one wonders if he has lost his mojo (I’m looking at you Ghosts of Mars). One of his very first films and one that still resonate with many of his fans is the low-budget and modern remake of Howard Hawk’s Rio Bravo. The latest “Scenes I Love” come from this remake which was called Assault on Precinct 13.

This was a film made for just $100,000 and while the low-budget shows it doesn’t stop Carpenter from creating a grindhouse classic. One of my favorite scenes in this film is the scene chosen. It’s very close to the beginning of the film as a violent street gang called the Street Thunder has vowed a blood vendetta against the LAPD and the citizens of LA. The scene in question show just how far these gangbangers were willing to go with their vendetta.

There’s always been several cardinal rules of grindhouse filmmaker and this scene definitely stays true to the notion that nothing is off-llimits. Carpenter shows just how much he understands this rule. In mainstream films children are oft put in danger but never to the point that they actually die on-screen. There’s always some adult to save them in the end and give the film a happy Hollywood ending. Carpenter doesn’t care for that and this scene proves just how much he doesn’t.

The first time I saw this scene I was surprised, shocked and left speechless. Carpenter had the stones to kill that young girl (and a blond in pigtails at that) with her ice cream cone right on the screen. From that moment on I knew I was in for a ride and I wouldn’t know whether Carpenter would take it easy on his audience or just continue to mess with them. This scene begins a chain reaction of why I love Carpenter films and will continue to love his past, present and future work.

 

Song of the Day: Jade Empire Main Theme (by Jack Wall)


Today marks the end of E3 for 2011 and I have chosen one of the best intro music for any game ever created. The previous two songs chosen were from Bethesda role-playing games and while I stick to the same game genre I’ve moved onto who I consider the best RPG developers currently working today. The latest “Song of the Day” is by music composer Jack Wall and is the “Main Theme” to that oft-overlooked, but a classic rpg nonetheless, Jade Empire.

The “Jade Empire Main Theme” just hints at the epic that would become the Jade Empire story. Jack Wall does a great job of not just sticking to the usual classical European orchestral sound. He brings in traditional Asian musical instruments from throughout Chinese history. He even brings in some Japanese taiko drums to give this theme just a touch of that martial sound. This main theme really highlights the Asian themes and influences BioWare used to create the fictional realm that Jade Empire takes place. The way the music plays out it wouldn’t be too farfetched to hear it scoring an Ang Lee or Zhang Yimou wuxia epic.

Jade Empire is one of those games, despite having not as big a following as some of the bigger and more popular rpg franchises, whose fans are very vocal about their love not just for the game but for the soundtrack which I consider one of the best soundtracks ever composer for a video game.

E3 2011: Asura’s Wrath (E3 Trailer)


Asura’s Wrath is a title by Capcom and developer CyberConnect2 and first made it’s appearance at E3 2010. It’s actually a title that has flown way below my radar when it comes to interesting games coming up in the forseeable future. It’s a good thing that Capcom brought it to this year’s E3 once more and showed more details about what the g ame is really about and some of it’s core gameplay.

Let’s just say that from the trailer this game looks to be one over-the-top of an action game that reminds me of the SEGA/Platinum Games title Bayonetta. More people seem to compare this game both aesthetically and spiritually to the Sony God of War franchise and they wouldn’t be wrong. Asura’s Wrath really ends up being a mash-up of both those series with a sci-fi helping from Too Human.

The art design for the game looks beautiful. Looks like developer CyberConnect2 decided to go for the 3D cel-shading that looks quite similar to Capcom’s own look for the recent Street Fighter IV. The game is not flat and actually has depth to all the scenes, but the flat-look of the cel-shading really gives this game a unique look that’s quite uncommon in gaming of this latest generation.

Asura’s Wrath doesn’t have a set release date, but all points to sometime around 2012 (hopefully)

E3 2011: Ace Combat: Assault Horizon (Official E3 Trailer)


Namco Bandai is less than 6 months away from releasing the next entry in their long-running and critically-acclaimed arcade combat flight simulator series Ace Combat. This upcoming entry will simple be called Ace Combat: Assault Horizon.

They’ve released a story trailer just in time for this year’s E3 and anyone who has been a fan of the franchise should be very excited about this upcoming game. It looks like new types of gameplay has been added to the tried-and-true fixed-wing aerial combat. Players can now get behind the controls of attack helicopters and even AC-130 gunships. The in-game graphics (used in the trailer itself) looks to have made some major improvements from the last title in the series. If I’m looking at the trailer correctly it looks like pretty much everything a player sees on the screen is destructible whether it’s an enemy vehicle or just a decorative fountain in some African warlord’s palace.

This series has always been good at delivering an extensive and exhaustive single-player campaign. Multiplayer has always been hit-or-miss. The last game in the series made some serious in-roads into multiplayer. Now that this next title will be released not just for the Xbox 360 and it’s Xbox LIVE on-line component, but for the PS3 and it’s counterpart in the PSN, there should be some expectations of a hefty on-line multiplayer component.

Ace Combat: Assault Horizon will have a release date of October 11, 2011 for North America and October 14, 2011 for Europe.

Song of the Day: Reign of the Septims (by Jeremy Soule)


The next E3 2011 Edition of the “Song of the Day” is the intro and main theme to the follow-up game to The Elder Scrolls III: Morrowind. This song is called “Reign of the Septims” and it sets the epicness of what was, and is, The Elder Scrolls IV: Oblivion.

“Reign of the Septims” actually sounds similar in certain areas to the Morrowind intro of “Nerevar Rising”. Where this intro differs is how it’s less about hope (a term and emotion that Lisa Marie mentioned she felt listening to the previous song) but about rising up to take one’s destiny and become the leader the game’s storyline requires of the player. There’s a certain martial aspect to the song which could be heard in the brass section and strings working in concert right in the beginning and throughout most of the song until they begin to fade to give “Reign of the Septims” a simpler and more mellow ending.

I really can’t imagine any future games in this series having its soundtrack being composed by anyone other than Jeremy Soule. It’s a good thing that he will be on hand for the next game, Skyrim, and from what I’ve heard of the initial theme to that game it’s a nice progression from the intro for both Morrowind and Oblivion.