Review: The Walking Dead Volume 8 (by Robert Kirkman)


[Some Spoilers Within]

Robert Kirkman ended The Walking Dead‘s seventh volume in what I could only say as one major cliffhanger. The seventh volume of this series definitely lived up to it’s title of “The Calm Before” as the series took a breather from all the stress which built and built in the past two collections. Now that calm has now been shattered with this eight volume aptly titled, “Made to Suffer”.

A title which puts Rick and his band of survivors through its paces. The Woodbury group definitely do their best to make Rick and his people suffer for what they see as transgressions against their walled town. While most of the invading group do so in the belief that they’re protecting Woodbury from a band of bloodthirsty killers there’s a few who follow the lead of Woodbury’s tyrannical and sociopathic Governor. A man who has spun out lies about Rick and his group to his people to get them in the proper mindset to take down the prison.

The volume does a brief flashback of how the Governor and his trust inner cirle were able to find the prison. It also explains how he was able to survive the ministrations of Michonne during the prison group’s escape from Woodbury. Michonne really put the screws on the Governor for the rape and torture he had inflicted on her. To say that Michonne went medieval on the Governor would be a major understatement.

This volume would end like most of the best zombie films and stories before it. Two groups determined to fight to the death to keep what theirs or take what they want. Casualties abound on both sides as Kirkman almost wipes the slate clean as he prepares to move the series into a new uncertain narrative path. Characters fans have come to love meet their end while others who have worn out their welcome in some way survive to live another day. The last few panels of “Made to Suffer” were shocking and heartbreaking.

I’ve read from fan feedback of how they hated Kirkman for he did, but at the same time became even bigger fans of the series for its unpredictability. Kirkman would pull no punches in how he makes the characters suffer throughout the six-issues of this volume. He definitely backs up his works when he said that this story-arc would leave no one safe from his killing pen. This volume would break some readers in that they may not want to continue reading the series after the punch to gut of the last issue in this volume. Others will be just as determined to stick it out to see how the remnants of the original group continue on with what and who they’ve lost.

One thing that I am sure of is that this eight collected volume of the series will not be the usual and same old, same old. After reading this book one may just end up hating and admiring Kirkman in equal amounts for what he has done.

Hail to the Hammer: Music for October (part 1)


What an awesome month. Forget Christmas, Halloween is where it’s at. Zombie movie marathons, kids walking around dressed as ghouls and barbarians, all the candy in the world, how can you beat it? And considering Christmas has its own devoted genre of music, why shouldn’t this (far superior) autumnal advent?

I thought I’d post up ten of my favorite “songs of the season” for your enjoyment.


Månegarm – Ur själslig död
I don’t know, maybe it’s just their unusual name, but I find myself often forgetting that Månegarm exist. I really shouldn’t. They’ve put out some impressive music.


Finntroll – Trollhammaren
I never saw the English translation of these lyrics until I came across this particular video, and now I love the song even more. “Amongst the shadows rides a beast like a black tree, gripping hard a mighty hammer, looking for weak Christian blood. He is not human, not fragile and weak like you. You will be helpless. No eyes see your end.”


Troll Bends Fir/Troll Gnet El – Strawberry Berserk
No one has ever quite settled on a proper means to transliterate Тролль Гнёт Ель, but whatever we call them they certainly fit the occation. The title of this song makes no sense to me, so I’m just going to assume it’s about getting really drunk.


Korpiklaani – Kohmelo
Korpiklaani manage to release a new album every year, with six since 2003 and another planned for February. As can be seen from their most recent one, this has been no deterrent to their quality. I know I linked this once before, but I can’t resist putting it up again – by far my favorite song by them.


Myrkgrav – Endeoner
Myrkgrav, like so many bands of the genre a solo project, composed this anthem to close his only full length album, Trollskau, Skrømt og Kølabrenning.


Thyrfing – Mjölner
I don’t listen to Thyrfing all that much over all, but Mjölner has one of the most ass-kicking melodies in metal.


Ensiferum – Victory Song
In this ten minute epic the chorus says it all. “Swords in their hands, they killed each and every man who dared to invade their sacred land. Victory songs are rising in the night, telling all of their undying strength and might.”


Pagan Reign – Печаль Сварога (Novgorodian Folk Dance)
Pagan Reign hail from Russia. Though they broke up after their 2006 release, the feel of the band remains largely intact under the offshoot project Tverd (Твердь). Also, this track gets my vote for the greatest intro ever.


Falkenbach – Heathenpride
Falkenbach’s contributions to viking/pagan metal cannot be overstated. Heathenpride tells the tale of a band of missionaries who ravage the northern lands in the name of Christ. With a sacrifice to Odin and Tyr, a pagan king calls for revenge and slaughters the Christian invaders. A happy ending if ever I’ve heard one. As it relates to actual history, Saint Boniface felled the sacred Donar Oak, near Fritzlar, Germany, in 723. Thirty-one years later he was put to the sword by pagans in Friesland, northern Holland. The Christians were, at best, just as barbaric as the pagans they sought to convert, and far less justified in their actions. Boniface’s death can be seen as one of the few pagan triumphs as Christians raped and pillaged their land. Whether Heathenpride is telling this story or some similar one that I am unaware of, the point is still a strong one.


Bathory – Hammerheart
The late Quorthon, father of viking metal, had once intended Twilight of the Gods to be his final album, and this was its closing track. We’ll see him in Valhalla.

Now that the winds call my name
And my star has faded, hardly a glimpse up in the empty space
And the wise one-eyed great father in the sky stilled my flame

For the ones who stood me near
And you few who were me dear
I ask of thee to have no doubts and no fears

For when the great clouds fills the air
And the thunder roars from oh, so far away up in the sky
Then for sure you will know that I’ve reached the joyous hall up high

With my blood brothers at side
All sons of father with one eye
We were all born in the land of the blood on ice

And now all you who might hear my song
Brought to you by the northern wind, have no fear
Though the night may seem so everlasting and forever dark

There will come a golden dawn
At ends of nights for all ye upon whom
The north star always shines

The vast gates to hall up high
Shall stand open wide and welcome you with all its within
And Odin shall hail us bearers of a pounding hammerheart