Embracing the Melodrama Part II #81: 1969 (dir by Ernest Thompson)


NineteensixtyninefilmIn 1988, the same year that he was forcing Michael J. Fox to snort cocaine in Bright Lights, Big City, Kiefer Sutherland played a far different role in the film 1969.

As you might guess from the film’s title, 1969 takes place in 1969.  Scott (Kiefer Sutherland) and Ralph (Robert Downey, Jr.) have just graduated from high school and are facing a future that involves either going to college or going to Vietnam.  Scott’s older brother, Alden (Christopher Wynne), has already enlisted in the army and has made their father, Cliff (Bruce Dern), proud in a way that Scott knows he will never be able to match.

So, Scott and Ralph make plans to go to college together and basically stay there until the war ends.  But, needless to say, things don’t work out as perfectly as Scott assumed that they would.  Scott and Ralph spend the summer on a road trip, during which time they meet the usual collection of hippies and fascists who always populate films like this.  They also discover that they have less in common than they thought.  Scott is an idealist who is convinced that he can change the world.  Ralph is far more fatalistic, a cynic who hides his pain behind a constant stream of sarcasm.

When Ralph is kicked out of school (and loses his draft deferment as a result), Alden is killed in Vietnam and Scott sees his father in a potentially compromising position with Ralph’s mother (Joanne Cassidy) (on the night of the moon landing no less!), the disillusioned Scott feels that he has to take action.  With the help of Ralph and Ralph’s sister, Beth (Winona Ryder), Scott breaks into the local draft office and tries to destroy all the records.

Now, if you guessed that the police arrive and that Scott and Beth eventually find themselves in a van, driving for the Canadian border, then you’ve probably seen countless other films that were set in the same year as 1969

1969 is a rather predictable film but, at the same time, it’s likable in much the same way that a rerun of Everybody Loves Raymond is likable.  It’s not something you really need to watch but, if you do watch it, you won’t necessarily be filled with regret.  I imagine that one reason why 1969 tends to show up on networks like Antenna and This TV so much is precisely because it is such a thoroughly inoffensive little movie.

The film also features some above average performances.  It’s not surprising that Robert Downey, Jr. and Winona Ryder both give good performances because, to a large extent, their characters mirror their own public personas.  But, considering that he’s best known for playing Jack Bauer in 24, it’s still somewhat surprising to see a much younger Kiefer Sutherland playing such an essentially gentle character and being totally convincing in the role.  (He already had that sexy growl of a voice, however.)  And finally, the film’s best performance comes from Bruce Dern.  Eternally befuddled and confused by the changes around him, Cliff is ultimately the film’s most sympathetic character, even if he wasn’t originally meant to be.

And needless to say, considering that the film is called 1969, it’s got a great soundtrack!

 

2 responses to “Embracing the Melodrama Part II #81: 1969 (dir by Ernest Thompson)

  1. Pingback: Embracing the Melodrama Part II #82: Promised Land (dir by Michael Hoffman) | Through the Shattered Lens

  2. Pingback: Lisa’s Week in Review: 5/6/19 — 5/12/19 | Through the Shattered Lens

Leave a comment

This site uses Akismet to reduce spam. Learn how your comment data is processed.