Horror Novel Review: Weekend by Christopher Pike


The 1986 novel, Weekend, involves the most memorable senior ditch day ever!

9 friends, who have a tangled web of personal relationships and conflicting feelings towards each other, head down to Mexico for the weekend.  They’ve got a mansion to stay in, one that belongs to the absent parents of their friend Robin.  Robin once had a great singing voice and a great future but, at the last party that her friends threw, someone spiked her drink with insecticide.  Now, Robin can barely speak and is only being kept alive by a dialysis machine.  The weekend in Mexico starts out as a fun but soon, secrets are being revealed, live are being put at risk, and who knows who will survive to the end!

The majority of the story is told through the eyes of Shani, who is a well-written and complicated character.  As opposed to the characters who populate the majority of R.L. Stine’s Fear Street books, Shani is nether perfect nor totally evil.  Instead, she’s someone who has very real emotions and, even more importantly, very real reactions to everything that’s going on around her.  (Christopher Pike’s novels have always felt a little less generic than R.L. Stine’s.  That said, Pike’s novels also have a tendency to be a bit more unnecessarily complicated than Stine’s.)   That said, the other characters are not as well-written as Shani and, with a total of 9 people staying at that mansion, it can get a bit difficult to keep straight of who is who.  Keep a notebook nearby so you can jot down who betrayed who at which pep rally because it’s not always easy to keep track of it all.

I always enjoy books about people stranded with a killer for the weekend and Weekend does a good job of keeping you guessing as to who is responsible for what.  The finale, in which everything is explained, is enjoyably over the top.  Pike, wisely, chooses to embrace the melodrama when it comes to wrapping everything up.

Weekend is an enjoyably over-the-top novel.  If nothing else, this book might make you appreciate your own occasionally overdramatic friends.  Because as dramatic as they may be, they’re nowhere near as bad as the folks in Weekend.

8 Shots From 8 Films: Rest in Peace, Jean-Luc Godard


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

One of the last of the French New Wave directors has passed away.  RIP, to the uncompromising Jean-Luc Godard.

8 Shots From 8 Jean-Luc Godard Films

Breathless (1960, dir by Jean-Luc Godard, DP: Raoul Coutard)

Band of Outsiders (1964, dir by Jean-Luc Godard, DP: Raoul Coutard)

Alphaville (1965, dir by Jean-Luc Godard, DP: Raoul Coutard)

Made in USA (1966, directed by Jean-Luc Godard, DP: Raoul Coutard)

Week-end (1967, directed by Jean-Luc Godard, DP: Raoul Coutard)

Number Two (1975, dir by Jean-Luc Godard)

Detective (1985, dir by Jean-Luc Godard, DP: Louis Bihi)

Goodbye to Language (2014, dir by Jean-Luc Godard, DP: Fabrice Aragno)

4 Shots From 4 Films: Contempt, Made in USA, Two or Three Things I Know About Her, Weekend


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films.  As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films is all about letting the visuals do the talking.

Last night, I had a choice.  I could either watch the Jean-Luc Godard film festival on TCM or I could watch reality TV.

I ended up picking reality TV.

*sigh*

Consider this latest edition of 4 Shots From 4 Films to be a part of my atonement.

4 Shots From 4 Films

Contempt (1963. directed by Jean-Luc Godard)

Contempt (1963. directed by Jean-Luc Godard)

Made in USA (1966, directed by Jean-Luc Godard)

Made in USA (1966, directed by Jean-Luc Godard)

Two or Three Things I Know About Her (1967, directed by Jean-Luc Godard)

Two or Three Things I Know About Her (1967, directed by Jean-Luc Godard)

Weekend (1967, directed by Jean-Luc Godard)

Weekend (1967, directed by Jean-Luc Godard)

Scenes I Love: Weekend (dir. by Jean-Luc Godard)


As you may or may not know, I’ve been on a road trip with my very good friend Jeff since Monday of last week. 

That seems like as good an excuse as any to highlight this legendary 7-minute track shot (without any cuts) from Jean-Luc Godard’s 1967 film WeekendWeekend, by the way, was probably the last worthwhile film made by Godard before he became just another irrelevant Marxist with a film crew.

I have to admit that this scene takes some patience if you’re not familiar with Godard’s 1960s aesthetic but let me ask you this?  Do you love me?  If you love me, you’ll watch this scene and stick with it to the end.  The punch line isn’t totally unexpected but it does rank as one of Godard’s most effective attacks on the bourgeois value system.