Music Video of the Day: Pop by *NSYNC (2001, Dir. by Wayne Isham)


The year was 2001 and *NSYNC was sick of being dismissed as just being another pop boy band.  So, Justin Timberlake and Wade Robson wrote a song satirizing the band’s image and trying to show that they were everything but “pop.”  Of course, they called the song Pop.  And then they went on a tour called PopOdyssey.

I miss those days.

Enjoy!

 

Music Video of the Day: Kickstart My Heart by Mötley Crüe (1989, directed by Wayne Isham)


Today’s music video of the day was filmed at Hollywood’s famed Whisky a Go Go, while Mötley Crüe was preparing to embark on their tour promoting Dr. Feelgood.  In the 80s, you knew you had made it big if Sam Kinison was your chauffeur.

This video was directed by Wayne Isham, who directed videos for practically everyone.  Everyone who was anyone in the music biz worked with Wayne Isham at least once.

Enjoy!

Music Video of the Day: In My Dreams by Dokken (1986, directed by Wayne Isham)


There’s never a dull moment when you’re a member of Dokken!  If you’re not playing in the rain, you’re standing on a computer generated grid.  I think this was all supposed to represent what Don Dokken was seeing in his dreams.

This single was released off of Dokken’s third studio album, Under Lock and Key.  The video was directed by Wayne Isham, who directed videos for everyone who was anyone.  Dokken definitely had their moment in the 80s.  The band’s classic line-up broke up in 1988 and Don Dokken is the only original member in the band’s current incarnation.  (When Don Dokken initially left the band in 1988, it created an odd situation where the other three members were still performing as Dokken even though the band’s namesake was pursuing a solo career.)  In April, Don Dokken said that he might be retiring from performing all together.

Enjoy!

Music Video of the Day: No Leaf Clover by Metallica (2000, directed by Wayne Isham)


No Leaf Clover is one of two original compositions to appear on Metallica’s 1999 live album, S&M.  S&M stood for Symphony and Metallica and any other possible interpretation was just a coincidence.  (Sure!)

Directed by Wayne Isham, this video features both Metallica and the San Francisco Symphony bringing the song to life.  This was also the second to last Metallica video to feature bassist Jason Newsted.

Enjoy!

Music Video of the Day: Give Me Just One Night (Una Noche) by 98º (2000, Dir. by Wayne Isham)


Would you give 98 Degrees just one night?

98 Degrees was a part of the whole boy band era but, unlike NSYNC, The Backstreet Boys, and O-Town, the members of 98 Degrees actually formed the band on their own.  They weren’t put together by a producer or a record company.  That’s one of the many reasons was 98 Degrees was better than the typical boy band.  They also wrote and produced most of their own songs instead of relying on a record company to hire someone to do it for them.

As for this video, it was filmed in Chichen Itza, Yucatan, Mexico and it features 98 Degrees performing amongst Mayan ruins.

Enjoy!

 

Music Video of the Day: 5 Minutes Alone by Pantera (1994, directed by Wayne Isham)


In an interview with Rolling Stone, Vinnie Paul explained how this song came about:

“The story behind this song is we were opening for Megadeth, and there was a guy that was flipping us off the whole show and so we stopped the show. And I was like, ‘Listen, in case you haven’t noticed there’s 18,000 people who really dig what we’re doing. You’re the only one doing that stupid shit without even having to egg the crowd on.’ Ten guys just jumped the guy and beat the shit out of him. His dad called the manager after all the lawsuits and this and that, and basically said, ‘Give me five minutes with that Phil Anselmo guy. I want to whup his ass.’ “

The music video, not surprisingly was directed by Wayne Isham.  Isham was one of those directors who worked everybody who was anybody.  Isham especially understood had to capture metal energy in video form.

Enjoy!

Music Video of the Day: A Tout Le Monde by Megadeth (1994, directed by “Justin Keith”)


When today’s music video was first released, it was banned by MTV.  MTV claimed that the song and the video glorified suicide, which was certainly not the case when it came to either one.  As Dave Mustaine explained in interviews at the time, the song was about what Mustaine would say to his friends if he learned that he only had a few minutes left to live.  Mustaine sings that he would want to say, “I love you all and now I must go.”

(Some of the misunderstanding probably came from the song appearing on an album entitled Youthanasia.  Megadeth’s lyrics could certainly be dark and serious but they were just as often misunderstood, even by people who should have known better.)

Most only sources list Justin Keith as the director of this video.  In an interview with a German site, Mustaine explained that Justin Keith was actually the incredibly prolific Wayne Isham and that MTV apparently told Megadeth not to use Isham as their director because the channel was already “saturated” with videos that Isham had directed.  So, when Megadeth submitted the video, the listed Isham as being “Justin Keith.”  According to Mustaine, this — and not the the video’s content — is what actually caused MTV to ban the music video.

Mustaine later rerecorded this song for 2007’s United Abominations.

Enjoy!

Concert Film Review: Pink Floyd: Live in Venice (dir by Wayne Isham and Egbert van Hees)


I’m actually a bit embarrassed to say that Venice is my favorite city in Italy.

I mean, it’s such a cliché, isn’t it?  Tourists always fall in love with Venice, even though the majority of us really don’t know much about the city beyond the canals and the gondolas.  I spent a summer in Italy and Venice was definitely the city that had the most American visitors.  Sadly, the majority of them didn’t do a very good job representing the U.S. in Europe.  I’ll never forget the drunk frat boys who approached me one night, all wearing University of Texas t-shirts.  One of them asked, “Are you from Texas?”

“No, sweetie, ah’m from up north.” I lied.

“You sound like you’re from Texas!” his friend said.

“No, ah’m not from Texas,” I said, “Sorry, y’all.”

I mean, that’s not something that would have happened in Florence or even Naples!  In Rome, handsome men on motor scooters gave me flowers.  In Venice, on the other hand, I had to deal with the same jerks that I dealt with back home!

That said, I still fell in love with Venice.  And yes, it did happen while I was riding in a gondola.  At that moment, I felt like I was living in a work of art.  I can still remember looking over the side of the gondola and watching as a small crab ran across someone’s front porch.  That’s when I realized that, by its very existence, Venice proved that anything was possible.

I’ve often heard that Venice is slowly sinking.  That Venice has a reputation as being a dying city would probably have come to a surprise to the drunk Americans who were just looking for a girl from Texas that summer.  And it would certainly come as a surprise to anyone who watched the 1989 concert film, Pink Floyd Live In Venice.

Just as with last week’s Pink Floyd concert in Pompeii, this was something that I watched more because of where it took place than who was performing.  There are some very good Pink Floyd songs and there are others that are just silly and overly portentous.  As well, I’ll always have mixed feelings about Pink Floyd due to the fact that — bleh! — Roger Waters was a founding member.  Whenever I hear any of their songs, I automatically find myself looking for coded moments of anti-Semitism.  Fortunately, by the time the band played in Venice, Waters had left the group.  As a result, I didn’t feel quite as conflicted over watching the Venice concert as I did the Pompeii concert.

As for the show, the band performed while floating on a barge while some members of the audience sat in gondolas.  It was a lovely sight that captured the otherworldly romance of Venice.  The concert itself was a bit uneven, with the first half in particular dominated by songs that just seemed to go on and on and which often exposed the limits of lead singer David Gilmour’s vocal range.  The second half was a greatest hits collection and it was a notable improvement.  If Gilmour’s raspy vocals seemed limited during the first half of the concert, they were perfect for songs like Comfortably Numb and Money.  The highlight of the concert and the film was undoubtedly the performance of The Great Gig In The Sky, which created a feeling of the heavens descending upon Venice.

In the end, Venice was the true star of the concert.  For a dying city, it looked beautiful and vibrant.  I can’t wait to return.

Music Video of the Day: Johnny B. Goode by Judas Priest (1988, directed by Wayne Isham)


In 1988, Judas Priest became one of the many bands that have covered this classic tune from Chuck Berry.  Their version reached number 64 on the UK Singles chart.

This video was directed by Wayne Isham, who worked with everyone who was anyone in the 80s and 90s.

Enjoy!