Woman They Almost Lynched (1953, directed by Allan Dwan)


At the height of the Civil War, the small town of Border City, Missouri has declared itself to be neutral ground.  Mayor Delilah Courtney (Nina Varela) announces that anyone who enters her town looking to recruit for either the Union or the Confederacy will be arrested and will face the possibility of being hung from the noose in the middle of Main Street.

That doesn’t stop Charles Quantrill (Brian Donlevy) from coming to town.  Quantrill is a former Confederate officer who now terrorizes the Arkansas/Missouri border with his gang of thieves.  Accompanying Quantrill is his wife, Kate (Audrey Totter), who once lived in Border City and who still enjoys singing a song at the saloon.

Another new arrival is Sally Maris (Joan Leslie), who comes down from Michigan to help her no-account account, Bitterroot Bill (Reed Hadley), run his saloon.  Sally attempts to bring some order to the rowdy saloon, which makes an enemy out of Kate.  When Bill is killed in a gunfight, Sally takes over the saloon and soon, she is being challenged first to a fight and then to an actual duel by Kate.  With the disapproving Mayor Courtney watching all of the action from her office, it is obvious that one of the women is eventually going to be taken to the noose in the middle of the street but which one?

This is one of the best of the many B-westerns that Allan Dwan directed in the 1950s.  Though much of the emphasis is on the usual western action — Quantrill wants to take over a mine, there’s a Confederate spy in town, and both Frank and Jesse James appear as supporting characters — the film is really about the rivalry and eventual partnership between a group of strong-willed woman who aren’t going to let anyone tell them how to live their lives.  As tough as Kate is, Sally proves to be stronger than she looks and, in the end, they realize that they are stronger working together for a common goal than trying to tear each other down.  Audrey Totter and Joan Leslie both give sexy and tough performances as Kate and Sally.  They’re equally believable hanging out in a saloon, flirting with a cowboy, or drawing guns on each other in the middle of the street.

Along with taking a strong stand against vigilante justice, Woman They Almost Lynched features an exciting stage coach robbery, an intriguing story, and two very interesting lead characters.  It’s a western that deserves to be better known.

 

Billy The Kid Versus Dracula (1966, directed by William Beaudine)


Dracula comes to the old west!

The count (John Carradine) has been traveling across the frontier, feasting on settlers and stagecoach riders.  When he comes to a town in the middle of nowhere, he poses as the uncle of saloon owner Betty Bentley (Melinda Plowman).  Using the name Mr. Underhill, Dracula hopes to make Betty into his latest bride.  Everything about Mr. Underhill indicates that he is a vampire but Betty refuses to believe it.  Even when she’s told that Mr. Underhill doesn’t cast a reflection, Betty dismisses it as just being “the old vampire test.”  Two German servants recognize her uncle as being a vampire and Betty again refuses to believe them.  Betty’s fiancé, Billy the Kid (Chuck Courtney), realizes that there is something wrong with Mr. Underhill but can he save his future wife?

The idea of vampires in the old west is one that has inspired a surprising number of movies, most of which are considerably better than Billy The Kid Versus Dracula.  In this movie, Chuck Courtney plays one of the old west’s most notorious outlaws but he’s portrayed as being one of the most upstanding members of his community.  John Carradine plays the world’s most notorious vampire but just comes across as being a grouchy old man.  Chuck Courtney is a convincing westerner but not a very interesting actor.  John Carradine sleepwalks through the role and later said Billy The Kid Versus Dracula was the only one of his many films that he actively disliked.  The movie was shot in 8 days and it looks like it.

This was also the final film of director William Beaudine, who had directed his first film 51 years earlier.  The film was released on a double feature with Beaudine’s Jesse James Meets Frankenstein’s Daughter.  Everyone ended up in the old west eventually.

Horror Film Review: The Mummy’s Curse (dir by Leslie Goodwins)


When last we checked in with Kharis the Mummy, he was running into a swamp in Massachusetts, carrying the reincarnation of Princess Ananka with him.  Chasing after him were the standard towns people with torches and guns.  It’s not a Universal horror film without angry villagers, even if the movie itself is taking place in Mapleton, Massachusetts.

Upon entering the swamp, both Kharis and Ananka sunk under the water, traumatizing Ananka’s boyfriend but apparently bringing Kharis’s reign of terror to an end.

Well, not so fast!

The 1944 film, The Mummy’s Curse, opens with the townspeople talking about how Kharis continues to haunt the old swamp, so much so that most of the locals refuse to work in the swamp.  Oddly enough, though, the townspeople are suddenly a mix of Cajuns and gypsies.  (The film even opens with a gypsy woman singing a song in a bar.)  The swamp has now become a bayou.  We are repeatedly told that the film is taking place in the same location as the previous Mummy films but suddenly, that location has changed from Massachusetts to Louisiana.

As for the plot of The Mummy’s Curse, it all centers around the swamp.  The Southern Engineering Company (and that really doesn’t sound like a Massachusetts company) is draining the swamp.  The locals are worried that draining the swamp will bring back the curse of the mummy.  Two representatives from the Scripps Museum show up and announce that they want to search the drained swamp for the remains of the mummies.  Dr. James Halsey (Dennis Moore) is typical of the archeologists who tend to show up in these Mummy films.  Meanwhile, his associate is Dr. Ilzor Zandeeb (Peter Coe) who — surprise! — is that latest Egyptian high priest to come to America to try to recover the bodies of Kharis and Princess Ananka.

Ananka (Virginia Christie) is the first to emerge from the swamp, though she has no memory of who she is.  When she is discovered on the side of the road by Prof. Halsey and his love interest, Betty (Kay Harding), they allow her to stay at their camp on the edge of the swamp.  Everyone is really impressed by the fact that this amnesiac knows so much about ancient Egypt.  Eventually, Kharis (Lon Chaney, Jr., again tightly wrapped in bandages) eventually emerges from the swamp as well, determined to protect Ananka.

The Mummy’s Curse was the final film to feature Lon Chaney, Jr. as Kharis.  Unfortunately, it’s pretty forgettable and certainly not a satisfying conclusion to the story of one of Universal’s original monsters.  A good deal of the film’s 60-minute running time is taking up with flashbacks to previous Mummy films and it seems like it takes forever for Kharis to actually get around to spreading the usual mummy mayhem.  Though it may be too much to ask for too much continuity from these films, the sudden switch from Massachusetts to Lousiana is distracting for those of us who have actually invested the time to watch the previous Mummy films.  One gets the feeling that, by the time this film went into production, no one involved really cared that much about poor Kharis and his never-ending mission to protect his princess.

Previous Universal Horror Reviews:

  1. Dracula (1931)
  2. Dracula (Spanish Language Version) (1931)
  3. Frankenstein (1931)
  4. Island of Lost Souls (1932)
  5. The Mummy (1932)
  6. The Invisible Man (1933)
  7. The Bride of Frankenstein (1935)
  8. Dracula’s Daughter (1936)
  9. Son of Frankenstein (1939)
  10. Black Friday (1940)
  11. The Invisible Man Returns (1940)
  12. The Mummy’s Hand (1940)
  13. The Wolf Man (1941)
  14. Ghost of Frankenstein (1942)
  15. Invisible Agent (1942)
  16. The Mummy’s Tomb (1942)
  17. Frankenstein Meets The Wolf Man (1943)
  18. Son of Dracula (1943)
  19. House of Frankenstein (1944)
  20. The Invisible Man’s Revenge (1944)
  21. The Mummy’s Ghost (1944)
  22. House of Dracula (1945) 
  23. Creature From The Black Lagoon (1954)