Late Night Retro Television Review: 1st & Ten 3.6 “The Bulls Change Hands”

Posted on March 4, 2026 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing 1st and Ten, which aired in syndication from 1984 to 1991. The entire series is streaming on Tubi.

This episode was confusing. Is syndication to blame?

Episode 3.6 “The Bulls Change Hands”

(Dir by Stan Lathan, originally aired on September 9th, 1987)

Diana no longer owns the Bulls!

That was the main plot development to be found in this cluttered episode of 1st & Ten. As I’ve mentioned before, the episodes of 1st & Ten that are available on Tubi are the heavily edited versions that were sold into syndication as opposed to the original, R-rated versions that appeared on HBO. With quite a few of these episodes, it’s obvious that entire plotlines have been pretty much chopped out. That certainly feels like the case here because, despite having watched the episode, I’m still not totally sure how Diane lost the Bulls in the first place.

What I do know is that she threatened to expose Teddy’s insider trading. Teddy responded by leaving the country but, before he left, he gave his ownership shares to his daughter, Jill (Leah Ayres). Teddy explains that this makes Jill the owner of the Bulls. But my understanding was that Teddy only owned half the team so it seems like that would mean Jill and Diane would now be co-owners. Perhaps I missed something in an earlier episode or maybe some line of dialogue was cut out for syndication, I’m not sure. What I do know is that Jill now owns the Bulls. The first thing she does is break up with Yinessa because she can’t be both his boss and his girlfriend.

In her final locker room speech, Diane orders the Bulls to win because Diane is taking Jill to court and she wants the team to be in the playoffs once she returns as the owner. It’s not a bad speech but again, I thought Diane still owned at least half of the team.

Meanwhile, Yinessa is back as quarterback. And he leads the Bulls to their first victory of the season. His new wide receiver, Billy Cooper (Michael Toland) catches the game-winning pass. At the same time that Billy is scoring, some guy who we’ve never seen before is shooting at him from the roof of the stadium. The police arrest the guy and Billy later discovers a bullet lodged in his helmet.

Bubba’s sex therapist (Penny Johnson) is now obsessed with him, despite Bubba’s attempts to set her up with with Jethro. I have a feeling that the Jethro/Bubba storylines were the ones that really got left on the cutting room floor when it came to editing these episodes for syndication. Jethro and Bubba have been with the show since the beginning and they’ve got prominent billing in the opening credits but, when it comes to their roles in the episodes themselves, it seems like the only thing that happens is Bubba says that he needs to get laid and then the two of them disappear for several weeks. When they do finally reappear, Bubba is always in some sort of new trouble with his wife.

Speaking of marriage, in this episode, TD Parker finally confesses to his wife that he’s been having an affair.

TD apologizes. His wife tells him to get out. Agck! I can see where this storyline is heading but OJ Simpson fighting with his wife still lands differently in 2026 than it probably did in 1987.

This episode was a mess but I guess Jill is the owner of the Bulls now and Teddy’s fled to South America. Can’t the Bull just concentrate on playing football and earning their paycheck?

Late Night Retro Television Review: 1st & Ten 3.4 “The Comeback Trail”

Posted on February 18, 2026 by Lisa Marie Bowman

Some will never play the game….

Episode 3.4 “The Comeback Trail”

(Dir by Stan Lathan, originally aired on August 26th, 1987)

The Bulls are in disarray! Yinessa is in the hospital and might never play again. Diane wants to trade John Manzak for a new quarterback but TD Parker explains that Manzak is actually one of the best players that they have.

Then, OJ — I mean TD — heads to the locker room and catches Manzak shooting up steroids in the bathroom. TD tries to take the steroids away from him and Manzak …. well, Manzak doesn’t appreciate that.

Manzak apologizes and explains that, after ten years of injuries, he needs the steroids to play. TD orders him to stop using them. Manzak doesn’t listen and during the next practice, he collapses on the field. TD runs out to him and checks his pulse.

OJ would know!

So ends the saga of John Manzak. He just wanted to play football but he took too many steroids and collapsed dead on the practice field.

How will the Bulls survive without him? We’ll find out next week!

Film Review: Thank God, It’s Friday (dir by Robert Klane)

Posted on July 31, 2016 by Lisa Marie Bowman

So, I just finished watching Thank God, It’s Friday, a movie from 1978. It’s an episodic comedy, one that follows a group of genuinely unlikable characters as they all gather in one genuinely unlikable location and proceed to have some fairly generic experiences.

For example, there’s the married couple and the husband needs to loosen up. There’s the DJ who is going to lose his job if he can’t deliver the big stars that he’s promised. There’s the short, violent guy who is upset because he’s been set up on a date with a tall woman. There’s the dental hygienist who comes across like she’s desperately trying to convince everyone that she’s eccentric when she’s really just boring. (We all know the type.) There’s the teenager girls who try to sneak into the club, despite being underage. There’s the two dorky guys who are looking for love. There’s the two dorky girls who are looking for love.

In fact, everyone in the movie is looking for love! Except for Jeff Goldblum! He just wants to get laid. He manages the club where everyone has gathered on this particular Friday. He’s a womanizer. We can tell because he wears a red jacket and his shirt is half-buttoned. Goldblum decides that he wants to break up the married couple. Boo! Hiss! But wait a minute — neither the husband nor the wife are likable or interesting. Go, Jeff, go! BREAK UP THAT BORINGASS MARRIAGE!

Oh! And Nicole (Donna Summer) is wandering around the club too. She wants a chance to perform but the DJ refuses to let her. So, eventually, she just grabs a microphone and she starts to sing. Luckily, the song she sings is Last Dance and, by singing it, she gives everyone an excuse to go home. If you’ve ever been to a karaoke night, you know that, as soon as a drunk sings Last Dance, it’s time to pay the bill and get the Hell out of there.

Last Dance was apparently written specifically for Thank God, It’s Friday. Or maybe Thank God, It’s Friday was written specifically for Last Dance, who knows? What we do know is that Last Dance won the Oscar for Best Original Song. That’s right — Thank God, It’s Friday is an Oscar winner and therefore, will always be enshrined with fellow Oscar winners like Crash, Titanic, and SPECTRE.

(Which songs did Thank God, It’s Friday beat? It defeated a song from Grease, which is a good thing because Grease is even more annoying than Thank God, It’s Friday. That’s right, I said it. And you know it’s true.)

Anyway, Thank God, It’s Friday is a really bad movie, one that is full of bad writing, bad jokes, bad performances, and indifferent direction. It’s tempting to say that the music was really good but actually, we don’t hear much of the music. The movie is often more concerned about what’s happening in the club’s parking lot than in what is happening (and being heard) on the inside. We may not hear much music but we do get to see some pretty icky racial stereotyping and who would guess that a movie about disco would be so homophobic?

(We don’t see any cocaine, though I’m sure you could probably hear the key grip and the gaffer snorting a line off-camera if you listened closely enough. A lot of the cast looked pretty wired.)

ANYWAY — here’s the important thing about Thank God, It’s Friday. Occasionally, I’ll watch a movie like Dazed and Confused or Boogie Nights or Saturday Night Fever and I’ll get jealous because I know that I’ll never get a chance to experience the 70s first hand. Fortunately, something like Thank God, It’s Friday will always be around to reassure me, “No, Lisa. The 70s sucked!”

Thank God, it’s Friday?

No, thank God the movie’s over.