Like our intrepid TV correspondent, Patrick Smith, I also watched the Emmy Awards last night. There were bits of the show that I liked and there was a lot about the show that I didn’t care for. I felt that Andy Samberg fell flat as host. I thought that a lot of the acceptance speeches were so dull that I considered them to be a personal attack on anyone watching. (I’m looking in your direction, Lisa Cholodenko.) The political posturing felt shallow, as it often does at the Emmy awards.
(Even the political speeches that did work often seemed like they were being wasted on a crowd that has no concept of self-awareness. Viola Davis made a passionate, timely, and articulate plea for diversity but it’s hard not to feel that, even though all the white liberals in the room patted themselves on the back for listening to her and applauding, that’s probably all that they’re going to do.)
And yet I was happy because Veep — my absolute favorite show — finally won for Best Comedy! I love Veep because it’s a show where everyone in politics — regardless of party or ideology — is revealed to be either a terrible human being or totally and completely ineffectual. Julia Lous-Dreyfus won the Emmy for Best Comedy Actress while Tony Hale picked up his second consecutive supporting award.
The only disappointment in Veep‘s victory? Anna Chlumsky did not win the Emmy for Best Supporting Actress in a Comedy. This season of Veep was truly Chlumsky’s season! The scene below — which is today’s scene that I love — shows Chlumsky at her absolute best. In this scene, Chlumsky’s Amy Brookhiemer finally reaches her breaking point as she realizes that her boss, President Selina Meyer (Louis-Dreyfus), essentially stands for nothing.
Even though most of us will never work for or even know a President, I think we can all relate to Amy’s feelings. And, seriously — who hasn’t wanted to tell someone off as beautifully as Amy does here?
For this scene alone, Anna Chlumsky deserves all the awards in the world!
Finally, we get to the fall season! Cooler temps, the sun sets earlier, the leaves change to beautiful colors! And you know what that means? Real TV is back! We are done with the summer “reality crap” No more of ‘How do I magic this’ or ‘Network burns off this show’ or ‘my Big Brother watches this house’. We get real TV back! The TV I want to watch. And they are several Shows I have set my DVR for.
I will take these in order of the day they show on, and full disclosure, I have seen a couple of the pilots, I will note them if I have.
Monday:
We all know “Gotham” is coming back with it’s new season, ‘Rise of the villains.’ I have not seen the screener for “Gotham” but the trailer looks awesome!
Also, on Monday, Fox will premier it’s new show “Minority Report” based on the Steven Spielberg movie of the same name. I have seen this pilot and although I try to give each show a four episode test…don’t bother.
But if you must look, here is a glimpse ..
Tuesday
Tuesdays are going to be way over loaded this year! We got “Scream Queens” and “The Muppets” (as of this writing, I have only seen the screener for “The Muppets,” which is hilarious!) I will have to watch “Scream Queens” live with you!
But the trailers are here;
“Scream Queens“
And
“The Muppets“
Wednesday:
The reboot of “Rosewood” is here! Ok, I have to admit, I loved the original series and I have seen the pilot of the reboot. Against the popular opinion, I actually thought it was a great pilot reboot! Judge for yourself!
Thursday:
“Heroes;Reborn“
Heroes was great during season one, But let’s not forget what happened during season two and the writers strike!
I want “Heroes” to be the success it was before.
Like it or not…you can be reborn here.
That was just a little of what I will cover this fall!
Here’s the latest promo for AMC’s Fear the Walking Dead! It doesn’t really tell us much about the show but it’s always fun to watch bad things happen to Los Angeles.
A&E, the network who produced Bates Motel, a sorta prequel to Psycho, is now producing Damien, a sorta sequel to the original Omen. (Apparently, all of the sequels and the remake are being ignored.) So, I guess would have a cross-over event where Norman Bates met the son of the Devil.
But until that happens, here is the trailer for Damien.
Here’s the 2nd promo for AMC’s upcoming Fear the Walking Dead! This promo still doesn’t feature any walkers and that’s probably for the best. After all, we already know that this is a show about zombies. Instead, in this promo, we actually get to listen to people talk. On the characters claims that there have been reported outbreaks “in five different states!”
(He may be making the mistake of thinking that Vermont is a state. It happens.)
Personally, I like the enigmatic approach that AMC is taking with the Fear The Walking Dead promos. If nothing else, both this and the previous promo capture the atmosphere of impending doom that one would associate with a zombie apocalypse.
This promo for AMC’s upcoming Fear The Walking Dead is entitled Nick’s Escape. It really doesn’t tell us anything about the show, beyond the fact that there’s a guy named Nick who can run. It’s too early to say whether or not Nick is hot, largely because he’s running here and he’s too scared to do any hot guy facial expressions.
So, as you probably heard, AMC is doing a spin-off of The Walking Dead. It’s going to be called Fear the Walking Dead, which is not exactly the greatest title that I’ve ever heard.
(Seriously, Fear the Walking Dead sounds like it should be the title of a low-budget, Asylum-produced mockbuster version of The Walking Dead...)
But, despite that imperfect title, Fear the Walking Dead is still highly anticipated by Walking Dead fans. (Is Chris Hardwick going to host Talking Fear?) Apparently, it’s going to be a prequel, dealing with the early days of the zombie outbreak and maybe it will even offer up some clues as to why it all happened in the first place. Even better, it’s going to take place in Los Angeles so we won’t have to deal with any dodgy accents.
Here’s the first promo for Fear the Walking Dead. It aired last night during the Walking Dead‘s season finale. It really doesn’t tell us much about the show itself but, at the same time, it does have a nicely ominous feel.
The cast of The Neighbors. Yes, that is Tommy Wiseau in a blonde wig…
Earlier tonight, I went onto Hulu and I watched the first episode of The Neighbors, which is the latest project from cult movie icon Tommy Wiseau.
Before I even start watching, I knew that The Neighbors would be bad. That’s really the only reason that anyone would choose to watch The Neighbors, just to see how bad it could possibly be. After all, Tommy Wiseau is best known as the director of The Room, a film that has become famous for being one of the worst ever made. And, as I’ve made clear on this site in the past, I absolutely love The Room. I own a copy. My boyfriend and I have attended countless midnight showings of The Room, where we’ve shouted out all the lines and we’ve thrown plastic spoons at the screen with joyous abandon. When Clint Jun Gamboa showed up on American Idol, I wanted him to win just because he composed three of the songs that appear on The Room soundtrack. I consider The Disaster Artist to be one of the best film books ever written. I’ve even been lucky enough to interact with Room co-star Greg Sestero on twitter. The Room is a bad film that you can’t help but love and I think that a lot of people — like me — assumed that The Neighbors would be a bad sitcom that you could not help but love.
Uhmm yeah … about that.
Having now watched the first episode of The Neighbors (entitled “Meet the Neighbors”), I can definitely say that sitting through it was perhaps the most unpleasant 31 minutes of my life so far.
The Neighbors is about an apartment complex. (Every few minutes, we see the exact same establishing shot of the building while some rudimentary but catchy EDM plays in the background.) The tenants are an eccentric bunch but, fortunately, they’re all watched over by property managers Charlie (Tommy Wiseau) and Bebe (Gretel Roenfeldt). Remember how, in The Room, everyone was always asking Johnny for his advice? Well, the same seems to apply for Charlie here. For the most part, the first episode of The Neighbors consisted of characters stepping into Charlie’s office and telling him about their problems. Charlie gives advice that is, of course, delivered in that famously impenetrable Wiseau accent. Characters leave the office. “What a day!” Charlie says.
(It’s interesting that, in both The Neighbors and The Room, Wiseau played a wise man who keeps his childish friends from making terrible mistakes. Based on his performances and the portrait of him that emerges in Greg Sestero’s book, The Disaster Artist, I imagine that’s the way that Wiseau prefers to view himself in real life.)
The other main storyline deals with CiCi (Pamela Bailey), a woman who owns a chicken. When she can’t find her chicken, she wanders around the apartment complex, screaming at people and demanding that they return her chicken. Eventually, she finds her chicken.
Yay.
There are other things going on, of course. There’s a guy who is thinking about hanging himself but then he’s paid a visit by Philadelphia (Karly Kim), who has big plastic boobs, looks straight at the camera whenever she has to deliver her lines, and who spends the entire episode wearing a pink bikini. And then there’s Troy (Andrew Buckley) who smokes weed and sells gun and yells a lot. When we first meet Troy, he’s angry because he’s found a big note on his door that reads, “BRING $850 TODAY OR BE EVICTED.” And then there’s Tim (Raul Phoenix) who always has a basketball with him and who is always borrowing money from Tommy so that he can pay back Bebe or from Bebe so that he can pay back Tommy. There’s a handyman named Ed (Jonathan Freed) and a pizza boy named Joe (Brian Kong) who rents an apartment of his own. Joe is Asian but his last name is Spielberg because that’s what passes for the height of hilarity in The Neighbors. Both Joe and Ed also wear Tommy Wiseau-brand underwear.
There was one character that I did like. Lula (Cheyenne Van Zutphen) is the girlfriend of drug dealer Ricky Rick (played, in a blonde wig, by Tommy Wiseau). Lula has the power to literally hypnotize people with her charm. That’s a great power to have and, at one point, she uses it to get a free gun from Troy. When Troy comes out of his charmed state, he yells and yells while the camera zooms in on his sweaty face.
There’s also a tenant who is upset because his pregnant wife has figured out that he’s gay. His name is Don and when he first steps into the office, Charlie says, “Oh hai, Don,” and you’re briefly reminded of how much more fun The Room was compared to this. Don and his wife have a huge fight in the manager’s office while Charlie and Bebe try to maintain the peace. It all adds up to a lot of yelling.
And that, to be honest, is why The Neighbors was such an unpleasant viewing experience. Everyone in this show yells nonstop. They yell when they argue. They yell when they say hello. They yell when they tell jokes. They yell when they say goodbye. After spending just a few minutes of listening to them, I had a massive headache. Imagine if the “WHERE’S MY FUCKING MONEY!?” scene from The Room had gone on for 32 minutes and you have a pretty good idea of what it was like to watch The Neighbors.
One reason why The Room is so beloved is because, as bad as it is, it’s also a legitimate movie. The Room is blessed with such a mix of sincerity and ineptness that the film becomes both terrible and endearing. You marvel at how bad the film is while also respecting Wiseau for staying true to his own eccentric vision. The Neighbors, on the other hand, has all of the ineptness of The Room but none of the sincerity. The Room is fascinating because it’s so clearly the product of Wiseau’s own eccentric world view. The Neighbors, meanwhile, is the product of Wiseau’s newfound fame. The Room was made by a director who wanted to make a statement. The Neighbors, on the other hand, was made by a director who knows that people will watch anything that has his name slapped onto it, regardess of what it may be.
The Room is a guilty pleasure. The Neighbors is just guilty. (One side effect of thinking about Tommy Wiseau is that you soon find yourself writing like him as well.)
That said, I’m still probably going to watch the other three episodes of The Neighbors. The first episode was so bad that the show itself has nowhere to go but up.
Through the Shattered Lens 