1956’s The Black Sleep opens in a London prison cell. The year is 1872 and Dr. Gordon Ramsay (Herbert Radley) awaits execution. He’s accused of murdering a chef who twice sent rubbery scallops to the pass …. wait, a minute, sorry. Wrong Gordon Ramsay! This Gordon Ramsay is accused of murdering a man named Curry and he’s considerably more whiny than the modern-day Gordon Ramsay.
Ramsay is visited by Sir Joel Cadman (Basil Rathbone) and Cadman’s associate, Odo the Gypsy (Akim Tamiroff). Cadman explains that he has developed a potion called “The Black Sleep.” Drinking it will put the drinker in a state of suspended animation that can pass for death. And, indeed, it will turn into death unless Cadman administers the antidote. Cadman offers to give the potion to Ramsay, in return for Ramsay helping Cadman out with his own experiments. Ramsay agrees.
Ramsay is found “dead” in his cell. His body is claimed by Cadman and Odo. (Odo mentions that, in a past life, he was a grave robber and that he died as a result of the guillotine.) Ramsay is revived and goes to work with Cadman. As soon as Ramsay enters Cadman’s mansion, he finds himself surrounded by several familiar faces. For instance, Lon Chaney, Jr. plays the twisted Mungo, who stumbles through the hallways of the mansion and can only be controlled by Daphnae (Phyllis Stanley). Bela Lugosi plays Casimir, the mute butler. Bohemud (John Carradine) is a bearded man who rants and raves and calls for Biblical vengeance. And finally, in the basement, there’s Mr. Curry (Tor Johnson), the man who Ramsay was convicted of murdering! It turns out that Cadman isn’t quite as benevolent as he presented himself as being.
The Black Sleep may feature an incoherent story but it has a great cast and it is entertaining to see Carradine, Chaney, Tor Johnson, Akim Tamiroff, Bela Lugosi, and Basil Rathbone all living under the same roof and trying to outdo each other as far as the scenery chewing is concerned. Admittedly, some members of the cast look healthier than others. Rathbone is as imperiously dashing as always and John Carradine appears to be having a lot of fun with his role. Akim Tamiroff gets all of the best lines as Odo and he delivers them with just the right amount of wit. Unfortunately, neither Chaney and Lugosi were in good shape when they appeared in this film. Lugosi was ill when he did the film. Chaney, meanwhile, had seen his one-promising career sabotaged by his own alcoholism and, by the time the 50s rolled around, his once handsome features were now ravaged by his drinking. It transformed him from being a somewhat dull leading man to a craggly character actor. (Producer/director Stanley Kramer considered Chaney to be one of the best character actors in Hollywood and cast him in both High Noon and The Defiant Ones.) In The Black Sheep, Chaney’s face is twisted and almost ravaged. It works for the film but it’s still sad to see. As for Tor Johnson …. hey, he’s Tor Johnson. He growls and he tosses things around and he does so convincingly.
(In an interview shortly before his death, Tor said he was offered the role of Oddjob in Goldfinger. It’s sad to think the world was robbed of the Sean Connery/Tor Johnson team-up it needed.)
This was Bela Lugosi’s final film performance before his death in 1956. (The footage that appears in Plan 9 From Outer Space was filmed before The Black Sleep.) It’s a shame that Lugosi wasn’t given more to do in his final film. Lugosi, with that famous voice, ending his career playing a mute just doesn’t seem right.
Through the Shattered Lens 