Retro Television Review: Malibu CA 2.22 “Doctor Freeze”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Malibu CA, which aired in Syndication in 1998 and 1999.  Almost the entire show is currently streaming on YouTube!

Yes, this is from the first season. I don’t care. I refuse to waste my time looking for a second season advertisement.

This week, everyone on the show continues to be absolutely terrible.  Every day, I am thankful that there are only a handful of episodes left.

Episode 2.22 “Doctor Freeze”

(Dir by Gary Shimokawa, originally aired on April 22nd, 2000)

This week’s episode of Malibu, CA was perhaps the worst 22 minutes of television that I have ever watched.  Not surprisingly, the episode focused on Lisa (the character, not me).

Lisa wants to be a doctor.  She’s just received an ER internship.  But when Scott cuts his finger, she sees the blood and faints.  When she shows up at the ER, she gets overwhelmed by all the patients and runs around in a panic saying things like, “You could have flesh-eating bacteria!”  The ER doctor tells Lisa that she has no business in the medical field.

And he’s absolutely right.  If you can’t handle the sight of blood, you shouldn’t be a doctor.  If you can’t check someone into the ER without telling them that they might have flesh-eating bacteria, you shouldn’t be a doctor.  That’s just common sense.  Being a doctor is an important job.  You don’t get a second chance to not kill someone.

And yet we’re supposed to feel bad for Lisa as she worries about never becoming a doctor, even though it’s her own fault for telling a patient with sunburn that he has flesh-eating bacteria.  Lisa’s reaction to what appears to be a rather small cut on Scott’s finger is so over-the-top that it should automatically be disqualifying as far as becoming a doctor is concerned. Being a woman means dealing with blood on a regular basis and I’m talking about a lot more blood then you’re going to get from cutting a finger.  Lisa (the character, not me) is an unforgivable wimp.

And yet she is given a second chance, after someone injures themselves while surfing and Lisa tells everyone not to move his head.  The doctor at the ER theorizes that Lisa only freaked out about the blood because of how much she loves Scott.  “That why most doctors don’t treat their own family members!” he explains.  Lisa was so worried about freaking out over the blood that she got overwhelmed during her first night at the ER and …. LISTEN, I DON’T WANT A DOCTOR WHO GETS OVERWHELMED!  I don’t care what the excuse is.  I don’t want an incompetent doctor!

Let’s move on.  The B-plot was yet another plot where something good happens to Traycee and her stupid friends ruin it for her.  Traycee runs into a record promoter on the beach and he automatically gives her a recording contract.  She sings one of Jason’s songs.  The music video is filmed overnight but, when Jason, Tracyee, and Alex watch the video, Jason and Alex realize that another singer has been dubbed over Traycee’s vocals.

Jason is offended.  It’s goes against his …. his what?  Up until now, Jason has been portrayed as a compulsive liar who only cares about money.  Now, suddenly, he cares about integrity?  Anyway, after Jason tells her, Traycee is also offended and she refuses to continue working with the promoter.  I assume that means Traycee will now be sued for several million dollars.  Way to go, Jason!

God, I hate this show.

January True Crime: Shoot First: A Cop’s Vengeance (dir by Mel Damski)


Made for television in 1991 and possessing a rather unwieldy title, Shoot First: A Cop’s Vengeance tells the story of two friends in San Antonio in the early 80s.

Farrell Tucker (Dale Midkiff) and Stephen Smith (Alex McArthur) are both cops.  They entered the police academy together, they graduated as a part of the same class, and they both hope to be partners while working to keep the streets of San Antonio safe.  Tucker is laid back and friendly and not one to worry too much about following all of the regulations.  Stephen Smith, on the other hand, is uptight and, at first, by-the-book.  He grew up in a poverty-stricken, crime-riddled neighborhood and it left a definite impression on him.  He hates crime and criminals but what he really can’t stand is a justice system that seems to be more concerned with the victimizers than with the victims.  Tucker and Smith enjoy spending their time together, drinking at the local cop bars and practicing their shooting on the weekends.  Tucker’s not much of a shot, whereas Smith is a sharpshooter who rarely misses.

At first, no one notices or even cares that some of San Antonio’s less upstanding citizens are getting gunned down in the streets.  But when Smith somehow manages to be first on the scene to a series of shootings, it gets the attention of Internal Affairs.  With Sergeant Nicholas (Terry O’Quinn) investigating the possibility of a cop-turned-vigilante and Chief Hogan (G.D. Spradlin) announcing that no one is above the law, Smith starts to get a bit paranoid and Tucker is forced to consider that his friend could very well be a murderer.

And, of course, Tucker’s right!  The first scene features Tucker confronting Smith and then the majority of the film is told in flashback.  Even if not for that narrative choice, one could guess at Smith’s guilt just from the title of the film.  When Shoot First: A Cop’s Vengeance was released on home video, the title was changed to Vigilante Cop, which made Smith’s guilt even more obvious.  Finally, some viewers will guess that Smith is guilty because the film is based on a true story.  Officer Stephen Smith actually did go on a killing spree, gunning down men who he felt had escaped the law and even sending threatening letters to his chief when the latter announced that vigilante activity would not be tolerated.  Officer Stephen Smith went from being a follower of the rules to someone who attempted to write his own rules.  It’s an interesting story for anyone who wants to google it.

As for the film, it’s adequate without being particularly memorable.  Alex McArthur and Dale Midkiff both give good performance as Tucker and Smith and the cast is full of talented people like Terry O’Quinn, G.D. Spradlin, Bruce McGill, and Lynn Lowry.  Observant viewers will even notice a long-haired Jeremy Davies, showing up for a split-second.  I liked the performance of Loryn Locklin, as the waitress who marries Smith and then discovers that her charming husband actually has some very serious issues.  The main problem with the film is that the story moves a bit too slowly for its own good and some of the Texas accents were more than a little dodgy.  If you’re looking for an action film, this won’t be for you, though the shootings are surprisingly graphic for something that was made for television.  Shoot First: A Cop’s Vengeance is a rather routine telling of an interesting story.