Quick Review: The Sorcerer’s Apprentice (dir. by Jon Turteltaub)


The Sorcerer’s Apprentice may be one of Disney’s better Live Action features. Borrowing from a small segment in Disney’s Fantasia, it builds a pretty cool story and still manages to pay homage to the original in it’s own way. Executive Produced by and starring Nicolas Cage, the film reunites him with his National Treasure director, Jon Turteltaub.

In the Dark Ages, the great wizard Merlin fought a major battle against the evil Morgana (Alice Krige, Star Trek: First Contact). At his side were his three apprentices, Veronica (Monica Bellucci, Beetlejuice Beetlejuice), Horvath (Alfred Molina, Prince of Persia) and Balthazar (Nicolas Cage). When Horvath betrays Merlin, both he and Morgana are defeated, contained in a layer of nesting dolls. Veronica is also part of the doll as she sacrifices herself to keep Morgana at bay. In order for Morgana to be destroyed, however, this can only be done by the Prime Merlinian, a Sorcerer of unimaginable power. To find the Prime Merlinian, Balthazar is given a ring for him to use.

When young Dave Stutler encounters Balthazar in his curio shop, we find that the ring does react to him and he may very well be the Prime Merlinian. Dave accidentally frees Horvath from the nesting doll and is saved by Balthazar before the pair of sorercers are trapped in an urn. 10 Years Pass (to the day), causing an event where both Horvath and Balthazar are freed. Can Balthazar train Dave (Jay Baruchel, Goon) in time to defeat Morgana, especially when Dave’s attentions are more focused on the girl of his dreams, Becky(Teresa Palmer, Netflix’s A Discovery of Witches)?

Thoughout his career, one of Cage’s magical traits is that he fully throws himself into a role. Not so much ‘method’ as maybe a Jeremy Strong (which may be more over the top), but he brings his own style to the mix. There isn’t a Cage character that isn’t enriched by the performances he brings to the table. For The Sorcerer’s Apprentice, he’s slightly subdued, but still carries the moxie he had in fllms like Face/Off, The Rock or even Mandy. He does make for a good father figure in this film.

Of course, the supporting cast is great. Molina makes for a nice villain in Horvath, with Toby Kebbell (Rock-n-Rolla) as an evil apprentice. Baruchel’s performance is pretty similar to what he did for How to Train Your Dragon, which made him perfect for this.

Building off of the National Treasure films, there’s as much humor in The Sorcerer’s Apprentice as there is adventure. After all, we are dealing with a tale of magic and wizards. There’s a cool car chase and a nice final confrontation. The connecting scene to Fantasia is a cute one, with magical brooms and mops trying to clean the workshop was a nice touch. The main theme of the story is just learning to believe in oneself and trust in what you’re capable of.

The Oscars: The Visual Effects SemiFinalists


The Visual Branch Executive Committee of the Academy of Motion Pictures Arts and Scienes (yes, you can say it five times fast but can you say it five times fast while eating a pop tart — I think not!) has released a list of the 15 semifinalists for the 2010 Oscar for Best Visual Effects.

And here they are:

  • Alice in Wonderland
  • The Chronicles of Narnia: The Voyage of the Dawn Treader
  • Clash of the Titans
  • Harry Potter and the Deathly Hallows Part 1
  • Hereafter
  • Inception
  • Iron Man 2
  • The Last Airbender
  • Percy Jackson and the Olympians: The Lightning Thief
  • Prince of Persia: The Sands of Time
  • Scott Pilgrim vs the World
  • Shutter Island
  • The Sorcerer’s Apprentice
  • TRON: Legacy
  • Unstoppable

This list will be narrowed down again to 7 semifinalists and then in February, the actual nominees will be announced.

Looking over this list, there’s a few bright spots.  I don’t think anyone’s surprised that Inception made the cut but it’s still good to see it there.  I’m also happy to see that there’s at least a chance that Scott Pilgrim Vs. The World might get some love.  Same thing with Shutter Island.

As for the rest of the list — well, it’s pretty much what you would expect to see, isn’t it?  Clash of the Titans?  Really?  I have to admit that I don’t remember the film all that well but didn’t the special effects kinda look like …. well, crap?  I can only assume that the voters were overwhelmed by the raw charisma of Sam Worthington.  Prince of Persia was a little better but still, for the most part, the effects were routine, dull, and predictable.  Hereafter featured an impressive tsunami but otherwise, the visual effects were pretty much limited to making the afterlife resemble a poorly lit office of the DMV.

As usual, I guess what’s really interesting about this list isn’t what’s listed as much as what’s not.  I would happily replace both Clash of the Titans and Price of Persia with Splice and Skyline, two mediocre films that were distinguished by impressive f/x work.

For that matter, even the Social Network featured Armie Hammer acting opposite himself.

I’m also disappointed to see that Black Swan was left off the list.  In typical Darren Aronofsky fashion, they did indeed come close to going over the top.  The fact that they didn’t is exactly why they deserve to be honored.

(I found this list of semifinalists on AwardsDaily.com but I’m not including a link because the site is run by an elitist dumbfug who apparently thinks that she’s the end-all/be-all of Oscar commentators.  Yes, she’s a commentator and not just some grubby little blogger like the rest of us.  Or, as she once put it — “I know the game.  Hell, I am the game…”  When I call someone a toadsucker, that’s the type of person I’m talking about.)