Song of the Day: Don’t You Want Me by The Human League


Inspired by a story that the Human League’s Phil Oakley read in a teen-girl’s magazine, Don’t You Want Me is a song not about love but instead a song about two people battling for control.  While the song was originally conceived as being a male solo, Oakley made the last-minute decision to turn it into a duet, with Susan Ann Sulley taking on the role of the girl who once worked in a cocktail bar but always knew she was meant for a much better life.

After the song was recorded, Oakley disliked it because he felt that the song’s sound was too “poppy” and he was not happy when Virgin decided to release Don’t You Want Me as the fourth single off of The Human League’s third studio album, Dare!  Despite Oakley’s misgivings, Don’t You Want Me went on to become the band’s biggest hit and one of its signature songs.

(As of 2014, Phil Oakley still didn’t think much of the song.  In an interview with Classic Pop Magazine, Oakley said, “‘Don’t You Want Me‘ might have shifted gazillions, but either I’ve heard it too many times or the rest of Dare! is just so far ahead that it puts it in the shade. Still, it made the band.”)

Don’t You Want Me was the 1981 Christmas number one in the UK, where it has sold over 1,560,000 copies, making it the 23rd most successful single in the history of the UK Singles Chart.  In 2015, in an ITV poll, it was voted the 7th most popular number one single of all time.

Music Video of the Day: Mirror Man by The Human League (1982, directed by Brian Duffy)


The music video may be about a ghost (Philip Oakley) haunting a theater but Oakley has always said that this song is actually about Adam Ant.

Director Brian Duffy was best-known for his work as a fashion photographer.

Enjoy!

Music Video of the Day: Mirror Man by The Human League (1982, directed by Brian Duffy)


In the music video for Mirror Man, Philip Oakley plays a ghost who is haunting a theater.  A few years after this video came out, Oakley mentioned in an interview that the song wasn’t actually about a ghost but was instead about Adam Ant.

Director Brian Duffy was best-known for his work as a fashion photographer.

Enjoy!

Music Video of the Day: Human by The Human League (1986, directed by Andy Morahan)


In this song, The Human League takes on themes of human infidelity and forgiveness.  The video was filmed in London and it was stylized to present the band with a constant blue hue, as if they were being viewed through water.

Andy Morohan has been a busy commercial and music video director from the 80s onward.  He’s directed videos for everyone from Kim Wilde, Orchestral Maneuvers in the Dark, Pet Shop Boys, to Guns N’ Roses, Aerosmith, Bon Jovi, and Meat Loaf.  Looking over his list of credits, it is hard not to wonder what it was like going from the The Human League and George Michael to Axl Rose and Slash.

Enjoy!

Music Video of the Day: Don’t You Want Me by The Human League (1981, directed by Steve Barron)


Inspired by a story that the Human League’s Phil Oakley read in a teen-girl’s magazine, Don’t You Want Me is a song not about love but instead a song about two people battling for control.  While the song was originally conceived as being a male solo, Oakley made the last-minute decision to turn it into a duet, with Susan Ann Sulley taking on the role of the girl who once worked in a cocktail bar but always knew she was meant for a much better life.

After the song was recorded, Oakley disliked it because he felt that the song’s sound was too “poppy” and he was not happy when Virgin decided to release Don’t You Want Me as the fourth single off of The Human League’s third studio album, Dare!  Despite Oakley’s misgivings, Don’t You Want Me went on to become the band’s biggest hit and one of its signature songs.

(As of 2014, Phil Oakley still didn’t think much of the song.  In an interview with Classic Pop Magazine, Oakley said, “‘Don’t You Want Me‘ might have shifted gazillions, but either I’ve heard it too many times or the rest of Dare! is just so far ahead that it puts it in the shade. Still, it made the band.”)

The music video was shot at a time when MTV was still in its infancy and many people weren’t even sure what a music video was supposed to be.  Filmed on a cold, rainy night in Slough, Berkshire, the video featured Phil Oakley as a director and Susan Ann Sulley as the actress who walks out on him during the filming of a murder-mystery.  Director Steve Barron used 35mm film, giving the video a richly cinematic look that was unusual for the music videos of the time.  Reportedly, Barron was influenced by Truffaut’s Day For Night, which is why the clapper board features the inscription, Le League Humain.

The video not only helped to make the song a hit but it also did the same for MTV itself.  At a time when many were still wondering if people would actually watch MTV, the popularity of this video gave them a reason to do just that.  The video proved that music videos didn’t have to just be bland performance clips.  Instead, like any film, a music video could tell a story of its very own.

Don’t You Want Me was the 1981 Christmas number one in the UK, where it has sold over 1,560,000 copies, making it the 23rd most successful single in the history of the UK Singles Chart.  In 2015, in an ITV poll, it was voted the 7th most popular number one single of all time.

Music Video of the Day: (Keep Feeling) Fascination by The Human League (1983, dir. Steve Barron)


Two years before he directed a-ha’s Take on Me, Steve Barron directed this very simple music video for The Human League. He has a huge filmography when it comes to music videos from the late 1970s through the 1980s. We’ll see him again. He also directed some features such as the original Teenage Mutant Ninja Turtles (1990) and Coneheads (1993).

He did this video with it’s single color room, single color clothes, and single color outside that reminds one of conformity. It’s also a place that is located on a map, or a starting place or turning point for your life. I like how the lyrics of the song, and of course the gender non-conformity of Philip Oakey, contrast with the appearance of the room and the band. I don’t know about you, but I look at this video and can see this room transform into the pencil drawn one from Take on Me.

Oakey was known to even dress in matching outfits with female members of the band back then. He isn’t transgender or anything like that. He was just gender non-conforming.

The area you see as being orange was actually painted that way shortly before the house was demolished. The band’s scenes were filmed in a studio, which you can spot as the camera goes through the window. There is a tiny little bit that is easy to miss with the orange. Outside the house there are a couple of kids playing with a soccer ball. When one of the kids retrieves it from the orange outside of the house, his clothes suddenly change color to match.

This is another song that I discovered courtesy of the Grand Theft Auto: Vice City soundtrack.