The Friend | Through the Shattered Lens

Here are the 2025 nominations of the Las Vegas Film Critics Society.

BEST PICTURE
Frankenstein
Marty Supreme
One Battle After Another
Sinners
Train Dreams

BEST ACTOR
Timothée Chalamet – Marty Supreme
Leonardo DiCaprio – One Battle After Another
Joel Edgerton – Train Dreams
Michael B. Jordan – Sinners
Jesse Plemons – Bugonia

BEST ACTRESS
Jessie Buckley – Hamnet
Rose Byrne – If I Had Legs I’d Kick You
Renate Reinsve – Sentimental Value
Amanda Seyfried – The Testament of Ann Lee
Emma Stone – Bugonia

BEST SUPPORTING ACTOR
Benicio del Toro – One Battle After Another
Jacob Elordi – Frankenstein
Delroy Lindo – Sinners
Sean Penn – One Battle After Another
Stellan Skarsgård – Sentimental Value

BEST SUPPORTING ACTRESS
Emily Blunt – The Smashing Machine
Elle Fanning – Sentimental Value
Ariana Grande – Wicked: For Good
Amy Madigan – Weapons
Teyana Taylor – One Battle After Another

BEST DIRECTOR
Guillermo del Toro – Frankenstein
Josh Safdie – Marty Supreme
Paul Thomas Anderson – One Battle After Another
Ryan Coogler – Sinners
Clint Bentley – Train Dreams

BEST ORIGINAL SCREENPLAY
Marty Supreme
Sentimental Value
Sinners
Sorry, Baby
Weapons

BEST ADAPTED SCREENPLAY
Bugonia
Frankenstein
No Other Choice
One Battle After Another
Train Dreams

BEST CINEMATOGRAPHY
F1: The Movie
Frankenstein
One Battle After Another
Sinners
Train Dreams

BEST FILM EDITING
F1: The Movie
Marty Supreme
One Battle After Another
Sinners
Train Dreams

BEST SCORE
F1: The Movie
Frankenstein
One Battle After Another
Sinners
Tron: Ares

BEST SONG
Clothed by the Sun – The Testament of Ann Lee
Drive – F1: The Movie
Golden – KPop Demon Hunters
I Lied to You – Sinners
Train Dreams – Train Dreams

BEST DOCUMENTARY
The Alabama Solution
Come See Me in the Good Light
Cover Up
John Candy: I Like Me
The Perfect Neighbor

BEST ANIMATED FILM
Arco
Demon Slayer: Kimetsu no Yaiba The Movie: Infinity Castle
In Your Dreams
KPop Demon Hunters
Zootopia 2

BEST INTERNATIONAL FILM
It Was Just an Accident
Left-Handed Girl
No Other Choice
Sentimental Value
The Secret Agent

BEST COSTUME DESIGN
Frankenstein
Hamnet
Kiss of the Spider Woman
Sinners
Wicked: For Good

BEST ART DIRECTION
Avatar: Fire and Ash
Frankenstein
Marty Supreme
Sinners
Wicked: For Good

BEST VISUAL EFFECTS
Avatar: Fire and Ash
F1: The Movie
Mission: Impossible – The Final Reckoning
Superman
The Fantastic Four: First Steps

BEST ACTION FILM
From the World of John Wick: Ballerina
Mission: Impossible – The Final Reckoning
Predator: Badlands
Superman
The Running Man

BEST COMEDY
Eternity
Friendship
The Ballad of Wallis Island
The Naked Gun
One of Them Days

BEST HORROR / SCI-FI
28 Years Later
Bring Her Back
Frankenstein
Sinners
The Long Walk

BEST FAMILY FILM
How to Train Your Dragon
KPop Demon Hunters
Lilo & Stitch
The Legend of Ochi
Zootopia 2

BEST ANIMAL PERFORMANCE
Bing, the Great Dane – The Friend
Hercules, the Dog – Marty Supreme
Indy – Good Boy
Olga, the Cat – Sorry, Baby
Richard and Baba – The Penguin Lessons

BEST ENSEMBLE
Jay Kelly
Marty Supreme
One Battle After Another
Sentimental Value
Sinners

BREAKOUT FILMMAKER
Clint Bentley – Train Dreams
Drew Hancock – Companion
Emilie Blichfeldt – The Ugly Stepsister
Eva Victor – Sorry, Baby
James Sweeney – Twinless

BEST STUNTS
F1: The Movie
From the World of John Wick: Ballerina
Mission: Impossible – The Final Reckoning
Predator: Badlands
The Running Man

YOUTH MALE PERFORMANCE (UNDER 21)
Christian Convery – Frankenstein / The Monkey
Jacobi Jupe – Hamnet
John Wren Phillips – Bring Her Back
Mason Thames – How to Train Your Dragon
Miles Canton – Sinners

FEMALE YOUTH PERFORMANCE (UNDER 21)
Helena Zengel – The Legend of Ochi
Maia Kealoha – Lilo & Stitch
Nina Ye – Left-Handed Girl
Shannon Mahina Gorman – Rental Family
Sora Wong – Bring Her Back

WILLIAM HOLDEN LIFETIME ACHIEVEMENT AWARD
Kathryn Bigelow
Barbara Broccoli
Kathleen Kennedy
Delroy Lindo
Sigourney Weaver

Having been recently diagnosed with serious heart problems and having also recently lost his wife in a car accident, James Bragg (Gary T. Smith) collapses when he’s informed that he has been fired from his job. When he opens his eyes, he discovers that his office is on fire. A man in a suit (Clay Butler) claims to be an agent with the Department of Homeland Security and he explains that the building has been bombed.

“By who?” James asks.

“Al Qaeda. Boko Haram. Mexican drug cartels,” the man replies.

James asks for the man for his name. The man smiles and says that must people call him Bub.

Bub leads James through the burning building, explaining that he’s taking James to safety. However, as the flames grow higher, James hears a voice saying, “Don’t follow him.” Bub says that the voice is just a ploy of the terrorists but James isn’t quite so sure….

As soon as I tell you that 2023’s The Friend is faith-based film, you’ll probably be able to guess where this story is going. Will James follow Bub onto the elevator going down or will he listen to the voice telling him not to follow. Will James remember that Bub is a nickname for Beezlebub, one of the more fearsome of the demons that are said to populate Hell? Will James make peace with the death of his wife and find the strength to continue? Who will James’s new friend be? Will it be Bub or will it be the older man who always seems to be showing up in the background?

Again, you can probably guess where all this is heading but The Friend is still a well-made and surprisingly well-acted meditation on life, death, and faith and, with the exception of two scenes, it’s a film that does a good job of avoiding the preachiness that one expects to find in films like this. Along with co-directing and co-writing the script, Gary T. Smith starts in the film and he gives a good performance as a man overwhelmed by both his mortality and the loss of the person who gave his life meaning. Smith does a good job of showing how it’s the little things that hurt us the most when we’re missing someone. Even an act of kindness, like a co-worker expressing sincere sympathy, can cause the pain of a recent loss to flare up. Of course, for many viewers, the film will work because it makes Bub a government agent. The implication, whether deliberate or not, is that an authoritarian like Bub is right at home working as a federal agent and that he has no problem using James’s understandable fear of a terrorist attack as a way to convince James to give up everything that was previously important to him. Obviously, I don’t know that the filmmaker had any sort of political statement in mind when they made Bub an agent of Homeland Security but it does certainly provide an interesting subtext to the film.

Actually, I’m a bit surprised that Bub didn’t apply for a job with TSA. Imagine the pain and misery he could spread there!