4 Shots From 4 Horror Films: The 1970s Part One


This October, I’m going to be doing something a little bit different with my contribution to 4 Shots From 4 Films.  I’m going to be taking a little chronological tour of the history of horror cinema, moving from decade to decade.

Today, we start the savage 70s!

4 Shots From 4 Horror Films

The Shiver of the Vampires (1970, dir by Jean Rollin)

The Shiver of the Vampires (1970, dir by Jean Rollin)

The Abominable Dr. Phibes (1971, dir by Robert Fuest)

The Abominable Dr. Phibes (1971, dir by Robert Fuest)

The Last House On The Left (1972, dir by Wes Craven)

The Last House On The Left (1972, dir by Wes Craven)

The Exorcist (1973, dir by William Friedkin)

The Exorcist (1973, dir by William Friedkin)

Horror Song of the Day: Tubular Bells by Mike Oldfield


Mike Oldfield didn’t write Tubular Bells specifically for The Exorcist but it’s a song that works perfectly for the film.  Oldfield’s song, which was rumored to have originally envisioned as being a Christmas instrumental, become an iconic horror them.

4 Shots From 4 Films: Special William Friedkin Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, we honor director William Friedkin on what would have been his birthday.

4 Shots From 4 William Friedkin Films

The French Connection (1971, dir by William Friedkin, DP: Owen Roizman)

The Exorcist (1973, dir by William Friedkin, DP: Owen Roizman)

Sorcerer (1977, dir by William Friedkin, DP: Dick Bush and John M. Stephens)

To Live And Die In L.A. (1985, dir by William Friedkin, DP: M. Scott Smith)

 

4 Shots From 4 Films: Is It October Yet?


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking.

We’re halfway through July, which means that it’s time for me to get ready for October!  (Seriously, who cares about August and September?)  Here to inspire are….

4 Shots From 4 Horror Movies

Night of the Living Dead (1968, dir by George Romero)

The Exorcist (1973, dir by William Friedkin, DP: Owen Roizman)

Carrie (1976, dir by Brian De Palma, DP: Mario Tosi)

Suspiria (1977, dir by Dario Argento, DP: Luciano Tovoli)

 

 

Lisa Marie’s Grindhouse Trailers: 12 Trailers For Halloween


For today’s Halloween edition of Lisa’s Marie Favorite Grindhouse Trailers, I present to you, without comment, the trailers for my 12 favorite horror movies.

Happy Halloween!

  1. The Shining (1980)

2. Suspiria (1977)

3. A Field in England (2013)

4. Night of the Living Dead (1968)

5. Zombi 2 (1979)

6. The Exorcist (1973)

7. Halloween (1978)

8. Two Orphan Vampires (1996)

9. Near Dark (1987)

10. Scream and Scream Again (1970)

11. Horror of Dracula (1958)

12. Messiah of Evil (1973)

Horror Song of the Day: Tubular Bells by Mike Oldfield


It’s Sunday and today’s horror song of the day comes from a film that I plan to watch later.

Mike Oldfield didn’t write Tubular Bells specifically for The Exorcist but it’s a song that works perfectly for the film.  Oldfield’s song, which was rumored to have originally envisioned as being a Christmas instrumental, become an iconic horror them.

10 Shots From 10 Horror Films: 1973 and 1974


The Texas Chainsaw Massacre (1974, dir by Tobe Hooper, DP: Daniel Pearl)

4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

This October, I’m going to be doing something a little bit different with my contribution to 4 (or more) Shots From 4 (or more) Films.  I’m going to be taking a little chronological tour of the history of horror cinema, moving from decade to decade.

Today, we take a look at two very important years: 1973 and 1974!

10 Shots From 10 Horror Films: 1973 and 1974

Female Vampire (1973, dir by Jess Franco, DP: Jess Franco)

Don’t Look Now (1973, dir by Nicolas Roeg, DP: Anthony Richmond)

The Wicker Man (1973, dir by Robin Hardy. DP: Harry Waxman)

Lisa and the Devil (1973, dir by Mario Bava, DP: Cecilio Paniagua)

The Iron Rose (1973, dir by Jean Rollin)

The Exorcist (1973, dir by William Friedkin, DP: Owen Roizman)

Black Christmas (1974, dir by Bob Clark, DP: Reginald H. Morris)

Deathdream (1974, dir by Bob Clark, DP: Jack McGowan)

The Ghost Galleon (1974, dir by Armando de Ossorio, DP: Raul Artigut)

The Texas Chainsaw Massacre (dir by Tobe Hooper, DP: Daniel Pearl)

Lisa Marie’s Grindhouse Trailers: 12 Trailers For Halloween


For today’s Halloween edition of Lisa’s Marie Favorite Grindhouse Trailers, I present to you, without comment, the trailers for my 12 favorite horror movies.

Happy Halloween!

  1. The Shining (1980)

2. Suspiria (1977)

3. A Field in England (2013)

4. Night of the Living Dead (1968)

5. Zombi 2 (1979)

6. The Exorcist (1973)

7. Halloween (1978)

8. Two Orphan Vampires (1996)

9. Near Dark (1987)

10. Scream and Scream Again (1970)

11. Horror of Dracula (1958)

12. Messiah of Evil (1973)

Horror Book Review: The Exorcist by William Peter Blatty


Which is better, the movie or the book?

That’s a question that’s often asked and I think the knee jerk reaction is always to say that the book was better but that’s certainly not always true.  There are a few notable cases where the film has been dramatically better than the book.  Just check out The Godfather, if you don’t believe me.  Occasionally, you’ll run into something like the recent two-part adaptation of Stephen King’s It.  The first film was dramatically better than the novel while the second film was significantly worse.

And then occasionally, you’ll have a case where the book and the movie are equally good, albeit for different reasons.  That’s the case with William Peter Blatty’s 1971 novel, The Exorcist.

The book and the movie both tell the same story.  Perhaps because Blatty served as both the writer and the producer of the film version, the movie sticks closely to the basic plot of his novel.  Regan McNeil, the daughter of an atheist actress named Chris McNeil, is possessed by a demon called Pazuzu.  It falls to Father Merrin and Father Karras to perform an exorcism.  Unfortunately, Merrin is old and in bad healthy while Karras fears that his faith might not be strong enough to defeat the demon.

Though the plot does remain the same, there are, of course a few differences between the film and the book.  As befits a novel written by a screenwriter, the book gets a bit more gossipy when detailing the production of Chris’s film.  The book also spends a good deal more time on Inspector Kinderman’s investigation into the deaths of characters like film director Burke Dennings.  In the film, Kinderman only appears in a few scenes.  In the book, he’s as important a character as Karras and it’s rather obvious that he was Blatty’s favorite character to write.  (It’s not a surprise that Kinderman was subsequently the main character in Legion, which was filmed as The Exorcist III and which starred George C. Scott as Kinderman.)  The book also spends a good deal more time on Karras’s crisis of faith.  In the film, Karras was portrayed as being initially hesitant to accept that Regan was possessed.  In the book, Karras researches the history of exorcisms and considers almost every other alternative before committing himself to performing the exorcism.  When the book was first published, those scenes were included to make the reader themselves question whether or not Regan was actually possessed.  Modern readers, however, already know that answer to that.

Myself, I appreciated the extra time that the novel spent with Kinderman and Karras.  As written by Blatty, they’re both engaging characters and Karras’s crisis of faith is actually handled with a good deal more skill in the book than in the movie.  If the movie is a nonstop roller coaster of terror, the book is a bit more thoughtful.  Whereas the movie shocks you into accepting its premise, the book actually tries to convince you that demons are real and that they’re responsible for the evil in the world.  (The books opens with a series of quotes from real-life dictators and mobsters.)  The movie aims for your gut while the book’s horrors are often more cerebral but they both get under your skin and inspire you to make sure that every door is locked and every window is closed.  Not that any of that would protect you, of course.  Both the movie and the novel understand that the scariest thing about what happens to Regan is that it’s out-of-her-control and could, in theory, happen to any of us.  Demons are going to do whatever they can.  Both the book and the film are fantastically effective and worthy of being known as horror classics.

This October, definitely be sure to watch The Exorcist and The Exorcist III.  Hell, maybe even watch The Exorcist II.  It’s not that bad!  (Okay, well, actually, it is.  But still, it’s kind of …. fun, in its way.)  But also take the time to read the books.  Doing one without doing the other is only getting half the story.

4 Shots From 4 Films: The Exorcist, Female Vampire, Ganja and Hess, The Wicker Man


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

This October, we’re using 4 Shots From 4 Films to look at some of the best years that horror has to offer!

4 Shots From 4 1973 Horror Films

The Exorcist (1973, dir by William Friedkin)

Female Vampire (1973, dir by Jess Franco)

Ganja and Hess (1973, dir by Bill Gunn)

The Wicker Man (1973, dir by Robin Hardy)