Ted Wells | Through the Shattered Lens

In Mexico, two American cowboys, Johnny Darrel (Johnny Mack Brown) and Dick Martin (Julian Madison) join a poker game to try to win some money and help out their buddy, Oscar (Sid Saylor). When they discover that cantina owner Manuel Mendez (Ted Adams) has rigged the game, a fight breaks out. The lights turn off. In the darkness, several guns are fired. When the lights come back up, Dick is dead. Mendez convinces Johnny that he accidentally shot his friend in the fight. Guilt-stricken, Johnny tosses aside his guns and returns to Texas.

Johnny has sworn that he will never shoot another gun but when he’s hired to work at a ranch owned by Joan Williams (Claire Rochelle), he finds himself in the middle of a range war between Joan and Brace Stevens (Dick Curtis), with Mendez also making an unwelcome return to Johnny’s life. Even after Johnny discovers the truth about what happened that night at the cantina, he doesn’t pick up a gun. Instead, Johnny fights the bad guys with lassos and plates.

Guns In The Dark is only 54 minutes long and it features actors who will be familiar to any fan of the old B-westerns. Sidekcick Sid Saylor’s stuttering schtick gets old quickly but Johnny Mack Brown is as likable as always in Guns In The Dark and he comes across as being an authentic cowboy even when he’s not carrying a gun Given that this film features even more horse chases than the typical Johnny Mack Brown b-western, it’s good that Brown is so convincing. What isn’t convincing is how stupid Johnny Darrel is required to be in order for him to fall for Mendez’s lie in the first place. I appreciated the change of pace from Brown just using a gun to stop the bad guys but I wish the reason behind it had been more convincing. This isn’t one of Johnny Mack Brown’s more memorable westerns though, as always, it’s easy to see why he was one of the early stars of the genre.

For years, outlaws have controlled the frontier town of Dusty Gulch but now their power is threatened by the homesteaders who are moving into the area. Led by the crusading Rev. Tex Harding, the homesteaders are being progress and reform to the frontier.

Duke (Ethan Laidlaw) and his gang have launched a campaign of intimidation against the new arrivals. Luckily, the Durango Kid (Charles Starrett) rides into town to protect the homesteaders. Duke’s boss, businessman Blaze Howard (John Calvert), decides that the town needs a sheriff to go after the Kid. Blaze offers the job to newcomer Steve Ranson, not realizing that Steve is not only the Durango Kid but also the brother of the former sheriff, who was murdered by Blaze’s men.

Lawless Empire is one of the few Durango Kid films not to feature Smiley Burnette as Durango’s sidekick. Instead, Durango rides into town with Bob Wills and his Texas Playboys and, while Willis does perform a song or two, there’s still considerable less singing than in the films that featured Burnette. The role of comic relief is provided by Dub Taylor in the role of Cannonball. Cannonball gets a job sweeping up Blaze’s saloon and he feeds whatever information he learns back to Durango. When Blaze figures out what’s going on, he deliberately supplies Cannonball with bad information but it doesn’t make any difference. The Durango Kid is always one step ahead of the bad guys.

Lawless Empire is a little more serious than the other Durango Kid films. Steve is not only trying to clean up the town but he’s also seeking to avenge his brother so there’s not as much room for as much comedy as usual. Lawless Empire does have all of the usual gunfights and horse chases and the film gets off to an exciting start with Durango making his first appearance with his gun already drawn so that he can disarm Duke and his men. Even without Smiley around to help him out, Durango brings law to a lawless empire.