The Octagon (1980, directed by Eric Karson)


A ninja named Seikura (Tadashi Yamashita) is running a training camp where he shows mercenaries and terrorists how they can use martial arts to assassinate their enemies and disrupt the political system.  Someone has to stop him.

This looks like a job for CHUCK NORRIS!

In this one, Chuck plays Scott James, a retired karate champion who, though a massive series of apparently unrelated coincidences, is drawn into the fight against Seikura’s terrorists.  (Speaking of coincidences, Seikura just happens to be Scott’s half-brother.)  One of the fun things about The Octagon is that there’s no real rhyme-or-reason as to how Scott gets involved.  He just keeps running into people who want him to fight terrorists.  His former mentor (played by Lee Van Cleef) tries to recruit him.  Immediately after turning him down, Scott just happens to run into a woman (Karen Carlson) who is having car trouble and the woman tries to recruit him.  Scott’s old friend, A.J. (Art Hindle) tries to recruit him.  Even a dancer (Kim Lankford) who goes out on a date with Scott is more interested in talking about the terrorists than anything else.  Even when the terrorists decide to go after Scott, it’s mostly just because he keeps talking to their enemies.

Scott does eventually get involved.  He goes undercover, which means that he gives everyone a fake last name while asking them if they know where he can sign up for the terrorist training camp.  (But he doesn’t shave his mustache or anything else so he’s still obviously Chuck Norris.)  Eventually, Aura (Carol Bagdasarian) defects from the terrorists over to Scott’s side and the two of them launch an assault on the terrorist camp.  While this is all going on, Scott has doubts about whether or not he can really defeat his half-brother and we hear them in voice over.  It’s an interesting attempt to show what’s going on in an action hero’s head but, because Chuck was such an inexpressive actor early in his career, the contrast between his worries and his stone face creates a strange effect.

It doesn’t matter, though, that Chuck wasn’t an expressive actor or that the film’s plot is needlessly convoluted.  The fight scenes are frequent and they all rock and that’s what really matters.  Chuck throws a lot of punches and kicks in this film and, as opposed to some of his other early films, the director of The Octagon made sure that we could see every single one of them.  Whether he’s fighting in a small hotel room and fighting off a dozen enemies in the terrorist camp, Chuck’s exciting to watch.  Also exciting to watch is Carol Bagdasarian, who makes her role more than the typical action movie love interest.  At times, she seems like she might even be a deadlier opponent than Chuck himself!

Finally, Lee Van Cleef!  In this one, he drives a truck with a “Have You Hugged Your Gun Today?” bumper sticker.  No film featuring Lee Van Cleef can be that bad.  In fact, most, like The Octagon, are pretty damn entertaining.

A Movie A Day #132: American Ninja (1985, directed by Sam Firstenberg)


Hell yeah!

From Yoram Globus and Menahem Golan, the duo who were responsible for producing the coolest films of the 1980s, comes American Ninja!

Private Joe Armstrong (Michael Dudikoff) is the newest arrival on an American army base in the Philippines.  A former member of a street gang, he has been forced to enlist in the army in order to keep himself out of jail.  Because he keeps to himself, the other soldiers do not like him.  Colonel Hickock (Guich Kook) is angry that his daughter, Patricia (Judie Aronson), likes Joe and conspires to have Joe court martialed.  Joe’s only friend is Corporal Jackson (Steve James), who starts out as an enemy but changes his ways after Joe shows off some sweet martial arts moves.  Because Joe is an amnesiac, he does not know where or why he learned how to fight.  He just knows that he can.

It’s good that he can because the local black marketer, Ortega (Don Stewart) has hired the legendary Black Star ninjas to help him steal supplies from the base.  Ortega has even allowed the ninjas to set up a training camp in his back yard.  When Joe prevents the ninjas from kidnapping Patricia, the ninjas swear revenge.

As if there could possibly be any doubt, American Ninja was made and distributed by Cannon Films.  It is about as pure an example of the Cannon aesthetic as anyone could hope to find.  Find a star — in this case, Michael Dudikoff — who was credible without being expensive.  Give him a love interest who was easy on the eyes and who could get held hostage during the film’s climax.  Toss in slow motion stunt work, big explosions, and Steve James.  Come up with a title that would appeal to both NASCAR-loving patriots and drive-in movie fans.  End result: American Ninja!

As a film, American Ninja get the job done and then some.  The fights are well-choreographed and the movie does not allow things like character development or subtext to get in the way of showcasing plenty of ninja action.  There are enough weird details, especially after Joe dons the black pajamas of the American Ninja, to keep the move interesting.  At one point, a ninja literally vanishes and what’s cool is that no one acts surprised when it happens.  Long before Crouching Tiger, Hidden Dragon, American Ninja showed that there’s nothing a ninja can’t do!

One final note: Keep an eye out for my favorite scene, in which a slow-moving jeep bumps into a tree and explodes with all the force of a planet that’s just been zapped by the Death Star.