In 2010’s Holyman Undercover, David A.R. White plays Roy.  Roy is an 18 year-old Amish dude from Kansas.  It’s time for him to experience Rumspringa, a period in which he can live life amongst “the English” and decide whether or not he wants to commit to being Amish.  Roy decides to go Los Angeles so he can track down his uncle and work with him as a missionary.

Roy struggles in Los Angeles.  Giving money to one homeless man leads to him nearly getting mugged.  When he meets his uncle, he discovers that Brian (also played by David A.R. White) is now a struggling actor who has a taste for cocaine.  (Brian claims that he’s a holyman working undercover.)  Accompanying Brian to an audition leads to Roy getting cast as Satan on a primetime soap opera.  His wife is played by vapid supermodel Tiffany Towers (Jennifer Lyons).  Meanwhile, the show’s producer is a former country girl named Annie (Andrea Logan White) and soon, Roy is having fantasies about Annie dressing up like an Amish woman and dancing in a field with him.  However, the head of the network (Fred Willard) wants Roy to date Tiffany because it’ll be good publicity for the show.

Throughout it all, Roy remains innocent and confused about the modern world.  He’s never watched television.  He doesn’t know how to use a phone.  He doesn’t understand what a credit card is.  He’s earnest and honest to a fault and, even after Tiffany makes out with him, he continues to insist that he only has eyes for Annie.

Of course, in reality, I imagine that the typical Amish person knows how to use a phone.  I imagine that they probably also know what a television is and they probably even understand that you’re expected to pay your credit card debt.  The Amish may choose to reject a good deal of the modern world but that doesn’t mean that they don’t know what the modern world is.  But this film isn’t meant to be a realistic portrayal of the Amish or of Hollywood or of really anything.

Indeed, I’m not really sure what to make of this film.  It’s faith-based and it ends with Roy delivering a simple message about loving others but the film’s humor is often rather mean-spirited and there’s several jokes that are more than a little racist and homophobic.  (Japanese tourists take pictures while shouting, “Godzilla!”  When Brian ends up in jail, his cellmate is a hulking black man who says his name is Beef because “it’s what’s for dinner.”)  David A.R. White is not bad as Roy but his performance as Brian is incredibly shrill and there’s really no reason, beyond ego, for director White to have cast himself in both roles.

Probably the best thing that one can say about the film is that the name actors — Fred Willard, Clint Howard, Edie McClurg, and Staci Keanan — all manage to survive with their dignity intact.  Indeed, the highlight of the film is, believe it or not, John Schneider earnestly playing himself as the actor who replaces Roy as Satan and who then promptly launches a presidential campaign.  “The country’s going to Hell anyway!” he says, with just the right amount of self-awareness.

Interestingly enough, the film does end with one particularly prophetic scene, as Roy and Annie leave Hollywood to produce an Amish dating show.  Tiffany moves with them to the farm and a group of Amish men compete for her hand in marriage.  Farmer Wants A Wife, anyone?