The Unominated #21: Southern Comfort (dir by Walter Hill)


Though the Academy of Motion Picture Arts and Sciences claim that the Oscars honor the best of the year, we all know that there are always worthy films and performances that end up getting overlooked.  Sometimes, it’s because the competition too fierce.  Sometimes, it’s because the film itself was too controversial.  Often, it’s just a case of a film’s quality not being fully recognized until years after its initial released.  This series of reviews takes a look at the films and performances that should have been nominated but were, for whatever reason, overlooked.  These are the Unnominated.

1981’s Southern Comfort takes place in 1973.  While America tries to wind down its presence in Vietnam, a squad of nine National Guardsmen take part in war games in the Louisiana bayous.  The squad is led by the ineffectual Sgt. Crawford Poole (Peter Coyote) while other members include the trigger-happy Lonnie Reece (Fred Ward), the weed-smoking Tyrone Cribbs (T.K. Carter), the cowardly Private Simms (Franklyn Seales), and the tightly-wound Coach Bowden (Alan Autry).  Poole may be in charge but most of the members of the squad seem to look up to the laid-back and friendly Private Spencer (Keith Carradine).  The newest member of the squad is Charles Hardin (Powers Boothe), a sober-minded transfer from Texas who doesn’t seem to get along with anyone but Spencer.

With the exception of Poole and Hardin, no one takes the weekend maneuvers seriously until they find themselves lost in the bayou and it becomes obvious that Poole has no idea what he’s doing.  When they come across some canoes that belong to some Cajun trappers, they decide to “borrow” them.  When the trappers protest, Reece fires his weapon at them.  Reece’s gun is loaded with blanks but the trappers don’t know that.  They fire back, killing Poole.

The national guardsmen now find themselves lost and being stalked by the trappers, a largely unseen force that always seems to attack out of nowhere.  The men have no idea where they are.  The trappers, on the other hand, have lived in the swamps their entire lives.  The guardsmen bicker and argue over the best way to respond.  Some want to fight back and some just want to get back to civilization.  One-by-one, the men are picked off until only two remain.

Though the film is a somewhat heavy-handed metaphor for the Vietnam War, Southern Comfort is still a deeply affecting and suspenseful mix of horror and action.  Director Walter Hill keeps the action moving at a quick pace and the film, which was shot on location and featured scenes shot during an actual Cajun celebration, perfectly captures the languid yet ominous atmosphere of the bayous.  As soon as the men see those canoes unattended, we know that they’re going to steal them and that they are making the biggest mistake of their lives.  Keith Carradine and Powers Boothe both give powerful performances in the lead roles and the members of the supporting cast — especially Alan Autry and Fred Ward — make a strong impression as well.  I especially liked the performance of Brion James, who has a small role as a one-armed Cajun who is more crafty than he looks.

Being a mix of horror and action, it’s probably not a shock that Southern Comfort was ignored by the Academy.  At the very least, I would have found room for Ry Cooder’s original score and Andrew Laszlo’s haunting cinematography.

Previous Entries In The Unnominated:

  1. Auto Focus 
  2. Star 80
  3. Monty Python and The Holy Grail
  4. Johnny Got His Gun
  5. Saint Jack
  6. Office Space
  7. Play Misty For Me
  8. The Long Riders
  9. Mean Streets
  10. The Long Goodbye
  11. The General
  12. Tombstone
  13. Heat
  14. Kansas City Bomber
  15. Touch of Evil
  16. The Mortal Storm
  17. Honky Tonk Man
  18. Two-Lane Blacktop
  19. The Terminator
  20. The Ninth Configuration

4 Shots From 4 Films: Special Walter Hill Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, we here at the Shattered Lens wish a happy 83rd birthday to the great director Walter Hill.

Walter Hill is one of those legendary figures who has a devoted cult of fans but it still seems like he’s never quite gotten all of the opportunities and the acclaim that he deserved.  Perhaps because so many of his films are considered to be genre pieces, they were often not appreciated until a few years after they were first released.  But for film lovers and film students, Walter Hill is one of the most important directors of the past 50 years.

Today, we celebrate with….

4 Shots From 4 Walter Hill Films

The Warriors (1979, directed by Walter Hill, DP: Andrew Laszlo)

Southern Comfort (1981, dir by Walter Hill, DP: Andrew Laszlo)

Streets of Fire (1984, dir by Walter Hill, DP: Andrew Laszlo)

Last Man Standing (1996, dir by Walter Hill, DP: Lloyd Ahern II)

4 Shots From 4 Films: Special Walter Hill Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, we here at the Shattered Lens wish a happy 81st birthday to the great director Walter Hill.

Walter Hill is one of those legendary figures who has a devoted cult of fans but it still seems like he’s never quite gotten all of the opportunities and the acclaim that he deserved.  Perhaps because so many of his films are considered to be genre pieces, they were often not appreciated until a few years after they were first released.  But for film lovers and film students, Walter Hill is one of the most important directors of the past 50 years.

Today, we celebrate with….

4 Shots From 4 Walter Hill Films

The Warriors (1979, dir by Walter Hill, DP: Andrew Laszlo)

Southern Comfort (1981, dir by Walter Hill, DP: Andrew Laszlo)

Wild Bill (1995, dir by Walter Hill, DP: Lloyd Ahern II)

Dead For A Dollar (2022, dir by Walter Hill, DP: Lloyd Ahern II)

4 Shots From 4 Walter Hill Films


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, we here at the Shattered Lens wish a happy 80th birthday to the great director Walter Hill.

Walter Hill is one of those legendary figures who has a devoted cult of fans but it still seems like he’s never quite gotten all of the opportunities and the acclaim that he deserved.  Perhaps because so many of his films are considered to be genre pieces, they were often not appreciated until a few years after they were first released.  But for film lovers and film students, Walter Hill is one of the most important directors of the past 50 years.

Today, we celebrate with….

4 Shots From 4 Walter Hill Films

The Warriors (1979, dir by Walter Hill, DP: Andrew Laszlo)

The Long Riders (1980, dir by Walter Hlll, DP: Ric Waite)

Southern Comfort (1981, dir by Walter Hill, DP: Andrew Laszlo)

Streets of Fire (1984, dir by Walter Hill, DP: Andrew Laszlo)

4 Shots From 4 Films: Happy Birthday Walter Hill!


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking.

Today is Walter Hill’s birthday!

Can you dig it?

4 Shots From 4 Films

Hard Times (1975, directed by Walter Hill)

The Warriors (1979, directed by Walter Hill)

The Long Riders (1980, directed by Walter Hill)

Southern Comfort (1981, directed by Walter Hill)

Scenes I Love: Southern Comfort


This rather lengthy sequence comes towards the end of Walter Hill’s 1981 action film, Southern Comfort.  Two national guardsmen (played by Keith Carradine and Powers Boothe), after spending the majority of the movie being chased through the Louisiana bayou by “bad” Cajuns, find a few moments of fleeting peace with “good” Cajuns.  While I love the way Hill builds up the tension in the scene, it’s the authentic atmosphere that makes this sequence memorable.  Hill filmed this sequence with nonprofessional extras who pretty much just did their thing. 

(As a sidenote: I’m fluent in French but less so in Cajun.)

Be warned: two hogs are gunned down and gutted about halfway through this scene.  Since this film was made by Walter Hill and not Umberto Lenzi, I doubt the hogs were specifically murdered just for the movie.  To be honest, as a former farm girl who has spent more than a little time down around the bayous, I find it diffilcult to cry too hard over a hog.  Trust me, they’re nothing at all like Babe.

The music here, by the way, was performed by the legendary Dewey Balfa.