Sledgehammer | Through the Shattered Lens

Diff’rent Strokes (Tubi)

It wasn’t by choice! On Wednesday, I watched a movie on Tubi and then Tubi sent me to an episode of Diff’rent Strokes before I could stop it. Mr. Drummond’s friend, Larry (McClean Stevenson), visited from Oregon. Drummond got Larry a chance to audition for his own talk show. Larry’s daughter (Kim Richards) didn’t want to move and, for some reason, she blamed the whole thing on Gary Coleman.

Fridays (Prime)

This was a comedy sketch show from the early 80s. I watched the premiere episode on Saturday morning. There were a lot of familiar faces in the cast, including a dark-haired Larry David. Unfortunately, none of the skits were really that funny.

The Greatest Event In Television History (Prime)

In this Adult Swim series, Adam Scott recreated the opening credits of classic television shows and destroyed his life in the process. Jeff Probst hosted. Jon Hamm guest-starred and “died” shortly after filming his scenes. (Don’t worry, his ghost later appeared.) Paul Rudd slept with Adam’s wife. Host Jeff Probst said, “Adam’s life is now ruined.” Billy Joel played piano. I watched all four episodes on Tuesday and it was funnier than it had any right to be.

Jesus of Nazareth (Tubi)

On Easter, I binged this seven hour miniseries from 1977. Written by Anthony Burgess and directed by Franco Zeffirelli, this gorgeously produced production took the idea of having an all-star cast quite literally. Even the minor roles were played by familiar faces, everyone from Donald Pleasence to Rod Steiger to Ernest Borgnine to James Earl Jones, Ian McShane, Laurence Olivier, Stacy Keach, Christopher Plummer, and Michael York. Olivia Hussey played the Virgin Mary. Anne Bancroft played the Magdalene. It was very well-done and surprisingly moving.

The Masters (Prime and Paramount+)

I watched a bit of the Masters this week. On Saturday, when it was storming outside and I had just returned from attending a memorial service for an old friend of my father’s, it provided a nice distraction.

Nero Wolfe (A&E)

I watched the final two episodes of Nero Wolfe on Tuesday. It was a truly entertaining show, featuring great work from Maury Chaykin and Timothy Hutton. It’s a shame that it was canceled after only two seasons.

Sledgehammer (Prime)

This was an 80s sitcom, featuring David Rasche as an out-of-control cop. I watched two episodes on Friday and it was actually pretty funny. Rasche talked to his gun and made fun of liberals. I enjoyed it.

I also watched and reviewed:

Long ago, an adulterous couple was beaten to death by someone weilding a sledgehammer while one of the victm’s 8 year-old son watched. Ten years later, a bunch of stupid college kids decide that the farmhouse would be a great place to throw a party. Great idea! After a lot of filler, including a length foodfight, one of the partiers tells the story of the murder and then suggests holding a seance so that they can talk to “ghosts and goblins.” Everyone agrees. At first, it seems like the seance is just an extended practical joke but soon, a killer with a sledgehammer shows up.

Sledgehammer was an early direct-to-video slasher film. It was directed by David A. Prior, who later went on to become one of the buseist DTV directors of the 80s and 90s. Starring in the film was Ted Prior, brother of David. Ted plays Chuck, who is not sure whether or not he wants to marry his fiancee, Joni (Linda McGill). There’s a scene where Chuck and Joni walk through a fied in slow motion. It adds nothing to the plot but it did add to the running time, which I imagine was the intent. There are, in fact, several slow motion sequences in the film. There’s so much slow motion that it’s hard not to laugh whenever the frames start to slow down. It’s an 87 minute film but it feels like at least 20 minutes of that is due to the slow motion.

Sledgehammer is slow and dumb but it’s hard to really dislike it. The cast may be amateurish but they also appear to be having a good time and the decision to film almost the entire movie in what was then David Prior’s apartment is actually likable in a low-rent, anyone-can-make-a-movie way. The opening credits are written in generic 80s computer font and the movie ends with a lengthy “You have been watching” style montage of the cast. It’s like bad 80s synthesizer music, cheesy but impossible to hate. As for the killer, he’s stuck wearing a cheap mask but the sledgehammer is a good weapon and it actually makes him more threatening than many of his knife and axe wielding comrades.

Sledgehammer is not great. It’s not even the best thing from the 80s to be called Sledgehammer. (David Rasche rules!) But it’s better than many other direct-to-video slashers. What it lacks in creativity, it maes up for with ethusiasm.