Retro Television Review: Malibu, CA 2.11 “The Best Man”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Malibu CA, which aired in Syndication in 1998 and 1999.  Almost the entire show is currently streaming on YouTube!

Yes, this is from the first season. I don’t care. I refuse to waste my time looking for a second season advertisement.

Where was I when the new Pope was revealed?  I was watching this stupid show.

Episode 2.11 “The Best Man”

(Dir by Gary Shimokawa, originally aired on January 15th, 2000)

Finally, after weeks of posting apologetic notes and an imdb summaries, I have reached a second season episode of Malibu, CA that has actually been uploaded to YouTube.  In fact, it appears that most of the rest of season 2 has been uploaded so I’ll be able to do real reviews now as opposed to just snarky speculation.

Normally, I’d celebrate but this is Malibu, CA.  It is, by far, the worst show that I’ve reviewed here at the Shattered Lens.  This week’s episode was especially stupid and the only thing that’s keeping me from really getting mad about having wasted 30 minutes of my life on it is the fact that we have a new Pope and he’s American!

The plot of this week’s episode is dumber than dumb.  Murray’s best friend is marrying Lisa’s friend.  How Lisa (the character, not me!) has any friends, I’m not really sure.  She just moved to California at the start of the season, she acts like a condescending bitch to just about everyone she meets, and she’s continually talking about how better she is then everyone.  Regardless, Scott has a crush on her …. then again, Scott also treats everyone he knows like crap so maybe that explains it.  Anyway, Murray is the best man and Lisa is the maid of honor and Traycee says that means they’re destined to fall in love.  Murray decides that Lisa is his girlfriend and, for some reason, neither Scott nor Lisa can find the courage to tell Murray the truth.

Meanwhile, Jason, his father, and new lifeguard Alex (Suzanne Davis) go into the piemaking business together.  They’re using Alex’s grandmother’s recipe and everyone loves the pie!  It’s so popular that they even set up a conveyer belt in the kitchen to make boxing the pies up go quicker.  But then Jason gets distracted, the conveyer starts moving too quickly, and — hey, there’s pie everywhere!

(Hmmm…. this seems familiar….)

Uh-oh!  There’s a lawyer in the restaurant and he’s threatening to sue.  It turns out that Alex’s grandmother got her recipe from the pies that were being made by a professional bakery.  And now, Jason and his Dad are getting sued, unless they stop making and selling the pies….

Wait a minute!  SCREECH’S SPAGHETTI SAUCE!  This whole thing is just a remake of an episode of Saved By The Bell!  They didn’t even bother to come up with new ending!

Seriously, screw these lazy writers!  I don’t ask for much, especially when the show is produced by Peter Engel.  I’m certainly not expecting or demanding a hard-hitting drama or a ground-breaking comedy.  But come on — DON’T JUST PLAGAIRZINE YOURSELF, YOU MORONS!  MAKE SOME SORT OF FREAKING EFFORT!

Ugh, this show!

I didn’t care much for this episode.

Dead For A Dollar (2022, directed by Walter Hill)


In 1897, bounty hunter Max Borlund (Christoph Waltz) is hired by wealthy Martin Kidd (Hamish Linklater) to track down Elijah Jones (Brandon Scott), the man who Martin says has kidnapped his wife.  Accompanying Max is Alonzo Poe (Warren Burke), who served with Elijah in the Army.

From the start, Max suspects that Martin is not being completely forthright about the kidnapping and it does turn out that Rachel Kidd (Rachel Brosnahan) voluntarily left with Elijah and is planning on traveling to Cuba with him.  Martin has hired crime baron Tiberio Vargas (Benjamin Bratt) to have Rachel raped and murdered because Martin thinks that the tragedy will help him launch his political career.  Because Martin suspects that Max might not be trustworthy, he has hired Max’s rival, Joe Cribbens (Willem DaFoe), to track down Rachel as well.

This film has a cast that is full of talented people and it’s a western directed by someone who has proven himself to be one of the masters of genre, Walter Hill.  I wanted to like Dead For A Dollar but the movie just didn’t work.  Waltz and DaFoe are great actors but they just seem to be going through the motions and Rachel Bsonahan is miscast.  Benjamin Bratt and Hamish Linklater are forgettable villains.  Even worse, Dead For A Dollar has a washed-out visual style that you would never expect from a director like Walter Hill.

Rewatch The Long Riders instead.

What Lisa Watched Last Night #59: Dead Season (dir by Adam Deyoe)


Okay, I know what you’re going to say.  “Hey, Bowman, Dead Season was just on the SyFy network a few hours ago.  What’s up with this last night crap?”  Well, it’s true that I did watch Dead Season from 8 to 10 on Saturday night.  It’s also true that,  as I sit here starting this review, it is a few minutes passed midnight.  In other words, it is now Sunday and therefore, I can truthfully say that I watched Dead Season last night.

Seriously, people, work with me here.

Why Was I Watching It?

Tonight, as far as watching a movie on television was concerned, I had two options.  I could have either watched Elf on ABC or I could have watched Dead Season on SyFy.  I ended up going with Dead Season because I’ve already seen Elf a few thousand times and I know that I’ll probably end up watching it again on Christmas Eve with my sisters.  Plus, watching a bad movie on SyFy (and writing about it on twitter while doing so) has become something of a Saturday night tradition for me.

What Was It About?

(Minor Spoilers Below)

Your guess is as good as mine.

Seriously, Dead Season generated a near record number of tweets last night and the majority of those tweets were some variation of “WTF!?”  I somehow managed to pay attention to the entire film and I’m still not 100% sure what I saw.  However, here’s my interpretation of the film’s plot:

The zombie apocalypse has hit.  All across the world, the dead are wandering around and eating people.  The few remaining living humans spend their time listening to vinyl records and talking to each other via short wave radio.  If I sound a little bit confused, that’s because the first few minutes of the film is narrated by a guy who is using one of those radios and appears to be exclusively broadcasting on the static channel.

Elvis (Scott Peat) is a doctor who meets a woman named Tweeter (Marissa Merrill).  Tweeter has a kid with her who might be her son but then again, he might not be.  Actually, it’s probably best just to pretend like the kid isn’t in the film.  That’s what we did on twitter.

Eventually, Elvis and Tweeter set sail on a boat and they end up on some jungle island off of South America.  The jungle is full of zombies but luckily, they come across a compound that’s run by Kurt Conrad (James C. Burns).  Kurt has a collection of soldiers, a small harem of concubines, and a daughter (Corsica Williams) who hasn’t left her room in 10 months.

Kurt welcomes Elvis and Tweeter into the compound.  Tweeter starts to bond with Kurt’s daughter while Elvis discovers that his new job is to be both the camp’s doctor and the camp’s cook.  Apparently, Kurt’s a cannibal and eats other survivors.  Elvis is reluctant to take part but Kurt tells him, “I’ve seen you walk in the darkness.”

Meanwhile, Tweeter comes across a bunch of home movies, which she watches while Elvis and Kurt debate the morality of the zombie apocalypse.

And then some other stuff happens.

Again, your opinion of what happened in the film might differ.

What Worked?

While we were talking about the movie on twitter, my friends and I agreed that absolutely nothing worked.  Seriously.  At one point, #deadseason actually became a trending topic and I felt the need to issue an apology to anyone who might end up watching the film as a result.

That said, with the hindsight the comes from three hours of contemplation, I can now say that — despite the fact that their characters were kinda annoying — both Scott Peat and Marissa Merril did about as well as they could with the material that they were given to work with.

What Did Not Work?

Good Lord, where to begin?

Storywise, the film felt like a total rip-off of The Walking Dead.  However, after doing a little research on the imdb, it appears that this film was actually in production before The Walking Dead even premiered.  That said, it was still impossible to watch the film and not unfavorably compare it to The Walking Dead.  The zombies are even called “walkers” at several points.

Technically, the film is a mess.  This is one of those films where various members of the camera crew make cameo appearances.  Most noticeably, the film has one of the most out-of-control, garbled sound tracks that I’ve ever heard.  One conversation between Kurt and Elvis was literally unintelligible because of the overpowering sound of chirping crickets.

Finally, this is one of those zombie films where people are constantly getting blood splashed all over their clothes but yet they never seem to consider changing outfits.  Seriously, I would hate it if I got blood all over the only shirt I had bothered to bring to the zombie apocalypse.  Tweeter spends the first third of the film in a blood drenched shirt and, despite the fact that she’s on a boat and surrounded by water, it never seems to occur to her to try to wash the blood off.  Honestly, after spending a week in a blood-covered shirt, I’m just going to take it off.  I don’t care who sees my boobs.

Admittedly, I am a bit of a clean freak but surely, I’m not alone in this.

“Oh my God!  Just like me!” Moments

If there’s one rule that I learned from zombie films and that I live by, it’s that you should always be sure to pack an extra lacy black bra in case of a zombie apocalypse.  Tweeter, as is revealed several times during the film, agrees with me.

Lessons Learned:

I didn’t learn a damn thing.  So there.